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Author: David Levi Strauss
Publisher: David Zwirner Books
ISBN: 9781644230473
Category : Photography
Languages : en
Pages : 0
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Book Description
In this exploration of contemporary photography, David Levi Strauss questions the concept that “seeing is believing” Identifying a recent shift in the dominance of photography, David Levi Strauss looks at the power of the medium in the age of Photoshop, smart phones, and the internet, asking important questions about how we look and what we trust. In the first ekphrasis title on photography, Strauss challenges the aura of believability and highlights the potential dangers around this status. He examines how images produced on cameras gradually gained an inordinate power to influence public opinion, prompt action, comfort and assuage, and direct or even create desire. How and why do we believe technical images the way we do? Offering a poignant argument in the era of “fake news,” Strauss draws attention to new changes in the technology of seeing. Some uses of "technical images" are causing the connection between images and belief (between seeing and believing) to fray and pull apart. How is this shifting our relationship to images? Will this crisis in what we can believe come to threaten our very purchase on the real? This book is an inquiry into the history and future of our belief in images.
Author: David Levi Strauss
Publisher: David Zwirner Books
ISBN: 9781644230473
Category : Photography
Languages : en
Pages : 0
Get Book
Book Description
In this exploration of contemporary photography, David Levi Strauss questions the concept that “seeing is believing” Identifying a recent shift in the dominance of photography, David Levi Strauss looks at the power of the medium in the age of Photoshop, smart phones, and the internet, asking important questions about how we look and what we trust. In the first ekphrasis title on photography, Strauss challenges the aura of believability and highlights the potential dangers around this status. He examines how images produced on cameras gradually gained an inordinate power to influence public opinion, prompt action, comfort and assuage, and direct or even create desire. How and why do we believe technical images the way we do? Offering a poignant argument in the era of “fake news,” Strauss draws attention to new changes in the technology of seeing. Some uses of "technical images" are causing the connection between images and belief (between seeing and believing) to fray and pull apart. How is this shifting our relationship to images? Will this crisis in what we can believe come to threaten our very purchase on the real? This book is an inquiry into the history and future of our belief in images.
Author: Errol Morris
Publisher: Penguin
ISBN: 0143124250
Category : Photography
Languages : en
Pages : 338
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Book Description
Academy Award–winning director Errol Morris turns his eye to the nature of truth in photography In his inimitable style, Errol Morris untangles the mysteries behind an eclectic range of documentary photographs. With his keen sense of irony, skepticism, and humor, Morris shows how photographs can obscure as much as they reveal, and how what we see is often determined by our beliefs. Each essay in this book is part detective story, part philosophical meditation, presenting readers with a conundrum, and investigates the relationship between photographs and the real world they supposedly record. Believing Is Seeing is a highly original exploration of photography and perception, from one of America’s most provocative observers.
Author: Martyn Jolly
Publisher:
ISBN:
Category : Body, Mind & Spirit
Languages : en
Pages : 168
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Book Description
From the collections of the British Library and other major archives in Britain and America, this includes work from leading spirit photographers from the 1870s to 1930s.
Author: Roger Lundin
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802821270
Category : Biography & Autobiography
Languages : en
Pages : 340
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Book Description
Paying special attention to her experience of faith, Lundin relates Dickinson's life -- as it can be charted through her poems and letters -- to nineteenth-century American political, social, religious, and intellectual history. --From publisher description.
Author: Andrew Dewdney
Publisher: MIT Press
ISBN: 1912685817
Category : Photography
Languages : en
Pages : 276
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Book Description
Why we must forget photography and reject the frame of reality it prescribes and delineates. The central paradox this book explores is that at the moment of photography's replacement by the algorithm and data flow, photographic cultures proliferate as never before. The afterlife of photography, residual as it may technically be, maintains a powerful cultural and representational hold on reality, which is important to understand in relationship to the new conditions. Forgetting photography is a strategy to reveal the redundant historicity of the photographic constellation and the cultural immobility of its epicenter. It attempts to liberate the image from these historic shackles, forged by art history and photographic theory. More important, perhaps, forgetting photography also entails rejecting the frame of reality it prescribes and delineates, and in doing so opens up other relationships between bodies, times, events, materials, memory, representation and the image. Forgetting photography attempts to develop a systematic method for revealing the limits and prescriptions of thinking with photography, which no amount of revisionism of post-photographic theory can get beyond. The world urgently needs to unthink photography and go beyond it in order to understand the present constitution of the image as well as the reality or world it shows. Forgetting photography will require a different way of organizing knowledge about the visual in culture that involves crossing different knowledges of visual culture, technologies, and mediums. It will also involve thinking differently about routine and creative labor and its knowledge practices within the institutions and organization of visual reproduction.
Author: JOERG. COLBERG
Publisher:
ISBN: 9781913620165
Category :
Languages : en
Pages :
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Book Description
Author: Mark Menjivar
Publisher: Trinity University Press
ISBN: 1595342508
Category : Photography
Languages : en
Pages : 224
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Book Description
Artist Mark Menjivar was in an antique bookshop in Fort Wayne, Indiana, when he found 4 four-leaf clovers pressed between the yellowed pages of an aged copy of 1000 Facts Worth Knowing. Their discovery beguiled Menjivar so much that he began a multiyear exploration into the concept of luck and its intersections with belief, culture, superstition, and tradition in people’s lives. Menjivar has spent hours and days engaging people in airplanes, tattoo shops, bingo halls, international grocery stores, public parks, baseball stadiums, and voodoo shops—and out on the streets and in their homes. Along the way he documented his findings to create a physical archive that contains hundreds of objects (rings, underwear, food items, clovers, horses, pigs, herbs, rainbows, lottery strategies, seeds, day trader insights, statues, patches, crystals, spices) and the stories and pictures that go with them. Through photographs and first person accounts, The Luck Archive takes the best of these ideas, thoughts, and objects and gives readers a glimpse into the cultures and superstitions of a colorful array of humanity.
Author: David Levi Strauss
Publisher:
ISBN: 9781597112147
Category : Mass media
Languages : en
Pages : 0
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Book Description
In an era of social confusion and visual pandemonium, David Levi Strauss tackles issues of photography and politics in a way that few critics today are courageous enough to attempt. The essays collected in Between the Eyesaddress topics ranging from propaganda and the imagery of dreams, to Sebastião Salgado’s epic social documents and the deeply personal photographic revelations of Francesca Woodman. Other issues broached here include the legitimacy of photographic imagery and the media frenzy surrounding the events of September 11, as well as essays on the work of Ania Bien, Miguel Rio Branco, Alfredo Jaar, Joel-Peter Witkin and others, plus an interview with painter Leon Golub (who worked from photographs). Reviewing the first edition of Between the Eyes, Publisher’s Weeklywrote: “‘Photography and Propaganda,’ a study of the work and deaths in ‘80s Central America of photojournalists Richard Cross and John Hoagland, should be required reading in the age of embeddedness, and ‘Photography and Belief’ is a terrific meditation on truth in the age of digital manipulation.”
Author: David Campany
Publisher: MIT Press
ISBN: 0262359464
Category : Photography
Languages : en
Pages : 0
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Book Description
An intimate meditation on photography for the ages, curated around 120 epochal photographs. In On Photographs, curator and writer David Campany presents an exploration of photography in 120 photographs. Proceeding not by chronology or genre or photographer, Campany's eclectic selection unfolds according to its own logic. We see work by Henri Cartier-Bresson, William Eggleston, Helen Levitt, Garry Winogrand, Yves Louise Lawler, Andreas Gursky, and Rineke Dijkstra. There is fashion photography by William Klein, one of Vivian Maier's contact sheets, and a carefully staged scene by Gregory Crewdson, as well as images culled from magazines and advertisements. Each of the 120 photographs is accompanied by Campany's lucid and incisive commentary.
Author: Rosemary Crumlin
Publisher:
ISBN: 9780724102006
Category : Art
Languages : en
Pages : 208
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Book Description
Francis Bacon - Max Beckmann - John Bellany - Arthur Boyd - Leonora Carrington - Marc Chagall - Max Ernst - Frida Kahlo - Henri Matisse - Pablo Picasso - George Segal - Andy Warhol - and other.
