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Author: Erik Hannerz
Publisher: Springer
ISBN: 1137485922
Category : Social Science
Languages : en
Pages : 226
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Book Description
Performing Punk is a rich exploration of subcultural contrasts and similarities among punks. By investigating how punk is made, for whom, and in opposition to what, this book takes the reader on a journey through the lesser-known aspects of the punk subculture.
Author: Erik Hannerz
Publisher: Springer
ISBN: 1137485922
Category : Social Science
Languages : en
Pages : 226
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Book Description
Performing Punk is a rich exploration of subcultural contrasts and similarities among punks. By investigating how punk is made, for whom, and in opposition to what, this book takes the reader on a journey through the lesser-known aspects of the punk subculture.
Author: Olga Rodriguez-Ulloa
Publisher: Global Punk
ISBN: 9781789385847
Category :
Languages : en
Pages : 0
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Book Description
A collective challenge to the global hegemonic vision of punk. This book interrogates the dominant vision of punk--particularly its white masculine protagonists and deep Anglocentrism--by analyzing punk as a critical lens into the disputed territories of "America," a term that hides the heterogeneous struggles, global histories, hopes, and despairs of late twentieth- and early twenty-first-century experience. Compiling academic essays and punk paraphernalia (including interviews, zines, poetry, and visual segments) into a single volume, the book explores punk life through its multiple registers: vivid musical dialogues, excessive visual displays, and underground literary expression.
Author: Jonathan Wright
Publisher: University of Illinois Press
ISBN: 0252052706
Category : Music
Languages : en
Pages : 339
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Book Description
Punk rock culture in a preeminently average town Synonymous with American mediocrity, Peoria was fertile ground for the boredom- and anger-fueled fury of punk rock. Jonathan Wright and Dawson Barrett explore the do-it-yourself scene built by Peoria punks, performers, and scenesters in the 1980s and 1990s. From fanzines to indie record shops to renting the VFW hall for an all-ages show, Peoria's punk culture reflected the movement elsewhere, but the city's conservatism and industrial decline offered a richer-than-usual target environment for rebellion. Eyewitness accounts take readers into hangouts and long-lost venues, while interviews with the people who were there trace the ever-changing scene and varied fortunes of local legends like Caustic Defiance, Dollface, and Planes Mistaken for Stars. What emerges is a sympathetic portrait of a youth culture in search of entertainment but just as hungry for community—the shared sense of otherness that, even for one night only, could unite outsiders and discontents under the banner of music. A raucous look at a small-city underground, Punks in Peoria takes readers off the beaten track to reveal the punk rock life as lived in Anytown, U.S.A.
Author: Julian C H Lee
Publisher: Rowman & Littlefield
ISBN: 1786600226
Category : Social Science
Languages : en
Pages : 305
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Book Description
Authenticity is much sought after; being described as inauthentic is an insult or an embarrassment. Being authentic suggests that a given behaviour or performance is reflective of a ‘trueness’ or ‘genuineness’ to one’s identity. From a social science perspective there is sometimes scepticism expressed about the historical faithfulness of purported behaviours - such as when something is referred to as an ‘invented’ tradition. However, what can be overlooked in such criticisms is an array of sociological and existential dynamics that are at play when authenticity is striven for. Likewise able to be overlooked is where the location of that authenticity is ostensibly founded; sometimes the trueness of the behaviour is located in local traditions that reach back into time immemorial, sometimes in a universal human and shared sameness, and sometimes with regard to a global phenomenon. Punks, Monks and Politics explores the idea of authenticity as enacted in Thailand, Indonesia and Malaysia. The collective contributions reveal the sometimes contradictory ways in which the dynamics of authenticity – its pursuit, its deployment, its politics – play out in very different contexts. Whether authenticity inheres in the local or the global, amongst the majority or within a subculture, on the outside of or within people, or in the past or the present, authenticity is nevertheless valued.
Author: Ibrahim Abraham
Publisher: Bloomsbury Publishing
ISBN: 1350094803
Category : Religion
Languages : en
Pages : 241
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Book Description
Christian punk is a surprisingly successful musical subculture and a fascinating expression of American evangelicalism. Situating Christian punk within the modern history of Christianity and the rapidly changing culture of spirituality and secularity, this book illustrates how Christian punk continues punk's autonomous and oppositional creative practices, but from within a typically traditional evangelical morality. Analyzing straight edge Christian abstinence and punk-friendly churches, this book also focuses on gender performance within a subculture dominated by young men in a time of contested gender roles and ideologies. Critically-minded and rich in ethnographic data and insider perspectives, Christian Punk will engage scholars of contemporary evangelicalism, religion and popular music, and punk and all its related subcultures.
Author: Pete Dale
Publisher: Routledge
ISBN: 1317180259
Category : Music
Languages : en
Pages : 257
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Book Description
For more than three decades, a punk underground has repeatedly insisted that 'anyone can do it'. This underground punk movement has evolved via several micro-traditions, each offering distinct and novel presentations of what punk is, isn't, or should be. Underlying all these punk micro-traditions is a politics of empowerment that claims to be anarchistic in character, in the sense that it is contingent upon a spontaneous will to liberty (anyone can do it - in theory). How valid, though, is punk's faith in anarchistic empowerment? Exploring theories from Derrida and Marx, Anyone Can Do It: Empowerment, Tradition and the Punk Underground examines the cultural history and politics of punk. In its political resistance, punk bears an ideological relationship to the folk movement, but punk's faith in novelty and spontaneous liberty distinguish it from folk: where punk's traditions, from the 1970s onwards, have tended to search for an anarchistic 'new-sense', folk singers have more often been socialist/Marxist traditionalists, especially during the 1950s and 60s. Detailed case studies show the continuities and differences between four micro-traditions of punk: anarcho-punk, cutie/'C86', riot grrrl and math rock, thus surveying UK and US punk-related scenes of the 1980s, 1990s and beyond.
Author: Mike Dines
Publisher: Cambridge Scholars Publishing
ISBN: 1443874760
Category : Music
Languages : en
Pages : 180
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Book Description
This volume represents the first academic collection to draw upon postgraduate research in exploring the punk scene. Cutting-edge studies, spanning both local and global contexts, are covered with contributions from a range of academic disciplines, including art and design, sociology, cultural studies, English, and music. The chapters are loosely focused around three themes: scenes; gender, “race” and sexuality; and therapy and laughter. The collection builds upon, and diversifies, existing academic work in punk studies covering such topics as “whitestraightboy” hegemony, straight-edge in France, CRT and the links between punk and the “rave” scene of the 1990s.
Author: Helena Hill
Publisher: Springer Nature
ISBN: 3031273702
Category : History
Languages : en
Pages : 239
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Book Description
This open access book discusses the emergence and development, and in some cases also the disappearance, of social movements and activism in Sweden during the 1980s. Its aim is to nuance and problematize the image of the 1980s as unilaterally dominated by right-wing politics and neoliberalism, as well as the idea of a conflict-free Scandinavian model. The 1980s have often been described as a period when the influence of radical-left movements during the 1970s diminished. Instead, this book argues that the 1980s was a decade in which new radical social movements emerged in opposition to the prevalent political order, including the nuclear disarmament movement, the women's movement, anti-fascist movements, and the punk and environmental movements. The authors also demonstrate how issues such as squatting, nuclear resistance, rent strikes and the environment, included a variety of contentious collective action. Sweden, therefore, presents an interesting example of how resistance and conflict in a strong welfare state have been influenced by contentious social movements. Placing Sweden within the wider context of Scandinavia and Europe, this edited collection makes an important contribution to the history of social movements.
Author: Andy Bennett
Publisher: SAGE
ISBN: 1473910994
Category : Social Science
Languages : en
Pages : 665
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Book Description
"The SAGE Handbook of Popular Music is a comprehensive, smartly-conceived volume that can take its place as the new standard reference in popular music. The editors have shown great care in covering classic debates while moving the field into new, exciting areas of scholarship. International in its focus and pleasantly wide-ranging across historical periods, the Handbook is accessible to students but full of material of interest to those teaching and researching in the field." - Will Straw, McGill University "Celebrating the maturation of popular music studies and recognizing the immense changes that have recently taken place in the conditions of popular music production, The SAGE Handbook of Popular Music features contributions from many of the leading scholars in the field. Every chapter is well defined and to the point, with bibliographies that capture the history of the field. Authoritative, expertly organized and absolutely up-to-date, this collection will instantly become the backbone of teaching and research across the Anglophone world and is certain to be cited for years to come." - Barry Shank, author of ′The Political Force of Musical Beauty′ (2014) The SAGE Handbook of Popular Music provides a highly comprehensive and accessible summary of the key aspects of popular music studies. The text is divided into 9 sections: Theory and Method The Business of Popular Music Popular Music History The Global and the Local The Star System Body and Identity Media Technology Digital Economies Each section has been chosen to reflect both established aspects of popular music studies as well as more recently emerging sub-fields. The handbook constitutes a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field. This is a benchmark work which will be essential reading for educators and students in popular music studies, musicology, cultural studies, media studies and cultural sociology.
Author: J. Patrick Williams
Publisher: Policy Press
ISBN: 1529218632
Category : Social Science
Languages : en
Pages : 224
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Book Description
The concept of ’subculture’ is an invaluable tool to frame the study of non-normative and marginal cultures for social and cultural scholars. This international collection uncovers the significance of meaning-making in the processes of defining, studying and analyzing subcultural phenomena. Examining various dimensions of interpretivism, the book focuses on overarching concerns related to interpretation as well as day-to-day considerations that affect researchers’ and members’ interpretations of subcultural phenomena. It reveals how and why people use specific conceptual frames or methods and how those shape their interpretations of everyday realities. This is an unprecedented contribution to the field, explaining the interpretive processes through which people make sense of subcultural phenomena.
