Author: Judith Herrin
Publisher: Routledge
ISBN: 1351911775
Category : History
Languages : en
Pages : 369
Book Description
Personification, the anthropomorphic representation of any non-human thing, is a ubiquitous feature of ancient Greek literature and art. Natural phenomena (earth, sky, rivers), places (cities, countries), divisions of time (seasons, months, a lifetime), states of the body (health, sleep, death), emotions (love, envy, fear), and political concepts (victory, democracy, war) all appear in human, usually female, form. Some have only fleeting incarnations, others become widely-recognised figures, and others again became so firmly established as deities in the imagination of the community that they received elements of cult associated with the Olympian gods. Though often seen as a feature of the Hellenistic period, personifications can be found in literature, art and cult from the Archaic period onwards; with the development of the art of allegory in the Hellenistic period, they came to acquire more 'intellectual' overtones; the use of allegory as an interpretative tool then enabled personifications to survive the advent of Christianity, to remain familiar figures in the art and literature of Late Antiquity and beyond. The twenty-one papers presented here cover personification in Greek literature, art and religion from its pre-Homeric origins to the Byzantine period. Classical Athens features prominently, but other areas of both mainland Greece and the Greek East are well represented. Issues which come under discussion include: problems of identification and definition; the question of gender; the status of personifications in relation to the gods; the significance of personification as a literary device; the uses and meanings of personification in different visual media; personification as a means of articulating place, time and worldly power. The papers reflect the enormous range of contexts in which personification occurs, indicating the ubiquity of the phenomenon in the ancient Greek world.
Personification in the Greek World
Worshipping Virtues
Author: Emma Stafford
Publisher:
ISBN:
Category : Goddesses, Greek
Languages : en
Pages : 296
Book Description
Publisher:
ISBN:
Category : Goddesses, Greek
Languages : en
Pages : 296
Book Description
Rhetoric and Innovation in Hellenistic Art
Author: Kristen Seaman
Publisher: Cambridge University Press
ISBN: 1108490913
Category : Architecture
Languages : en
Pages : 203
Book Description
Explores how rhetorical techniques helped to produce innovations in art of the Hellenistic courts at Pergamon and Alexandria.
Publisher: Cambridge University Press
ISBN: 1108490913
Category : Architecture
Languages : en
Pages : 203
Book Description
Explores how rhetorical techniques helped to produce innovations in art of the Hellenistic courts at Pergamon and Alexandria.
Polis and Personification in Classical Athenian Art
Author: Amy C. Smith
Publisher: BRILL
ISBN: 9004214526
Category : History
Languages : en
Pages : 280
Book Description
In this study Dr Smith investigates the use of political personifications in the visual arts of Athens in the Classical period (480-323 BCE). Whether on objects that served primarily private roles (e.g. decorated vases) or public roles (e.g. cult statues and document stelai), these personifications represented aspects of the state of Athens—its people, government, and events—as well as the virtues (e.g. Nemesis, Peitho or Persuasion, and Eirene or Peace) that underpinned it. Athenians used the same figural language to represent other places and their peoples. This is the only study that uses personifications as a lens through which to view the intellectual and political climate of Athens in the Classical period.
Publisher: BRILL
ISBN: 9004214526
Category : History
Languages : en
Pages : 280
Book Description
In this study Dr Smith investigates the use of political personifications in the visual arts of Athens in the Classical period (480-323 BCE). Whether on objects that served primarily private roles (e.g. decorated vases) or public roles (e.g. cult statues and document stelai), these personifications represented aspects of the state of Athens—its people, government, and events—as well as the virtues (e.g. Nemesis, Peitho or Persuasion, and Eirene or Peace) that underpinned it. Athenians used the same figural language to represent other places and their peoples. This is the only study that uses personifications as a lens through which to view the intellectual and political climate of Athens in the Classical period.
Personifications in Greek Art
Author: Harvey Alan Shapiro
Publisher:
ISBN:
Category : Art, Greek
Languages : en
Pages : 308
Book Description
Publisher:
ISBN:
Category : Art, Greek
Languages : en
Pages : 308
Book Description
Personification and the Feminine in Roman Philosophy
Author: Alex Dressler
Publisher: Cambridge University Press
ISBN: 110710596X
Category : History
Languages : en
Pages : 327
Book Description
A literary approach to Roman philosophy demonstrating the relevance of gender, feminism and rhetoric to the history of the self.
Publisher: Cambridge University Press
ISBN: 110710596X
Category : History
Languages : en
Pages : 327
Book Description
A literary approach to Roman philosophy demonstrating the relevance of gender, feminism and rhetoric to the history of the self.
Visions of Peace
Author: Takashi Shogimen
Publisher: Routledge
ISBN: 1317001338
Category : Political Science
Languages : en
Pages : 208
Book Description
Visions of Peace: Asia and the West explores the diversity of past conceptualizations as well as the remarkable continuity in the hope for peace across global intellectual traditions. Current literature, prompted by September 11, predominantly focuses on the laws and ethics of just wars or modern ideals of peace. Asian and Western ideals of peace before the modern era have largely escaped scholarly attention. This book examines Western and Asian visions of peace that existed prior to c.1800 by bringing together experts from a variety of intellectual traditions. The historical survey ranges from ancient Greek thought, early Christianity and medieval scholasticism to Hinduism, classical Confucianism and Tokuguwa Japanese learning, before illuminating unfamiliar aspects of peace visions in the European Enlightenment. Each chapter offers a particular case study and attempts to rehabilitate a 'forgotten' conception of peace and reclaim its contemporary relevance. Collectively they provide the conceptual resources to inspire more creative thinking towards a new vision of peace in the present. Students and specialists in international relations, peace studies, history, political theory, philosophy, and religious studies will find this book a valuable resource on diverse conceptions of peace.
Publisher: Routledge
ISBN: 1317001338
Category : Political Science
Languages : en
Pages : 208
Book Description
Visions of Peace: Asia and the West explores the diversity of past conceptualizations as well as the remarkable continuity in the hope for peace across global intellectual traditions. Current literature, prompted by September 11, predominantly focuses on the laws and ethics of just wars or modern ideals of peace. Asian and Western ideals of peace before the modern era have largely escaped scholarly attention. This book examines Western and Asian visions of peace that existed prior to c.1800 by bringing together experts from a variety of intellectual traditions. The historical survey ranges from ancient Greek thought, early Christianity and medieval scholasticism to Hinduism, classical Confucianism and Tokuguwa Japanese learning, before illuminating unfamiliar aspects of peace visions in the European Enlightenment. Each chapter offers a particular case study and attempts to rehabilitate a 'forgotten' conception of peace and reclaim its contemporary relevance. Collectively they provide the conceptual resources to inspire more creative thinking towards a new vision of peace in the present. Students and specialists in international relations, peace studies, history, political theory, philosophy, and religious studies will find this book a valuable resource on diverse conceptions of peace.
The Cambridge Guide to Homer
Author: Corinne Ondine Pache
Publisher: Cambridge University Press
ISBN: 1108663621
Category : Literary Collections
Languages : en
Pages : 974
Book Description
From its ancient incarnation as a song to recent translations in modern languages, Homeric epic remains an abiding source of inspiration for both scholars and artists that transcends temporal and linguistic boundaries. The Cambridge Guide to Homer examines the influence and meaning of Homeric poetry from its earliest form as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies. The volume is structured around three main themes: Homeric Song and Text; the Homeric World, and Homer in the World. Each section starts with a series of 'macropedia' essays arranged thematically that are accompanied by shorter complementary 'micropedia' articles. The Cambridge Guide to Homer thus traces the many routes taken by Homeric epic in the ancient world and its continuing relevance in different periods and cultures.
Publisher: Cambridge University Press
ISBN: 1108663621
Category : Literary Collections
Languages : en
Pages : 974
Book Description
From its ancient incarnation as a song to recent translations in modern languages, Homeric epic remains an abiding source of inspiration for both scholars and artists that transcends temporal and linguistic boundaries. The Cambridge Guide to Homer examines the influence and meaning of Homeric poetry from its earliest form as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies. The volume is structured around three main themes: Homeric Song and Text; the Homeric World, and Homer in the World. Each section starts with a series of 'macropedia' essays arranged thematically that are accompanied by shorter complementary 'micropedia' articles. The Cambridge Guide to Homer thus traces the many routes taken by Homeric epic in the ancient world and its continuing relevance in different periods and cultures.
A Companion to Greek Art
Author: Tyler Jo Smith
Publisher: John Wiley & Sons
ISBN: 1119266815
Category : Literary Criticism
Languages : en
Pages : 856
Book Description
A comprehensive, authoritative account of the development Greek Art through the 1st millennium BC. An invaluable resource for scholars dealing with the art, material culture and history of the post-classical world Includes voices from such diverse fields as art history, classical studies, and archaeology and offers a diversity of views to the topic Features an innovative group of chapters dealing with the reception of Greek art from the Middle Ages to the present Includes chapters on Chronology and Topography, as well as Workshops and Technology Includes four major sections: Forms, Times and Places; Contacts and Colonies; Images and Meanings; Greek Art: Ancient to Antique
Publisher: John Wiley & Sons
ISBN: 1119266815
Category : Literary Criticism
Languages : en
Pages : 856
Book Description
A comprehensive, authoritative account of the development Greek Art through the 1st millennium BC. An invaluable resource for scholars dealing with the art, material culture and history of the post-classical world Includes voices from such diverse fields as art history, classical studies, and archaeology and offers a diversity of views to the topic Features an innovative group of chapters dealing with the reception of Greek art from the Middle Ages to the present Includes chapters on Chronology and Topography, as well as Workshops and Technology Includes four major sections: Forms, Times and Places; Contacts and Colonies; Images and Meanings; Greek Art: Ancient to Antique
Images of the Byzantine World
Author: Angeliki Lymberopoulou
Publisher: Routledge
ISBN: 1351928783
Category : Art
Languages : en
Pages : 269
Book Description
The main themes of this volume are the identification of 'visions', 'messages', and 'meanings' in various facets of Byzantine culture and the possible differences in the perception of these visions, messages and meanings as seen by their original audience and by modern scholars. The volume addresses the methodological question of how far interpretations should go - whether there is a tendency to read too much into too little or whether not enough attention is paid to apparent minutiae that may have been important in their historical context. As the essays span a wide chronological era, they also present a means of assessing the relative degrees of continuity and change in Byzantine visions, messages and meanings over time. Thus, as highlighted in the concluding section, the book discusses the validity of existing notions regarding the fluidity of Byzantine culture: when continuity was a matter of a rigid adherence to traditional values and when a manifestation of the ability to adapt old conventions to new circumstances, and it shows that in some respects, Byzantine cultural history may have been less fragmented than is usually assumed. Similarly, by reflecting not just on new interpretations, but also on the process of interpreting itself, the contributors demonstrate how research within Byzantine studies has evolved over the past thirty years from a set of narrowly defined individual disciplines into a broader exploration of interconnected cultural phenomena.
Publisher: Routledge
ISBN: 1351928783
Category : Art
Languages : en
Pages : 269
Book Description
The main themes of this volume are the identification of 'visions', 'messages', and 'meanings' in various facets of Byzantine culture and the possible differences in the perception of these visions, messages and meanings as seen by their original audience and by modern scholars. The volume addresses the methodological question of how far interpretations should go - whether there is a tendency to read too much into too little or whether not enough attention is paid to apparent minutiae that may have been important in their historical context. As the essays span a wide chronological era, they also present a means of assessing the relative degrees of continuity and change in Byzantine visions, messages and meanings over time. Thus, as highlighted in the concluding section, the book discusses the validity of existing notions regarding the fluidity of Byzantine culture: when continuity was a matter of a rigid adherence to traditional values and when a manifestation of the ability to adapt old conventions to new circumstances, and it shows that in some respects, Byzantine cultural history may have been less fragmented than is usually assumed. Similarly, by reflecting not just on new interpretations, but also on the process of interpreting itself, the contributors demonstrate how research within Byzantine studies has evolved over the past thirty years from a set of narrowly defined individual disciplines into a broader exploration of interconnected cultural phenomena.