Author: Whitney Strub
Publisher: Columbia University Press
ISBN: 0231148860
Category : Family & Relationships
Languages : en
Pages : 392
Book Description
Whitney Strub illustrates the crucial function of pornography in constructing the New Right agenda, which emphasized social issues over racial & economic inequality. He situates the fight over obscenity within the politics of 1950s pop culture & the pivotal events that followed, including the sexual revolution & feminist activism.
Perversion for Profit
Author: Whitney Strub
Publisher: Columbia University Press
ISBN: 0231148860
Category : Family & Relationships
Languages : en
Pages : 392
Book Description
Whitney Strub illustrates the crucial function of pornography in constructing the New Right agenda, which emphasized social issues over racial & economic inequality. He situates the fight over obscenity within the politics of 1950s pop culture & the pivotal events that followed, including the sexual revolution & feminist activism.
Publisher: Columbia University Press
ISBN: 0231148860
Category : Family & Relationships
Languages : en
Pages : 392
Book Description
Whitney Strub illustrates the crucial function of pornography in constructing the New Right agenda, which emphasized social issues over racial & economic inequality. He situates the fight over obscenity within the politics of 1950s pop culture & the pivotal events that followed, including the sexual revolution & feminist activism.
The Bloodiest Thing That Ever Happened In Front Of A Camera
Author: Stephen Milligen
Publisher: SCB Distributors
ISBN: 1909394092
Category : Performing Arts
Languages : en
Pages : 443
Book Description
How porno chic became porno hell. In the early 1970s, outrageous claims were made of a new blood-spattered cinematic extreme. This was the legend of the ‘snuff movie’, which promoted the inhuman notion that a woman had been murdered to satisfy the sexual appetite of a jaded public. The story was produced by a kind of madness incarnate, but it reflected the desperation of America in cultural turmoil. ‘Snuff’ was a backlash against the naïve liberalism of the counterculture, embraced by people who preferred to believe the worst about their society. Once unleashed the concept was embraced and manipulated by the tabloid media and a variety of political and social crusaders, each using it to further their own cause. Brutal, evil, ghastly beyond belief, snuff became an iconic urban legend. This book is the true, startling and hideously exploitative history of that legend and how it was created. SNUFF—THE BLOODIEST THING THAT EVER HAPPENED IN FRONT OF A CAMERA!
Publisher: SCB Distributors
ISBN: 1909394092
Category : Performing Arts
Languages : en
Pages : 443
Book Description
How porno chic became porno hell. In the early 1970s, outrageous claims were made of a new blood-spattered cinematic extreme. This was the legend of the ‘snuff movie’, which promoted the inhuman notion that a woman had been murdered to satisfy the sexual appetite of a jaded public. The story was produced by a kind of madness incarnate, but it reflected the desperation of America in cultural turmoil. ‘Snuff’ was a backlash against the naïve liberalism of the counterculture, embraced by people who preferred to believe the worst about their society. Once unleashed the concept was embraced and manipulated by the tabloid media and a variety of political and social crusaders, each using it to further their own cause. Brutal, evil, ghastly beyond belief, snuff became an iconic urban legend. This book is the true, startling and hideously exploitative history of that legend and how it was created. SNUFF—THE BLOODIEST THING THAT EVER HAPPENED IN FRONT OF A CAMERA!
Tiny You
Author: Jennifer L. Holland
Publisher: Univ of California Press
ISBN: 0520968476
Category : Social Science
Languages : en
Pages : 324
Book Description
Caroline Bancroft History Prize 2021, Denver Public Library Armitage-Jameson Prize 2021, Coalition of Western Women's History David J. Weber Prize 2021, Western History Association W. Turrentine Jackson Prize 2021, Western History Association Tiny You tells the story of one of the most successful political movements of the twentieth century: the grassroots campaign against legalized abortion. While Americans have rapidly changed their minds about sex education, pornography, arts funding, gay teachers, and ultimately gay marriage, opposition to legalized abortion has only grown. As other socially conservative movements have lost young activists, the pro-life movement has successfully recruited more young people to its cause. Jennifer L. Holland explores why abortion dominates conservative politics like no other cultural issue. Looking at anti-abortion movements in four western states since the 1960s—turning to the fetal pins passed around church services, the graphic images exchanged between friends, and the fetus dolls given to children in school—she argues that activists made fetal life feel personal to many Americans. Pro-life activists persuaded people to see themselves in the pins, images, and dolls they held in their hands and made the fight against abortion the primary bread-and-butter issue for social conservatives. Holland ultimately demonstrates that the success of the pro-life movement lies in the borrowed logic and emotional power of leftist activism.
Publisher: Univ of California Press
ISBN: 0520968476
Category : Social Science
Languages : en
Pages : 324
Book Description
Caroline Bancroft History Prize 2021, Denver Public Library Armitage-Jameson Prize 2021, Coalition of Western Women's History David J. Weber Prize 2021, Western History Association W. Turrentine Jackson Prize 2021, Western History Association Tiny You tells the story of one of the most successful political movements of the twentieth century: the grassroots campaign against legalized abortion. While Americans have rapidly changed their minds about sex education, pornography, arts funding, gay teachers, and ultimately gay marriage, opposition to legalized abortion has only grown. As other socially conservative movements have lost young activists, the pro-life movement has successfully recruited more young people to its cause. Jennifer L. Holland explores why abortion dominates conservative politics like no other cultural issue. Looking at anti-abortion movements in four western states since the 1960s—turning to the fetal pins passed around church services, the graphic images exchanged between friends, and the fetus dolls given to children in school—she argues that activists made fetal life feel personal to many Americans. Pro-life activists persuaded people to see themselves in the pins, images, and dolls they held in their hands and made the fight against abortion the primary bread-and-butter issue for social conservatives. Holland ultimately demonstrates that the success of the pro-life movement lies in the borrowed logic and emotional power of leftist activism.
Let's Go Stag!
Author: Dan Erdman
Publisher: Bloomsbury Publishing USA
ISBN: 150133302X
Category : Performing Arts
Languages : en
Pages : 233
Book Description
For much of the 20th century, the underground pornography industry - made up of amateurs and hobbyists who created hardcore, explicit "stag films" - went about its business hounded by reformers and law enforcement, from local police departments all the way up to the FBI. Rumors of this illicit activity circulated and became the stuff of urban myth, but this period of pornography history remains murky. Let's Go Stag! reveals the secrets of this underground world. Using the archives of civic groups, law enforcement, bygone government studies and similarly neglected evidence, archivist Dan Erdman reconstructs the means by which stag films were produced, distributed and exhibited, as well as demonstrate the way in which these practices changed with the times, eventually paving the way for the pornographic explosion of the 1970s and beyond. Let's Go Stag! is sure to point the way for countless future researchers and remain the standard work of history for this era of adult film for a long time to come.
Publisher: Bloomsbury Publishing USA
ISBN: 150133302X
Category : Performing Arts
Languages : en
Pages : 233
Book Description
For much of the 20th century, the underground pornography industry - made up of amateurs and hobbyists who created hardcore, explicit "stag films" - went about its business hounded by reformers and law enforcement, from local police departments all the way up to the FBI. Rumors of this illicit activity circulated and became the stuff of urban myth, but this period of pornography history remains murky. Let's Go Stag! reveals the secrets of this underground world. Using the archives of civic groups, law enforcement, bygone government studies and similarly neglected evidence, archivist Dan Erdman reconstructs the means by which stag films were produced, distributed and exhibited, as well as demonstrate the way in which these practices changed with the times, eventually paving the way for the pornographic explosion of the 1970s and beyond. Let's Go Stag! is sure to point the way for countless future researchers and remain the standard work of history for this era of adult film for a long time to come.
Devotions and Desires
Author: Gillian A. Frank
Publisher: UNC Press Books
ISBN: 1469636271
Category : Religion
Languages : en
Pages : 316
Book Description
At a moment when "freedom of religion" rhetoric fuels public debate, it is easy to assume that sex and religion have faced each other in pitched battle throughout modern U.S. history. Yet, by tracking the nation's changing religious and sexual landscapes over the twentieth century, this book challenges that zero-sum account of sexuality locked in a struggle with religion. It shows that religion played a central role in the history of sexuality in the United States, shaping sexual politics, communities, and identities. At the same time, sexuality has left lipstick traces on American religious history. From polyamory to pornography, from birth control to the AIDS epidemic, this book follows religious faiths and practices across a range of sacred spaces: rabbinical seminaries, African American missions, Catholic schools, pagan communes, the YWCA, and much more. What emerges is the shared story of religion and sexuality and how both became wedded to American culture and politics. The volume, framed by a provocative introduction by Gillian Frank, Bethany Moreton, and Heather R. White and a compelling afterword by John D'Emilio, features essays by Rebecca T. Alpert and Jacob J. Staub, Rebecca L. Davis, Lynne Gerber, Andrea R. Jain, Kathi Kern, Rachel Kranson, James P. McCartin, Samira K. Mehta, Daniel Rivers, Whitney Strub, Aiko Takeuchi-Demirci, Judith Weisenfeld, and Neil J. Young.
Publisher: UNC Press Books
ISBN: 1469636271
Category : Religion
Languages : en
Pages : 316
Book Description
At a moment when "freedom of religion" rhetoric fuels public debate, it is easy to assume that sex and religion have faced each other in pitched battle throughout modern U.S. history. Yet, by tracking the nation's changing religious and sexual landscapes over the twentieth century, this book challenges that zero-sum account of sexuality locked in a struggle with religion. It shows that religion played a central role in the history of sexuality in the United States, shaping sexual politics, communities, and identities. At the same time, sexuality has left lipstick traces on American religious history. From polyamory to pornography, from birth control to the AIDS epidemic, this book follows religious faiths and practices across a range of sacred spaces: rabbinical seminaries, African American missions, Catholic schools, pagan communes, the YWCA, and much more. What emerges is the shared story of religion and sexuality and how both became wedded to American culture and politics. The volume, framed by a provocative introduction by Gillian Frank, Bethany Moreton, and Heather R. White and a compelling afterword by John D'Emilio, features essays by Rebecca T. Alpert and Jacob J. Staub, Rebecca L. Davis, Lynne Gerber, Andrea R. Jain, Kathi Kern, Rachel Kranson, James P. McCartin, Samira K. Mehta, Daniel Rivers, Whitney Strub, Aiko Takeuchi-Demirci, Judith Weisenfeld, and Neil J. Young.
Ambivalent Affinities
Author: Jennifer Dominique Jones
Publisher: UNC Press Books
ISBN:
Category : History
Languages : en
Pages : 299
Book Description
In the early twenty-first century, comparisons between the modern civil rights movement and the movement for marriage equality reached a fever pitch. These comparisons, however, have a longer history. During the five decades after World War II, political ideas about same-sex intimacy and gender nonconformity—most often categorized as homosexuality—appeared in the campaigns of civil rights organizations, Black liberal elected officials, segregationists, and far right radicals. Deployed in complex and at times contradictory ways, political ideas about homosexuality (and later, lesbian, gay, bisexual, and transgender subjects) became tethered to conceptualizations of Blackness and racial equality. In this interdisciplinary historical study, Jennifer Dominique Jones reveals the underexamined origins of comparisons between Black and LGBT political constituencies in the modern civil rights movement and white supremacist backlash. Foregrounding an intersectional framing of postwar political histories, Jones demonstrates how the shared non-normative status of Blackness and homosexuality facilitated comparisons between subjects and political visions associated with both. Drawing upon organizational records, manuscript collections, newspaper accounts, and visual and textual ephemera, this study traces a long, conflicting relationship between Black and LGBT political identities that continues to the present day.
Publisher: UNC Press Books
ISBN:
Category : History
Languages : en
Pages : 299
Book Description
In the early twenty-first century, comparisons between the modern civil rights movement and the movement for marriage equality reached a fever pitch. These comparisons, however, have a longer history. During the five decades after World War II, political ideas about same-sex intimacy and gender nonconformity—most often categorized as homosexuality—appeared in the campaigns of civil rights organizations, Black liberal elected officials, segregationists, and far right radicals. Deployed in complex and at times contradictory ways, political ideas about homosexuality (and later, lesbian, gay, bisexual, and transgender subjects) became tethered to conceptualizations of Blackness and racial equality. In this interdisciplinary historical study, Jennifer Dominique Jones reveals the underexamined origins of comparisons between Black and LGBT political constituencies in the modern civil rights movement and white supremacist backlash. Foregrounding an intersectional framing of postwar political histories, Jones demonstrates how the shared non-normative status of Blackness and homosexuality facilitated comparisons between subjects and political visions associated with both. Drawing upon organizational records, manuscript collections, newspaper accounts, and visual and textual ephemera, this study traces a long, conflicting relationship between Black and LGBT political identities that continues to the present day.
The Oxford Handbook of Queer Cinema
Author: Ronald Gregg
Publisher: Oxford University Press
ISBN: 0190877995
Category : Performing Arts
Languages : en
Pages : 865
Book Description
"Queer media is not one thing but an ensemble of at least four moving variables: history, gender and sexuality, geography, and medium. While many scholars would pinpoint the early 1990s as marking the emergence of a cinematic movement (dubbed by B. Ruby Rich, the "new queer cinema") in the United States, films and television programs that clearly spoke to LGBTQ themes and viewers existed at many different historical moments and in many different forms. Cross-dressing, same-sex attraction, comedic drag performance: at some points, for example in 1950s television, these were not undercurrents but very prominent aspects of mainstream cultural production. Addressing "history" not as dots on a progressive spectrum but as a uneven story of struggle, writers on queer cinema in this volume stress how that queer cinema did not appear miraculously at one moment but describes currents throughout the century-long history of the medium. Likewise, while queer is an Anglophone term that has been widely circulated, it by no means names a unified or complete spectrum of sexuality and gender identity, just as the LGBTQ+ alphabet soup struggles to contain the distinctive histories, politics, and cultural productions of trans artists and genderqueer practices. Across the globe, media makers have interrogated identity and desire through the medium of cinema through rubrics that sometimes vigorously oppose the Western embrace of the pejorative term queer, instead foregrounding indigenous genders and sexualities, or those forged in the global South, or those seeking alternative epistemologies. Finally, while "cinema" is in our title, many scholars in this collection see that term as an encompassing one, referencing cinema and media in a convergent digital environment. The lively and dynamic conversations introduced here aspire to sustain further reflection as "queer cinema" shifts into new configurations"--
Publisher: Oxford University Press
ISBN: 0190877995
Category : Performing Arts
Languages : en
Pages : 865
Book Description
"Queer media is not one thing but an ensemble of at least four moving variables: history, gender and sexuality, geography, and medium. While many scholars would pinpoint the early 1990s as marking the emergence of a cinematic movement (dubbed by B. Ruby Rich, the "new queer cinema") in the United States, films and television programs that clearly spoke to LGBTQ themes and viewers existed at many different historical moments and in many different forms. Cross-dressing, same-sex attraction, comedic drag performance: at some points, for example in 1950s television, these were not undercurrents but very prominent aspects of mainstream cultural production. Addressing "history" not as dots on a progressive spectrum but as a uneven story of struggle, writers on queer cinema in this volume stress how that queer cinema did not appear miraculously at one moment but describes currents throughout the century-long history of the medium. Likewise, while queer is an Anglophone term that has been widely circulated, it by no means names a unified or complete spectrum of sexuality and gender identity, just as the LGBTQ+ alphabet soup struggles to contain the distinctive histories, politics, and cultural productions of trans artists and genderqueer practices. Across the globe, media makers have interrogated identity and desire through the medium of cinema through rubrics that sometimes vigorously oppose the Western embrace of the pejorative term queer, instead foregrounding indigenous genders and sexualities, or those forged in the global South, or those seeking alternative epistemologies. Finally, while "cinema" is in our title, many scholars in this collection see that term as an encompassing one, referencing cinema and media in a convergent digital environment. The lively and dynamic conversations introduced here aspire to sustain further reflection as "queer cinema" shifts into new configurations"--
Obscenity in the Mails
Author: United States. Congress. House. Committee on Post Office and Civil Service. Subcommittee on Postal Operations
Publisher:
ISBN:
Category : Obscenity (Law)
Languages : en
Pages : 230
Book Description
Publisher:
ISBN:
Category : Obscenity (Law)
Languages : en
Pages : 230
Book Description
Indecent Detroit
Author: Ben Strassfeld
Publisher: Indiana University Press
ISBN: 0253067863
Category : Social Science
Languages : en
Pages : 367
Book Description
While Detroit has been a major focus in urban history, little has been written on censorship in the very city that—due to shifting legalities, the urban crisis, and racial tensions—profoundly shaped media suppression in the United States. By examining censorship in film and literature, Indecent Detroit recounts the evolution of media control from the end of WWII through the 1970s, when the US saw a major change in the legal mechanisms used to censor media due to court rulings that curtailed censorship laws. Ben Strassfeld reveals how Detroit altered its censorial tactics and rhetoric from an obscenity-based system of censorship centered in the Detroit Police Department to a regulatory model based in zoning law that was then expanded nationwide. This shift was connected to broader social and political trends, including the sexual revolution, that led the public to increasingly turn against censorship. A must-read for film and media scholars, Indecent Detroit highlights how one Midwest city's ordinance was imitated across the country after it was upheld by the US Supreme Court, making this more than a local curiosity but also an influential model for the cultural, political, and moral control of urban space through media regulation.
Publisher: Indiana University Press
ISBN: 0253067863
Category : Social Science
Languages : en
Pages : 367
Book Description
While Detroit has been a major focus in urban history, little has been written on censorship in the very city that—due to shifting legalities, the urban crisis, and racial tensions—profoundly shaped media suppression in the United States. By examining censorship in film and literature, Indecent Detroit recounts the evolution of media control from the end of WWII through the 1970s, when the US saw a major change in the legal mechanisms used to censor media due to court rulings that curtailed censorship laws. Ben Strassfeld reveals how Detroit altered its censorial tactics and rhetoric from an obscenity-based system of censorship centered in the Detroit Police Department to a regulatory model based in zoning law that was then expanded nationwide. This shift was connected to broader social and political trends, including the sexual revolution, that led the public to increasingly turn against censorship. A must-read for film and media scholars, Indecent Detroit highlights how one Midwest city's ordinance was imitated across the country after it was upheld by the US Supreme Court, making this more than a local curiosity but also an influential model for the cultural, political, and moral control of urban space through media regulation.
Perversion for Profit
Author: Whitney Strub
Publisher: Columbia University Press
ISBN: 0231148879
Category : Family & Relationships
Languages : en
Pages : 392
Book Description
Perversion for Profit traces the crucial function of pornography in constructing the New Right agenda, which has emphasized social issues over racial and economic inequality. Whitney Strub vividly recreates the debates over obscenity that consumed ACLU members in the 1950s and revisits the deployment of obscenity charges against purveyors of gay erotica during the Cold War, revealing the differing standards applied to heterosexual and homosexual pornography. He follows the rise of the influential Citizens for Decent Literature during the 1960s and the pivotal events that followed: the sexual revolution, feminist activism, the rise of the gay rights movement, the "porno chic" moment of the early 1970s, and resurgent Christian conservatism, which currently shapes public policy far beyond the issue of sexual decency. Strub also examines the ways in which the Left failed to mount a serious or sustained counterattack to the New Right's use of pornography as a political tool. As he demonstrates, this failure has put the Democratic Party at the mercy of Republican rhetoric for decades.
Publisher: Columbia University Press
ISBN: 0231148879
Category : Family & Relationships
Languages : en
Pages : 392
Book Description
Perversion for Profit traces the crucial function of pornography in constructing the New Right agenda, which has emphasized social issues over racial and economic inequality. Whitney Strub vividly recreates the debates over obscenity that consumed ACLU members in the 1950s and revisits the deployment of obscenity charges against purveyors of gay erotica during the Cold War, revealing the differing standards applied to heterosexual and homosexual pornography. He follows the rise of the influential Citizens for Decent Literature during the 1960s and the pivotal events that followed: the sexual revolution, feminist activism, the rise of the gay rights movement, the "porno chic" moment of the early 1970s, and resurgent Christian conservatism, which currently shapes public policy far beyond the issue of sexual decency. Strub also examines the ways in which the Left failed to mount a serious or sustained counterattack to the New Right's use of pornography as a political tool. As he demonstrates, this failure has put the Democratic Party at the mercy of Republican rhetoric for decades.