Author: Rachel Teukolsky
Publisher:
ISBN: 0198859732
Category : Art
Languages : en
Pages : 481
Book Description
Explores the ways in which new forms of visual culture, such as such as the illustrated newspaper, the cheap caricature cartoon, the affordable illustrated book, the portrait photograph, and the advertising poster, worked to shape key Victorian aesthetic concepts.
Picture World
Author: Rachel Teukolsky
Publisher:
ISBN: 0198859732
Category : Art
Languages : en
Pages : 481
Book Description
Explores the ways in which new forms of visual culture, such as such as the illustrated newspaper, the cheap caricature cartoon, the affordable illustrated book, the portrait photograph, and the advertising poster, worked to shape key Victorian aesthetic concepts.
Publisher:
ISBN: 0198859732
Category : Art
Languages : en
Pages : 481
Book Description
Explores the ways in which new forms of visual culture, such as such as the illustrated newspaper, the cheap caricature cartoon, the affordable illustrated book, the portrait photograph, and the advertising poster, worked to shape key Victorian aesthetic concepts.
Picture World
Author: Rachel Teukolsky
Publisher: Oxford University Press
ISBN: 0192603574
Category : Literary Criticism
Languages : en
Pages : 465
Book Description
The modern media world came into being in the nineteenth century, when machines were harnessed to produce texts and images in unprecedented numbers. In the visual realm, new industrial techniques generated a deluge of affordable pictorial items, mass-printed photographs, posters, cartoons, and illustrations. These alluring objects of the Victorian parlor were miniaturized spectacles that served as portals onto phantasmagoric versions of 'the world.' Although new kinds of pictures transformed everyday life, these ephemeral items have received remarkably little scholarly attention. Picture World shines a welcome new light onto these critically neglected yet fascinating visual objects. They serve as entryways into the nineteenth century's key aesthetic concepts. Each chapter pairs a new type of picture with a foundational keyword in Victorian aesthetics, a familiar term reconceived through the lens of new media. 'Character' appears differently when considered with caricature, in the new comics and cartoons appearing in the mass press in the 1830s; likewise, the book approaches 'realism' through pictorial journalism; 'illustration' via illustrated Bibles; 'sensation' through carte-de-visite portrait photographs; 'the picturesque' by way of stereoscopic views; and 'decadence' through advertising posters. Picture World studies the aesthetic effects of the nineteenth century's media revolution: it uses the relics of a previous era's cultural life to interrogate the Victorian world's most deeply-held values, arriving at insights still relevant in our own media age.
Publisher: Oxford University Press
ISBN: 0192603574
Category : Literary Criticism
Languages : en
Pages : 465
Book Description
The modern media world came into being in the nineteenth century, when machines were harnessed to produce texts and images in unprecedented numbers. In the visual realm, new industrial techniques generated a deluge of affordable pictorial items, mass-printed photographs, posters, cartoons, and illustrations. These alluring objects of the Victorian parlor were miniaturized spectacles that served as portals onto phantasmagoric versions of 'the world.' Although new kinds of pictures transformed everyday life, these ephemeral items have received remarkably little scholarly attention. Picture World shines a welcome new light onto these critically neglected yet fascinating visual objects. They serve as entryways into the nineteenth century's key aesthetic concepts. Each chapter pairs a new type of picture with a foundational keyword in Victorian aesthetics, a familiar term reconceived through the lens of new media. 'Character' appears differently when considered with caricature, in the new comics and cartoons appearing in the mass press in the 1830s; likewise, the book approaches 'realism' through pictorial journalism; 'illustration' via illustrated Bibles; 'sensation' through carte-de-visite portrait photographs; 'the picturesque' by way of stereoscopic views; and 'decadence' through advertising posters. Picture World studies the aesthetic effects of the nineteenth century's media revolution: it uses the relics of a previous era's cultural life to interrogate the Victorian world's most deeply-held values, arriving at insights still relevant in our own media age.
Material World
Author: Peter Menzel
Publisher: Univ of California Press
ISBN: 9780871564306
Category : Photography
Languages : en
Pages : 274
Book Description
A photo-journey through the homes and lives of 30 families, revealing culture and economic levels around the world.
Publisher: Univ of California Press
ISBN: 9780871564306
Category : Photography
Languages : en
Pages : 274
Book Description
A photo-journey through the homes and lives of 30 families, revealing culture and economic levels around the world.
The Moving Picture World
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 514
Book Description
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 514
Book Description
Saved
Author: Diane Keaton
Publisher: Rizzoli Publications
ISBN: 0847871282
Category : Biography & Autobiography
Languages : en
Pages : 210
Book Description
Diane Keaton’s cabinet of saved and found photographic curiosities is a visual autobiography of sorts and scrapbook of her fascinations and reflections. A visual autobiography of a kind as only Diane Keaton could tell it, via the celebrated star’s idiosyncratic and personal collections and ruminative texts, Savedoffers an unprecedented glimpse into the mind of the legendary film star. The book begins with an homage to movies—curiously, to old “b” grade horror flicks, such as Attack of the Puppet People—a passion that manifests in a collection of rare film stills showing large-brain aliens with crablike hands and terrified men with eyes growing from their shoulders. In a second chapter or collection, the reader encoun-ters “Cracked,” a startling selection of crinkled and neglected negatives: found portraits that speak of the past through the broken lens of time. Even more intimately revealing are photographs taken by the star herself, be they of pigeons while on downtime from the set of Reds in London or of the “greeters” of Hollywood Boulevard, caught at the other end of her Rolleiflex camera lens, now revealed as the seen, the experienced, the remembered, the cherished. But this is only the beginning, the surface of a very deep dive into the wellsprings of one of the great creative talents at work today. The book is an invitation to dive in.
Publisher: Rizzoli Publications
ISBN: 0847871282
Category : Biography & Autobiography
Languages : en
Pages : 210
Book Description
Diane Keaton’s cabinet of saved and found photographic curiosities is a visual autobiography of sorts and scrapbook of her fascinations and reflections. A visual autobiography of a kind as only Diane Keaton could tell it, via the celebrated star’s idiosyncratic and personal collections and ruminative texts, Savedoffers an unprecedented glimpse into the mind of the legendary film star. The book begins with an homage to movies—curiously, to old “b” grade horror flicks, such as Attack of the Puppet People—a passion that manifests in a collection of rare film stills showing large-brain aliens with crablike hands and terrified men with eyes growing from their shoulders. In a second chapter or collection, the reader encoun-ters “Cracked,” a startling selection of crinkled and neglected negatives: found portraits that speak of the past through the broken lens of time. Even more intimately revealing are photographs taken by the star herself, be they of pigeons while on downtime from the set of Reds in London or of the “greeters” of Hollywood Boulevard, caught at the other end of her Rolleiflex camera lens, now revealed as the seen, the experienced, the remembered, the cherished. But this is only the beginning, the surface of a very deep dive into the wellsprings of one of the great creative talents at work today. The book is an invitation to dive in.
The World's Work
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 854
Book Description
A history of our time.
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 854
Book Description
A history of our time.
Moving Picture World and View Photographer
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 176
Book Description
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 176
Book Description
The Origin of Ideas
Author: Mark Turner
Publisher: Oxford University Press
ISBN: 0199988838
Category : Psychology
Languages : en
Pages : 314
Book Description
What makes human beings so innovative, so adept at rapid, creative thinking? Where do new ideas come from, and once we have them, how can we carry them mentally into new situations? What allows our thinking to range easily over time, space, causation, and agency-so easily that we take this truly remarkable ability for granted? In The Origin of Ideas, Mark Turner offers a provocative new theory to answer these and many other questions. While other species do what we cannot-fly, run amazingly fast, see in the dark-only human beings can innovate so rapidly and widely. Turner argues that this distinctively human spark was an evolutionary advance that developed from a particular kind of mental operation, which he calls "blending": our ability to take two or more ideas and create a new idea in the "blend." Turner begins by looking at the "lionman," a 32,000-year-old ivory figurine, one of the earliest examples of blending. Here, the concepts "lion" and "man" are merged into a new figure, the "lionman." Turner argues that at some stage during the Paleolithic Age, humans reached a tipping point. Before that, we were a bunch of large, unimaginative mammals. After that, we were poised to take over the world. Once biological evolution hit upon making brains that could do advanced blending, we possessed the capacity to invent and maintain culture. Cultural innovation could then progress by leaps and bounds over biological evolution itself, leading to the highest forms of human cognition and creativity. For anyone interested in how and why our minds work the way they do, The Origin of Ideas offers a wealth of original insights-and is itself a brilliant example of the innovative thinking it describes.
Publisher: Oxford University Press
ISBN: 0199988838
Category : Psychology
Languages : en
Pages : 314
Book Description
What makes human beings so innovative, so adept at rapid, creative thinking? Where do new ideas come from, and once we have them, how can we carry them mentally into new situations? What allows our thinking to range easily over time, space, causation, and agency-so easily that we take this truly remarkable ability for granted? In The Origin of Ideas, Mark Turner offers a provocative new theory to answer these and many other questions. While other species do what we cannot-fly, run amazingly fast, see in the dark-only human beings can innovate so rapidly and widely. Turner argues that this distinctively human spark was an evolutionary advance that developed from a particular kind of mental operation, which he calls "blending": our ability to take two or more ideas and create a new idea in the "blend." Turner begins by looking at the "lionman," a 32,000-year-old ivory figurine, one of the earliest examples of blending. Here, the concepts "lion" and "man" are merged into a new figure, the "lionman." Turner argues that at some stage during the Paleolithic Age, humans reached a tipping point. Before that, we were a bunch of large, unimaginative mammals. After that, we were poised to take over the world. Once biological evolution hit upon making brains that could do advanced blending, we possessed the capacity to invent and maintain culture. Cultural innovation could then progress by leaps and bounds over biological evolution itself, leading to the highest forms of human cognition and creativity. For anyone interested in how and why our minds work the way they do, The Origin of Ideas offers a wealth of original insights-and is itself a brilliant example of the innovative thinking it describes.
Theory of Mind and Literature
Author: Paula Leverage
Publisher: Purdue University Press
ISBN: 1557535701
Category : Literary Collections
Languages : en
Pages : 341
Book Description
Cover -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction -- 1: Theory of Mind Now and Then: Evolutionary and Historical Perspectives -- Theory of Mind and Theory of Minds in Literature Keith Oatley -- Social Minds in Little Dorrit Alan Palmer -- The Way We Imagine Mark Turner -- Theory of Mind and Fictions of Embodied Transparency Lisa Zunshine -- 2: Mind Reading and Literary Characterization -- Theory of the Murderous Mind: Understanding the Emotional Intensity of John Doyle's Interpretation of Sondheim's Sweeney Todd Diana Calderazzo -- Distraction as Liveliness of Mind: A Cognitive Approach to Characterization in Jane Austen Natalie Phillips -- Sancho Panza's Theory of Mind Howard Mancing -- Is Perceval Autistic?: Theory of Mind in the Conte del Graal Paula Leverage -- 3: Theory of Mind and Literary / Linguistic Structure -- Whose Mind's Eye? Free Indirect Discourse and the Covert Narrator in Marlene Streeruwitz's Nachwelt Jennifer Marston William -- Attractors, Trajectors, and Agents in Racine's "Récit de Théramène" Allen G. Wood -- The Importance of Deixis and Attributive Style for the Study of Theory of Mind: The Example of William Faulkner's Disturbed Characters Ineke Bockting -- 4: Alternate States of Mind -- Alternative Theory of Mind for Arti.cial Brains: A Logical Approach to Interpreting Alien Minds Orley K. Marron -- Reading Phantom Minds: Marie Darrieussecq's Naissance des fantômes and Ghosts' Body Language Mikko Keskinen -- Theory of Mind and Metamorphoses in Dreams: Jekyll & Hyde, and The Metamorphosis Richard Schweickert and Zhuangzhuang Xi -- Mother/Daughter Mind Reading and Ghostly Intervention in Toni Morrison's Beloved Klarina Priborkin -- 5: Theoretical, Philosophical, Political Approaches.
Publisher: Purdue University Press
ISBN: 1557535701
Category : Literary Collections
Languages : en
Pages : 341
Book Description
Cover -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction -- 1: Theory of Mind Now and Then: Evolutionary and Historical Perspectives -- Theory of Mind and Theory of Minds in Literature Keith Oatley -- Social Minds in Little Dorrit Alan Palmer -- The Way We Imagine Mark Turner -- Theory of Mind and Fictions of Embodied Transparency Lisa Zunshine -- 2: Mind Reading and Literary Characterization -- Theory of the Murderous Mind: Understanding the Emotional Intensity of John Doyle's Interpretation of Sondheim's Sweeney Todd Diana Calderazzo -- Distraction as Liveliness of Mind: A Cognitive Approach to Characterization in Jane Austen Natalie Phillips -- Sancho Panza's Theory of Mind Howard Mancing -- Is Perceval Autistic?: Theory of Mind in the Conte del Graal Paula Leverage -- 3: Theory of Mind and Literary / Linguistic Structure -- Whose Mind's Eye? Free Indirect Discourse and the Covert Narrator in Marlene Streeruwitz's Nachwelt Jennifer Marston William -- Attractors, Trajectors, and Agents in Racine's "Récit de Théramène" Allen G. Wood -- The Importance of Deixis and Attributive Style for the Study of Theory of Mind: The Example of William Faulkner's Disturbed Characters Ineke Bockting -- 4: Alternate States of Mind -- Alternative Theory of Mind for Arti.cial Brains: A Logical Approach to Interpreting Alien Minds Orley K. Marron -- Reading Phantom Minds: Marie Darrieussecq's Naissance des fantômes and Ghosts' Body Language Mikko Keskinen -- Theory of Mind and Metamorphoses in Dreams: Jekyll & Hyde, and The Metamorphosis Richard Schweickert and Zhuangzhuang Xi -- Mother/Daughter Mind Reading and Ghostly Intervention in Toni Morrison's Beloved Klarina Priborkin -- 5: Theoretical, Philosophical, Political Approaches.
Marvelous Images
Author: Kendall Walton
Publisher: Oxford University Press
ISBN: 0190292288
Category : Philosophy
Languages : en
Pages : 272
Book Description
The twelve essays by Kendall Walton in this volume address a broad range of theoretical issues concerning the arts. Many of them apply to the arts generally-to literature, theater, film, music, and the visual arts-but several focus primarily on pictorial representation or photography. In "'How Marvelous!': Toward a Theory of Aesthetic Value" Walton introduces an innovative account of aesthetic value, and in this and other essays he explores relations between aesthetic value and values of other kinds, especially moral values. Two of the essays take on what has come to be called imaginative resistance-a cluster of puzzles that arise when works of fiction ask us to imagine or to accept as true in a fiction moral propositions that we find reprehensible in real life. "Transparent Pictures", Walton's classic and controversial account of what is special about photographic pictures, is included, along with a new essay on a curious but rarely noticed feature of photographs and other still pictures-the fact that a depiction of a momentary state of an object in motion allows viewers to observe that state, in imagination, for an extended period of time. Two older essays round out the collection-another classic, "Categories of Art", and a less well known essay, "Style and the Products and Processes of Art", which examines the role of appreciators' impressions of how a work of art came about, in understanding and appreciation. None of the reprinted essays is abridged, and new postscripts have been added to several of them.
Publisher: Oxford University Press
ISBN: 0190292288
Category : Philosophy
Languages : en
Pages : 272
Book Description
The twelve essays by Kendall Walton in this volume address a broad range of theoretical issues concerning the arts. Many of them apply to the arts generally-to literature, theater, film, music, and the visual arts-but several focus primarily on pictorial representation or photography. In "'How Marvelous!': Toward a Theory of Aesthetic Value" Walton introduces an innovative account of aesthetic value, and in this and other essays he explores relations between aesthetic value and values of other kinds, especially moral values. Two of the essays take on what has come to be called imaginative resistance-a cluster of puzzles that arise when works of fiction ask us to imagine or to accept as true in a fiction moral propositions that we find reprehensible in real life. "Transparent Pictures", Walton's classic and controversial account of what is special about photographic pictures, is included, along with a new essay on a curious but rarely noticed feature of photographs and other still pictures-the fact that a depiction of a momentary state of an object in motion allows viewers to observe that state, in imagination, for an extended period of time. Two older essays round out the collection-another classic, "Categories of Art", and a less well known essay, "Style and the Products and Processes of Art", which examines the role of appreciators' impressions of how a work of art came about, in understanding and appreciation. None of the reprinted essays is abridged, and new postscripts have been added to several of them.