Author: Elfrida Andrée
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 70

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Book Description

Author: Andrew Barnett
Publisher: Yale University Press
ISBN: 9780300111590
Category : Music
Languages : en
Pages : 492

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Book Description
Informed by a wealth of information that has come to light in recent years, this engaging biography tells the complete story of the life and musical work of Finnish composer Jean Sibelius (1865-1957). Drawing on Sibelius’s own correspondence and diaries, contemporary reviews, and the remarks of family and friends, the book presents a rich account of the events of the musician’s life. In addition, this volume is the first to set every work and performable fragment by Sibelius in its historical and musical context. Filling a significant gap, the biography also provides the first accurate information about much of the composer’s early music. Writing for the general music-lover, Andrew Barnett combines his own extensive knowledge of Sibelius’s music with the insights of other scholars and musicians. He lays to rest a number of myths and untruths—that Sibelius wrote no chamber music of value, for example, and that he stopped composing in 1926 and didn’t need to compose to earn a living. Barnett completes the volume with the most thorough worklist available and an authoritative chronology of Sibelius’s entire output.

Author: Graham Johnson
Publisher: Routledge
ISBN: 1351566113
Category : Music
Languages : en
Pages : 489

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Book Description
The career of Gabriel Faur‘s a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French m die is contained within these parameters. In the 1860s Faur the lifelong prot of Camille Saint-Sa was a suavely precocious student; he was part of Pauline Viardot's circle in the 1870s and he nearly married her daughter. Pointed in the direction of symbolist poetry by Robert de Montesquiou in 1886, Faur as the favoured composer from the early 1890s of Winnarretta Singer, later Princesse de Polignac, and his songs were revered by Marcel Proust. In 1905 he became director of the Paris Conservatoire, and he composed his most profound music in old age. His existence, steadily productive and outwardly imperturbable, was undermined by self-doubt, an unhappy marriage and a tragic loss of hearing. In this detailed study Graham Johnson places the vocal music within twin contexts: Faur own life story, and the parallel lives of his many poets. We encounter such giants as Charles Baudelaire and Paul Verlaine, the patrician Leconte de Lisle, the forgotten Armand Silvestre and the Belgian symbolist Charles Van Lerberghe. The chronological range of the narrative encompasses Faur first poet, Victor Hugo, who railed against Napoleon III in the 1850s, and the last, Jean de La Ville de Mirmont, killed in action in the First World War. In this comprehensive and richly illustrated study each of Faur 109 songs receives a separate commentary. Additional chapters for the student singer and serious music lover discuss interpretation and performance in both aesthetical and practical terms. Richard Stokes provides parallel English translations of the original French texts. In the twenty-first century musical modernity is evaluated differently from the way it was assessed thirty years ago. Faur‘s no longer merely a 'Master of Charms' circumscribed by the belleque. His status as a great composer of timeless

Author: Graham Johnson
Publisher: Routledge
ISBN: 1351566105
Category : Music
Languages : en
Pages : 593

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Book Description
The career of Gabriel Faur?s a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French m?die is contained within these parameters. In the 1860s Faur?the lifelong prot? of Camille Saint-Sa?, was a suavely precocious student; he was part of Pauline Viardot's circle in the 1870s and he nearly married her daughter. Pointed in the direction of symbolist poetry by Robert de Montesquiou in 1886, Faur?as the favoured composer from the early 1890s of Winnarretta Singer, later Princesse de Polignac, and his songs were revered by Marcel Proust. In 1905 he became director of the Paris Conservatoire, and he composed his most profound music in old age. His existence, steadily productive and outwardly imperturbable, was undermined by self-doubt, an unhappy marriage and a tragic loss of hearing. In this detailed study Graham Johnson places the vocal music within twin contexts: Faur? own life story, and the parallel lives of his many poets. We encounter such giants as Charles Baudelaire and Paul Verlaine, the patrician Leconte de Lisle, the forgotten Armand Silvestre and the Belgian symbolist Charles Van Lerberghe. The chronological range of the narrative encompasses Faur? first poet, Victor Hugo, who railed against Napoleon III in the 1850s, and the last, Jean de La Ville de Mirmont, killed in action in the First World War. In this comprehensive and richly illustrated study each of Faur? 109 songs receives a separate commentary. Additional chapters for the student singer and serious music lover discuss interpretation and performance in both aesthetical and practical terms. Richard Stokes provides parallel English translations of the original French texts. In the twenty-first century musical modernity is evaluated differently from the way it was assessed thirty years ago. Faur?s no longer merely a 'Master of Charms' circumscribed by the belle ?que. His status as a great composer of timeless

Author: Guy Rickards
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 252

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Book Description
This is the first single volume biography on the Finn Jean Sibelius, published in English to be published in nearly a decade. Sibelius is the most prominent and popular composer to have emerged from Northern Europe.

Author: Paul Griffiths
Publisher: Penguin UK
ISBN: 0141909765
Category : Music
Languages : en
Pages : 1400

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Book Description
This superbly authoratitive new work provides a comprehensive A-Z guide to some 1000 years of Western music. It explores in detail the lives and achievements of a vast range of composers, as well as looking at such key topics as music history (from medieval plainchant to contemporary minimalism), performers, theory and jargon. Throught Griffiths skilfully blends lightly worn scholarship with personal insight, whether examining the emotional colouring that different musical keys achieve or charting the rise and development of the symphony.

Author: Elfrida Andrée
Publisher: A-R Editions, Inc.
ISBN: 0895795566
Category : Piano quartets
Languages : en
Pages : 146

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Book Description
xv + 121 pp.Performances parts available: N40P1 (Piano Trio in C Minor): $11.00 per setN40P2 (Piano Quartet in A Minor): $14.00 per set

Author: Simon Trezise
Publisher: Cambridge University Press
ISBN: 110856805X
Category : Music
Languages : en
Pages : 622

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Book Description
Exploring the many dimensions of Debussy's historical significance, this volume provides new perspectives on the life and work of a much-loved composer and considers how social and political contexts shape the way we approach and perform his works today. In short, focused chapters building on recent research, contributors chart the influences, relationships and performances that shaped Debussy's creativity, and the ways he negotiated the complex social and professional networks of music, literature, art, and performance (on and off the stage) in Belle Époque Paris. It probes Debussy's relationship with some of the most influential '-isms' of his time, including his fascination with early music and with the 'exotic', and assesses his status as a pioneer of musical modernism and his continuing popularity with performers and listeners alike.

Author: Alec Robertson
Publisher: London : Dent
ISBN:
Category : Composers
Languages : en
Pages : 272

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Book Description

Author: Paul Jeffery
Publisher: The Crowood Press
ISBN: 0719825075
Category : Music
Languages : en
Pages : 291

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Book Description
Chamber music includes some of the world's greatest music. It is widely played in homes, without an audience, by players who are mostly amateurs, and much of the repertoire is playable even by those of quite moderate ability. A Player's Guide to Chamber Music gives advice on what music is available and helps the player to identify what is suitable. It covers chamber music from the seventeenth to the later twentieth century and all instrumental combinations including strings, piano, wind instruments, duet sonatas and baroque ensembles. All the significant composers and musical aspects of playing are covered along with works suitable for inexperienced players. Illustrated with 63 black & white illustrations.