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Author: Guillermo Acosta Navarrete
Publisher: MIT Press
ISBN: 0262547813
Category : Architecture
Languages : en
Pages : 281
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Book Description
Exploring architecture as a form of concealment and obfuscation in engendering new ways of understanding, conceptualizing, and reshaping the world. Architecture is the perfect form of camouflage. As buildings recede into the background of everyday life, the myriad forces that shape our natural, social, and political landscapes hide in plain sight. Embedded within the spatial and material organizations of the built environment are ideas of value, hierarchy, and control that tilt the ground and influence perception in the name of endless competing interests. Operating across multiple scales and mediums, architectural camouflage gives familiar form to obscure objectives. Design transforms and encodes our shared environments, from domestic domains to digital territories, through its material practices, aesthetics, and discourses. Immanent in the periphery, architecture’s images are internalized as forms for understanding and reshaping the world. Camouflage, in turn, dwells in the architecture of our collective subconscious. Latent within architecture’s deceptions is a profound capacity to reflect the elusive intentions and surreal ambiguities of our ecological entanglements. In masking hierarchies and shifting sensitivities to what escapes perception, architecture can engender vital questions around the agency and significance of its world-making practices. Mediating with and within the background, architecture can awaken new modes of attention to material and social layers previously unimagined or hidden and engage directly with the mirrored frameworks that define reality. This issue of Perspecta considers the complexities and potentialities of architectural concealment, obfuscation, and mimicry; of the power inherent in architecture’s expanding capacity as media. In the veiled extents of our physical and digital worlds, what is still not found? Contributors APRDELESP and Xavier Nueno Guitart, Ashley Bigham and Erik Herrmann, Esther M. Choi, feminist architecture collaborative, Marianela D’Aprile and Douglas Spencer, Theo Deutinger and Christopher Clarkson, DESIGN EARTH, David Freeland and Brennan Buck, Linda Gordon, Noah Kalina, Dana Karwas, Andrew Economos Miller, M.C. Overholt and Alex Whee Kim, Trevor Paglen, Lukas Pauer, Nina Rappaport, David Sadighian, Matthew Soules, Jerome Tryon, Michael Young
Author: Guillermo Acosta Navarrete
Publisher: MIT Press
ISBN: 0262547813
Category : Architecture
Languages : en
Pages : 281
Get Book Here
Book Description
Exploring architecture as a form of concealment and obfuscation in engendering new ways of understanding, conceptualizing, and reshaping the world. Architecture is the perfect form of camouflage. As buildings recede into the background of everyday life, the myriad forces that shape our natural, social, and political landscapes hide in plain sight. Embedded within the spatial and material organizations of the built environment are ideas of value, hierarchy, and control that tilt the ground and influence perception in the name of endless competing interests. Operating across multiple scales and mediums, architectural camouflage gives familiar form to obscure objectives. Design transforms and encodes our shared environments, from domestic domains to digital territories, through its material practices, aesthetics, and discourses. Immanent in the periphery, architecture’s images are internalized as forms for understanding and reshaping the world. Camouflage, in turn, dwells in the architecture of our collective subconscious. Latent within architecture’s deceptions is a profound capacity to reflect the elusive intentions and surreal ambiguities of our ecological entanglements. In masking hierarchies and shifting sensitivities to what escapes perception, architecture can engender vital questions around the agency and significance of its world-making practices. Mediating with and within the background, architecture can awaken new modes of attention to material and social layers previously unimagined or hidden and engage directly with the mirrored frameworks that define reality. This issue of Perspecta considers the complexities and potentialities of architectural concealment, obfuscation, and mimicry; of the power inherent in architecture’s expanding capacity as media. In the veiled extents of our physical and digital worlds, what is still not found? Contributors APRDELESP and Xavier Nueno Guitart, Ashley Bigham and Erik Herrmann, Esther M. Choi, feminist architecture collaborative, Marianela D’Aprile and Douglas Spencer, Theo Deutinger and Christopher Clarkson, DESIGN EARTH, David Freeland and Brennan Buck, Linda Gordon, Noah Kalina, Dana Karwas, Andrew Economos Miller, M.C. Overholt and Alex Whee Kim, Trevor Paglen, Lukas Pauer, Nina Rappaport, David Sadighian, Matthew Soules, Jerome Tryon, Michael Young
Author: Charlotte Algie
Publisher: National Geographic Books
ISBN: 0262537877
Category : Architecture
Languages : en
Pages : 0
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Book Description
Considering a redefinition of global space. As much as it is a neoclassical compositional principle, the ensemble today is shifting into a new critical focus: it is a central figure in nascent developments in probabilistic mathematics and a critical logic in the development of artificial intelligence algorithms. Statistical ensembles are a specific adaptation of Markov processes. They produce and are produced by a highly circumscribed definition of creativity—that of a predictive state inherently based on a chain of linked, given events, thus a computational intelligence predicated on the established patterns of the database. Are these mathematical ensembles different from those of neoclassical composition? How are the new ensembles characterized and materialized relative to their conceptual tradition? This fifty-second issue of Perspecta—the oldest and most distinguished student-edited architectural journal in America—is a projective art history of ensemble as form and politics. It uses theories of ensemble to propose both alternative extensive stagings of design objects, as well as other resistant assemblies of the corps of architects. Ensemble is posed a lens to theorize object-parts and states of motion at once, together: an architecture of the city. The volume includes a new photographic essay on the contemporary city of Bengali by American and Indian artists. A collection of essays by interdisciplinary contributors interweave this new creative work, pointing toward a compositional project for an architecture that is multiple, extensive, spontaneous, collective, durational, temporary. Contributors Charlotte Algie, Hayden Bassett, Anya Bokov, Kim Bowes, Alex Bremner, Matteo Burioni, Swati Chattopadhyay, Jean-Louis Cohen, Mark Crinson, Arko Datto, Samia Henni, Heyward Hart, Mark Jarzombek, Vladimir Kulić, Jimenez Lai, Hannah Le Roux, John Loring, Zahra Malkani and Shahana Rajani, Emily Mann, Christina Maranci, Edward Mitchell, Brian Norwood, Itohan Oyasimwese, Cristina Osswald, Curtis Roth, Tapati Guha-Thakurta, Hans Tursack, Yasmin Vobis, Aaron Forrest
Author: Melinda Agron
Publisher: National Geographic Books
ISBN: 0262543818
Category : Architecture
Languages : en
Pages : 0
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Book Description
Atopia as both the site of architecture’s critical confrontation with hegemonic systems and the theoretical space in which its own processes can be challenged. A literal no-place, atopia represents the spatial end-product of a society seemingly flattened by supra-territorial flows of information and material. It expresses both a physical artifact and condition of mass culture, and like the global systems of production and consumption from which it is conceived, atopia is both nowhere and everywhere at once. For the contributors of Perspecta 54, the ephemeral conditions of atopia are also an invitation to an equally unconstrained critical practice. Blurred boundaries—geopolitical, virtual, technical, disciplinary—offer sites for transgressive speculation and critique from beyond the limits of traditional design agency. What results is a form of design practice that ambiguously straddles impossibility and hyperreality. Atopia rejects both the escapist fantasy of utopia and the nihilism of dystopia, favoring instead a conceptual middle ground from which real-world conditions can be productively engaged and challenged. Architecture’s traditional objectives of critical inquiry—particularly the location of modes of complicity, agency, and resistance within larger structures—are mediated and reframed through nontraditional strategies of speculative design and fiction. For a profession that is routinely asked to navigate extreme complexity with limited tools, this approach suggests an expanded operational domain and possibilities for reinvigorated creative thought. From urban crises and climate emergencies to border disputes and geopolitics, Perspecta 54 examines atopia as both the site of architecture’s critical confrontation with hegemonic systems and the theoretical space in which its own processes can be challenged.
Author: Margret Kentgens-Craig
Publisher: MIT Press
ISBN: 9780262611718
Category : Architecture
Languages : en
Pages : 310
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Book Description
"After the Bauhaus's closing in 1933, many of its protagonists movd to the United States, where their acceptance had to be cultivated. In this book Margret Kentgens-Craig shows that the fame of the Bauhaus in America was the result not only of the inherent qualities of its concepts and products, but also of a unique congruence of cultural supply and demand, of a consistent flow of information, and of fine-tuned marketing. Thus the history of the American reception of the Bauhaus in the 1920s and 1930s foreshadows the paterns of fame-making that became typical of the post-World War II art world."--BOOK JACKET.
Author: Steven Holtzman
Publisher: Simon and Schuster
ISBN: 0684846128
Category : Art
Languages : en
Pages : 212
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Book Description
Through the works of cutting-edge computer artists, composers, and designers, DIGITAL MOSAICS explores the possibilities of the digital medium and how it radically transforms the way art is produced and understood by the audience. Digital expert Steven Holtzman lays the groundwork for the digital and art worlds of our future. Index. 86 illustrations.
Author: Joseph Clarke
Publisher: National Geographic Books
ISBN: 0262525038
Category : Architecture
Languages : en
Pages : 0
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Book Description
Essays and projects illuminate the nature of error and its creative possibilities for architecture. Architecture never goes entirely according to plan. Every project deviates from its designers' expectations, and wise architects learn to anticipate, mitigate, and sometimes celebrate the errors along the way. Perspecta 46 argues that error is part of architecture's essence: mistranslations, contradictions, happy accidents, and wicked problems pervade our systems of design and building, almost always yielding surprising aberrations. Today, with increasingly complex projects underpinned by layers of computer code, small errors can proliferate rapidly, and the dream of errorless architecture seems more utopian than ever. This issue of Perspecta—the oldest and most distinguished student-edited architectural journal in America—considers the challenge of defining error, the difficulty of diagnosing and managing it, and the promise (and peril) of following its lead. Essays and projects illuminate error's ambiguous agency both in reality and in the architectural imagination, covering topics that range from Dante's cosmos of divine justice and Michelangelo's architectural “abuses” to Dada urbanism and the warped skyscrapers of Google Earth.
Author: James Andrachuk
Publisher: MIT Press
ISBN: 0262326752
Category : Architecture
Languages : en
Pages : 242
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Book Description
Investigating money's ambiguous position in architecture, with reflections on topics that range from the aesthetics of austerity to the underwriting of large-scale art projects. Money plays a paradoxical role in the creation of architecture. Formless itself, money is a fundamental form giver. At all scales, and across the ages, architecture is a product of the financial environment in which it is conceived, for better or worse. Yet despite its ubiquity, money is often disregarded as a factor in conceptual design and is persistently avoided by architectural academia as a serious field of inquiry. It is time to break these habits. In the contemporary world, in which economies are increasingly connected, architects must creatively harness the financial logics behind architecture in order to contribute meaningfully to the development of the built environment. This issue of Perspecta—the oldest and most distinguished student-edited architectural journal in America—examines the ways in which money intersects with architectural discourse, design practice, and urban form, in order to encourage a productive relationship between money and the discipline. Contributions from a diverse group of scholars, practitioners, and artists create a dialogue about money's ambiguous position in architecture, reflecting on topics that range from the aesthetics of austerity to the underwriting of large-scale art projects to the economic implications of building information modeling. Contributors AOC, JT Bachman, Phil Bernstein, Mario Carpo, Christo, Peggy Deamer, Keller Easterling, Peter Eisenman, Mark Foster Gage, Frank Gehry, Thomas Gluck, Kevin D. Gray, Charles Holland, Hasty Johnson & Jerry Lea, Naomi R. Lamoreaux, Mira Locher, Vivian Loftness, Gregg Pasquarelli, Cesar Pelli & Fred Clarke, Nina Rappaport, Todd Reisz, Brent Ryan & Lorena Bello, Michelangelo Sabatino, David Ross Scheer, Robert Shiller, Robert A.M. Stern, Elisabetta Terragni, Kazys Varnelis, Andrew Waugh & Michael Green, Jay Wickersham & Christopher Milford, Alejandro Zaera-Polo
Author: Colin Rowe
Publisher: Birkhaüser
ISBN: 9783764356156
Category : Architects
Languages : en
Pages : 0
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Book Description
"Transparency," by Colin Rowe and Robert Slutzky, originally published in English in 1964 (in Perspecta 8), followed by a German translation in 1968, is one of the main modern reference texts for any student of architecture. Rowe and Slutzky co-founded the architects group "Texas Rangers" at the University of Texas in Austin, together with John Hejduk, Werner Seligmann and Bernhard Hoesli. In conjunction with their teaching activities, the group members sought to develop a new method for architectural design and proceeded to test their models in the teaching environment. This edition of Transparency is provided with a commentary by Bernhard Hoesli and an introduction by the art and architecture historian Werner Oechslin.
Author: William Deresiewicz
Publisher: Perspecta
ISBN: 9780262540926
Category : Architecture
Languages : en
Pages : 0
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Book Description
This architectural journal examines the legacy of the academic and professional confrontations of the 1960s. Using documents from the Architect's Resistance and from the University, it presents contemporary American projects that represent a generation of
Author: Robert E. Carr
Publisher: McFarland
ISBN:
Category : Performing Arts
Languages : en
Pages : 528
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Book Description
Hello, Dolly!, Lawrence of Arabia, Sound of Music--200+ more. Enormous detail on CinemaScope, VistaVision, Cinerama, Todd-AO, Panavision, CinemaScope-55, Technirama, Thrillarama, Aromatama, Smell-O-Vision, stereophonic and special sound processes, even Soviet 70mm! Huge filmography, exhaustive credits. Much data never before published.
