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Author: Kenneth Wayne
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 68
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Book Description
This volume presents art and design in France during the years between the two World Wars, in an effort to dispel the perception that Cubism was only a pre-World War I phenomenon. After the war, Cubist painting became more varied, colorful, and accessible, and began to affect other media such as furniture, fashion, cinema and architecture. What had begun as a rarefied pictorial style became a popular language. The first essay addresses Picasso's abundant and varied cubist painting. The second essay treats the art of three major Cubists -- Picasso, Braque, and Leger -- in the context of the various cubist idioms that developed. The third essay, also broad in scope, examines the significant relationship between Cubism and the decorative arts in France.
Author: Minneapolis Institute of Arts
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 88
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Book Description
"The current exhibition had its genesis in casual conversation several years ago with Ernst Beyeler of Basel, Switzerland, and his American liaison, Kurt Delbanco. The proposal was advanced that Beyeler might be willing to lend a selection of works for exhibition in the United States. Originally some two dozen paintings by Picasso were selected by the museums, but this past summer, as enthusiasm for the exhibition mounted, the number of works increased dramatically. Braque and Léger were added both to complement and contrast with the works by Picasso, and several private Swiss collectors were persuaded to lend works to help fill in certain gaps. The final result was a selection of eighty-three works that well represented the diverse careers of Picasso, Braque and Léger." -- Foreword.
Author: Kenneth Wayne
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 68
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Book Description
This volume presents art and design in France during the years between the two World Wars, in an effort to dispel the perception that Cubism was only a pre-World War I phenomenon. After the war, Cubist painting became more varied, colorful, and accessible, and began to affect other media such as furniture, fashion, cinema and architecture. What had begun as a rarefied pictorial style became a popular language. The first essay addresses Picasso's abundant and varied cubist painting. The second essay treats the art of three major Cubists -- Picasso, Braque, and Leger -- in the context of the various cubist idioms that developed. The third essay, also broad in scope, examines the significant relationship between Cubism and the decorative arts in France.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Emily Braun
Publisher: Metropolitan Museum of Art
ISBN: 0300208073
Category : Art
Languages : en
Pages : 394
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Book Description
This beautifully illustrated volume tells the story of Cubism through twenty-two essays that explore the most significant private holding of Cubist art in the world today, the Leonard A. Lauder Collection, now a promised gift to The Metropolitan Museum of Art. The eighty works featured in this volume—by Georges Braque, Juan Gris, Fernand Léger, and Pablo Picasso‐are among the most important and visually arresting in the movement’s history. These masterpieces, critical to the development of Cubism, include such groundbreaking paintings as Braque’s Trees at L’Estaque, considered one of the very first Cubist pictures; Picasso’s Still Life with Fan: “L’Indépendant,” one of the first to introduce typography; Gris’s noirish, uncanny The Man at the Café, one of his most celebrated collages; and Léger’s uniquely ambitious Composition (The Typographer). Written by renowned experts on this subject, the essays trace the evolution of Cubism from its origins in the still lifes, portraits, and collages of Braque and Picasso through the precisely delineated compositions by Gris that prefigure the Synthetic Cubism of the war years to Léger’s distinctive intersections of spherical, cylindrical, and cubic forms that evoke the syncopated rhythms of modern life. Also included are a fascinating interview in which Leonard Lauder discusses his approach to collecting, an investigative essay on the information gleaned from the backs of the works themselves, and an authoritative catalogue that further establishes the lives of these magnificent objects. A publication to place alongside the great histories of Modernism, this comprehensive book will stand as the resource for understanding Cubism for many years to come. -
Author: Dorothy M. Kosinski
Publisher: Houston, Tex. : Museum of Fine Arts
ISBN:
Category : Art
Languages : en
Pages : 84
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Book Description
Author: Honoré de Balzac
Publisher:
ISBN:
Category :
Languages : en
Pages : 416
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Book Description
Author: Christopher Green
Publisher:
ISBN: 9780953384457
Category : Cubism
Languages : en
Pages : 155
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Book Description
'Cubism and Beyond' is a comprehensive collection from four artists who epitomised the Cubism era. It explores the terms and categorisation of Cubism using examples from classic Cubists such as Gris and Leger as well as the founding fathers of the Cubist movement, Braque and Picasso.
Author: Tobia Bezzola
Publisher: Taschen America Llc
ISBN: 9783822872031
Category : Art
Languages : en
Pages : 240
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Book Description
Published on the occasion of the exhibition held in Zurich and St Louis 25 September 1998- May 9, 1999.
Author: Brigitte Léal
Publisher:
ISBN: 9783777432625
Category : Avant-garde (Aesthetics)
Languages : en
Pages : 0
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Book Description
'The Cubist Cosmos' traces the development of Cubsm between 1907 and 1917. The publciation reveals the boundless innovative power of the works of Pablo Picasso and Geoprges Braque. it also shows how the Cubist pictorial language was received and advanced by the artists of the Parisian avant-garde--such as Fernand Léger and Sonia Delaunay--and how it evolved into the colourful large-format pictures. The volume reflects not only the enormous range of this stylistic direction but also its revolutionary potential, which went on to influence the further development of twentieth-century art.
Author: Max Beckmann
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
