Author: Sir Roland Penrose
Publisher: Univ of California Press
ISBN: 9780520042070
Category : Art
Languages : en
Pages : 578
Book Description
Part of a series which introduces key artists and movements in art history, this book deals with Picasso. Each title in the series contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative black and white illustrations.
Picasso
Author: Sir Roland Penrose
Publisher: Univ of California Press
ISBN: 9780520042070
Category : Art
Languages : en
Pages : 578
Book Description
Part of a series which introduces key artists and movements in art history, this book deals with Picasso. Each title in the series contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative black and white illustrations.
Publisher: Univ of California Press
ISBN: 9780520042070
Category : Art
Languages : en
Pages : 578
Book Description
Part of a series which introduces key artists and movements in art history, this book deals with Picasso. Each title in the series contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative black and white illustrations.
Master Drawings by Picasso
Author: Gary Tinterow
Publisher: George Braziller
ISBN:
Category : Art
Languages : en
Pages : 280
Book Description
Publisher: George Braziller
ISBN:
Category : Art
Languages : en
Pages : 280
Book Description
Picasso's Paintings, Watercolors, Drawings, and Sculpture
Author: Pablo Picasso
Publisher:
ISBN:
Category :
Languages : en
Pages : 392
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 392
Book Description
Picasso in the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588393704
Category : Art
Languages : en
Pages : 378
Book Description
This publication presents a comprehensive catalogue of the works by Pablo Picasso in the Metropolitan Museum. Comprising 34 paintings, 59 drawings, 12 sculptures and ceramics, and more than 400 prints, the collection reflects the full breadth of the artist's multi-sided genius as it asserted itself over the course of his long career.
Publisher: Metropolitan Museum of Art
ISBN: 1588393704
Category : Art
Languages : en
Pages : 378
Book Description
This publication presents a comprehensive catalogue of the works by Pablo Picasso in the Metropolitan Museum. Comprising 34 paintings, 59 drawings, 12 sculptures and ceramics, and more than 400 prints, the collection reflects the full breadth of the artist's multi-sided genius as it asserted itself over the course of his long career.
Picasso's Paintings, Watercolors, Drawings and Sculpture: The Final Years 1970-1973
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 394
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 394
Book Description
LIFE
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 174
Book Description
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Publisher:
ISBN:
Category :
Languages : en
Pages : 174
Book Description
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Pablo Picasso
Author: Dr Enrique Mallen
Publisher: Liverpool University Press
ISBN: 1836242808
Category : Biography & Autobiography
Languages : en
Pages : 403
Book Description
This book explores the interaction between collectors, dealers and exhibitions in Pablo Picassos entire career. The former two often played a determining role in which artworks were included in expositions as well as their availability and value in the art market. The term collector/dealer must often be used in combination since the distinction between both is often unclear; Heinz Berggruen, for instance, identified himself primarily as a collector, although he also sold quite a few Picassos through his Paris gallery. On the whole, however, dealers bought more often than collectors; and they bought works by artists they were already involved with. While some dealers were above all professional gallery owners; most were mainly collectors who sporadically sold items from their collection. Picassos first known dealer was Pere Manyach, whom he met as he travelled to Paris in 1900 when he was only 19 years old. As his representative, Manyach went about setting up exhibitions of his works at galleries in the French capital, such as Bethe Weills and Ambroise Vollards. Picassos first major exhibition took place in 1901 at Vollards. Daniel-Henry Kahnweiler and Leonce Rosenberg came in after Vollard lost interest during the Cubist period, as they had a manifest preference for the new style. Like Vollard, later dealers often preferred the more conventional Neoclassical phase in Picasso. This was the case with Leonces brother, Paul Rosenberg. The book is organized chronologically and discusses the interaction between Picassos collectors, dealers and exhibitions as they take place. Once collectors acquired an artwork, their willingness to lend them to exhibitions or their necessity to submit them to auction had a direct impact on Picassos prominence in the art world.
Publisher: Liverpool University Press
ISBN: 1836242808
Category : Biography & Autobiography
Languages : en
Pages : 403
Book Description
This book explores the interaction between collectors, dealers and exhibitions in Pablo Picassos entire career. The former two often played a determining role in which artworks were included in expositions as well as their availability and value in the art market. The term collector/dealer must often be used in combination since the distinction between both is often unclear; Heinz Berggruen, for instance, identified himself primarily as a collector, although he also sold quite a few Picassos through his Paris gallery. On the whole, however, dealers bought more often than collectors; and they bought works by artists they were already involved with. While some dealers were above all professional gallery owners; most were mainly collectors who sporadically sold items from their collection. Picassos first known dealer was Pere Manyach, whom he met as he travelled to Paris in 1900 when he was only 19 years old. As his representative, Manyach went about setting up exhibitions of his works at galleries in the French capital, such as Bethe Weills and Ambroise Vollards. Picassos first major exhibition took place in 1901 at Vollards. Daniel-Henry Kahnweiler and Leonce Rosenberg came in after Vollard lost interest during the Cubist period, as they had a manifest preference for the new style. Like Vollard, later dealers often preferred the more conventional Neoclassical phase in Picasso. This was the case with Leonces brother, Paul Rosenberg. The book is organized chronologically and discusses the interaction between Picassos collectors, dealers and exhibitions as they take place. Once collectors acquired an artwork, their willingness to lend them to exhibitions or their necessity to submit them to auction had a direct impact on Picassos prominence in the art world.
Picasso
Author: Gertje Utley
Publisher: Yale University Press
ISBN: 0300082517
Category : Biography & Autobiography
Languages : en
Pages : 292
Book Description
The fact that Picasso joined the French Communist Party in 1944 and remained a loyal member to the end of his long life presents puzzling contradictions. How can the image of him as a protean genius be reconciled with his membership in a repressive political organization that maintained an authoritarian hold on its artistic community and all but obliterated the freedom of the creative mind? How could the creator of Guernica, lauded at that time as the champion of civilian victims of totalitarian aggression, support the policies of the Soviet Union? This stimulating book is the first comprehensive examination of Picasso’s political commitment, his motivations to join the French Communist Party, and his contributions as an active member. Gertje R. Utley assesses the impact communism had on the artist’s life and explores how Picasso’s political beliefs and the doctrines of the Communist Party affected his artistic production. Utley provides the first account in English of the intricate relations between the French Communist Party and its artists in the years immediately following the Liberation. She then examines in detail the role Picasso played within the Communist agenda, his financial and moral support, his active participation at Party events, and his artistic endorsement of the Party’s most important ideological positions during the Cold War years. Addressing Picasso’s unfailing loyalty in the face of both the Party’s untenable political positions and the opposition within the Party to his art, this book offers new insight into aspects of the artist’s thought and art that have been little considered before.
Publisher: Yale University Press
ISBN: 0300082517
Category : Biography & Autobiography
Languages : en
Pages : 292
Book Description
The fact that Picasso joined the French Communist Party in 1944 and remained a loyal member to the end of his long life presents puzzling contradictions. How can the image of him as a protean genius be reconciled with his membership in a repressive political organization that maintained an authoritarian hold on its artistic community and all but obliterated the freedom of the creative mind? How could the creator of Guernica, lauded at that time as the champion of civilian victims of totalitarian aggression, support the policies of the Soviet Union? This stimulating book is the first comprehensive examination of Picasso’s political commitment, his motivations to join the French Communist Party, and his contributions as an active member. Gertje R. Utley assesses the impact communism had on the artist’s life and explores how Picasso’s political beliefs and the doctrines of the Communist Party affected his artistic production. Utley provides the first account in English of the intricate relations between the French Communist Party and its artists in the years immediately following the Liberation. She then examines in detail the role Picasso played within the Communist agenda, his financial and moral support, his active participation at Party events, and his artistic endorsement of the Party’s most important ideological positions during the Cold War years. Addressing Picasso’s unfailing loyalty in the face of both the Party’s untenable political positions and the opposition within the Party to his art, this book offers new insight into aspects of the artist’s thought and art that have been little considered before.
Picasso: His Recent Drawings, 1966-1968
Author: Pablo Picasso
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 264
Book Description
The Artist and His Model
Author: Pablo Picasso
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 202
Book Description
180 drawings recall earlier phases in Picasso's life & boldly readdress subjects which greatly attracted him, principally artists with their models, & characters from the traveling circuses of his boyhood.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 202
Book Description
180 drawings recall earlier phases in Picasso's life & boldly readdress subjects which greatly attracted him, principally artists with their models, & characters from the traveling circuses of his boyhood.