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Author: Fereshteh Daftari
Publisher:
ISBN: 9781788316620
Category : Art, Iranian
Languages : en
Pages : 267
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Book Description
The modern and contemporary art of Iran has often been understood, and positioned by commercial institutions, as decorative or ethnic--hence the focus on calligraphy and veiled women. While at a scholarly level it has been characterised as a comment on the socio-political context of the country: repressed inside Iran and, among artists in diaspora, as a focus for a complex identity discourse. Viewing Iranian art as neither a commodity, nor an illustration of theory, Fereshteh Daftari approaches the modern art of Iran as a democratic space where pluralism--a range of different styles and ideas--can thrive. This art historical exploration offers new insights into Iranian art, from the late 19th century Qajar period, via the Saqqakhaneh movement of the 1960s and into the contemporary world. In the process the author comments on the concept of modernism in a non-Western environment. She takes both a specific and a panoramic view of Iranian art to expose new themes like the subversive appropriation of traditional art, whilst also tackling more perennial issues like gender. With experience as an international curator, Daftari analyses the way Iranian artists have been represented outside the country and discusses the different routes by which modern Iranian art has been introduced to a Western audience, explaining the process by which Iranian art has developed and how it navigates between the individual and the political.
Author: Fereshteh Daftari
Publisher:
ISBN: 9781788316620
Category : Art, Iranian
Languages : en
Pages : 267
Get Book Here
Book Description
The modern and contemporary art of Iran has often been understood, and positioned by commercial institutions, as decorative or ethnic--hence the focus on calligraphy and veiled women. While at a scholarly level it has been characterised as a comment on the socio-political context of the country: repressed inside Iran and, among artists in diaspora, as a focus for a complex identity discourse. Viewing Iranian art as neither a commodity, nor an illustration of theory, Fereshteh Daftari approaches the modern art of Iran as a democratic space where pluralism--a range of different styles and ideas--can thrive. This art historical exploration offers new insights into Iranian art, from the late 19th century Qajar period, via the Saqqakhaneh movement of the 1960s and into the contemporary world. In the process the author comments on the concept of modernism in a non-Western environment. She takes both a specific and a panoramic view of Iranian art to expose new themes like the subversive appropriation of traditional art, whilst also tackling more perennial issues like gender. With experience as an international curator, Daftari analyses the way Iranian artists have been represented outside the country and discusses the different routes by which modern Iranian art has been introduced to a Western audience, explaining the process by which Iranian art has developed and how it navigates between the individual and the political.
Author: Fereshteh Daftari
Publisher: I.B. Tauris
ISBN: 9781788315364
Category : Art
Languages : en
Pages : 288
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Book Description
The modern and contemporary art of Iran has often been understood, and positioned by commercial institutions, as decorative or ethnic – hence the focus on calligraphy and veiled women. At a scholarly level it has been characterized as a comment on the socio-political context of the country. Viewing Iranian art as neither a commodity, nor an illustration of theory, Fereshteh Daftari approaches the modern art of Iran as a democratic space where pluralism – a range of different styles and ideas – can thrive. This art historical exploration offers new insights into Iranian art, from the late nineteenth century Qajar period, via the Saqqakhaneh movement of the 1960s and into the contemporary world. In the process the author comments on the concept of modernism in a non-Western environment and the shifting meanings of abstraction. She takes both a specific and a panoramic view of Iranian art to expose new themes such as the subversive appropriation of traditional art, whilst also tackling more perennial issues such as gender. With experience as an international curator, Daftari reviews the representations of Iranian artists outside the country and discusses the varied angles from which she has introduced the art to a Western audience. She explains how in the process she has steered clear of contentious rubrics, valorized contemporary media, and probed the complex relation between the individual and the political.
Author: Tom Holland
Publisher: Anchor
ISBN: 0307386988
Category : History
Languages : en
Pages : 466
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Book Description
A "fresh...thrilling" (The Guardian) account of the Graeco-Persian Wars. In the fifth century B.C., a global superpower was determined to bring truth and order to what it regarded as two terrorist states. The superpower was Persia, incomparably rich in ambition, gold, and men. The terrorist states were Athens and Sparta, eccentric cities in a poor and mountainous backwater: Greece. The story of how their citizens took on the Great King of Persia, and thereby saved not only themselves but Western civilization as well, is as heart-stopping and fateful as any episode in history. Tom Holland’s brilliant study of these critical Persian Wars skillfully examines a conflict of critical importance to both ancient and modern history.
Author: Fereshteh Daftari
Publisher: Asia Society Museum
ISBN:
Category : Art
Languages : en
Pages : 266
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Book Description
'Iran Modern' offers a timely exploration of the cultural diversity and production of avant-garde art in Iran after World War II and up to the revolution, from 1950 through to 1979.
Author: Ali Mirsepassi
Publisher: Stanford University Press
ISBN: 1503629805
Category : History
Languages : en
Pages : 289
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Book Description
The Discovery of Iran examines the history of Iranian nationalism afresh through the life and work of Taghi Arani, the founder of Iran's first Marxist journal, Donya. In his quest to imagine a future for Iran open to the scientific riches of the modern world and the historical diversity of its own people, Arani combined Marxist materialism and a cosmopolitan ethics of progress. He sought to reconcile Iran to its post-Islamic past, rejected by Persian purists and romanticized by their traditionalist counterparts, while orienting its present toward the modern West in all its complex and conflicting facets. As Ali Mirsepassi shows, Arani's cosmopolitanism complicates the conventional wisdom that racial exclusivism was an insoluble feature of twentieth-century Iranian nationalism. In cultural spaces like Donya, Arani and his contemporaries engaged vibrant debates about national identity, history, and Iran's place in the modern world. In exploring Arani's short but remarkable life and writings, Ali Mirsepassi challenges the image of Interwar Iran as dominated by the Pahlavi state to uncover fertile intellectual spaces in which civic nationalism flourished.
Author: Jennifer Hansen-Glucklich
Publisher: Rutgers University Press
ISBN: 0813571847
Category : Art
Languages : en
Pages : 254
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Book Description
Holocaust memorials and museums face a difficult task as their staffs strive to commemorate and document horror. On the one hand, the events museums represent are beyond most people’s experiences. At the same time they are often portrayed by theologians, artists, and philosophers in ways that are already known by the public. Museum administrators and curators have the challenging role of finding a creative way to present Holocaust exhibits to avoid clichéd or dehumanizing portrayals of victims and their suffering. In Holocaust Memory Reframed, Jennifer Hansen-Glucklich examines representations in three museums: Israel’s Yad Vashem in Jerusalem, Germany’s Jewish Museum in Berlin, and the United States Holocaust Memorial Museum in Washington, D.C. She describes a variety of visually striking media, including architecture, photography exhibits, artifact displays, and video installations in order to explain the aesthetic techniques that the museums employ. As she interprets the exhibits, Hansen-Glucklich clarifies how museums communicate Holocaust narratives within the historical and cultural contexts specific to Germany, Israel, and the United States. In Yad Vashem, architect Moshe Safdie developed a narrative suited for Israel, rooted in a redemptive, Zionist story of homecoming to a place of mythic geography and renewal, in contrast to death and suffering in exile. In the Jewish Museum in Berlin, Daniel Libeskind’s architecture, broken lines, and voids emphasize absence. Here exhibits communicate a conflicted ideology, torn between the loss of a Jewish past and the country’s current multicultural ethos. The United States Holocaust Memorial Museum presents yet another lens, conveying through its exhibits a sense of sacrifice that is part of the civil values of American democracy, and trying to overcome geographic and temporal distance. One well-know example, the pile of thousands of shoes plundered from concentration camp victims encourages the visitor to bridge the gap between viewer and victim. Hansen-Glucklich explores how each museum’s concept of the sacred shapes the design and choreography of visitors’ experiences within museum spaces. These spaces are sites of pilgrimage that can in turn lead to rites of passage.
Author: Michael A. Flower
Publisher: Cambridge University Press
ISBN: 1107050065
Category : History
Languages : en
Pages : 545
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Book Description
Introduces Xenophon's writings and their importance for Western culture, while explaining the main scholarly controversies.
Author: Sarah Bowen Savant
Publisher: Cambridge University Press
ISBN: 110729231X
Category : History
Languages : en
Pages : 303
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Book Description
How do converts to a religion come to feel an attachment to it? The New Muslims of Post-Conquest Iran answers this important question for Iran by focusing on the role of memory and its revision and erasure in the ninth to eleventh centuries. During this period, the descendants of the Persian imperial, religious and historiographical traditions not only wrote themselves into starkly different early Arabic and Islamic accounts of the past but also systematically suppressed much knowledge about pre-Islamic history. The result was both a new 'Persian' ethnic identity and the pairing of Islam with other loyalties and affiliations, including family, locale and sect. This pioneering study examines revisions to memory in a wide range of cases, from Iran's imperial and administrative heritage to the Prophet Muhammad's stalwart Persian companion, Salman al-Farisi, and to memory of Iranian scholars, soldiers and rulers in the mid-seventh century.
Author: John Reeves
Publisher: Rowman & Littlefield
ISBN: 1538110407
Category : History
Languages : en
Pages : 261
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Book Description
History has been kind to Robert E. Lee. Woodrow Wilson believed General Lee was a “model to men who would be morally great.” Douglas Southall Freeman, who won a Pulitzer Prize for his four-volume biography of Lee, described his subject as “one of a small company of great men in whom there is no inconsistency to be explained, no enigma to be solved.” Winston Churchill called him “one of the noblest Americans who ever lived.” Until recently, there was even a stained glass window devoted to Lee's life at the National Cathedral in Washington, D.C. Immediately after the Civil War, however, many northerners believed Lee should be hanged for treason and war crimes. Americans will be surprised to learn that in June of 1865 Robert E. Lee was indicted for treason by a Norfolk, Virginia grand jury. In his instructions to the grand jury, Judge John C. Underwood described treason as “wholesale murder,” and declared that the instigators of the rebellion had “hands dripping with the blood of slaughtered innocents.” In early 1866, Lee decided against visiting friends while in Washington, D.C. for a congressional hearing, because he was conscious of being perceived as a “monster” by citizens of the nation’s capital. Yet somehow, roughly fifty years after his trip to Washington, Lee had been transformed into a venerable American hero, who was highly regarded by southerners and northerners alike. Almost a century after Appomattox, Dwight D. Eisenhower had Lee’s portrait on the wall of his White House office. The Lost Indictment of Robert E. Lee tells the story of the forgotten legal and moral case that was made against the Confederate general after the Civil War. The actual indictment went missing for 72 years. Over the past 150 years, the indictment against Lee after the war has both literally and figuratively disappeared from our national consciousness. In this book, Civil War historian John Reeves illuminates the incredible turnaround in attitudes towards the defeated general by examining the evolving case against him from 1865 to 1870 and beyond.
Author: Daniel Tsadik
Publisher: Stanford University Press
ISBN: 0804779481
Category : History
Languages : en
Pages : 463
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Book Description
Based on archival and primary sources in Persian, Hebrew, Judeo-Persian, Arabic, and European languages, Between Foreigners and Shi'is examines the Jews' religious, social, and political status in nineteenth-century Iran. This book, which focuses on Nasir al-Din Shah's reign (1848-1896), is the first comprehensive scholarly attempt to weave all these threads into a single tapestry. This case study of the Jewish minority illuminates broader processes pertaining to other religious minorities and Iranian society in general, and the interaction among intervening foreigners, the Shi'i majority, and local Jews helps us understand Iranian dilemmas that have persisted well beyond the second half of the nineteenth century.
