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Author: Thomas F. Heck
Publisher: University Rochester Press
ISBN: 9781580460446
Category : Art
Languages : en
Pages : 286
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Book Description
There has long been a need to introduce performing-arts enthusiasts and students to the fascinating field of iconography, both as manifested in art history and in its more pragmatic or applied forms. Yet relatively little systematic effort has been made to collect and interpret centuries of such visual evidence in the light of the best available art-historical information, combined with corroborating textual documentation and insights from the histories of performance disciplines. Aspiring iconographers of the performing arts need to be aware that there are often several levels of interpretation which great works of visual art will sustain. This book explores these levels of interpretation: a surface or literal reading, a deeper reading of the work which seeks to enter the mind of the artist and asks how and why he put a given work together, and the deepest reading of the work relating it to the artistic traditions and culture in which the artist lived. In expounding on these levels of iconographic interpretations four discourses by scholars active in the study of visual records are given in relation to traditions, techniques, and trends: performance in general (Katritzky), music (Heck), theatre (Erenstein), and dance (Smith). Effort is made to keep abreast of modern technology influencing iconographic representations as on the Internet and virtual reality.Thomas F. Heck is Professor of Musicology and Head of the Music and Dance Library at the Ohio State University.
Author: Thomas F. Heck
Publisher: University Rochester Press
ISBN: 9781580460446
Category : Art
Languages : en
Pages : 286
Get Book Here
Book Description
There has long been a need to introduce performing-arts enthusiasts and students to the fascinating field of iconography, both as manifested in art history and in its more pragmatic or applied forms. Yet relatively little systematic effort has been made to collect and interpret centuries of such visual evidence in the light of the best available art-historical information, combined with corroborating textual documentation and insights from the histories of performance disciplines. Aspiring iconographers of the performing arts need to be aware that there are often several levels of interpretation which great works of visual art will sustain. This book explores these levels of interpretation: a surface or literal reading, a deeper reading of the work which seeks to enter the mind of the artist and asks how and why he put a given work together, and the deepest reading of the work relating it to the artistic traditions and culture in which the artist lived. In expounding on these levels of iconographic interpretations four discourses by scholars active in the study of visual records are given in relation to traditions, techniques, and trends: performance in general (Katritzky), music (Heck), theatre (Erenstein), and dance (Smith). Effort is made to keep abreast of modern technology influencing iconographic representations as on the Internet and virtual reality.Thomas F. Heck is Professor of Musicology and Head of the Music and Dance Library at the Ohio State University.
Author: Nick Kaye
Publisher: Routledge
ISBN: 1134665946
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
Site-Specific Art charts the development of an experimental art form in an experimental way. Nick Kaye traces the fascinating historical antecedents of today's installation and performance art, while also assembling a unique documentation of contemporary practice around the world. The book is divided into individual analyses of the themes of space, materials, site, and frames. These are interspersed by specially commissioned documentary artwork from some of the world's foremost practitioners and artists working today. This interweaving of critique and creativity has never been achieved on this scale before. Site-Specific Art investigates the relationship of architectural theory to an understanding of contemporary site related art and performance, and rigorously questions how such works can be documented. The artistic processes involved are demonstrated through entirely new primary articles from: * Meredith Monk * Station House Opera * Brith Gof * Forced Entertainment. This volume is an astonishing contribution to debates around experimental cross-arts practice.
Author: Elaine McGirr
Publisher:
ISBN: 1009351834
Category : Literary Criticism
Languages : en
Pages : 84
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Book Description
Theatre is the most ephemeral of art forms. It is a truism that the ephemeral performance text is divorced from the static published play text. This Element is of the eighteenth-century performance history of The Fair Penitent demonstrates the interrelation of print and performance and models how readers can recover elements of performance through close attention to text. Traces of performance adhere to the mediascape in playbills and puffs, reviews and accounts. The printed text also preserves traces of performance in notation and illustration. By analysing traces found in performance trends, casting decisions, publication histories and repertory intertexts, this Element recovers how The Fair Penitent was interpreted at different points in the century and explains how a play that bombed in its first season could become a repertory staple.
Author: Cynthia A. Freeland
Publisher: Routledge
ISBN: 1134714149
Category : Philosophy
Languages : en
Pages : 271
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Book Description
Philosophy and Film moves from broad theoretical reflections on film as a medium to concrete examinations of individual films.
Author: Archana Verma
Publisher: Cambridge Scholars Publishing
ISBN: 1443828327
Category : History
Languages : en
Pages : 165
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Book Description
This book deals with various aspects of performance in India; especially that related to dance and dance-drama. Rather than being a description of the various dance forms of India, it attempts to discuss the social equations and cultural ideas that a performance attempts to portray. In this sense, a performance is a narrative. At the same time, performances also deal with well-known narratives from the religious traditions of India, often redefining and recounting them in the process of performance. A study of these aspects is important to understand the kind of equations that define these discourses on the performance narratives. Chapter I shows the different forms of dances that are described in the iconographic canons and also the famous dance treatise the Natyashastra, correlating them with the sculptures of dance available in the temples. Here, the temples of south India datable to 6th- 13th centuries have been studied for this purpose. Attempt is made to study the gender equations that are expounded through these dance images and texts, as also the correlation between the audience and the performance and how these ideas are intertwined with the religious images. Chapter II deals with four Sanskrit burlesque plays written in the ancient period, which reverse social equations and classical dramatic representations through the genre of satire. Almost every elite-class person, generally idealized in the classical Sanskrit plays, is lampooned here. Issues of audience perception and the reception of this kind of reversed images of the ideal figures of the society are discussed in this chapter. Chapter III deals with the aesthetics of eroticism that form the basis of many Indian classical dances, how they are intertwined with the notion of devotionalism in Hinduism and how they are negotiated in the Indian classical dances in our contemporary period. A case study is done here of Odissi, the classical dance from the eastern state of Orissa, which draws extensively from the temple sculptures of dance. Chapter IV shows that sacred narrative in India is not always a means of glorifying the divine. Rather, sometimes it is also used to satirize the established notions of religiosity and of divinity. This forms the basis of this very interesting semi-classical dance-drama form called Ottan Thullal from the southern state of Kerala. Kathakali, the classical dance-drama and Mohiniattam, the classical dance from Kerala have dominated the scene so much that this form of dance-drama has been overshadowed and it is little known to the world outside Kerala, even in India. There is not much scholarship on Ottan Thullal. This chapter deals with this form and the manner in which it uses the idiom of satire to narrate the religious legends. Chapter V is a study of the Mithila narratives from the eastern region of Mithila in Bihar to understand the ways in which gender equations in the Mithila society influence the making of these narratives. There is a discussion of the nature of “folk narratives” in this chapter. Chapter VI takes some folk forms of performance and visual narratives from different states of India to show how social equations such as power hierarchy, gender and caste dimensions are negotiated. All these use the traditional religious space to work out these equations. Chapter VII on one hand is a comparative study of two Hindi films made in 1960s, based on the lives of two women dancers from ancient India. One of them is a historical figure and the other is a figure. On the other hand, this is an attempt o show how the narratives of these women dancers are remodeled in literary as well as the cinematic medium, every time these narratives are retold. Effort is made to show how the cultural memory of the ancient history of India that the modern narrators of these stories have been received as a process of acculturation, which influences this recasting of narratives in literature as well as in film. It is also shown that this process of narration through cultural memory is not a new phenomenon, since it occurred even in the ancient period when narrative was being remodeled to present in a new form before the audience.
Author: Sheramy Bundrick
Publisher: Cambridge University Press
ISBN: 9780521848060
Category : Art
Languages : en
Pages : 284
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Book Description
Bundrick proposes that depictions of musical performance were linked to contemporary developments in music.
Author: John Ibson
Publisher:
ISBN: 9780226368580
Category : Male friendship
Languages : en
Pages : 0
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Book Description
These photographs, spanning from before the Civil War to the 1950s, reveal a lost world. Rather than imposing contemporary notions of sexuality by assuming the images only illustrate a portion of the gay past, Ibson returns them to their own time to examine what they meant to the subjects. His perspective unearths a hidden aspect of American men's history. 140 photos.
Author: Yufeng Zheng
Publisher: BoD – Books on Demand
ISBN: 9533071826
Category : Computers
Languages : en
Pages : 256
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Book Description
The purpose of this book is to provide an overview of basic image fusion techniques and serve as an introduction to image fusion applications in variant fields. It is anticipated that it will be useful for research scientists to capture recent developments and to spark new ideas within the image fusion domain. With an emphasis on both the basic and advanced applications of image fusion, this 12-chapter book covers a number of unique concepts that have been graphically represented throughout to enhance readability, such as the wavelet-based image fusion introduced in chapter 2 and the 3D fusion that is proposed in Chapter 5. The remainder of the book focuses on the area application-orientated image fusions, which cover the areas of medical applications, remote sensing and GIS, material analysis, face detection, and plant water stress analysis.
Author: Philip W. Davis
Publisher: John Benjamins Publishing
ISBN: 9027276315
Category : Language Arts & Disciplines
Languages : en
Pages : 335
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Book Description
The papers in this volume were presented at the Fifth Biennial Symposium of the Department of Linguistics, Rice University, March 1993. The participants were asked to concentrate in depth and in a self-reflective way upon some range of data. The intent was multifold. The first purpose was descriptive. It was expected that the participants would carry out their task in a retrospective way, exemplifying and building upon their previous work, but it was also expected that they would begin to demonstrate the configuration of some area in a more comprehensive picture of language. The point was to take (at least) one substantive step in the depiction of what we think language will ultimately be like. The contributions were both specific and generalizing, with focus as much upon methodology as upon hypotheses about language. In examining descriptive practice, we continued to concentrate upon issues which concerned us all, and at the same time we tried to advance the discourse by the results of such description. We hoped that problematic and recalcitrant data would make our own practice clearer to us and that it might also instruct us in the refinement of our conceptions of language.
Author: Mohan S
Publisher: Springer Science & Business Media
ISBN: 8132209974
Category : Technology & Engineering
Languages : en
Pages : 622
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Book Description
The proceedings includes cutting-edge research articles from the Fourth International Conference on Signal and Image Processing (ICSIP), which is organised by Dr. N.G.P. Institute of Technology, Kalapatti, Coimbatore. The Conference provides academia and industry to discuss and present the latest technological advances and research results in the fields of theoretical, experimental, and application of signal, image and video processing. The book provides latest and most informative content from engineers and scientists in signal, image and video processing from around the world, which will benefit the future research community to work in a more cohesive and collaborative way.
