Author: Jillian Lerner
Publisher: Routledge
ISBN: 1000214826
Category : Art
Languages : en
Pages : 165
Book Description
This book explores a range of experimental self-portraits made in France between 1840 and 1870, including remarkable images by Hippolyte Bayard, Nadar, Duchenne de Boulogne, and Countess de Castiglione. Adapting photography for different social purposes, each of these pioneers showcased their own body as a living artifact and iconic attraction. Jillian Lerner considers performative portraits that exhibit uncanny transformations of identity and embodiment. She highlights the tactical importance of photographic demonstrations, promotions, conversations, and the mongrel forms of montage, painted photographs, and captioned specimens. The author shows how photographic practices are mobilized in diverse cultural contexts and enmeshed with the histories of art, science, publicity, urban spectacle, and private life in nineteenth-century France. Tracing calculated and creative approaches to a new medium, this research also contributes to an archaeology of the present. It furnishes a prehistory of the “selfie” and offers historical perspectives on the forces that reshape human perception and social experience. This interdisciplinary study will appeal to readers interested in the history of photography, art, visual culture, and media studies.
Experimental Self-Portraits in Early French Photography
Author: Jillian Lerner
Publisher: Routledge
ISBN: 1000214826
Category : Art
Languages : en
Pages : 165
Book Description
This book explores a range of experimental self-portraits made in France between 1840 and 1870, including remarkable images by Hippolyte Bayard, Nadar, Duchenne de Boulogne, and Countess de Castiglione. Adapting photography for different social purposes, each of these pioneers showcased their own body as a living artifact and iconic attraction. Jillian Lerner considers performative portraits that exhibit uncanny transformations of identity and embodiment. She highlights the tactical importance of photographic demonstrations, promotions, conversations, and the mongrel forms of montage, painted photographs, and captioned specimens. The author shows how photographic practices are mobilized in diverse cultural contexts and enmeshed with the histories of art, science, publicity, urban spectacle, and private life in nineteenth-century France. Tracing calculated and creative approaches to a new medium, this research also contributes to an archaeology of the present. It furnishes a prehistory of the “selfie” and offers historical perspectives on the forces that reshape human perception and social experience. This interdisciplinary study will appeal to readers interested in the history of photography, art, visual culture, and media studies.
Publisher: Routledge
ISBN: 1000214826
Category : Art
Languages : en
Pages : 165
Book Description
This book explores a range of experimental self-portraits made in France between 1840 and 1870, including remarkable images by Hippolyte Bayard, Nadar, Duchenne de Boulogne, and Countess de Castiglione. Adapting photography for different social purposes, each of these pioneers showcased their own body as a living artifact and iconic attraction. Jillian Lerner considers performative portraits that exhibit uncanny transformations of identity and embodiment. She highlights the tactical importance of photographic demonstrations, promotions, conversations, and the mongrel forms of montage, painted photographs, and captioned specimens. The author shows how photographic practices are mobilized in diverse cultural contexts and enmeshed with the histories of art, science, publicity, urban spectacle, and private life in nineteenth-century France. Tracing calculated and creative approaches to a new medium, this research also contributes to an archaeology of the present. It furnishes a prehistory of the “selfie” and offers historical perspectives on the forces that reshape human perception and social experience. This interdisciplinary study will appeal to readers interested in the history of photography, art, visual culture, and media studies.
Art 32 Basel
Author: Samuel Keller
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 666
Book Description
Art Basel is considered the world's leading fair for modern and contemporary art. The fair catalogue presents the most extensive overview of offerings on the international art market as well as information about this important annual art world event. An indispensable reference and popular collector's item for art lovers, the catalogue features over 600 illustrations, detailed information on the 250 leading galleries in Europe, North and South America, Asia, and Australia, an index of 1,000 prominent artists and the galleries representing them, an index of art publications from all over the world, and essays on the development of art and the art market by important authors--who have in the past included Harold Szeemann and Christian von Faber-Castell. This is an essential reference for all serious art professionals and collectors.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 666
Book Description
Art Basel is considered the world's leading fair for modern and contemporary art. The fair catalogue presents the most extensive overview of offerings on the international art market as well as information about this important annual art world event. An indispensable reference and popular collector's item for art lovers, the catalogue features over 600 illustrations, detailed information on the 250 leading galleries in Europe, North and South America, Asia, and Australia, an index of 1,000 prominent artists and the galleries representing them, an index of art publications from all over the world, and essays on the development of art and the art market by important authors--who have in the past included Harold Szeemann and Christian von Faber-Castell. This is an essential reference for all serious art professionals and collectors.
Paris and the Cliché of History
Author: Catherine E. Clark
Publisher: Oxford University Press
ISBN: 0190681667
Category : History
Languages : en
Pages : 329
Book Description
This book turns a compelling new lens on thinking about the history of Paris and photography. The invention of photography changed how history could be written. But the now commonplace assumptions--that photographs capture fragments of lost time or present emotional gateways to the past--that structure today's understandings did not emerge whole cloth in 1839. Focusing on one of photography's birthplaces, Paris and the Cliché of History tells the story of how photographs came to be imagined as documents of the past. Author Catherine E. Clark analyzes photography's effects on historical interpretation by examining the formation of Paris's first photo archives at the Musée Carnavalet and the city's municipal library, their use in illustrated history books and historical exhibitions and reconstructions such as the 1951 celebration of Paris's 2000th birthday, and the public's contribution to the historical record in amateur photo contests. Despite the photograph's growing importance in these forums, it did not simply replace older forms of illustration, visual documentation, or written text. Photos worked in complex and shifting relation to other types of pictures as photographers, popular historians, and publishers built on the traditions and iconography of painting and engraving in order to both document the past scientifically and objectively and to reconstruct it romantically. In doing so, they not only influenced how Parisians thought about the city's past and how they pictured it; they also ensured that these images shaped how Parisians lived their own lives--especially in deeply charged moments such as the Liberation after World War II. This history of picturing Paris does not simply reflect the city's history: it is Parisian history.
Publisher: Oxford University Press
ISBN: 0190681667
Category : History
Languages : en
Pages : 329
Book Description
This book turns a compelling new lens on thinking about the history of Paris and photography. The invention of photography changed how history could be written. But the now commonplace assumptions--that photographs capture fragments of lost time or present emotional gateways to the past--that structure today's understandings did not emerge whole cloth in 1839. Focusing on one of photography's birthplaces, Paris and the Cliché of History tells the story of how photographs came to be imagined as documents of the past. Author Catherine E. Clark analyzes photography's effects on historical interpretation by examining the formation of Paris's first photo archives at the Musée Carnavalet and the city's municipal library, their use in illustrated history books and historical exhibitions and reconstructions such as the 1951 celebration of Paris's 2000th birthday, and the public's contribution to the historical record in amateur photo contests. Despite the photograph's growing importance in these forums, it did not simply replace older forms of illustration, visual documentation, or written text. Photos worked in complex and shifting relation to other types of pictures as photographers, popular historians, and publishers built on the traditions and iconography of painting and engraving in order to both document the past scientifically and objectively and to reconstruct it romantically. In doing so, they not only influenced how Parisians thought about the city's past and how they pictured it; they also ensured that these images shaped how Parisians lived their own lives--especially in deeply charged moments such as the Liberation after World War II. This history of picturing Paris does not simply reflect the city's history: it is Parisian history.
Walls of Algiers
Author: Zeynep Çelik
Publisher: University of Washington Press
ISBN:
Category : Architecture
Languages : en
Pages : 308
Book Description
Walls of Algiers examines the historical processes that transformed Ottoman Algiers, the "Bulwark of Islam," into "Alger la blanche," the colonial urban showpiece - and, after the outbreak of revolution in 1954 - counter-model of France's global empire. In this volume, the city of Algiers serves as a case study for the analysis of the proactive and reactive social, political, technical, and artistic forces that generate a city's form. Visual sources - prints, photographs, paintings, architectural drawings, urban designs, and film - are treated as primary evidence that complements and even challenges textual documents. The contributors' wide-ranging but intersecting essays span the disciplines of art history, social and cultural history, urban studies, and film history. Walls of Algiers presents a multifaceted look at the social use of urban space in a North African city. Its contributors' innovative methodologies allow important insights into often overlooked aspects of life in a city whose name even today conjures up enchantment as well as incomprehensible violence. Contributors include Julia Clancy-Smith, Omar Carlier, Frances Terpak, Zeynep Celik, Eric Breitbart, Isabelle Grangaud, and Patricia M. E. Lorcin.
Publisher: University of Washington Press
ISBN:
Category : Architecture
Languages : en
Pages : 308
Book Description
Walls of Algiers examines the historical processes that transformed Ottoman Algiers, the "Bulwark of Islam," into "Alger la blanche," the colonial urban showpiece - and, after the outbreak of revolution in 1954 - counter-model of France's global empire. In this volume, the city of Algiers serves as a case study for the analysis of the proactive and reactive social, political, technical, and artistic forces that generate a city's form. Visual sources - prints, photographs, paintings, architectural drawings, urban designs, and film - are treated as primary evidence that complements and even challenges textual documents. The contributors' wide-ranging but intersecting essays span the disciplines of art history, social and cultural history, urban studies, and film history. Walls of Algiers presents a multifaceted look at the social use of urban space in a North African city. Its contributors' innovative methodologies allow important insights into often overlooked aspects of life in a city whose name even today conjures up enchantment as well as incomprehensible violence. Contributors include Julia Clancy-Smith, Omar Carlier, Frances Terpak, Zeynep Celik, Eric Breitbart, Isabelle Grangaud, and Patricia M. E. Lorcin.
Estimates
Author: Canada
Publisher:
ISBN:
Category : Canada
Languages : fr
Pages : 320
Book Description
Publisher:
ISBN:
Category : Canada
Languages : fr
Pages : 320
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Annual Bibliography of Modern Art
Author: Museum of Modern Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 598
Book Description
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 598
Book Description
National Geographic Traveler Provence and the Cote D'azur
Author: Barbara Noe Kennedy
Publisher: National Geographic Books
ISBN: 1426215479
Category : Travel
Languages : en
Pages : 244
Book Description
Discover the best of Provence and explore its charming towns and cities, medieval abbeys, storybook castles, and Roman monuments. Follow this guided tour through its magical landscapes--fields of red poppies, fragrant lavender, olive trees, and sunflowers. The tour begins in Avignon, famed for its Palais des Papes, and moves into the surrounding countryside, including Orange and its Roman-era coliseum, and the charming hill towns of Gordes, Roussillon, and Bonnieux. On to the Bouches du Rhone, featuring Arles, van Gogh's old haunt; Les Baux and its troubadour-era remains; the Camargue, the marshy land of Provençal cowboys and flamingoes; and chic and elegant Aix-en-Provence. After exploring revitalized Marseille, with its new museum, you are introduced to the Var, with its Mediterranean paradises of St. Tropez, Antibes, and the resort islands of Hyères, Porquerolles, and Port-Cros. Farther east awaits the fabled French Riviera, including the glittering towns of St. Tropez, Cannes, Nice, regal Monaco, and Menton, with its new Jean Cocteau museum. Finally, you discover Provence's more rugged side in Haute Provence, domain of the Gorges du Verdon. Favorites include driving and walking tours (a drive through Var's wine region and walks in Old Aix and Old Nice); detailed features on history, culture, and contemporary life; and 3-D illustrations. The guide also includes an in-depth chapter on Provence's history and culture, and a detailed section of practical information, including how to get around Provence, an extensive listing of handpicked hotels and restaurants, and select activities and entertainment options. Among the new features added to this completely updated and revised edition are a helpful "charting your trip" section, which helps you plan your week or two-week trip; experiential sidebars that show you how to delve into the authentic side of Provence, including staying in a bastide; the ins-and-outs of shopping at local markets; wine-tasting at Chateauneuf-du-Pape; and insider tips from local and National Geographic experts.
Publisher: National Geographic Books
ISBN: 1426215479
Category : Travel
Languages : en
Pages : 244
Book Description
Discover the best of Provence and explore its charming towns and cities, medieval abbeys, storybook castles, and Roman monuments. Follow this guided tour through its magical landscapes--fields of red poppies, fragrant lavender, olive trees, and sunflowers. The tour begins in Avignon, famed for its Palais des Papes, and moves into the surrounding countryside, including Orange and its Roman-era coliseum, and the charming hill towns of Gordes, Roussillon, and Bonnieux. On to the Bouches du Rhone, featuring Arles, van Gogh's old haunt; Les Baux and its troubadour-era remains; the Camargue, the marshy land of Provençal cowboys and flamingoes; and chic and elegant Aix-en-Provence. After exploring revitalized Marseille, with its new museum, you are introduced to the Var, with its Mediterranean paradises of St. Tropez, Antibes, and the resort islands of Hyères, Porquerolles, and Port-Cros. Farther east awaits the fabled French Riviera, including the glittering towns of St. Tropez, Cannes, Nice, regal Monaco, and Menton, with its new Jean Cocteau museum. Finally, you discover Provence's more rugged side in Haute Provence, domain of the Gorges du Verdon. Favorites include driving and walking tours (a drive through Var's wine region and walks in Old Aix and Old Nice); detailed features on history, culture, and contemporary life; and 3-D illustrations. The guide also includes an in-depth chapter on Provence's history and culture, and a detailed section of practical information, including how to get around Provence, an extensive listing of handpicked hotels and restaurants, and select activities and entertainment options. Among the new features added to this completely updated and revised edition are a helpful "charting your trip" section, which helps you plan your week or two-week trip; experiential sidebars that show you how to delve into the authentic side of Provence, including staying in a bastide; the ins-and-outs of shopping at local markets; wine-tasting at Chateauneuf-du-Pape; and insider tips from local and National Geographic experts.
Hyde's Weekly Art News
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 786
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 786
Book Description
Index of Art Sales Catalogs, 1981-1985: Main index, January 5, 1981-October 6, 1984
Author:
Publisher: Macmillan Reference USA
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 632
Book Description
Publisher: Macmillan Reference USA
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 632
Book Description