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Author: Fereshteh Daftari
Publisher: I.B. Tauris
ISBN: 9781860648830
Category : History
Languages : en
Pages : 144
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Book Description
This book assesses modern Iranian visual culture from the 1960's and 1970's and suggests that modernity in Iran was a creative, complex, and contested process. It examines the expression of Iranian modernity in a variety of media including painting and sculpture, photography, posters, and graphic arts. It highlights new modes of artistic production and the expanding scene in Iran: developments in Iranian art criticism, exhibition apparatus, education, and patronage. The contributors also address changes in the iconography of Iranian art and in the increasingly social role of the artist. This groundbreaking work demonstrates that the visual arts serve as an important archival record of a critical period in Iranian history.
Author: Fereshteh Daftari
Publisher: I.B. Tauris
ISBN: 9781860648830
Category : History
Languages : en
Pages : 144
Get Book Here
Book Description
This book assesses modern Iranian visual culture from the 1960's and 1970's and suggests that modernity in Iran was a creative, complex, and contested process. It examines the expression of Iranian modernity in a variety of media including painting and sculpture, photography, posters, and graphic arts. It highlights new modes of artistic production and the expanding scene in Iran: developments in Iranian art criticism, exhibition apparatus, education, and patronage. The contributors also address changes in the iconography of Iranian art and in the increasingly social role of the artist. This groundbreaking work demonstrates that the visual arts serve as an important archival record of a critical period in Iranian history.
Author: Majid Sharifi
Publisher: Lexington Books
ISBN: 0739179454
Category : Political Science
Languages : en
Pages : 375
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Book Description
Thematically, this book problematizes Iranian official nationalism. It reviews how every modern Iranian regime since the constitutional revolution of the 1905-06 has failed to legitimize its official identity, resulting in the fall of five different regimes. The book details how the collapse of each regime resulted in the interruption of the official meaning of being Iranian, as well as the meanings of its enemies. What remained the same was how every Iranian regime represented itself as the agent of a particular national desire defined in terms of making Iran to become sovereign, developed, democratic, and constitutional. Nonetheless, no regime was able to convince a great majority of the people that it achieved what it represented. This book makes three specific contributions. The first contribution is pedagogical. By focusing on the dynamics of regime changes, it provides a heuristic model for identifying challenges that all Iranian regimes have faced. Moreover, the book is a comprehensive review of the disruptive, oppressive, and bloody nature of the rise and fall of different regimes. The second contribution is theoretical. Rather than examining the behavior of various Iranian regimes in isolation from their international context, the book examines how each regime got to understand itself in relations to its imperial others. By examining the governmental rationality of each regime, the book offers a better theoretical framework for understanding political development not only in Iran, but also in all other Middle Eastern and South Asian states. Finally, the third contribution of this book is its critical approach to the main body of the literature on Iran, modernity, development, democracy, and constitutionalism.
Author: Setrag Manoukian
Publisher: Routledge
ISBN: 1136627170
Category : History
Languages : en
Pages : 273
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Book Description
This book presents a cultural history of modern Iran through the perspective of the city. Addressing the relationship between history, poetry and politics in Iran, the author demonstrates that the question of knowledge is crucial to an understanding of the political and existential dimensions of life in Iran today.
Author: Katrin Nahidi
Publisher: Cambridge University Press
ISBN: 1009361414
Category : Political Science
Languages : en
Pages : 303
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Book Description
Modernist Iranian art represents a highly diverse field of cultural production deeply involved in discussing questions of modernity and modernization as practiced in Iran. This book investigates how artistic production and art criticism reflected upon the discourse about gharbzadegi (westoxification), the most substantial critique of Iran's adaptation of Western modernity, and ultimately proved to be a laboratory for the negotiation of an anti-colonial concept of an Iranian artistic modernity, which artists and critics envisioned as a significant other to Western colonial modernity. In this book, Katrin Nahidi revisits Iranian modernist art, aiming to explore a political and contextualized interpretation of modernism. Based on extensive fieldwork, interviews, and archival research, Nahidi provides a history of modernist art production since the 1950s and reveals the complex political agency underlying art historiographical processes. Offering a key contribution to postcolonial art history, Nahidi shows how Iranian artistic modernity was used to flesh out anti-colonial concepts and ideas around Iranian national identity.
Author: Finbarr Barry Flood
Publisher: John Wiley & Sons
ISBN: 1119068576
Category : Art
Languages : en
Pages : 1442
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Book Description
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Author: Robert Hillenbrand
Publisher: Bloomsbury Publishing
ISBN: 1786734656
Category : History
Languages : en
Pages : 457
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Book Description
I.B.Tauris in association with the Iran Heritage Foundation Iran's rich cultural heritage has been shaped over many centuries by its rich and eventful history. This impressive book, which assembles contributions by some of the world's most eminent historians, art historians and other scholars of the Iranian world, explores the history of the country through the prism of Persian literature, art and culture. The result is a seminal work which illuminates important, yet largely neglected, aspects of Medieval and Early Modern Iran and the Middle East. Its scope, from the era of Ferdowsi, Iran's national epic poet and the author of the Shahnameh to the period of the Mongols, Timurids, Safavids, Zands and Qajars, examines the interaction between mythology, history, historiography, poetry, painting and craftwork in the long narrative of the Persianate experience. As such, Ferdowsi, the Mongols and the History of Iran is essential reading and a reference point for students and scholars of Iranian history, Persian literature and the arts of the Islamic World.
Author: Patricia L. Baker
Publisher: Bradt Travel Guides
ISBN: 9781841621234
Category : Travel
Languages : en
Pages : 300
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Book Description
Patricia Baker’s Iran is aimed squarely at the cultural traveller attracted to this country’s ancient sites, which include the ruins of Persepolis, innumerable beautiful mosques and Islamic architecture. Advice on cultural awareness and religious sensitivity is set in the context of Iranian history which, together with in-depth coverage of where to go and what to see, makes this guide invaluable. This second edition provides thorough updates on planning and practicalities both for those on a tour and for the independent travellers wishing to get the most out of their stay.
Author: Talinn Grigor
Publisher: Reaktion Books
ISBN: 1780233094
Category : Art
Languages : en
Pages : 295
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Book Description
In the first comprehensive look at Iranian art and visual culture since the 1979 revolution, Talinn Grigor investigates the official art sponsored by the Islamic Republic, the culture of avant-garde art created in the studio and its display in galleries and museums, and the art of the Iranian diaspora within Western art scenes. Divided into three parts—street, studio, and exile—the book argues that these different areas of artistic production cannot be understood independently, revealing how this art offers a mirror of the sociopolitical turmoil that has marked Iran’s recent history. Exploring the world of galleries, museums, curators, and art critics, Grigor moves between subversive and daring art produced in private to propaganda art, martyrdom paraphernalia, and museum interiors. She examines the cross-pollination of kitsch and avant-garde, the art market, state censorship, the public-private domain, the political implications of art, and artistic identity in exile. Providing an astute analysis of the workings of artistic production in relation to the institutions of power in the Islamic Republic, this beautifully illustrated book is essential reading for anyone interested in Iranian history and contemporary art.
Author: Seyed Hossein Mousavian
Publisher: Brookings Institution Press
ISBN: 0870033026
Category : Political Science
Languages : en
Pages : 614
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Book Description
The first detailed Iranian account of the diplomatic struggle between Iran and the international community, The Iranian Nuclear Crisis: A Memoir opens in 2002, as news of Iran's clandestine uranium enrichment and plutonium production facilities emerge. Seyed Hossein Mousavian, previously the head of the Foreign Relations Committee of Iran's Supreme National Security Council and spokesman for Tehran's nuclear negotiating team, brings the reader into Tehran's private deliberations as its leaders wrestle with internal and external adversaries. Mousavian provides readers with intimate knowledge of Iran's interactions with the International Atomic Energy Agency and global powers. His personal story comes alive as he vividly recounts his arrest and interrogations on charges of espionage. Dramatic episodes of diplomatic missions tell much about the author and the swirling dynamics of Iranian politics and diplomacy—undercurrents that must be understood now more than ever. As intense debate continues over the direction of Iran's nuclear program, Mousavian weighs the likely effects of military strikes, covert action, sanctions, and diplomatic engagement, considering their potential to resolve the nuclear crisis. Contents 1. The Origin and Development of Iran's Nuclear Program 2. The First Crisis 3. From Tehran to Paris 4. From the Paris Agreement to the 2005 Presidential Election 5. The Larijani Period 6. To the Security Council 7. Back to the Security Council and a New Domestic Situation 8. Iran Alone: The Jalili Period 9. U.S. Engagement 10. The Crisis Worsens 11. Conclusion
Author: Pedram Khosronejad
Publisher: Routledge
ISBN: 1135711674
Category : Social Science
Languages : en
Pages : 240
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Book Description
Today, almost a generation has passed since the Iran–Iraq war and the memory of it is set to diminish with each passing generation. The following questions emerge. Can we say that the gradual disappearance of war’s memory means that, increasingly, Iranians will see the Iran–Iraq war solely as an historical event? How can we defend or reject this idea? Today, with which elements and values should we look at the Iran–Iraq war memorials and ceremonies? To what extent will war museums and materials culture be influenced by these new values? In the period during and immediately after the Iran–Iraq war (1980-88), national bereavement and commemoration of martyrs was neither apparent in common state policy nor a social need. Even at the turn of the 21st century, anyone walking through Iranian cities, many of which had been the main scene of the bloody massacre and direct targets of the Iraqi Republican Guard, will have found traces of the terrible, almost unimaginable, human losses. However, today’s Iranians can see modern war memorials and monuments in many parts of the urban and rural landscape. Yet, at the same time, the changing landscape has separated Iranians from such remnants of the violence. It can be argued that many people, in their wish to look forward to a more hopeful future, do not wish to be reminded of this period in Iranian history. This book was originally published as a special issue of Visual Anthropology.
