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Author: William Corbett
Publisher: Steerforth
ISBN: 9781581952087
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
William Corbett's memoir of Philip Guston focuses on their friendship over the last eight years of Guston's life and on the paintings and drawings Guston made during those years. Guston's figurative work, crude and bold images beautifully painted, turned the art world on its ear when they were first shown in 1970. Corbett explores themes of change, growth, doubt, freedom and risk as Guston's work and life exemplified them. This is not a book of art criticism; art jargon is avoided. It is a book that looks hard at Guston's late paintings and celebrates their humor, violence, mystery, and sustaining force.
Author: William Corbett
Publisher: Steerforth
ISBN: 9781581952087
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
William Corbett's memoir of Philip Guston focuses on their friendship over the last eight years of Guston's life and on the paintings and drawings Guston made during those years. Guston's figurative work, crude and bold images beautifully painted, turned the art world on its ear when they were first shown in 1970. Corbett explores themes of change, growth, doubt, freedom and risk as Guston's work and life exemplified them. This is not a book of art criticism; art jargon is avoided. It is a book that looks hard at Guston's late paintings and celebrates their humor, violence, mystery, and sustaining force.
Author: David Kaufmann
Publisher: Univ of California Press
ISBN: 0520265769
Category : Art
Languages : en
Pages : 136
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Book Description
"I have never seen a book that deals so extensively and usefully with the aesthetic and critical climate surrounding Guston, the allegorical interpretation of his work, or the role of his Jewishness in his art and thinking. Telling Stories is an original and stimulating contribution."—Clark Coolidge
Author: Philip Guston
Publisher:
ISBN:
Category :
Languages : en
Pages : 280
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Book Description
Author: Ross Feld
Publisher: New York Review of Books
ISBN: 168137661X
Category : Biography & Autobiography
Languages : en
Pages : 189
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Book Description
In this warm and vibrant work of memoir and criticism, a young writer forges a friendship with Philip Guston, one of the most influential and controversial painters of the twentieth century. The late work of Philip Guston has had a profound influence on painters today, but as Guston’s star has risen, it has been forgotten how scandalous these paintings, with their cartoonish imagery and almost fumbling application of paint, were initially deemed to be. The 1970 show at the Marlborough Gallery in which Guston, abandoning the delicate abstract expressionism for which he was known, revealed his new style, was critically savaged. In the aftermath of this drubbing, he retreated to his studio in Woodstock, New York—in part to nurse his wounds but, more important, to go on painting exactly as he saw fit. Ross Feld, a young poet, novelist, and critic, was one of the rare critics to respond favorably to Guston’s late work. Guston answered with a grateful note, and a new friendship was soon born. Guston in Time, written not long before Feld’s early death from cancer, is a portrait of Guston the man; and of his wife, Musa, a major figure not only in his life but in his work; a reckoning with his supremely individual achievement as an artist; and a work of art in its own right. A retrospective of Guston’s work, Philip Guston Now, will be on view at the Museum of Fine Arts, Boston, from May 1 to September 11, 2022; at the Museum of Fine Arts, Houston, from October 23, 2022, to January 15, 2023; at the National Gallery of Art, Washington, D.C., from February 26 to August 27, 2023; and at the Tate Modern, London, from October 3, 2023 to February 4, 2024.
Author: Philip Guston
Publisher: Royal Botanic Garden Edinburgh
ISBN: 9781906129903
Category : Painters
Languages : en
Pages : 0
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Book Description
Published in celebration of the exhibition held at Inverleith House, Royal Botanic Garden Edinburgh, July 25-October 7, 2012. Includes an essay by Philip Larratt-Smith and the text of a conversation between David Anfam and Paul Nesbitt.00Exhibition: Inverleith House, Royal Botanic Garden Edinburgh, UK (25.07.-25.10.2012).
Author: Robert Storr
Publisher: Laurence King Publishing
ISBN: 9781786274168
Category : Art
Languages : en
Pages : 0
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Book Description
An authoritative and comprehensive survey of the life and work of the visionary and influential painter Philip Guston. Driven and consumed by art, Philip Guston painted and drew compulsively. This book takes the reader from his early social realist murals and easel paintings of the 1930s and 1940s, to the Abstract Expressionist works of the 1950s and early 1960s, and finally to the powerful new language of figurative painting, which he developed in the late 1960s and 1970s. Drawing on more than thirty years of his own research, the critic and curator, Robert Storr, maps Guston's entire career in one definitive volume, providing a subtantial, accessible, and revealing analysis of his work. With more than 800 images, the book illustrates Guston's key works and includes many unpublished paintings and drawings. An extensive chronology, illustrated with photographs, letters, articles, publications, and other ephemera drawn from the artist's archives and other sources, contextualizes Guston's life and provides in-depth coverage of his life at home, his work in the studio, his relationship with fellow artists and his many exhibitions. Guston was able to speak about art with unrivalled passion and fluency. In celebration of this, the book features Guston's own thoughts on his drawings and his great heroes of the Italian Renaissance.
Author: Craig Burnett
Publisher: MIT Press
ISBN: 1846381339
Category : Art
Languages : en
Pages : 95
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Book Description
An illustrated examination of Philip Guston's comic and complex painting The Studio. Throughout his career, Philip Guston's work metamorphosed from figural to abstract and back to figural. In the 1950s, Guston (1913–1980) produced a body of shimmering abstract paintings that made him—along with Willem de Kooning, Jackson Pollock, and Franz Kline—an influential abstract expressionist of the “gestural” tendency. In the late 1960s, with works like The Studio came his most radical shift. Drawing from the imagery of his early murals and from elements in his later drawings, ignoring the prevailing “coolness” of Minimalism and antiform abstraction, Guston invented for these late works a cast of cartoon-like characters to articulate a vision that was at once comic, crude, and complex. In The Studio, Guston offers a darkly comic portrait of the artist as a hooded Ku Klux Klansman, painting a self-portrait. In this concise and generously illustrated book, Craig Burnett examines The Studio in detail. He describes the historical and personal motivations for Guston's return to figuration and the (mostly negative) critical reaction to the work from Hilton Kramer and others. He looks closely at the structure of The Studio, and at the influence of Piero della Francesca, Manet, and Krazy Kat, among others; and he considers the importance of the column of smoke in the painting—as a compositional device and as a ghost of abstraction and metaphysics. The Studio signals not only Guston's own artistic evolution but a broader shift, from the medium-centric and teleological claim of modernism to the discursive, carnivalesque, and mucky world of postmodernism.
Author: Linda Patricia Cleary
Publisher:
ISBN: 9781320549431
Category :
Languages : en
Pages :
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Book Description
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
Author: Musa Mayer
Publisher:
ISBN: 9783906915029
Category : Pen drawing, American
Languages : en
Pages : 247
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Book Description
Philip Guston?s late figurative paintings were met with overwhelmingly negative critical response when first shown at Marlborough Gallery in New York City in October 1970. After the opening, Guston fled to Italy with his wife, spending eight months at the American Academy in Rome. The following spring, Guston returned to a wounded America, still at war in Vietnam, devastated by the assassinations of its leaders, and divided by antiwar protests and the social and political upheavals begun in the 1960s. It was Richard Nixon?s first term as president.0Guston?s outpouring of satirical drawings was inspired partly by conversations with his friend Philip Roth, at work on his own scathing Nixon satire, ?Our Gang?. ?When I came back from Europe in the summer of 1971,? Guston later said, ?I was pretty disturbed about everything in the country politically, the administration specifically, and I started doing cartoon characters. And one thing led to another, and so for months I did hundreds of drawings and they seemed to form a kind of story line, a sequence.? Completed during July and August 1971, these drawings were not publicly shown for three decades.0In 1975, after the Watergate scandal led to Nixon being forced to resign under threat of impeachment, Guston created more drawings and a final painting with Nixon as subject: ?San Clemente?. This book gathers this extraordinary body of work for the first time in its entirety.00Exhibition: Hauser & Wirth, New York, USA (01.11.2016-28.01.2017) / Hauser & Wirth, London, UK (19.05.-29.07.2017).
Author: Kosme De Baranano
Publisher:
ISBN: 9783906915005
Category : Art and literature
Languages : en
Pages : 181
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Book Description
Published to accompany the exhibition ?Philip Guston and The Poets? at Gallerie dell?Accademia (May ? September 2017), this monograph exposes the artist?s oeuvre to critical literary interpretation. The exhibition draws parallels between humanist themes reflected in both Guston?s paintings and drawings as well as in the language and prose discerned in five of the twentieth century?s most prominent literary figures: D. H. Lawrence, W. B. Yeats, Wallace Stevens, Eugenio Montale and T. S. Eliot. The enormous influence that Italy itself had upon Guston and his work is also examined.0Spanning a 50-year period, ?Philip Guston and The Poets?, edited by curator Prof. Dr. Kosme de Barañano, features approximately 40 major paintings and 40 prominent drawings dating from 1930 through to 1980, the last of which were created in the final years of Guston?s life. 00Exhibition: Gallerie dell?Accademia, Venice, Italy (10.05.-03.09.2017).
