Index of Art Sales Catalogs, 1981-1985: Main index, January 5, 1981-October 6, 1984 PDF Download
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Author:
Publisher: Macmillan Reference USA
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 632
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Book Description
Author:
Publisher: Macmillan Reference USA
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 632
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Book Description
![Pictures, Watercolours, Drawings and Prints [Christie's, 1983]. PDF](https://books.google.com/books/content/images/frontcover/CXf5zQEACAAJ?fife=w80-h100)
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: John Herbert
Publisher:
ISBN: 9780714880082
Category : Antiques & Collectibles
Languages : en
Pages : 512
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Book Description
Author: Joan Mir¢
Publisher: Courier Corporation
ISBN: 0486244377
Category : Art
Languages : en
Pages : 49
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Book Description
Forty important lithographic prints with line and composition comparable to the works of Miro's friend Picasso. Eerie, droll, technically brilliant, and aggressive.
Author: Christie, Manson and Woods Ltd
Publisher:
ISBN: 9780714880136
Category : Antiques & Collectibles
Languages : en
Pages : 510
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Book Description
Author:
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 162
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Book Description
Author: Gary Tinterow
Publisher: Metropolitan Museum of Art
ISBN: 0870997696
Category : Painting, French
Languages : en
Pages : 497
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Book Description
Published to accompany a major exhibition of Jean-Baptiste-Camille Corot's paintings held in Paris and Ottawa during 1996, and forthcoming to New York. From nearly 3,000 paintings by this poetic 19th-century artist, the curators chose 163 works, which are reproduced here along with full art-historical discussions of each. Three major essays chronicle Corot's life and the development of his art; additional essays elucidate the subject of forgeries and describe the collecting of his works. Much original new scholarship is included along with a review of the scholarly literature, a concordance, and a chronology. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588393488
Category : Art
Languages : en
Pages : 322
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Book Description
Covering the period between the late 16th century through to the third quarter of the 19th century, this book features paintings by English, Scottish, Welsh and Irish artists which are part of the collection of the Metropolitan Museum of Art.
Author: Geoffrey Ayling
Publisher: Haughton FORREST (1826-1925)
ISBN: 098721571X
Category :
Languages : en
Pages : 428
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Book Description
This First Edition is a work-in-progress of 424 pages and 127,000 words. It includes a biography, 1,550 catalogue records and 700 images of the estimated 3,000 works of art painted by Haughton Forrest"........[Members of The Forrest Project] compiled a web-based catalogue that included a history of Haughton Forrest and his family, an inventory of his paintings, with information on provenance and ownership, and a virtual 'gallery' of images of as many paintings as could be obtained. This pooling of energy, enthusiasm and expertise has achieved a great deal. It now finds monumental expression in this splendid book that will stimulate wider interest in Forrest and provide a solid foundation for further research and reappraisal of his work."Michael BennettProfessor of HistoryUniversity of Tasmania
Author: Michael Hunter
Publisher: Routledge
ISBN: 1317027876
Category : History
Languages : en
Pages : 242
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Book Description
This book is about a single image - the frontispiece to Thomas Sprat’s History of the Royal-Society of London (1667). Designed by John Evelyn, and etched by Wenceslaus Hollar, it is arguably the best-known representation of seventeenth-century English science. The use of such plates to celebrate and legitimise the ‘new’ science of the period falls into a tradition that was well-established both in Britain and in Europe more generally, and which has increasingly attract attention from historians. Nevertheless, there are many questions to be asked about it and how it came into being. Was it an original composition by Evelyn, or is it based on earlier exemplars? Can all the scientific instruments, books and other objects that appear in it be identified, and what significance should be attached to their inclusion? Above all, how did the plate come to be designed in the first place, and what is its true relationship with Sprat’s book? In order to assess such issues, this study provides a full analysis of Evelyn’s image in its Royal Society setting and the wider world of early-modern science. The book first considers the overall iconography of the image and its message concerning Evelyn’s conception of the society’s role, before moving on to examine the myriad of details included in the plate and their significance. It concludes by considering the print’s history after publication, including the extent to which Evelyn used copies to exemplify the combination of technological and artistic accomplishment to which he believed the society should aspire.
