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Author: Y. Meerzon
Publisher: Springer
ISBN: 0230371914
Category : Music
Languages : en
Pages : 361
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Book Description
This book examines the life and art of those contemporary artists who by force or by choice find themselves on other shores. It argues that the exilic challenge enables the émigré artist to (re)establish new artistic devices, new laws and a new language of communication in both his everyday life and his artistic work.
Author: Y. Meerzon
Publisher: Springer
ISBN: 0230371914
Category : Music
Languages : en
Pages : 361
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Book Description
This book examines the life and art of those contemporary artists who by force or by choice find themselves on other shores. It argues that the exilic challenge enables the émigré artist to (re)establish new artistic devices, new laws and a new language of communication in both his everyday life and his artistic work.
Author: Gilli Bush-Bailey
Publisher: Manchester University Press
ISBN: 9780719079214
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
This unique book contains the never-before-published script of the first ever one-woman show, written by Fanny Kelly. The script was performed in Britain in the 1830s and '40s, based on Kelly’s own experiences and offers a picture of the exuberant and often bizarre Georgian entertainment world. The performance text is introduced, edited, and explained by Gilli Bush-Bailey, who focuses 21st-century revisionist scholarship on Kelly’s story. It is an innovative contribution to the modern debate on biographical and autobiographical writing, while also serving as a valuable text for those who wish to study comedy and women’s performance. The materials and methods of the modern stand-up routine are already to be seen in this unusual text. This book will appeal to students and scholars who are involved in performance, theater history, or biography. It is also an accessible text for the interested general reader.
Author: Dale E. Yeatts
Publisher: SAGE
ISBN: 9780761904700
Category : Business & Economics
Languages : en
Pages : 404
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Book Description
`This book is a must for scholars and practitioners interested in managing work teams in organizations.... Yeatts and Hyten have written an excellent reference work. The book synthesizes a wealth of prior research into a testable model of Self-Managed Work Team performance' - Management Learning`The work is wide-ranging in its scope but retains a clear focus and coherence throughout.' International Journal of Public-Private PartnershipsSince the mid-1970s, pressure from international competition has forced business in the United States to look for better ways to achieve and maintain a competitive position. One popular tool is the self-managed work-team (SMWT). This book provides a thorough examination of SMWT both at the level of theory and at the practical level of when to use work teams to find solutions and how to develop successful teams.By examining the most widely accepted theories of work-team performance, illustrated by 10 case studies from the areas of manufacturing, public service and health care, the authors define: how high-performing self-managed work teams differ from work groups and short-term teams; the problems which compel an organization to create such teams; the factors which explain successful self-managed work teams; and how to develop high performing cost-effective teams.
Author: Sheetala Bhat
Publisher: Manipal Universal Press
ISBN: 9382460594
Category : Literary Collections
Languages : en
Pages : 148
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Book Description
This book explores the shifting identity of the female performer in India, starting from the late 19th century to the early years of independence, through the study of autobiographies and memoirs. It attempts to make visible the actress figure by entering the history of performance, guided by the voice of the female performer. The discussion on performing woman in this book spans across the performing traditions of the tawaif, actresses in public theatre, early Indian film actresses, and actresses in the Indian People’s Theatre and the Prithvi Theatre.
Author: Kirsty Fairclough
Publisher: Bloomsbury Publishing USA
ISBN: 1501368265
Category : Music
Languages : en
Pages : 297
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Book Description
The diva a central figure in the landscape of contemporary popular culture: gossip-generating, scandal-courting, paparazzi-stalked. And yet the diva is at the epicentre of creative endeavours that resonate with contemporary feminist ideas, kick back against diminished social expectations, boldly call-out casual sexism and industry misogyny and, in terms of hip-hop, explores intersectional oppressions and unapologetically celebrates non-white cultural heritages. Diva beats and grooves echo across culture and politics in the West: from the borough to the White House, from arena concerts to nightclubs, from social media to social activism, from #MeToo to Black Lives Matter. Diva: Feminism and Fierceness from Pop to Hip-Hop addresses the diva phenomenon and its origins: its identity politics and LGBTQ+ components; its creativity and interventions in areas of popular culture (music, and beyond); its saints and sinners and controversies old and new; and its oppositions to, and recuperations by, the establishment; and its shifts from third to fourth waves of feminism. This co-edited collection brings together an international array of writers from new voices to established names. The collection scopes the rise to power of the diva (looking to Mariah Carey, Whitney Houston, Dolly Parton, Grace Jones, and Aaliyah), then turns to contemporary diva figures and their work (with Beyoncé, Amuro Namie, Janelle Monáe, Cardi B, Megan Thee Stallion, Shakira, Jennifer Lopez, and Nicki Minaj), and concludes by considering the presence of the diva in wider cultures, in terms of gallery curation, theatre productions, and stand-up comedy.
Author: Kirsten Pullen
Publisher: Rutgers University Press
ISBN: 0813573912
Category : Performing Arts
Languages : en
Pages : 214
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Book Description
Bathing beauty Esther Williams, bombshell Jane Russell, exotic Carmen Miranda, chanteuse Lena Horne, and talk-show fixture Zsa Zsa Gabor are rarely hailed as great actors or as naturalistic performers. Those terms of praise are given to male stars like Marlon Brando and James Dean, whose gritty dramas are seen as a departure from the glossy spectacles in which these stars appeared. Like a Natural Woman challenges those assumptions, revealing the skill and training that went into the work of these five actresses, who employed naturalistic performance techniques, both onscreen and off. Bringing a fresh perspective to film history through the lens of performance studies, Kirsten Pullen explores the ways in which these actresses, who always appeared to be “playing themselves,” responded to the naturalist notion that actors should create authentic characters by drawing from their own lives. At the same time, she examines how Hollywood presented these female stars as sex objects, focusing on their spectacular bodies at the expense of believable characterization or narratives. Pullen not only helps us appreciate what talented actresses these five women actually were, but also reveals how they sought to express themselves and maintain agency, even while meeting the demands of their directors, studios, families, and fans to perform certain feminine roles. Drawing from a rich collection of classic films, publicity materials, and studio archives, Like a Natural Woman lets us take a new look at both Hollywood acting techniques and the performance of femininity itself.
Author: Fabienne C. Quennet
Publisher: LIT Verlag Münster
ISBN: 9783825855987
Category : History
Languages : en
Pages : 260
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Book Description
The two fields of contemporary Native American literature and culture exist in the tension between two literary traditions: the Native oral and literary tradition and the modern Western mainstream literary influence. In her North Dakota quartet Love Medicine (1984), The Beet Queen (1986), Tracks (1988), The Bingo Palace (1994), Native American mixedblood author, Louise Erdrich (b. 1954) exemplifies where and how these traditions meet and interact. A postmodern reading of the quartet shows that Native American authors and literary critics alike need not be afraid to tread into postmodernism, since an interpretation from this perspective opens up the possibility of freeing Native American literature from the limiting label of "ethnic or minority literature" and of establishing it as a vital part of American literature. This postmodern interpretation of Louise Erdrich's quartet offers a discussion of the theoretical issues involved in the context of ethnic writing and its relation to postmodernism, as well as an analysis of her intricate narrative strategies, in particular, her use of multiple perspectives and of intertextual techniques. The main part of the interpretation consists of a reading of postmodern concepts such as magical realism, carnivalesque humor, the relationship between reader and text, gender roles and sexual identities, history and textuality, the trickster figure, and games and chance as can be found in Louise Erdrich's North Dakota quartet.
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Category : Law reports, digests, etc
Languages : en
Pages : 236
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Book Description
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Category : Education
Languages : en
Pages : 946
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Book Description
Author: Ellen Olney Kirk
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
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Book Description
