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Author: Deborah Menaker Rothschild
Publisher: Philip Wilson Publishers, Limited
ISBN:
Category : Architecture
Languages : en
Pages : 288
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Book Description
This fascinating study includes all the drawings, some familiar, some rarely seen, made by Picasso for the ballet.
Author: Deborah Menaker Rothschild
Publisher: Philip Wilson Publishers, Limited
ISBN:
Category : Architecture
Languages : en
Pages : 288
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Book Description
This fascinating study includes all the drawings, some familiar, some rarely seen, made by Picasso for the ballet.
Author: Olivier Berggruen
Publisher: Skira Editore
ISBN: 9788857236933
Category : Art, Modern
Languages : en
Pages : 256
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Book Description
One hundred years later, this book evokes Picasso_s journey to Rome and Naples with Jean Cocteau, Igor Stravinsky and the company of Sergei Djagilev_s Ballet Russes . lt was during this trip that he met and fell in love with the company_s leading dancer, Olga Khokhlova, who would become his first wife. In addition to the few extraordinary weeks spent in ltaly, which were pivotal in the development of Picasso_s art during the post-war years, the monograph also examines his production immediately after this ltalian experience, with particular reference to the ballets Parade and Pulcinella , as well as those paintings indebted to the iconographic and cultural world that these two works had introduced him to. The book focuses on Picasso_s ability to experiment in different genres, from still-life to portraiture, from the playful and decorative collages executed during the Great War, to the sophisticated realism of the years of his association with Djagilev. It also documents the long-term impact of his ltalian journey on Picasso_s art, which necessarily involves the study of some of the works of Classical inspiration executed in later years. With over 100 works including iconic paintings, drawings and photographs, the book shows masterpieces and key works of this period of Picasso_s production (1915-1925), with the aim of pointing out hidden links, temporary resurfocings or originai pre existence of Classical elements throughout the artist_s career.
Author: John Richardson
Publisher: Knopf
ISBN: 030749649X
Category : Biography & Autobiography
Languages : en
Pages : 657
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Book Description
The third volume of Richardson’s magisterial Life of Picasso, a groundbreaking contribution to our understanding of one of the greatest artists of the twentieth century. Here is Picasso at the height of his powers in Rome and Naples, producing the sets and costumes with Cocteau for Diaghilev’s Ballets Russes, and visiting Pompei where the antique statuary fuel his obsession with classicism; in Paris, creating some of his most important sculpture and painting as part of a group that included Braque, Apollinaire, Miró, and Breton; spending summers in the South of France in the company of Gerald and Sara Murphy, Hemingway, and Fitzgerald. These are the years of his marriage to the Russian ballerina Olga Khokhlova—the mother of his only legitimate child, Paulo—and of his passionate affair with Marie-Thérèse Walter, who was, as well, his model and muse.
Author: Billy Kluver
Publisher: MIT Press
ISBN: 9780262611473
Category : Art
Languages : en
Pages : 120
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Book Description
In 1978, while collecting documentary photographs of the artists' community in Montparnasse from the first decades of the century, Billy Klüver discovered that some previously unassociated photographs fell into significant groupings. One group in particular, showing Picasso, Max Jacob, Moïse Kisling, Modigliani, and others at the Café de la Rotonde and on Boulevard du Montparnasse, all seemed to have been taken on the same day. The people were wearing the same clothes in each shot and had the same accessories. Their ties were knotted the same way and their collars had the same wrinkles. A total of twenty-four photographs—four rolls of film with six photographs each—were eventually found. With the challenge of identifying the date, photographer, and circumstances, Klüver embarked on an inquiry that would illuminate the minute texture of that time and place. Biographical research into the subjects' lives led Klüver to focus on the summer of 1916 as the likely time the photos were taken. He then measured buildings and plotted angles and lengths of shadows in the photographs to narrow the time frame to a spread of three weeks. Further investigation eventually allowed Klüver to identify the photographer as Jean Cocteau and to determine the day that Cocteau had taken the photographs: August 12, 1916. A computer printout of the sun's positions on that date, obtained from the Bureau des Longitudes, together with the length of the shadows, enabled Klver to calculate the time of day of each photograph, and thus to put them in proper sequence. In a tour de force of art historical research, Klüver then reconstructed a scenario of the events of the four hours depicted in the photographs. With evocative attention to detail—noting when Picasso is no longer carrying an envelope or Max Jacob has acquired a decoration in his lapel—Klüver recreates a single afternoon in the lives of Picasso and friends, a group of remarkable people in early twentieth-century Paris. Besides the central "portfolio" of photographs by Cocteau, the book contains additional photographs and drawings, short biographies of all the subjects, and a historical section on the events and activities in the Paris art world at the time.
Author: Gertrude Stein
Publisher: DigiCat
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 47
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Book Description
As the butch doyenne of the Parisian Salons, Gertrude Stein captures the heart of Picasso in that context and gives insights on how Picasso worked as an artist and why Cubism came about in the way that it did. Also, this portrait of Picasso contains pretty clear description of Cubism and reveals a lot about relationship between Picasso and Stein without revealing a lot of actual events in either of their lives. Gertrude Stein (1874-1946) was an American novelist, poet, playwright and art collector, best known for Three Lives, The Making of Americans and Tender Buttons. Stein moved to Paris in 1903, and made France her home for the remainder of her life. Picasso and Cubism were an important influence on Stein's writing. Her works are compared to James Joyce's Ulysses and to Marcel Proust's In Search of Lost Time.
Author: John Richardson
Publisher: Random House
ISBN: 1448112524
Category : Biography & Autobiography
Languages : en
Pages : 514
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Book Description
John Richardson draws on the same combination of lively writing, critical astuteness, exhaustive research, and personal experience which made a bestseller out of the first volume and vividly recreates the artist's life and work during the crucial decade of 1907-17 - a period during which Pablo Picasso and Georges Braque invented Cubism and to that extent engendered modernism. Richardson has had unique access to untapped sources and unpublished material. By harnessing biography to art history, he has managed to crack the code of cubism more successfully than any of his predecessors. And by bringing a fresh light to bear on the artist's often too sensationalised private life, he has succeeded in coming up with a totally new view of this paradoxical man of his paradoxical work. Never before has Picasso's prodigious technique, his incisive vision and not least his sardonic humour been analysed with such clarity.
Author: Ivan Millard "Googie" Parks Jr.
Publisher: Dorrance Publishing
ISBN: 1644261197
Category : Art
Languages : en
Pages : 350
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Book Description
About the Book Looking for Picasso in All the Wrong Places by retired art dealer, Ivan “Googie” Parks Jr., is a memoir of how a Chicago cowboy became an art dealer! He shares his unique experiences of how his Chicagoland Cowboy upbringing prepared him to solve modern art’s oldest secret! For the first time ever, read the amazing story of a young horseman’s inadvertent discovery that paralleled the answers to Picasso’s unasked questions for the sources of the Master’s unknown mysterious models! Parks reveals Picasso’s own Communistic origins he claims to have discovered being used to compare to the murder scenes from Chicago connected events! He presents a collection of fifty-three photographs from his Cowboy life which he claims accidently helped him explain what the seemingly secret subjects Picasso selected for the unknown gifts for the 1968 “347 Suite Gravures” exhibit were developed from accrual events taken place as Picasso drew the subjects from newspaper accounts as they happened. A young Parks uses his early Chicago cowboy experiences to help illuminate the Equine characters populating the selected sequenced forty-eight serials constructed from Picasso’s artwork into Ivan’s arranged expose! He uses his uniquely devised new linking process for creating a devastating revelation in a new serialization technique which is formulated while finding out Picasso has borrowed serial events from Chicago’s historical past. His findings lead to the beginning of a better understanding of Picasso’s formerly mysterious Cubistic World as he struck a lucky deal to save his Rock n Roll Dude Ranch while selling art in the Merrill Chase Chicagoland Art Gallery chain! Ivan reveals the explicit reasons of how he helped remove the “Erotic Suite” from the “347 Series Gravures” Exhibit while discovering a surprise Chicago connection illustrating two Democratic Presidential Conventions of 1960 and 1968 silently selected by Picasso! You will marvel as he discusses the reasons explaining the heretofore unknown why Picasso gave the “Sculpture Puzzle”, the “Bizarre Etching Exhibit”, and the $100,000 “Commission Check” to the Art Institute of Chicago! Parks also divulges a curious set of parallel dimensions between the “Daley Plaza Sculpture”, the “Guernica Mural”, and a mock-up of a “St. Valentine’s Day Crime Scene Measurement Recreation” which has never been examined or explored publicly before! He also explores the timely similarities in the recreations from the April 4, 1968, murder scene used by Picasso for his own version of the day before and the day of the Memphis Motel “Balcony Crime Scene” about the murder of Dr. Martin L. King Jr. You will marvel at the intricate collection of evidence linking Picasso imagery to Capone Era Chicago Beer Wars events. He further connects other similar historical sneak attack and matching alibi models for the St. Valentine’s murders and aligns them with selected communist conflicts with fascist leaders matching Picasso Eras which Ivan implicates Picasso in stealing Chicago Connections for his seemingly unknown art subjects! You’ll decide if the evidence in Parks’s Crazy Chicago Cowboy Discovery Trail proves his findings or if Parks twisted Picasso’s imagery into his own new Secret Chicago Connections. Either way the events took place just before Picasso drew his seemingly unconnected version of the infamous imagery!
Author: Caroline Potter
Publisher: Routledge
ISBN: 1317141784
Category : Music
Languages : en
Pages : 403
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Book Description
Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.
Author: Malén Gual
Publisher: Silvana Editoriale
ISBN:
Category : Art
Languages : en
Pages : 206
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Book Description
This book aims to show how Picasso returned to a Barcelona in 1917 after many years in Paris, where he encountered a rich cultural scene, a city unlike the one he had left. It also intend to examine the nature of his relationships with the local artists, the tourist outings he went on, the things he did in his spare time, and his artistic output during this period, which was particularly prolific.0In this interlude in Barcelona, far from the oppressive climate in Paris, a city then at war, and from his Cubist circles, Picasso was able to work freely, searching for new forms of expression. This was a moment of stylistic transition in Picasso?s œuvre that would continue in the years immediately afterwards, when classical sources alternated totally freely with the achievements of Cubism.00Exhibition: Picasso Museum, Barcelona, Spain (26.10.2017-28.01.2018).
Author: Juliet Bellow
Publisher: Routledge
ISBN: 1351558048
Category : Art
Languages : en
Pages : 315
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Book Description
Modernism on Stage restores Serge Diaghilev?s Ballets Russes to its central role in the Parisian art world of the 1910s and 1920s. During those years, the Ballets Russes? stage served as a dynamic forum for the interaction of artistic genres - dance, music and painting - in a mixed-media form inspired by Richard Wagner?s Gesamtkunstwerk (total work of art). This interdisciplinary study combines a broad history of Diaghilev?s troupe with close readings of four ballets designed by canonical modernist artists: Pablo Picasso, Sonia Delaunay, Henri Matisse, and Giorgio de Chirico. Experimental both in concept and form, these productions redefine our understanding of the interconnected worlds of the visual and performing arts, elite culture and mass entertainment in Paris between the two world wars. This volume traces the ways in which artists working with the Ballets Russes adapted painterly styles to the temporal, three-dimensional and corporeal medium of ballet. Analyzing interactions among sets, costumes, choreography, and musical accompaniment, the book establishes what the Ballets Russes' productions looked like and how audiences reacted to them. Juliet Bellow brings dance to bear upon modernist art history as more than a source of imagery or ornament: she spotlights a complex dialogue among art forms that did not preclude but rather enhanced artists? interrogation of the limits of medium.
