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Author: Paul Lowe
Publisher: Taylor & Francis
ISBN: 1000181839
Category : Photography
Languages : en
Pages : 213
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Book Description
Combining case studies with theoretical and philosophical insights, this book explores the role of photography in representing conflict and genocide, both during and after the break-up of Yugoslavia. Concentrating on the photographer, this book considers the practice of photojournalism rather than simply in terms of its consumption and use by the media. The experiences and working methods of photographers in the field are analysed, showing how practitioners conceptualised their work and responded to larger questions about neutrality and moral responsibility. Presenting this ‘active’ form of witness, author Paul Lowe investigates a crucial ethical paradox faced by photojournalists. Moving beyond the end of the Yugoslav Wars in 2001, this book also considers the therapeutic and validating potential of photography for survivors, featuring photographers whose work centres on memory and reconciliation. Based on archival research, close reading and discourse analyses of photographs, and interviews with a range of international photographers, this book explores how photography from this period has been used and remediated in editorial photojournalism, fine art documentary and advocacy photography. This book will be of interest to scholars in the history of photography, art and visual culture, and photojournalism.
Author: Paul Lowe
Publisher: Taylor & Francis
ISBN: 1000181839
Category : Photography
Languages : en
Pages : 213
Get Book Here
Book Description
Combining case studies with theoretical and philosophical insights, this book explores the role of photography in representing conflict and genocide, both during and after the break-up of Yugoslavia. Concentrating on the photographer, this book considers the practice of photojournalism rather than simply in terms of its consumption and use by the media. The experiences and working methods of photographers in the field are analysed, showing how practitioners conceptualised their work and responded to larger questions about neutrality and moral responsibility. Presenting this ‘active’ form of witness, author Paul Lowe investigates a crucial ethical paradox faced by photojournalists. Moving beyond the end of the Yugoslav Wars in 2001, this book also considers the therapeutic and validating potential of photography for survivors, featuring photographers whose work centres on memory and reconciliation. Based on archival research, close reading and discourse analyses of photographs, and interviews with a range of international photographers, this book explores how photography from this period has been used and remediated in editorial photojournalism, fine art documentary and advocacy photography. This book will be of interest to scholars in the history of photography, art and visual culture, and photojournalism.
Author: Emilie Le Febvre
Publisher: Taylor & Francis
ISBN: 1003817599
Category : Art
Languages : en
Pages : 293
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Book Description
Introducing a novel anthropological study of photography in the Middle East, Emilie Le Febvre takes us to the Naqab Desert where Bedouin use photographs to make, and respond to, their own histories. She argues Bedouin presentations of the past are selective but increasingly reliant on archival documents such as photographs which spokespersons treat as evidence of their local histories amid escalating tensions in Israel. These practices shape Bedouin visual historicity, that is the diverse ways people produce their pasts in the present with images. This book charts these processes through the afterlives of six photographs (c. 1906–2013) as they circulate between the Naqab’s entangled visual economies – a transregional landscape organised by cultural ideals of proximity and assemblages of Bedouin iconography. Le Febvre illustrates how representational contentions associated with tribal, civic, and Palestinian-Israeli politics influence how images do history work in this society. She concludes Bedouin visual historicity is defined by acts of persuasion during which photographs authenticate alternating history projects. Here, Bedouin value photographs not because they evidence singular narratives of the past. Rather, the knowledges inscribed by photography are multifarious as they support diverse constructions of history and society with which members mediate a wide range of relationships in southern Israel. This book bridges studies of anthropology, photography, Palestinian-Israeli politics, and Bedouin Middle East history.
Author: Emily Stevenson
Publisher: Taylor & Francis
ISBN: 1003809596
Category : Art
Languages : en
Pages : 261
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Book Description
Combining ethnographic and archival research, this book examines the lives of colonial-period postcards and reveals how they become objects of contemporary historical imagination in India. Picture postcards were circulated around the world in their billions in the early twentieth century and remained, until the advent of social media, unmatched as the primary means of sharing images alongside personal messages. This book, based on original research in Bengaluru, shows that their lives stretch from their initial production and consumption in the early 1900s into the present where they act as visual and material mediators in postcolonial productions of history, locality, and heritage against a backdrop of intense urban change. The book will be of interest to photographic historians, visual anthropologists, and art historians.
Author:
Publisher: Pier 9
ISBN: 9781743369494
Category : Photographers
Languages : en
Pages : 960
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Book Description
Packed with information that will entertain, inform, educate, and surprise you. This is an unmissable gallery of breathtaking photographs and is an essential reference for all lovers of photography. Is photography art, documentary, or both Should images simply reveal the world we live in, or provoke us to think, act, and react A visually arresting reference, 1001 Photographs You Must See Before You Die is an invaluable guide to the history and practice of photography. Sweeping through the arts, fashion, society, war, peace, science, and nature, the images in this enticing book are as eye-catching as the commentary is engaging. Some you have seen, others will be unfamiliar, but what all the photographs have in common is their ability to move you, shock you, and open up the notion of what it is to be human. Organised chronologically by the date that each image was made, and featuring a reproduction of each photograph, the selection provides some fascinating and unexpected juxtapositions. Insightful text uncovers the creative process behind each image, revealing its visual, aesthetic, and historic significance, Why was the photograph taken Was it set up What was the intention How did the world react? From Fox Talbot to Nick Knight, from Roger Fenton to William Eggleston, and from Cartier Bresson to Diane Arbus, all the photographers featured in this book transgressed the boundaries of the camera with a skill and spirit that helped to develop their field into a highly evocative art form. In a world where millions of snapshots are taken every day, these exquisite images stand out for their eye-catching content and technical prowess, provoking reactions that range from joy, exasperation, and horror to fascination, repulsion and ecstasy. Uncovering the compelling tales behind the lens, this comprehensive global encyclopaedia reveals how this powerful art form has shaped the modern world.
Author: Kenneth Morrison
Publisher: Bloomsbury Publishing
ISBN: 1350081795
Category : History
Languages : en
Pages : 430
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Book Description
The Siege of Sarajevo remains the longest siege in modern European history, lasting three times longer than the Battle of Stalingrad and over a year longer than the Siege of Leningrad. Reporting the Siege of Sarajevo provides the first detailed account of the reporting of this siege and the role that journalists played in highlighting both military and non-military aspects of it. The book draws on detailed primary and secondary material in English and Bosnian, as well as extensive interviews with international correspondents who covered events in Sarajevo from within siege lines. It also includes hitherto unpublished images taken by the co-author and award-winning photojournalist, Paul Lowe. Together Morrison and Lowe document a relatively short but crucial period in both the history of Bosnia & Herzegovina, the city of Sarajevo and the profession of journalism. The book provides crucial observations and insights into an under-researched aspect of a critical period in Europe's recent history.
Author: Paul Lowe
Publisher:
ISBN: 9780500544624
Category : Photography
Languages : en
Pages : 0
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Book Description
What makes some photographs stay in the memory forever? Sometimes it's the subject matter alone, but more often it's the skill of the artists who took them. The premise of this book is quite simple: take 100 leading examples of the work of the world's greatest photographers, and a distinguished academic will describe how they achieved their effects to allow you to recreate them yourself. Discover how to compose 'decisive moments' like Cartier-Bresson, use long exposures for landscapes like Simon Norfolk, and experiment with flash in daylight like Rineke Dijkstra.The images are arranged thematically, with engaging analysis of each image and a description of its technical make-up, along with a biography of each artist. The book showcases 100 of the greatest images in the history of the art and will provide an indispensable guide to the technicalities behind the well-known masterpieces and hidden gems in the world of photography. The photographers and their images were carefully selected by award winning photographer, educator and academic Paul Lowe, whose years of experience as a photojournalist and as a teacher gives unique and detailed insight into the working methods of these great image makers.
Author: Paul Lowe
Publisher: Prestel Publishing
ISBN: 9783791382791
Category : Photography
Languages : en
Pages : 0
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Book Description
Both a how-to book and an overview of photography's great practitioners, this fascinating and informative profile of the world's best photographers reveals the techniques, strategies, and creative visions that are embodied in their oeuvre and inform the work of photographers everywhere. This book takes a penetrating look at the artistry of 100 master photographers to see exactly how they create impactful, timeless images. Divided into 10 thematic sections such as Places, Faces, Stories, Ideas, and Moments, each chapter focuses on several photographers who excelled in these areas. These photographers are presented in beautifully designed spreads that combine their most celebrated images with a biographical sketch, excerpts from interviews, in-depth analysis of the chosen image, and detailed notes about their specific techniques. The selection of photographers includes Julia Margaret Cameron, Joel Meyerowitz, Walker Evans, Cindy Sherman, Nan Goldin, Weegee, Man Ray, and Robert Capa, among others. Each of these towering figures brought their own unique vision to their oeuvre and often employed unique techniques to create their works. While professional photographers will appreciate the greats, amateurs will find this book an educational resource and technical guide to creating their own distinctive body of work.
Author: Paul Lowe
Publisher: National Geographic Books
ISBN: 0500545030
Category : Photography
Languages : en
Pages : 0
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Book Description
A rich and fresh perspective on the history of photography, tracing the complex links between technological innovation, social change, and artistic intervention. As a medium of documentation, social commentary, commercial marketing, artistic exploration, and self-expression over the last two centuries, photography has in many ways defined the way we view ourselves and the world around us. A Chronology of Photography traces the development of the medium from early experiments with optics by artists and scientists, through the birth of photography in 1839, with the innovations of Louis Daguerre and Henry Fox Talbot, right up to the present-day explosion of digital media, with Instagram and the selfie dominating visual discourse. Providing a unique timeline framework and in-depth commentary, this volume takes a purely chronological approach to present a fresh social, political, and cultural perspective on the subject. Tracing the complex links between technological innovation, social change, and artistic intervention, A Chronology of Photography is an invaluable and comprehensive overview of photography’s history including deeper explorations of key themes and moments.
Author: John J. Mearsheimer
Publisher: W. W. Norton & Company
ISBN: 0393076245
Category : Political Science
Languages : en
Pages : 572
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Book Description
"A superb book.…Mearsheimer has made a significant contribution to our understanding of the behavior of great powers."—Barry R. Posen, The National Interest The updated edition of this classic treatise on the behavior of great powers takes a penetrating look at the question likely to dominate international relations in the twenty-first century: Can China rise peacefully? In clear, eloquent prose, John Mearsheimer explains why the answer is no: a rising China will seek to dominate Asia, while the United States, determined to remain the world's sole regional hegemon, will go to great lengths to prevent that from happening. The tragedy of great power politics is inescapable.
Author: Christoph Cornelissen
Publisher: Berghahn Books
ISBN: 1800737270
Category : History
Languages : en
Pages : 516
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Book Description
From the Treaty of Versailles to the 2018 centenary and beyond, the history of the First World War has been continually written and rewritten, studied and contested, producing a rich historiography shaped by the social and cultural circumstances of its creation. Writing the Great War provides a groundbreaking survey of this vast body of work, assembling contributions on a variety of national and regional historiographies from some of the most prominent scholars in the field. By analyzing perceptions of the war in contexts ranging from Nazi Germany to India’s struggle for independence, this is an illuminating collective study of the complex interplay of memory and history.
