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Author: Daniel Rothbart
Publisher: University of Illinois Press
ISBN: 0252031369
Category : Experimental design
Languages : en
Pages : 158
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Book Description
The surprising roles of instruments and experimentation in acquiring knowledge In Philosophical Instruments Daniel Rothbart argues that our tools are not just neutral intermediaries between humans and the natural world, but are devices that demand new ideas about reality. Just as a hunter's new spear can change their knowledge of the environment, so can the development of modern scientific equipment alter our view of the world. Working at the intersections of science, technology, and philosophy, Rothbart examines the revolution in knowledge brought on by recent advances in scientific instruments. Full of examples from historical and contemporary science, including electron scanning microscopes, sixteenth-century philosophical instruments, and diffraction devices used by biochemical researchers, Rothbart explores the ways in which instrumentation advances a philosophical stance about an instrument's power, an experimenter's skills, and a specimen's properties. Through a close reading of engineering of instruments, he introduces a philosophy from (rather than of) design, contending that philosophical ideas are channeled from design plans to models and from model into the use of the devices.
Author: Daniel Rothbart
Publisher: University of Illinois Press
ISBN: 0252031369
Category : Experimental design
Languages : en
Pages : 158
Get Book Here
Book Description
The surprising roles of instruments and experimentation in acquiring knowledge In Philosophical Instruments Daniel Rothbart argues that our tools are not just neutral intermediaries between humans and the natural world, but are devices that demand new ideas about reality. Just as a hunter's new spear can change their knowledge of the environment, so can the development of modern scientific equipment alter our view of the world. Working at the intersections of science, technology, and philosophy, Rothbart examines the revolution in knowledge brought on by recent advances in scientific instruments. Full of examples from historical and contemporary science, including electron scanning microscopes, sixteenth-century philosophical instruments, and diffraction devices used by biochemical researchers, Rothbart explores the ways in which instrumentation advances a philosophical stance about an instrument's power, an experimenter's skills, and a specimen's properties. Through a close reading of engineering of instruments, he introduces a philosophy from (rather than of) design, contending that philosophical ideas are channeled from design plans to models and from model into the use of the devices.
Author: Gerard L'Estrange Turner
Publisher: Univ of California Press
ISBN: 9780520051607
Category : Technology & Engineering
Languages : en
Pages : 346
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Book Description
Examines the variety of instruments and equipment used in scientific research in fields such as chemistry, mechanics, meteorology, and electricity
Author: Weltausstellung (1862, London)
Publisher:
ISBN:
Category : Industries
Languages : en
Pages : 544
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Book Description
Author: Thomas L. Hankins
Publisher: Princeton University Press
ISBN: 9780691005492
Category : Mathematics
Languages : en
Pages : 358
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Book Description
Thomas Hankins and Robert Silverman investigate an array of instruments from the seventeenth through the nineteenth century that seem at first to be marginal to science--magnetic clocks that were said to operate by the movements of sunflower seeds, magic lanterns, ocular harpsichords (machines that played different colored lights in harmonious mixtures), Aeolian harps (a form of wind chime), and other instruments of "natural magic" designed to produce wondrous effects. By looking at these and the first recording instruments, the stereoscope, and speaking machines, the authors show that "scientific instruments" first made their appearance as devices used to evoke wonder in the beholder, as in works of magic and the theater. The authors also demonstrate that these instruments, even though they were often "tricks," were seen by their inventors as more than trickery. In the view of Athanasius Kircher, for instance, the sunflower clock was not merely a hoax, but an effort to demonstrate, however fraudulently, his truly held belief that the ability of a flower to follow the sun was due to the same cosmic magnetic influence as that which moved the planets and caused the rotation of the earth. The marvels revealed in this work raise and answer questions about the connections between natural science and natural magic, the meaning of demonstration, the role of language and the senses in science, and the connections among art, music, literature, and natural science. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: John Hannavy
Publisher: Routledge
ISBN: 1135873267
Category : Photography
Languages : en
Pages : 1630
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Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Author:
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 1080
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Book Description
Includes cases argued and determined in the District Courts of the United States and, Mar./May 1880-Oct./Nov. 1912, the Circuit Courts of the United States; Sept./Dec. 1891-Sept./Nov. 1924, the Circuit Courts of Appeals of the United States; Aug./Oct. 1911-Jan./Feb. 1914, the Commerce Court of the United States; Sept./Oct. 1919-Sept./Nov. 1924, the Court of Appeals of the District of Columbia.
Author:
Publisher:
ISBN:
Category : Exhibitions
Languages : en
Pages : 524
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Book Description
Author: David Gooding
Publisher: Cambridge University Press
ISBN: 9780521337687
Category : Science
Languages : en
Pages : 504
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Book Description
Renowned scholars in history, sociology, philosophy and anthropology consider seventeenth and twentieth century weapon testing, particle physics, biology and other topics in an account of important and often famous experiments.
Author: Anonymous
Publisher: Cambridge University Press
ISBN: 1108067158
Category : Business & Economics
Languages : en
Pages : 541
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Book Description
This catalogue, reissued in its third edition, contains entries for British and foreign participants at London's International Exhibition in 1862. A diverse range of industries - including mining, engineering, textiles, printing and photography - are represented. Also featuring many contemporary advertisements, this publication remains an instructive resource for social and economic historians.
![Reports by the Juries on the subjects in the thirty-six classes into which the Exhibition was divided. [Printed for the “Society for the Encouragement of Arts, Manufactures and Commerce,” and edited by J. F. Iselin and P. Le Neve Foster.] PDF](https://books.google.com/books/content/images/frontcover/uTldAAAAcAAJ?fife=w80-h100)
Author: International Exhibition of 1862 (LONDON)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1228
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Book Description
