Author: Samad Seyidov
Publisher: AuthorHouse
ISBN: 148178739X
Category : History
Languages : en
Pages : 237
Book Description
THE PHENOMENOLOGY OF CREATIVITY: HISTORY, PARADOXES, PERSONALITY By Samad I. Seyidov One of the principal aims of the book is to provide readers with a concise overview of both intellectual history and the leading concepts of international science and philosophy that impact the field of the psychology of creativity. The target audiences for the book are researchers in psychology, philosophy, history, literature, and University students. The book presents a contrasting study of the views of ancient Indian, Chinese, Greek, Middle Eastern, and Russian philosophers on creativity. It also discusses the subject of creativity as viewed by Freud, Jung, Adler, the Gestalt school, and other prominent Western psychologists. A special place is provided for an overview of the history of Soviet psychology, and of the revival of psychology in Azerbaijan after the fall of the Soviet Union. The author emphasizes the importance of the social environment in determining the development of the personality. He states that most personal activity is directed at serving the values of the surrounding society, not the values of the person himself. The author considers that creativity is a psychic defense mechanism which people use to solve everyday problems in order to restore their inner and outer equilibrium. Through references to the world's leading psychology schools, the author reveals new paradoxes of creativity such as "logic," "morality," "quantity," "universal availability," "desirability," "searching," "the model," "the narrowing of the unconscious," "determinants," and "the product." He describes the distinctive features of the creative personality, namely the capacity for metaphorical thinking, flexibility, inner vision, neutralization, originality, verbal facility, a rich imagination, field-independence etc. [endorsements] Samad Seyidov's study of creativity comes at the right time and from the right place. Not only are we passing through a period of rapid change, particularly in such fields as nanotechnology, neuroscience, physiological psychology, and genetics, but also the participants in this change are no longer limited to a small group of western countries, but are increasingly appearing in different parts of the world. If the social upheaval that these changes are having in established societies is great, it is even greater in newly emerging societies. Are we equipped to manage these changes, and can the creative arts and sciences join to interpret them, drawing on their varied traditions in order to do so? That is surely the vital question that we carry away from Professor Seyidov's important study of personality and creativity. Prof. Humphrey Tonkin, President Emeritus at the University of Hartford (USA) "The Phenomenology of Creativity" by Samad Seyidov is not only an interesting book, but a fascinating one. The Rector of Azerbaijan Languages University did a large and deep investigation through the history of the human creativity and its resorts to obtain conclusions about the nature of this phenomenon. The studies on the creativity made by Prof. Seyidov are able to be in the attention at every researcher in that area. Dr. Horia Gârbea, Romanian writer, Vice-President of The Romanian Cultural Institute Key principles of psychology are marked by paradoxes and contradictions, whose proper address requires creativity. This complex but intellectually fascinating phenomenon Seyidov's study explores with admirable insight and clarity. Prof. Eleni Karamalengu, National & Kapodistrian University of Athens
Phenomenology of Creativity
Author: Samad Seyidov
Publisher: AuthorHouse
ISBN: 148178739X
Category : History
Languages : en
Pages : 237
Book Description
THE PHENOMENOLOGY OF CREATIVITY: HISTORY, PARADOXES, PERSONALITY By Samad I. Seyidov One of the principal aims of the book is to provide readers with a concise overview of both intellectual history and the leading concepts of international science and philosophy that impact the field of the psychology of creativity. The target audiences for the book are researchers in psychology, philosophy, history, literature, and University students. The book presents a contrasting study of the views of ancient Indian, Chinese, Greek, Middle Eastern, and Russian philosophers on creativity. It also discusses the subject of creativity as viewed by Freud, Jung, Adler, the Gestalt school, and other prominent Western psychologists. A special place is provided for an overview of the history of Soviet psychology, and of the revival of psychology in Azerbaijan after the fall of the Soviet Union. The author emphasizes the importance of the social environment in determining the development of the personality. He states that most personal activity is directed at serving the values of the surrounding society, not the values of the person himself. The author considers that creativity is a psychic defense mechanism which people use to solve everyday problems in order to restore their inner and outer equilibrium. Through references to the world's leading psychology schools, the author reveals new paradoxes of creativity such as "logic," "morality," "quantity," "universal availability," "desirability," "searching," "the model," "the narrowing of the unconscious," "determinants," and "the product." He describes the distinctive features of the creative personality, namely the capacity for metaphorical thinking, flexibility, inner vision, neutralization, originality, verbal facility, a rich imagination, field-independence etc. [endorsements] Samad Seyidov's study of creativity comes at the right time and from the right place. Not only are we passing through a period of rapid change, particularly in such fields as nanotechnology, neuroscience, physiological psychology, and genetics, but also the participants in this change are no longer limited to a small group of western countries, but are increasingly appearing in different parts of the world. If the social upheaval that these changes are having in established societies is great, it is even greater in newly emerging societies. Are we equipped to manage these changes, and can the creative arts and sciences join to interpret them, drawing on their varied traditions in order to do so? That is surely the vital question that we carry away from Professor Seyidov's important study of personality and creativity. Prof. Humphrey Tonkin, President Emeritus at the University of Hartford (USA) "The Phenomenology of Creativity" by Samad Seyidov is not only an interesting book, but a fascinating one. The Rector of Azerbaijan Languages University did a large and deep investigation through the history of the human creativity and its resorts to obtain conclusions about the nature of this phenomenon. The studies on the creativity made by Prof. Seyidov are able to be in the attention at every researcher in that area. Dr. Horia Gârbea, Romanian writer, Vice-President of The Romanian Cultural Institute Key principles of psychology are marked by paradoxes and contradictions, whose proper address requires creativity. This complex but intellectually fascinating phenomenon Seyidov's study explores with admirable insight and clarity. Prof. Eleni Karamalengu, National & Kapodistrian University of Athens
Publisher: AuthorHouse
ISBN: 148178739X
Category : History
Languages : en
Pages : 237
Book Description
THE PHENOMENOLOGY OF CREATIVITY: HISTORY, PARADOXES, PERSONALITY By Samad I. Seyidov One of the principal aims of the book is to provide readers with a concise overview of both intellectual history and the leading concepts of international science and philosophy that impact the field of the psychology of creativity. The target audiences for the book are researchers in psychology, philosophy, history, literature, and University students. The book presents a contrasting study of the views of ancient Indian, Chinese, Greek, Middle Eastern, and Russian philosophers on creativity. It also discusses the subject of creativity as viewed by Freud, Jung, Adler, the Gestalt school, and other prominent Western psychologists. A special place is provided for an overview of the history of Soviet psychology, and of the revival of psychology in Azerbaijan after the fall of the Soviet Union. The author emphasizes the importance of the social environment in determining the development of the personality. He states that most personal activity is directed at serving the values of the surrounding society, not the values of the person himself. The author considers that creativity is a psychic defense mechanism which people use to solve everyday problems in order to restore their inner and outer equilibrium. Through references to the world's leading psychology schools, the author reveals new paradoxes of creativity such as "logic," "morality," "quantity," "universal availability," "desirability," "searching," "the model," "the narrowing of the unconscious," "determinants," and "the product." He describes the distinctive features of the creative personality, namely the capacity for metaphorical thinking, flexibility, inner vision, neutralization, originality, verbal facility, a rich imagination, field-independence etc. [endorsements] Samad Seyidov's study of creativity comes at the right time and from the right place. Not only are we passing through a period of rapid change, particularly in such fields as nanotechnology, neuroscience, physiological psychology, and genetics, but also the participants in this change are no longer limited to a small group of western countries, but are increasingly appearing in different parts of the world. If the social upheaval that these changes are having in established societies is great, it is even greater in newly emerging societies. Are we equipped to manage these changes, and can the creative arts and sciences join to interpret them, drawing on their varied traditions in order to do so? That is surely the vital question that we carry away from Professor Seyidov's important study of personality and creativity. Prof. Humphrey Tonkin, President Emeritus at the University of Hartford (USA) "The Phenomenology of Creativity" by Samad Seyidov is not only an interesting book, but a fascinating one. The Rector of Azerbaijan Languages University did a large and deep investigation through the history of the human creativity and its resorts to obtain conclusions about the nature of this phenomenon. The studies on the creativity made by Prof. Seyidov are able to be in the attention at every researcher in that area. Dr. Horia Gârbea, Romanian writer, Vice-President of The Romanian Cultural Institute Key principles of psychology are marked by paradoxes and contradictions, whose proper address requires creativity. This complex but intellectually fascinating phenomenon Seyidov's study explores with admirable insight and clarity. Prof. Eleni Karamalengu, National & Kapodistrian University of Athens
The Philosophy of Creativity
Author: Elliot Samuel Paul
Publisher: Oxford University Press
ISBN: 0199836965
Category : Philosophy
Languages : en
Pages : 337
Book Description
Creativity pervades human life. It is the mark of individuality, the vehicle of self-expression, and the engine of progress in every human endeavor. It also raises a wealth of neglected and yet evocative philosophical questions. The Philosophy of Creativity takes up these questions and, in doing so, illustrates the value of interdisciplinary exchange.
Publisher: Oxford University Press
ISBN: 0199836965
Category : Philosophy
Languages : en
Pages : 337
Book Description
Creativity pervades human life. It is the mark of individuality, the vehicle of self-expression, and the engine of progress in every human endeavor. It also raises a wealth of neglected and yet evocative philosophical questions. The Philosophy of Creativity takes up these questions and, in doing so, illustrates the value of interdisciplinary exchange.
Creative Experiencing
Author: Charles Hartshorne
Publisher: SUNY Press
ISBN: 1438436653
Category : Philosophy
Languages : en
Pages : 179
Book Description
A vigorous and wide-ranging defense of Hartshorne’s “neoclassical metaphysics” of creative freedom.
Publisher: SUNY Press
ISBN: 1438436653
Category : Philosophy
Languages : en
Pages : 179
Book Description
A vigorous and wide-ranging defense of Hartshorne’s “neoclassical metaphysics” of creative freedom.
Innovation Policies, Business Creation and Economic Development
Author: Neslihan Aydogan
Publisher: Springer Science & Business Media
ISBN: 0387799761
Category : Business & Economics
Languages : en
Pages : 296
Book Description
It is now apparent to many scholars and practitioners that research and development activities and innovation are the pathways to sustainable economic growth. One also recognizes that delving into a topic as such is rather challenging as it is a multidimensional task. We have learned quite a bit on the innovation-growth relationship of the dev- oped countries based on the extensive research on the topic. However, we are yet to understand the very same process for the developing countries where the challenges are expected to be paramount. There obviously is few empirical and theoretical discussion on this topic. This book dares to provide a succinct discussion on a wide array of issues on the innovation and growth relationship for the developing countries. The book starts off by providing the reader with a promising - ternative to endogenous growth models that entails understanding the effect of variables, such as technological change on growth in cons- erable detail. The next step in the book involves a thorough analysis of economic growth models and how the investment climate affects innovationand entrepreneurship and hence economic growth. Against this background is examined the context of the telecommunications industry in Turkey. Following this, we delve into understanding the radical versusincremental innovationactivities,where itis argued that developing nations are more likely to engage in radical innovation, whereas developing nations are engaged in incremental innovation.
Publisher: Springer Science & Business Media
ISBN: 0387799761
Category : Business & Economics
Languages : en
Pages : 296
Book Description
It is now apparent to many scholars and practitioners that research and development activities and innovation are the pathways to sustainable economic growth. One also recognizes that delving into a topic as such is rather challenging as it is a multidimensional task. We have learned quite a bit on the innovation-growth relationship of the dev- oped countries based on the extensive research on the topic. However, we are yet to understand the very same process for the developing countries where the challenges are expected to be paramount. There obviously is few empirical and theoretical discussion on this topic. This book dares to provide a succinct discussion on a wide array of issues on the innovation and growth relationship for the developing countries. The book starts off by providing the reader with a promising - ternative to endogenous growth models that entails understanding the effect of variables, such as technological change on growth in cons- erable detail. The next step in the book involves a thorough analysis of economic growth models and how the investment climate affects innovationand entrepreneurship and hence economic growth. Against this background is examined the context of the telecommunications industry in Turkey. Following this, we delve into understanding the radical versusincremental innovationactivities,where itis argued that developing nations are more likely to engage in radical innovation, whereas developing nations are engaged in incremental innovation.
Structure and Creativity in Religion
Author: Douglas Allen
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110805529
Category : Religion
Languages : en
Pages : 288
Book Description
Since its founding by Jacques Waardenburg in 1971, Religion and Reason has been a leading forum for contributions on theories, theoretical issues and agendas related to the phenomenon and the study of religion. Topics include (among others) category formation, comparison, ethnophilosophy, hermeneutics, methodology, myth, phenomenology, philosophy of science, scientific atheism, structuralism, and theories of religion. From time to time the series publishes volumes that map the state of the art and the history of the discipline.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110805529
Category : Religion
Languages : en
Pages : 288
Book Description
Since its founding by Jacques Waardenburg in 1971, Religion and Reason has been a leading forum for contributions on theories, theoretical issues and agendas related to the phenomenon and the study of religion. Topics include (among others) category formation, comparison, ethnophilosophy, hermeneutics, methodology, myth, phenomenology, philosophy of science, scientific atheism, structuralism, and theories of religion. From time to time the series publishes volumes that map the state of the art and the history of the discipline.
Phenomenology of Practice
Author: Max Van Manen
Publisher: Routledge
ISBN: 1315422638
Category : Psychology
Languages : en
Pages : 446
Book Description
Max van Manen offers an extensive exploration of phenomenological traditions and methods for the human sciences. It is his first comprehensive statement of phenomenological thought and research in over a decade. Phenomenology of practice refers to the meaning and practice of phenomenology in professional contexts such as psychology, education, and health care, as well as to the practice of phenomenological methods in contexts of everyday living. Van Manen presents a detailed description of key phenomenological ideas as they have evolved over the past century; he then thoughtfully works through the methodological issues of phenomenological reflection, empirical methods, and writing that a phenomenology of practice offers to the researcher. Van Manen’s comprehensive work will be of great interest to all concerned with the interrelationship between being and acting in human sciences research and in everyday life. Max van Manen is the editor of the series Phenomenology of Practice, https://www.routledge.com/series/PPVM
Publisher: Routledge
ISBN: 1315422638
Category : Psychology
Languages : en
Pages : 446
Book Description
Max van Manen offers an extensive exploration of phenomenological traditions and methods for the human sciences. It is his first comprehensive statement of phenomenological thought and research in over a decade. Phenomenology of practice refers to the meaning and practice of phenomenology in professional contexts such as psychology, education, and health care, as well as to the practice of phenomenological methods in contexts of everyday living. Van Manen presents a detailed description of key phenomenological ideas as they have evolved over the past century; he then thoughtfully works through the methodological issues of phenomenological reflection, empirical methods, and writing that a phenomenology of practice offers to the researcher. Van Manen’s comprehensive work will be of great interest to all concerned with the interrelationship between being and acting in human sciences research and in everyday life. Max van Manen is the editor of the series Phenomenology of Practice, https://www.routledge.com/series/PPVM
Levinas and James
Author: Megan Craig
Publisher: Indiana University Press
ISBN: 0253355346
Category : Phenomenology
Languages : en
Pages : 277
Book Description
Bringing to light new facets in the philosophy of Emmanuel Levinas and William James, Megan Craig explores intersections between French phenomenology and American pragmatism. Craig demonstrates the radical empiricism of Levinas's philosophy and the ethical implications of James's pluralism while illuminating their relevance for two philosophical disciplines that have often held each other at arm's length. Revealing the pragmatic minimalism in Levinas's work and the centrality of imagery in James's prose, she suggests that aesthetic links are crucial to understanding what they share. Craig's suggestive readings change current perceptions and clear a path for a more open, pluralistic, and creative pragmatic phenomenology that takes cues from both philosophers.
Publisher: Indiana University Press
ISBN: 0253355346
Category : Phenomenology
Languages : en
Pages : 277
Book Description
Bringing to light new facets in the philosophy of Emmanuel Levinas and William James, Megan Craig explores intersections between French phenomenology and American pragmatism. Craig demonstrates the radical empiricism of Levinas's philosophy and the ethical implications of James's pluralism while illuminating their relevance for two philosophical disciplines that have often held each other at arm's length. Revealing the pragmatic minimalism in Levinas's work and the centrality of imagery in James's prose, she suggests that aesthetic links are crucial to understanding what they share. Craig's suggestive readings change current perceptions and clear a path for a more open, pluralistic, and creative pragmatic phenomenology that takes cues from both philosophers.
Phenomenology for Actors
Author: Daniel Johnston
Publisher: Intellect (UK)
ISBN: 9781789387599
Category :
Languages : en
Pages : 0
Book Description
A valuable new touchstone for phenomenology and performance as research. In this book, Daniel Johnston examines how phenomenology can describe, analyze, and inspire theater-making. Each chapter introduces themes to guide the creative process through objects, bodies, spaces, time, history, freedom, and authenticity. Key examples in the work are drawn from Chekhov's The Cherry Orchard, Sophocles' Antigone, and Shakespeare's Hamlet. Practical tasks throughout explore how the theatrical event can offer unique insights into being and existence, as Johnston's philosophical perspective shines a light on broader existential issues of being. In this way, the book makes a bold contribution to the study of acting as an embodied form of philosophy and reveals how phenomenology can be a rich source of creativity for actors, directors, designers, and collaborators in the performance process. Brimming with insight into the practice and theory of acting, this original new work stimulates new approaches to rehearsal and sees theater-making as capable of speaking back to philosophical discourse.
Publisher: Intellect (UK)
ISBN: 9781789387599
Category :
Languages : en
Pages : 0
Book Description
A valuable new touchstone for phenomenology and performance as research. In this book, Daniel Johnston examines how phenomenology can describe, analyze, and inspire theater-making. Each chapter introduces themes to guide the creative process through objects, bodies, spaces, time, history, freedom, and authenticity. Key examples in the work are drawn from Chekhov's The Cherry Orchard, Sophocles' Antigone, and Shakespeare's Hamlet. Practical tasks throughout explore how the theatrical event can offer unique insights into being and existence, as Johnston's philosophical perspective shines a light on broader existential issues of being. In this way, the book makes a bold contribution to the study of acting as an embodied form of philosophy and reveals how phenomenology can be a rich source of creativity for actors, directors, designers, and collaborators in the performance process. Brimming with insight into the practice and theory of acting, this original new work stimulates new approaches to rehearsal and sees theater-making as capable of speaking back to philosophical discourse.
Affect in Artistic Creativity
Author: Jussi Saarinen
Publisher: Routledge
ISBN: 1000095169
Category : Art
Languages : en
Pages : 213
Book Description
Why do painters paint? Obviously, there are numerous possible reasons. They paint to create images for others’ enjoyment, to solve visual problems, to convey ideas, and to contribute to a rich artistic tradition. This book argues that there is yet another, crucially important but often overlooked reason. Painters paint to feel. They paint because it enables them to experience special feelings, such as being absorbed in creative play and connected to something vitally significant. Painting may even transform the painter’s whole sense of being. Thus, painting is not only about producing art, communicating content, and so on, but also about setting up and inhabiting an experiential space wherein highly valued feelings are interactively enabled and supported. This book investigates how and why this happens by combining psychoanalytical theorization on creativity with philosophical thinking on affectivity. It focuses on creative experience itself, and illuminates the psychological mechanisms and dynamics that underlie the affects at stake. Painters’ own descriptions of how they feel at work are used throughout to give an accurate, true-to-life portrayal of the experience of painting. The strength of the book lies in its open-minded yet critical integration of contemporary psychoanalytic and philosophical thinking, and in its truthfulness to painters’ experiential descriptions of the painterly process. On the whole, it enriches our understanding of artistic creativity and sheds more light on how and why we come to feel the things we do. As such, the book will appeal to philosophers, psychoanalysts, and art researchers alike.
Publisher: Routledge
ISBN: 1000095169
Category : Art
Languages : en
Pages : 213
Book Description
Why do painters paint? Obviously, there are numerous possible reasons. They paint to create images for others’ enjoyment, to solve visual problems, to convey ideas, and to contribute to a rich artistic tradition. This book argues that there is yet another, crucially important but often overlooked reason. Painters paint to feel. They paint because it enables them to experience special feelings, such as being absorbed in creative play and connected to something vitally significant. Painting may even transform the painter’s whole sense of being. Thus, painting is not only about producing art, communicating content, and so on, but also about setting up and inhabiting an experiential space wherein highly valued feelings are interactively enabled and supported. This book investigates how and why this happens by combining psychoanalytical theorization on creativity with philosophical thinking on affectivity. It focuses on creative experience itself, and illuminates the psychological mechanisms and dynamics that underlie the affects at stake. Painters’ own descriptions of how they feel at work are used throughout to give an accurate, true-to-life portrayal of the experience of painting. The strength of the book lies in its open-minded yet critical integration of contemporary psychoanalytic and philosophical thinking, and in its truthfulness to painters’ experiential descriptions of the painterly process. On the whole, it enriches our understanding of artistic creativity and sheds more light on how and why we come to feel the things we do. As such, the book will appeal to philosophers, psychoanalysts, and art researchers alike.
The Ecstatic Quotidian
Author: Jennifer Anna Gosetti-Ferencei
Publisher: Penn State Press
ISBN: 0271045833
Category : Philosophy
Languages : en
Pages : 280
Book Description
Fascination with quotidian experience in modern art, literature, and philosophy promotes ecstatic forms of reflection on the very structure of the everyday world. Gosetti-Ferencei examines the ways in which modern art and literature enable a study of how we experience quotidian life. She shows that modernism, while exhibiting many strands of development, can be understood by investigating how its attentions to perception and expectation, to the common quality of things, or to childhood play gives way to experiences of ecstasis&—the stepping outside of the ordinary familiarity of the world. While phenomenology grounds this study (through Husserl, Heidegger, Merleau-Ponty, and Bachelard), what makes this book more than a treatise on phenomenological aesthetics is the way in which modernity itself is examined in its relation to the quotidian. Through the works of artists and writers such as Benjamin, C&ézanne, Frost, Klee, Newman, Pollock, Ponge, Proust, Rilke, Robbe-Grillet, Rothko, Sartre, and Twombly, the world of quotidian life can be seen to harbor a latent ecstasis. The breakdown of the quotidian through and after modernism then becomes an urgent question for understanding art and literature in its capacity to further human experience, and it points to the limits of phenomenological explications of the everyday.
Publisher: Penn State Press
ISBN: 0271045833
Category : Philosophy
Languages : en
Pages : 280
Book Description
Fascination with quotidian experience in modern art, literature, and philosophy promotes ecstatic forms of reflection on the very structure of the everyday world. Gosetti-Ferencei examines the ways in which modern art and literature enable a study of how we experience quotidian life. She shows that modernism, while exhibiting many strands of development, can be understood by investigating how its attentions to perception and expectation, to the common quality of things, or to childhood play gives way to experiences of ecstasis&—the stepping outside of the ordinary familiarity of the world. While phenomenology grounds this study (through Husserl, Heidegger, Merleau-Ponty, and Bachelard), what makes this book more than a treatise on phenomenological aesthetics is the way in which modernity itself is examined in its relation to the quotidian. Through the works of artists and writers such as Benjamin, C&ézanne, Frost, Klee, Newman, Pollock, Ponge, Proust, Rilke, Robbe-Grillet, Rothko, Sartre, and Twombly, the world of quotidian life can be seen to harbor a latent ecstasis. The breakdown of the quotidian through and after modernism then becomes an urgent question for understanding art and literature in its capacity to further human experience, and it points to the limits of phenomenological explications of the everyday.