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Author: Museo Nacional Centro de Arte Reina Sofía
Publisher:
ISBN: 9788874612420
Category : Art
Languages : en
Pages : 0
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Book Description
This catalogue presents a broad selection of works by Picasso, the great master of modern art, in an effort to stimulate a reflection on his influence and interaction with other leading Spanish artists.
Author: Museo Nacional Centro de Arte Reina Sofía
Publisher:
ISBN: 9788874612420
Category : Art
Languages : en
Pages : 0
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Book Description
This catalogue presents a broad selection of works by Picasso, the great master of modern art, in an effort to stimulate a reflection on his influence and interaction with other leading Spanish artists.
Author: William H. Robinson
Publisher: Yale University Press
ISBN: 0300121067
Category : Art
Languages : en
Pages : 552
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Book Description
Catalogus van een tentoonstelling van werk van Catalaanse kunstenaars.
Author: Pablo Picasso
Publisher:
ISBN: 9780300064759
Category : Art
Languages : en
Pages : 0
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Book Description
In a compelling example of cultural politics, the Spaniard Pablo Picasso has been transformed into a hero of French modernism. Recently, however, there is a growing awareness that Picasso's involvement with his native land was crucial throughout his life. In this book, eminent art historians examine Picasso's dynamic relationship with the country of his birth and its cultural and artistic traditions.
Author: Charles Palermo
Publisher: Univ of California Press
ISBN: 0520282469
Category : Art
Languages : en
Pages : 262
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Book Description
Modernism and Authority presents a provocative new take on the early paintings of Pablo Picasso and the writings of Guillaume Apollinaire. Charles Palermo argues that references to theology and traditional Christian iconography in the works of Picasso and Apollinaire are not mere symbolic gestures; rather, they are complex responses to the symbolist art and poetry of figures important to them, including Paul Gauguin, Charles Morice, and Santiago Rusi–ol. The young Picasso and his contemporaries experienced the challenges of modernity as an attempt to reflect on the lost relation to authority. For the symbolists, art held authority by revealing something compellingÑsomething to which audiences must respond lest they lose claim to their own moral authority. Instead of the total transformation of the reader or viewer that symbolist creators envision, Picasso and Apollinaire imagine a divided self, responding only partially or ambivalently to the work of artÕs call. Navigating these problems of symbolist art and poetry entails considering the nature of the work of art and of oneÕs response to it, the modern subjectÕs place in history, and the relevance of historical truth to our methodological choices in the present.
Author:
Publisher: Penn State Press
ISBN: 9780271047201
Category : Art
Languages : en
Pages : 328
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Book Description
The news media have given us potent demonstrations of the ambiguity of ostensibly truthful representations of public events. Jordana Mendelson uses this ambiguity as a framework for the study of Spanish visual culture from 1929 to 1939--a decade marked, on the one hand, by dictatorship, civil war, and Franco's rise to power and, on the other, by a surge in the production of documentaries of various types, from films and photographs to international exhibitions. Mendelson begins with an examination of El Pueblo Español, a model Spanish village featured at the 1929 International Exposition in Barcelona. She then discusses Buñuel's and Dalí's documentary films, relating them not only to French Surrealism but also to issues of rural tradition in the formation of regional and national identities. Her highly original book concludes with a discussion of the 1937 Spanish Pavilion, where Picasso's famed painting of the Fascist bombing of a Basque town--Guernica--was exhibited along with monumental photomurals by Josep Renau. Based upon years of archival research, Mendelson's book opens a new perspective on the cultural politics of a turbulent era in modern Spain. It explores the little-known yet rich intersection between avant-garde artists and government institutions. It shows as well the surprising extent to which Spanish modernity was fashioned through dialogue between the seemingly opposed fields of urban and rural, fine art, and mass culture.
Author: Susan Larson
Publisher: Routledge
ISBN: 1000324036
Category : Social Science
Languages : en
Pages : 315
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Book Description
While the simultaneously creative and destructive forces of modernity in Western Europe have been well studied, the case of Spain has often been overlooked. Visualizing Spanish Modernity concentrates on the time period 1868-1939, which marks not only the beginning of the formation of a modern economy and the consolidation of the liberal state, but also the growth of urban centers and spaces made possible by electricity, transportation, mass production and the emergence of an entertainment industry. The authors examine how mass print culture, early cinema, popular drama, photography, fashion, painting, museums and urban planning played a role in the way that Spanish society saw itself and was in turn seen by the rest of the world. Assessing how new cultural forms were instrumental in shaping Spaniards into citizens of the modern world, the authors consider such subjects as the spectacle of the body, notions of race and gender, the changing meanings of time, space and motion, the relationship between technology and everyday life and popular culture.
Author:
Publisher: BRILL
ISBN: 9004372709
Category : History
Languages : en
Pages : 226
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Book Description
This book reveals how everyday experiences of being ‘modern’ (c. 1920s-70s) indexed continuity and change in the transition from colonialism to independence and after in Southeast Asia. In the Philippines, Myanmar, Indonesia, Malaysia, Singapore, Thailand and Vietnam, the contributors to this interdisciplinary volume recover modern times at the intersection of public and private domains, encompassing sex, religion, art, film, literature and urban space. The authors examine the conditions and representations of modernity, as shaped by elites and the governed, by actors, artists, novelists and non-fiction writers. Plural encounters in cities, through spiritual communities, art, high and popular culture saw Southeast Asians fashioning modern times in dialogue with global capitalism, consumer culture and second-wave feminism.
Author: Jean Leymarie
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 338
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Book Description
Author: Denis Thomas
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 138
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Book Description
Author: Palazzo Strozzi (Florence, Italy)
Publisher:
ISBN: 9788857209784
Category : Art
Languages : en
Pages : 0
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Book Description
The birth of modernity as seen through sixty stunning early works by three of the greatest artists of all times. This catalogue begins by examining Picasso's pre-cubist period, between 1900 and 1905, while closely contrasting works created by Juan Miró between 1915 and 1920 with those by Salvador Dalí in the five-year period between 1920-1925, in order to highlight the differences and stylistic relationships marking the period prior to the two artists' adherence to Surrealist poetics. In order to enquire into particular aspects of the early production of these artists, the authors have chosen works rarely exhibited in public or published; yet these fascinating paintings influenced what was to come, and they include The Spanish Dancer from 1901 by Picasso, Threshing by Mirò from 1918, and Neo-cubist academy by Dalì, which dates from 1926. Picasso's early work is profoundly influenced by the artist's political convictions: in Madrid in 1901 Picasso founded the magazine "Arte Joven", which frequently published unforgiving images of the plight of the proletariat. As for Miró, he rejected figurative painting as an expression of the cultural identity of the governing classes and also saw cubism as a "political tool". Much younger than Picasso and Miró, Dalí was ousted from the Academy in 1926, shortly prior to undertaking final examinations, for having declared that no one in the faculty was sufficiently competent to examine him. His early work is marked by a complete mastery of pictorial techniques, an example is Girl at the window from 1926, depicted with vivid realism.
