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Author: Charles Haddon Spurgeon
Publisher: Counted Faithful
ISBN: 178872173X
Category : Religion
Languages : en
Pages : 155
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Book Description
C H Spurgeon loved Bunyan’s Pilgrim’s Progress. He tells us in this book that he had read it more than 100 times. Drawn largely from short addresses given at the Metropolitan Tabernacle Prayer Meetings, these chapters comment on and apply the key incidents from Pilgrim’s Progress in a very practical way. Spurgeon urges his readers to share and learn from the experiences of Christian as he journeys to the Celestial City. Recommended reading for all readers, but young Christians will find it particularly helpful in ‘unlocking’ the meaning of the original allegory.
Author: Charles Haddon Spurgeon
Publisher: Counted Faithful
ISBN: 178872173X
Category : Religion
Languages : en
Pages : 155
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Book Description
C H Spurgeon loved Bunyan’s Pilgrim’s Progress. He tells us in this book that he had read it more than 100 times. Drawn largely from short addresses given at the Metropolitan Tabernacle Prayer Meetings, these chapters comment on and apply the key incidents from Pilgrim’s Progress in a very practical way. Spurgeon urges his readers to share and learn from the experiences of Christian as he journeys to the Celestial City. Recommended reading for all readers, but young Christians will find it particularly helpful in ‘unlocking’ the meaning of the original allegory.
Author: Marian Bantjes
Publisher:
ISBN: 9781938922220
Category :
Languages : en
Pages : 0
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Book Description
"Presents Bantjes's projects chronologically, revealing a fascinating journey from her early work as a typesetter to her experimentation in digital technologies and analogue materials alike"--Jacket.
Author: Connor Franta
Publisher: Simon and Schuster
ISBN: 1501145932
Category : Biography & Autobiography
Languages : en
Pages : 224
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Book Description
YouTube personality Connor Franta shares the lessons he has learned on his journey from small-town boy to Internet sensation
Author: David Dawson
Publisher: Knopf
ISBN: 0385354088
Category : Art
Languages : en
Pages : 0
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Book Description
For nearly twenty years David Dawson was Lucian Freud’s assistant, companion, and model. Freud moved in rarefied, powerful circles and was tenacious about protecting his privacy. He also carefully avoided distraction. With few exceptions, he wanted only those he knew well, like the late Bruce Bernard, to photograph him. David Dawson, however, was in a unique position, and as Freud became comfortable in the presence of Dawson’s camera, photographing became part of the daily ritual of the studio. These photographs reveal in a most intimate way the subjects and the stages of paintings in progress. Few artists, if any, have had their lives and their work recorded over such a length of time. Despite Freud’s sense of privacy, his circle was wide. Among those who regularly visited Freud were figures from the art world, including art historian John Richardson, and painters David Hockney, and Frank Auerbach, along with model Kate Moss and friends such as the Duke of Beaufort. The book begins in Freud’s old studio in Holland Park and then records the artist in his eighteenth-century house in Kensington, the first floor of which was his final studio. Dawson also photographed Freud on his visits to look at masterpieces in various museums in New York, Amsterdam and Madrid. The book ends with views of the rooms in which Freud’s own extraordinary collection of paintings was hung. It is the only record of the house itself before the dispersal of the art on his death, but ultimately, the photographs create an intimate portrait of the man. The final images in this book are of the hanging of Freud’s work in his posthumous London exhibition at the National Portrait Gallery. Haunting and fascinating, this is a revelatory document about one of our most important and influential painters.
Author: Shawn Michelle Smith
Publisher: Duke University Press
ISBN: 0822378264
Category : Photography
Languages : en
Pages : 320
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Book Description
The advent of photography revolutionized perception, making visible what was once impossible to see with the human eye. In At the Edge of Sight, Shawn Michelle Smith engages these dynamics of seeing and not seeing, focusing attention as much on absence as presence, on the invisible as the visible. Exploring the limits of photography and vision, she asks: What fails to register photographically, and what remains beyond the frame? What is hidden by design, and what is obscured by cultural blindness? Smith studies manifestations of photography's brush with the unseen in her own photographic work and across the wide-ranging images of early American photographers, including F. Holland Day, Eadweard Muybridge, Andrew J. Russell, Chansonetta Stanley Emmons, and Augustus Washington. She concludes by showing how concerns raised in the nineteenth century remain pertinent today in the photographs of Abu Ghraib. Ultimately, Smith explores the capacity of photography to reveal what remains beyond the edge of sight.
Author: Celeste-Marie Bernier
Publisher: W. W. Norton & Company
ISBN: 1631491261
Category : History
Languages : en
Pages : 791
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Book Description
Finalist for the Gilder Lehrman Lincoln Prize A landmark and collectible volume—beautifully produced in duotone—that canonizes Frederick Douglass through historic photography. Commemorating the bicentennial of Frederick Douglass’s birthday and featuring images discovered since its original publication in 2015, this “tour de force” (Library Journal, starred review) reintroduced Frederick Douglass to a twenty-first-century audience. From these pages—which include over 160 photographs of Douglass, as well as his previously unpublished writings and speeches on visual aesthetics—we learn that neither Custer nor Twain, nor even Abraham Lincoln, was the most photographed American of the nineteenth century. Indeed, it was Frederick Douglass, the ex-slave-turned-abolitionist, eloquent orator, and seminal writer, who is canonized here as a leading pioneer in photography and a prescient theorist who believed in the explosive social power of what was then just an emerging art form. Featuring: Contributions from Henry Louis Gates, Jr., and Kenneth B. Morris, Jr. (a direct Douglass descendent) 160 separate photographs of Douglass—many of which have never been publicly seen and were long lost to history A collection of contemporaneous artwork that shows how powerful Douglass’s photographic legacy remains today, over a century after his death All Douglass’s previously unpublished writings and speeches on visual aesthetics
Author: Ariella Azoulay
Publisher: Princeton University Press
ISBN: 1935408372
Category : Photography
Languages : en
Pages : 595
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Book Description
In this groundbreaking work, Ariella Azoulay thoroughly revises our understanding of the ethical status of photography. It must, she insists, be understood in its inseparability from the many catastrophes of recent history. She argues that photography is a particular set of relations between individuals and the powers that govern them and, at the same time, a form of relations among equals that constrains that power. Anyone, even a stateless person, who addresses others through photographs or occupies the position of a photograph’s addressee, is or can become a member of the citizenry of photography. The crucial arguments of the book concern two groups that have been rendered invisible by their state of exception: the Palestinian noncitizens of Israel and women in Western societies. Azoulay’s leading question is: Under what legal, political, or cultural conditions does it become possible to see and show disaster that befalls those with flawed citizenship in a state of exception? The Civil Contract of Photography is an essential work for anyone seeking to understand the disasters of recent history and the consequences of how they and their victims are represented.
Author: The W.E.B. Du Bois Center at the University of Massachusetts Amherst
Publisher: Chronicle Books
ISBN: 1616897775
Category : Social Science
Languages : en
Pages : 152
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Book Description
The colorful charts, graphs, and maps presented at the 1900 Paris Exposition by famed sociologist and black rights activist W. E. B. Du Bois offered a view into the lives of black Americans, conveying a literal and figurative representation of "the color line." From advances in education to the lingering effects of slavery, these prophetic infographics —beautiful in design and powerful in content—make visible a wide spectrum of black experience. W. E. B. Du Bois's Data Portraits collects the complete set of graphics in full color for the first time, making their insights and innovations available to a contemporary imagination. As Maria Popova wrote, these data portraits shaped how "Du Bois himself thought about sociology, informing the ideas with which he set the world ablaze three years later in The Souls of Black Folk."
Author: Nick Waplington
Publisher: Booth Clibborn
ISBN:
Category : Photography
Languages : en
Pages : 216
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Book Description
Nick Waplington was born on Bikini Atol and lives and works in London. The Indecisive Memento is his fifth book, previous titles include Safety In Numbers 1997 and Other Edens 1993. He is currently riding his unicycle from London to Beijing to hightlight the plight of paparazzi photographers whose livelihood is being threatened by the advent of digital technology and overzealous protectionist new legislation.
Author: Stefanie Michels
Publisher: Transcript Verlag, Roswitha Gost, Sigrid Nokel u. Dr. Karin Werner
ISBN: 9783837630060
Category : Historiography and photography
Languages : en
Pages : 220
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Book Description
Biographical note: Sissy Helff teaches at the Goethe-University Frankfurt/M. in the department of New English Literatures. Her most recent publications include her monograph”Unreliable Truths: Transcultural Homeworlds in Indian Women' s Fiction of the Diaspora“(2012) as well as several coedited volumes. She currently works on a book dealing with the image of the refugee in the British writing and a collection of essays dealing with Alice in Wonderland adaptations. Stefanie Michels is professor for history at the University of Düsseldorf. She has dealt with postcolonial readings of photographies about colonial Black German soldiers in a German-langugage monograph in 2009 (”Schwarze deutsche Kolonialsoldaten. Mehrdeutige Repräsentationsräume und früher Kosmopolitismus“, trancript) alongside a number of articles on photography and German colonialism.
