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Author: Mark Stansbury-O'Donnell
Publisher:
ISBN: 9780521640008
Category : Art
Languages : en
Pages : 237
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Book Description
Provides a comprehensive framework for the development of pictorial narrative in ancient art, a topic that has been of great scholarly interest in recent years. Through the application of literary theory about narrative, particularly semiotics and structural analysis; the examination of ancient descriptions of real and poetic works of art; and a contextual examination of a wide range of works, Mark Stansbury-O'Donnell identifies the multiple levels at which narration operates, from the most basic signs to the object of narration for the ancient viewer. A synthesis of theory and application, this study also defines and standardises a vocabulary for pictorial narrative.
Author: Mark Stansbury-O'Donnell
Publisher:
ISBN: 9780521640008
Category : Art
Languages : en
Pages : 237
Get Book
Book Description
Provides a comprehensive framework for the development of pictorial narrative in ancient art, a topic that has been of great scholarly interest in recent years. Through the application of literary theory about narrative, particularly semiotics and structural analysis; the examination of ancient descriptions of real and poetic works of art; and a contextual examination of a wide range of works, Mark Stansbury-O'Donnell identifies the multiple levels at which narration operates, from the most basic signs to the object of narration for the ancient viewer. A synthesis of theory and application, this study also defines and standardises a vocabulary for pictorial narrative.
Author: Luca Giuliani
Publisher: University of Chicago Press
ISBN: 022602590X
Category : Art
Languages : en
Pages : 356
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Book Description
On museum visits, we pass by beautiful, well-preserved vases from ancient Greece—but how often do we understand what the images on them depict? In Image and Myth, Luca Giuliani tells the stories behind the pictures, exploring how artists of antiquity had to determine which motifs or historical and mythic events to use to tell an underlying story while also keeping in mind the tastes and expectations of paying clients. Covering the range of Greek style and its growth between the early Archaic and Hellenistic periods, Giuliani describes the intellectual, social, and artistic contexts in which the images were created. He reveals that developments in Greek vase painting were driven as much by the times as they were by tradition—the better-known the story, the less leeway the artists had in interpreting it. As literary culture transformed from an oral tradition, in which stories were always in flux, to the stability of written texts, the images produced by artists eventually became nothing more than illustrations of canonical works. At once a work of cultural and art history, Image and Myth builds a new way of understanding the visual culture of ancient Greece.
Author: Mark D. Stansbury-O'Donnell
Publisher: John Wiley & Sons
ISBN: 1444350153
Category : Art
Languages : en
Pages : 434
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Book Description
Offering a unique blend of thematic and chronological investigation, this highly illustrated, engaging text explores the rich historical, cultural, and social contexts of 3,000 years of Greek art, from the Bronze Age through the Hellenistic period. Uniquely intersperses chapters devoted to major periods of Greek art from the Bronze Age through the Hellenistic period, with chapters containing discussions of important contextual themes across all of the periods Contextual chapters illustrate how a range of factors, such as the urban environment, gender, markets, and cross-cultural contact, influenced the development of art Chronological chapters survey the appearance and development of key artistic genres and explore how artifacts and architecture of the time reflect these styles Offers a variety of engaging and informative pedagogical features to help students navigate the subject, such as timelines, theme-based textboxes, key terms defined in margins, and further readings. Information is presented clearly and contextualized so that it is accessible to students regardless of their prior level of knowledge A book companion website is available at www.wiley.gom/go/greekart with the following resources: PowerPoint slides, glossary, and timeline
Author: Mark Stansbury-O'Donnell
Publisher: Cambridge University Press
ISBN: 0521110386
Category : Art
Languages : en
Pages : 269
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Book Description
Looking at Greek Art, by Mark D. Stansbury-O'Donnell, offers a practical guide to the methods for approaching, analyzing, and contextualizing an unfamiliar piece of Greek art. It demonstrates how objects are dated and assigned to an artist or region; how to interpret the subject matter and narrative; how to reconstruct the context for which an object was made, distributed, and used; and how we can explore broader cultural perspectives by looking at questions of identity, gender, and relationships to surrounding cultures. Each section focuses on different theoretical approaches, providing an overview of the theories, key terms, and required evidence. Case studies serve to demonstrate each process and some key issues to consider when using a given approach. This book explores a variety of media, including terracotta, metalwork, and jewelry, in addition to works found in major museum collections in the United States and Europe.
Author: Anthony Snodgrass
Publisher: Cambridge University Press
ISBN: 9780521629812
Category : Art
Languages : en
Pages : 204
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Book Description
This is a book about Homer, myth and art. The Iliad and Odyssey so dominate our view of ancient Greece that our natural reaction on viewing certain works of early Greek art is to identify them as 'scenes from Homer'. However, Anthony Snodgrass argues that, so far from 'illustrating' the Homeric poems, these works very rarely show signs of acquaintance with the Iliad or Odyssey, seldom even choosing their subject-matter from them. When the subjects do overlap, the artists occasionally give positive signs of preferring a non-Homeric version of the episode. He then attempts to explain why this should be so: despite Homer's unique standing in antiquity, the artists inhabited an independent world, where their own inspirations and concerns dominated their production. It is only the traditional dominance of the literary study of antiquity which has hidden this from us.
Author: Guy Michael Hedreen
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 376
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Book Description
An investigation into how imagery on Greek vases is or is not used as narrative, and the extent to which visual imagery depends upon literary sources
Author: Verity Platt
Publisher: Cambridge University Press
ISBN: 1316943275
Category : Art
Languages : en
Pages : 737
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Book Description
The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.
Author: Ann C. Gunter
Publisher: John Wiley & Sons
ISBN: 1118301250
Category : Literary Criticism
Languages : en
Pages : 704
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Book Description
Provides a broad view of the history and current state of scholarship on the art of the ancient Near East This book covers the aesthetic traditions of Mesopotamia, Iran, Anatolia, and the Levant, from Neolithic times to the end of the Achaemenid Persian Empire around 330 BCE. It describes and examines the field from a variety of critical perspectives: across approaches and interpretive frameworks, key explanatory concepts, materials and selected media and formats, and zones of interaction. This important work also addresses both traditional and emerging categories of material, intellectual perspectives, and research priorities. The book covers geography and chronology, context and setting, medium and scale, while acknowledging the diversity of regional and cultural traditions and the uneven survival of evidence. Part One of the book considers the methodologies and approaches that the field has drawn on and refined. Part Two addresses terms and concepts critical to understanding the subjects and formal characteristics of the Near Eastern material record, including the intellectual frameworks within which monuments have been approached and interpreted. Part Three surveys the field’s most distinctive and characteristic genres, with special reference to Mesopotamian art and architecture. Part Four considers involvement with artistic traditions across a broader reach, examining connections with Egypt, the Aegean, and the Mediterranean. And finally, Part Five addresses intersections with the closely allied discipline of archaeology and the institutional stewardship of cultural heritage in the modern Middle East. Told from multiple perspectives, A Companion to Ancient Near Eastern Art is an enlightening, must-have book for advanced undergraduate and graduate students of ancient Near East art and Near East history as well as those interested in history and art history.
Author: Jonas Grethlein
Publisher: Cambridge University Press
ISBN: 110719265X
Category : Art
Languages : en
Pages : 317
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Book Description
This book investigates the nature of aesthetic experience with the help of ancient material, exploring our responses to both narratives and images.
Author: Herbert L. Kessler
Publisher:
ISBN:
Category : Art, Ancient
Languages : en
Pages : 196
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Book Description
The nine papers published in this volume were originally given at a symposium held at Johns Hopkins University in 1984. They cover visual storytelling in ancient Western Asia, Egypt, Greece and the Far East, as well as in medieval Christian Europe and Islamic Persia.
