Author: James Boniface Schriever
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 0
Book Description
Photographic printing. pt. I. -v. 5. Photographic printing, pt. II. Copying, enlarging, lantern slides. -v. 6. At-home portraiture, flashlight, interiors, lenses. -v. 7. Studio portraiture, pt. I. -v. 8. Studio potraiture, pt. II. Studio system. -v. 9. Commercial, press, scientific photography. -v. 10. Negative retouching, etching and modeling. Encyclopedic index. Glossary
Author: James Boniface Schriever
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 0
Book Description
The Cumulative Book Index
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 658
Book Description
A world list of books in the English language.
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 658
Book Description
A world list of books in the English language.
Photographic printing, pt. II. Copying, enlarging, lantern slides
Author: James Boniface Schriever
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 402
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 402
Book Description
Photographic printing, pt. II. Copying, enlarging, lantern slides
Author: James Boniface Schriever
Publisher:
ISBN:
Category : Photography
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages :
Book Description
Complete Self-instructing Library of Practical Photography: Photographic printing, pt. II. Copying, enlarging, lantern slides
Author: James Boniface Schriever
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 408
Book Description
Studio portraiture, pt. II. Studio system
Author: James Boniface Schriever
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 398
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 398
Book Description
Studio portraiture, pt. II. Studio system
Author: James Boniface Schriever
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 410
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 410
Book Description
English Mechanic and Mirror of Science
Author:
Publisher:
ISBN:
Category : Technology
Languages : en
Pages : 644
Book Description
Publisher:
ISBN:
Category : Technology
Languages : en
Pages : 644
Book Description
Complete Self-Instructing Library of Practical Photography, Vol. 5
Author: J. B. Schriever
Publisher: Forgotten Books
ISBN: 9780365336617
Category : Photography
Languages : en
Pages : 398
Book Description
Excerpt from Complete Self-Instructing Library of Practical Photography, Vol. 5: Photographic Printing, Copying, Enlarging, Lantern Slides 6 copying apparatus 7 example OF enlarging 8 ingento enlarging lantern 9 enlarging frame TO hold kodak. IO kodak attached TO frame II kodak IN position. 12 enlarging Box for daylight 13 enlarging apparatus for artificial light I4 condensing lens 15 section OF dark room used for EN larging 227 621 16 ingento enlarging and copying easel. 231 615 17 folmer and schwing enlarging appa ratus 18 home-made enlarging apparatus. 19 artificial illumination for enlarging and reducing - using Two lights. 231 880. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780365336617
Category : Photography
Languages : en
Pages : 398
Book Description
Excerpt from Complete Self-Instructing Library of Practical Photography, Vol. 5: Photographic Printing, Copying, Enlarging, Lantern Slides 6 copying apparatus 7 example OF enlarging 8 ingento enlarging lantern 9 enlarging frame TO hold kodak. IO kodak attached TO frame II kodak IN position. 12 enlarging Box for daylight 13 enlarging apparatus for artificial light I4 condensing lens 15 section OF dark room used for EN larging 227 621 16 ingento enlarging and copying easel. 231 615 17 folmer and schwing enlarging appa ratus 18 home-made enlarging apparatus. 19 artificial illumination for enlarging and reducing - using Two lights. 231 880. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Historical Painting Techniques, Materials, and Studio Practice
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.