Author: Herbert L. Kessler
Publisher:
ISBN:
Category : Art, Ancient
Languages : en
Pages : 196
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Book Description
The nine papers published in this volume were originally given at a symposium held at Johns Hopkins University in 1984. They cover visual storytelling in ancient Western Asia, Egypt, Greece and the Far East, as well as in medieval Christian Europe and Islamic Persia.
Author: Søren Kaspersen
Publisher: Museum Tusculanum Press
ISBN: 9788763501330
Category : Art
Languages : en
Pages : 180
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Book Description
Oxbow says: The six essays featured in this study originated as papers given at the 36th International Congress of Medieval Studies at Kalamazoo. The contributors survey the ornate altars produced from the early 8th to 13th century in Europe, with specific examples taken from Italy, Germany and Scandinavia.
Author: Mark Stansbury-O'Donnell
Publisher:
ISBN: 9780521640008
Category : Art
Languages : en
Pages : 237
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Book Description
Provides a comprehensive framework for the development of pictorial narrative in ancient art, a topic that has been of great scholarly interest in recent years. Through the application of literary theory about narrative, particularly semiotics and structural analysis; the examination of ancient descriptions of real and poetic works of art; and a contextual examination of a wide range of works, Mark Stansbury-O'Donnell identifies the multiple levels at which narration operates, from the most basic signs to the object of narration for the ancient viewer. A synthesis of theory and application, this study also defines and standardises a vocabulary for pictorial narrative.
Author: K. Starkey
Publisher: Springer
ISBN: 113705655X
Category : History
Languages : en
Pages : 290
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Book Description
This multi-disciplinary collection of essays draws on various theoretical approaches to explore the highly visual nature of the Middle Ages and expose new facets of old texts and artefacts. The term 'visual culture' has been used in recent years to refer to modern media theory, film, modern art and other contemporary representational forms and functions. But this emphasis on visuality is not only a modern phenomenon. Discourses on visual processes pervade the works of medieval secular poets, theologians, and scholastics alike. The Middle Ages was a highly visual society in which images, objects, and performance played a dominant communicative and representational role in both secular and religious areas of society. The essays in this volume, which present various perspectives on medieval visual culture, provide a critical historical basis for the study of visuality and visual processes.
Author: Deborah Schultz
Publisher: Routledge
ISBN: 1317967518
Category : Art
Languages : en
Pages : 492
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Book Description
This book investigates creative responses to the Nazi period in the work of three artists, Felix Nussbaum, Charlotte Salomon and Arnold Daghani, focusing on their use of pictorial narrative. It analyses their contrasting aesthetic strategies and their innovative forms of artistic production. In contrast with the autonomous, modernist art object, their works were explicitly linked with the historical conditions under which they were produced – the pressures of persecution and exile. Conditions in the slave labour camps and ghettos in the Ukraine, which shaped the paintings and drawings of Daghani, are contrasted with the experiences of exile in Belgium and France, which inspired Nussbaum and Salomon. In defiance of conventional artistic practice, they produced word-image combinations that can be read as narrative sequences, incorporating specific references to political events. While there has been a wealth of literary, philosophical and historical studies relating to the Holocaust, aesthetic debate has developed less extensively. This is the first comparative study of three artists who are only belatedly achieving recognition and the recent reception of their work is evaluated. By identifying the aesthetic principles and narrative strategies underlying their work, the book reassesses their achievement in creating new forms of modernism with an unmistakable political momentum. This book was published as a special issue of Word & Image.
Author: Herbert L. Kessler
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 608
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Book Description
Written over the course of a quarter century, the nineteen essays reprinted in this volume reflect a continuing belief in the seriousness and complexity of the relationship between pictures and texts in medieval art. Professor Kessler has grouped his studies in three sections: Pictures and Scripture includes those essays which consider the various ways in which Christian pictorial representations are in continuous and varying dialogue with holy writ in Byzantium and the medieval west. Pictures in Scripture is about illustrated manuscripts, with six essays dealing with the complicated processes used to construct meaning in depictions within the texts they illustrate. Pictures as Scriptures contains nine essays which deal with pictorial cycles unassociated with the texts they serve, primarily monumental narratives in the Synagogue at Dura Europos and on the walls of Italian churches. Notes added to each article update the bibliography and consider issues that have been discussed in subsequent scholarly literature. There is a new preface and a comprehensive index.
Author: Otto Pächt
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 96
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Book Description
Author: Frans Theuws
Publisher: BRILL
ISBN: 9004117342
Category : History
Languages : en
Pages : 630
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Book Description
Saint-Maurice d'Agaune - Gudme - Vistula - Francia - Maastricht - Aachen - Gaul - Cordoba.
Author: Conrad Rudolph
Publisher: John Wiley & Sons
ISBN: 1119077729
Category : Art
Languages : en
Pages : 1040
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Book Description
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
Author: Herbert L. Kessler
Publisher: University of Pennsylvania Press
ISBN: 9780812235609
Category : Art
Languages : en
Pages : 300
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Book Description
How and when, Herbert L. Kessler asks, was the Jewish prohibition against graven images transformed into a Christian imperative to picture God's invisibility once God had taken human form in the body of Jesus Christ?
