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Author: Colleen McDannell
Publisher: Yale University Press
ISBN: 0300130074
Category : Photography
Languages : en
Pages : 329
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Book Description
Henri Peyre (1901-1988), a giant figure in French studies, did more to introduce Americans to the modern literature and culture of French than any other person. Sterling Professor and chair of the French Department of Yale University for more than four decades, Peyre was also the author of forty-four books, a brilliant speaker, and a mentor to two generations of students. He left enormous legacies as both teacher and scholar. Peyre also left a large and fascinating body of correspondence. This collection of his letters documents the era in which he lived. His lively letters also bear witness to the vast network of his friends and colleagues, including such major post-war literary figures as Robert Penn Warren, Andre Gide, and Andre Malraux.
Author: Colleen McDannell
Publisher: Yale University Press
ISBN: 0300130074
Category : Photography
Languages : en
Pages : 329
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Book Description
Henri Peyre (1901-1988), a giant figure in French studies, did more to introduce Americans to the modern literature and culture of French than any other person. Sterling Professor and chair of the French Department of Yale University for more than four decades, Peyre was also the author of forty-four books, a brilliant speaker, and a mentor to two generations of students. He left enormous legacies as both teacher and scholar. Peyre also left a large and fascinating body of correspondence. This collection of his letters documents the era in which he lived. His lively letters also bear witness to the vast network of his friends and colleagues, including such major post-war literary figures as Robert Penn Warren, Andre Gide, and Andre Malraux.
Author: Shih-shan Susan Huang
Publisher: BRILL
ISBN: 168417516X
Category : Religion
Languages : en
Pages : 533
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Book Description
"Picturing the True Form investigates the long-neglected visual culture of Daoism, China’s primary indigenous religion, from the tenth through thirteenth centuries with references to both earlier and later times. In this richly illustrated book, Shih-shan Susan Huang provides a comprehensive mapping of Daoist images in various media, including Dunhuang manuscripts, funerary artifacts, and paintings, as well as other charts, illustrations, and talismans preserved in the fifteenth-century Daoist Canon. True form (zhenxing), the key concept behind Daoist visuality, is not static, but entails an active journey of seeing underlying and secret phenomena. This book’s structure mirrors the two-part Daoist journey from inner to outer. Part I focuses on inner images associated with meditation and visualization practices for self-cultivation and longevity. Part II investigates the visual and material dimensions of Daoist ritual. Interwoven through these discussions is the idea that the inner and outer mirror each other and the boundary demarcating the two is fluid. Huang also reveals three central modes of Daoist symbolism—aniconic, immaterial, and ephemeral—and shows how Daoist image-making goes beyond the traditional dichotomy of text and image to incorporate writings in image design. It is these particular features that distinguish Daoist visual culture from its Buddhist counterpart."
Author: Christiane J. Gruber
Publisher: Indiana University Press
ISBN: 0253353777
Category : Antiques & Collectibles
Languages : en
Pages : 305
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Book Description
The rich and varied traditions of Islamic book art
Author: Roger S. Wieck
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
Two dozen Books of Hours mostly from the 15th and 16th centuries, with examples from France, the Netherlands and Belgium, are presented chronologically. Many are previously unknown and unpublished.
Author: Neil Livingstone
Publisher: InterVarsity Press
ISBN: 0830833706
Category : Religion
Languages : en
Pages : 184
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Book Description
In our image-based culture, people need to visualize something to understand it. This has never been more true about our communication of the gospel. But sometimes our understanding of the gospel gets stuck in a rut, and all we know is a particular outline or one-size-fits-all formula. While we hold to only one gospel, the New Testament uses a wealth of dynamic, compelling images for explaining the good news of Jesus, each of which connects with different people at different points of need. Neil Livingstone provides a guided tour of biblical images of the gospel and shows how each offers fresh insight into God's saving work. Walking through Scripture's gallery of pictures of salvation from new life to deliverance, from justification to adoption, Livingstone invites us to deepen our understanding of the gospel. By letting the truth and power of each permeate our lives, we will be better able to articluate the life-changing gospel of Christ to a world that needs to taste--and see--that the Lord is good.
Author: Elina Gertsman
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501514849
Category : Art
Languages : en
Pages : 286
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Book Description
This volume celebrates the storied career of Stephen N. Fliegel, the former Robert Bergman Curator of Medieval Art at the Cleveland Museum of Art (CMA). Authors of these essays, all leading curators in their fields, offer insights into curatorial practices by highlighting key objects in some of the most important medieval collections in North America and Europe: Metropolitan Museum of Art, The Louvre, the British Museum, Victoria & Albert Museum, the Getty, the Groeningemuseum, The Morgan Library, Vienna’s Kunsthistorisches Museum, and, of course, the CMA, offering perspectives on the histories of collecting and display, artistic identity, and patronage, with special foci on Burgundian art, acquisition histories, and objects in the CMA.
Author: Richard W. Kaeuper
Publisher: University of Pennsylvania Press
ISBN: 0812207920
Category : History
Languages : en
Pages : 345
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Book Description
The medieval code of chivalry demanded that warrior elites demonstrate fierce courage in battle, display prowess with weaponry, and avenge any strike against their honor. They were also required to be devout Christians. How, then, could knights pledge fealty to the Prince of Peace, who enjoined the faithful to turn the other cheek rather than seek vengeance and who taught that the meek, rather than glorious fighters in tournaments, shall inherit the earth? By what logic and language was knighthood valorized? In Holy Warriors, Richard Kaeuper argues that while some clerics sanctified violence in defense of the Holy Church, others were sorely troubled by chivalric practices in everyday life. As elite laity, knights had theological ideas of their own. Soundly pious yet independent, knights proclaimed the validity of their bloody profession by selectively appropriating religious ideals. Their ideology emphasized meritorious suffering on campaign and in battle even as their violence enriched them and established their dominance. In a world of divinely ordained social orders, theirs was blessed, though many sensitive souls worried about the ultimate price of rapine and destruction. Kaeuper examines how these paradoxical chivalric ideals were spread in a vast corpus of literature from exempla and chansons de geste to romance. Through these works, both clerics and lay military elites claimed God's blessing for knighthood while avoiding the contradictions inherent in their fusion of chivalry with a religion that looked back to the Sermon on the Mount for its ethical foundation.
Author:
Publisher: BRILL
ISBN: 9004215131
Category : History
Languages : en
Pages : 1402
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Book Description
Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church’s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional experiences. The authors included here study the provocation and the reactions associated with medieval and Renaissance art and architecture. These essays trace the impetus towards interactivity from the points of view of their creators and those who used them. Contributors include: Mickey Abel, Alfred Acres, Kathleen Ashley, Viola Belghaus, Sarah Blick, Erika Boeckeler, Robert L.A. Clark, Lloyd DeWitt, Michelle Erhardt, Megan H. Foster-Campbell, Juan Luis González García, Laura D. Gelfand, Elina Gertsman, Walter S. Gibson, Margaret Goehring, Lex Hermans, Fredrika Jacobs, Annette LeZotte, Jane C. Long, Henry Luttikhuizen, Elizabeth Monroe, Scott B. Montgomery, Amy M. Morris, Vibeke Olson, Katherine Poole, Alexa Sand, Donna L. Sadler, Pamela Sheingorn, Suzanne Karr Schmidt, Anne Rudloff Stanton, Janet Snyder, Rita Tekippe, Mark Trowbridge, Mark S. Tucker, Kristen Van Ausdall, Susan Ward.
Author: Stefanie Knöll
Publisher: Cambridge Scholars Publishing
ISBN: 1443879223
Category : Art
Languages : en
Pages : 450
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Book Description
This groundbreaking collection of essays by a host of international authorities addresses the many aspects of the Danse Macabre, a subject that has been too often overlooked in Anglo-American scholarship. The Danse was once a major motif that occurred in many different media and spread across Europe in the course of the fifteenth century, from France to England, Germany, Scandinavia, Poland, Spain, Italy and Istria. Yet the Danse is hard to define because it mixes metaphors, such as dance, di ...
Author: Leonard N. Neufeldt
Publisher: Oxford University Press
ISBN: 0195363337
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
This major study brings to light Thoreau's relation to the complex economic discourse of his time and place. Specifically, it examines the impact of transformations in economic thinking and behavior that occurred in antebellum New England and America; these transformations at the level of language; and Thoreau's awareness of these transformations. Neufeldt situates Thoreau in significant economic conditions of his time, investigating how these conditions contained him even as he sought to contain them. Using Walden and "Life without Principle," as main examples, the book considers the questions of why and how Thoreau, who was very much shaped by his culture and its conventions, also contested the limitations of those conventions and used his condition to transform some of them. Thoreau's identity as a literary artist who regarded his writing as his cultural vocation is at the center of the discussion.
