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Author: Brian Scott Baigrie
Publisher: University of Toronto Press
ISBN: 9780802074393
Category : Science
Languages : en
Pages : 420
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Book Description
The contributors to this volume examine the historical and philosophical issues concerning the role that scientific illustration plays in the creation of scientific knowledge.
Author: Brian Scott Baigrie
Publisher: University of Toronto Press
ISBN: 9780802074393
Category : Science
Languages : en
Pages : 420
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Book Description
The contributors to this volume examine the historical and philosophical issues concerning the role that scientific illustration plays in the creation of scientific knowledge.
Author: Peter Galison
Publisher: Routledge
ISBN: 113520750X
Category : Literary Criticism
Languages : en
Pages : 529
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Book Description
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Sachiko Kusukawa
Publisher: Oxford University Press, USA
ISBN: 019928878X
Category : History
Languages : en
Pages : 292
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Book Description
The period between the fifteenth and the middle of the seventeenth centuries saw a great many changes and innovations in scientific thinking. These were communicated to various publics in diverse ways; not only through discursive prose and formal notations, but also in the form of instruments and images accompanying texts. The collected essays of this volume examine the modes of transmission of this knowledge in a variety of contexts. The schematic representation of instruments is examined in the case of the 'navicula' (a versatile version of a sundial) and the 'squadro' (a surveying instrument); the new forms of illustration of plants and the human body are investigated through the work of Fuchs and Vesalius; theories of optics and of matter are discussed in relation to the illustrations which accompany the texts of Ausonio and Descartes. The different diagrammatic strategies adopted to explain the complex medical theory of the latitude of health are charted through the work of medieval and sixteenth-century physicians; Kepler's use of illustration in his handbook of cosmology is placed in the context of book production and Copernican propaganda. The conception of astronomical instruments as either calculating devices or as cosmological models is examined in the case of Tycho Brahe and others. A study is devoted to the multiple functions of frontispieces and to the various readerships for which they were conceived. The papers in the volume are all based on new research, and they constitute together a coherent and convergent set of case studies which demonstrate the vitality and inventiveness of early modern natural philosophers, and their awareness of the media available to them for transmitting knowledge.
Author: Joseph Dumit
Publisher: Princeton University Press
ISBN: 0691236623
Category : Medical
Languages : en
Pages : 266
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Book Description
By showing us the human brain at work, PET (positron emission tomography) scans are subtly--and sometimes not so subtly--transforming how we think about our minds. Picturing Personhood follows this remarkable and expensive technology from the laboratory into the world and back. It examines how PET scans are created and how they are being called on to answer myriad questions with far-reaching implications: Is depression an observable brain disease? Are criminals insane? Do men and women think differently? Is rationality a function of the brain? Based on interviews, media analysis, and participant observation at research labs and conferences, Joseph Dumit analyzes how assumptions designed into and read out of the experimental process reinforce specific notions about human nature. Such assumptions can enter the process at any turn, from selecting subjects and mathematical models to deciding which images to publish and how to color them. Once they leave the laboratory, PET scans shape social debates, influence courtroom outcomes, and have positive and negative consequences for people suffering mental illness. Dumit follows this complex story, demonstrating how brain scans, as scientific objects, contribute to our increasing social dependence on scientific authority. The first book to examine the cultural ramifications of brain-imaging technology, Picturing Personhood is an unprecedented study that will influence both cultural studies and the growing field of science and technology studies.
Author: M. Addleson
Publisher: Springer
ISBN: 0230343414
Category : Business & Economics
Languages : en
Pages : 289
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Book Description
Traditional management structures, systems,and tools, intended to make the first factories of the industrial ageefficient, are now obsolete. Applying them to knowledge-work has exactly the opposite effect, causing all kinds of breakdowns. This book explains why knowledge workers have to manage themselves and tells them how to do it.
Author: John Danvers
Publisher: Rodopi
ISBN: 9042018097
Category : Art
Languages : en
Pages : 369
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Book Description
In this book the author takes an unusual multi-disciplinary approach to debates about contemporary art and poetry, ideas about the mind and its representations, and theories of knowledge and being. Arts practices are considered as enactments of mind and as transformative modes of consciousness. Ideas drawn from poetics, philosophy and consciousness studies are used to illuminate the conceptual and aesthetic frameworks of a diverse array of visual artists. Themes explored include: the interconnectedness of existence; art as a way of interrogating appearances; identity and otherness; art and the self as 'open work'; Buddhist concepts of 'emptiness' and 'suchness'; scepticism, mysticism and the arts; and mind in the landscape. The book contains an important and distinctive visual dimension with photographs and drawings by the author and texts employing unorthodox syntax and layouts that exemplify the themes under discussion. The author hints at a new aesthetics and philosophy of indeterminacy, paradox, uncertainty and discontinuity - a contrarium - in which we negotiate our way through the instabilities and contradictions of contemporary life. Written in a lively and accessible style this volume is of interest to scholars, arts practitioners, teachers and to anyone with an interest in art, poetry, consciousness studies, philosophy and nature. Artists, poets and philosophers discussed, include: Cy Twombly, Helen Chadwick, John Ruskin, Ad Reinhardt, Richard Long, James Turrell, Anish Kapoor, Ian Hamilton Finlay, Agnes Martin, Land Art, Arte Povera, Minimalism, Charles Olson, Kenneth White, Robin Blaser, Fred Wah, Gary Snyder, RS Thomas, Alice Oswald, John Cage, Jorge Luis Borges, Guy Davenport, Kenneth Rexroth, Heidegger, Marjorie Perloff, Thomas McEvilley, Merleau-Ponty, Spinoza, Wittgenstein, Roland Barthes, Umberto Eco, David Abram, Thomas Merton, Pyrrho & Nagarjuna.
Author: Stephen Hetherington
Publisher: Cambridge University Press
ISBN: 1009090275
Category : Philosophy
Languages : en
Pages : 133
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Book Description
Post-Gettier epistemology is increasingly modalized epistemology – proposing and debating modally explicable conditionals with suitably epistemic content (an approach initially inspired by Robert Nozick's 1981 account of knowledge), as needing to be added to 'true belief' in order to define or understand knowing's nature. This Element asks whether such modalized attempts – construed as responding to what the author calls Knowing's Further Features question (bequeathed to us by the Meno and the Theaetetus) – can succeed. The answer is that they cannot. Plato's and Aristotle's views on definition reinforce that result. Still, in appreciating this, we might gain insight into knowing's essence. We might find that knowledge is, essentially, nothing more than true belief.
Author: Thomas Frangenberg
Publisher: Routledge
ISBN: 1351540912
Category : Design
Languages : en
Pages : 291
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Book Description
The Rise of the Image reveals how illustrations have come to play a primary part in books on art and architecture. Italian Renaissance art is the main focus for this anthology of essays which analyse key episodes in the history of illustration from the sixteenth to the twentieth century. The authors raise new issues about the imagery in books on the visual arts by Leonardo da Vinci, Giorgio Vasari, Sebastiano Serlio, Andrea Palladio, Girolamo Teti and Andrea Pozzo. The concluding essays evaluate the roles of reproductive media, including photography, in Victorian and twentieth-century art books. Throughout, images in books are considered as vehicles for ideas rather than as transparent, passive visual forms, dependent on their accompanying texts. Thus The Rise of the Image enriches our understanding of the role of prints in books on art.
Author: Roger Balm
Publisher: Routledge
ISBN: 1317377443
Category : Social Science
Languages : en
Pages : 299
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Book Description
Archaeology’s Visual Culture explores archaeology through the lens of visual culture theory. The insistent visuality of archaeology is a key stimulus for the imaginative and creative interpretation of our encounters with the past. Balm investigates the nature of this projection of the visual, revealing an embedded subjectivity in the imagery of archaeology and acknowledging the multiplicity of meanings that cohere around artifacts, archaeological sites and museum displays. Using a wide range of case studies, the book highlights how archaeologists can view objects and the consequences that ensue from these ways of seeing. Throughout the book Balm considers the potential for documentary images and visual material held in archives to perform cultural work within and between groups of specialists. With primary sources ranging from the mid-nineteenth to the early twenty-first century, this volume also maps the intellectual and social connections between archaeologists and their peers. Geographical settings include Britain, Cyprus, Mesoamerica, the Middle East and the United States, and the sites of visual encounter are no less diverse, ranging from excavation reports in salvage archaeology to instrumentally derived data-sets and remote-sensing imagery. By forensically examining selected visual records from published accounts and archival sources, enduring tropes of representation become apparent that transcend issues of style and reflect fundamental visual sensibilities within the discipline of archaeology.
Author: William M. Shea
Publisher: Cambridge University Press
ISBN: 9780521533287
Category : History
Languages : en
Pages : 378
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Book Description
The Enlightenment values of individual autonomy, democracy, and secularizing reason conflict with the religious traditions of community, authority, and traditional learning. Yet in American history the two heritages have been intertwined since the colonial era: the development of the Enlightenment has been influenced by community-based thinking and religious institutions have adopted to an extent critical methods and a democratic ethos even within their own walls. This volume unites the work of a distinguished group of theologians, historians, literary critics, and philosophers to explore the interaction between Enlightenment ideals and American religion. The Enlightenment's effect on the major religious traditions, including the Catholic Church, Evangelical Protestantism, and Judaism, is examined. Also highlighted is religion in the thinking of such representative figures as Edwards, Franklin, Emerson, Lincoln, Santayana, and the Pragmatists, Stevens and Eliot.
