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Author: Marc Maufort
Publisher: Peter Lang
ISBN: 9789052013596
Category : Drama
Languages : en
Pages : 470
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Book Description
"This ... volume comprises a wide range of chapters focusing on key figures in the development of New Zealand theatre and drama, such as, among others, Robert Lord, Ken Duncum, Gary Henderson, Stephen Sinclair, Hone Kouka, Briar-Grace Smith, Jacob Rajan, Lynda Chanwai-Earle, Nathaniel Lees, and Victor Rodger."--Publisher description.
Author: Marc Maufort
Publisher: Peter Lang
ISBN: 9789052013596
Category : Drama
Languages : en
Pages : 470
Get Book Here
Book Description
"This ... volume comprises a wide range of chapters focusing on key figures in the development of New Zealand theatre and drama, such as, among others, Robert Lord, Ken Duncum, Gary Henderson, Stephen Sinclair, Hone Kouka, Briar-Grace Smith, Jacob Rajan, Lynda Chanwai-Earle, Nathaniel Lees, and Victor Rodger."--Publisher description.
Author: James Wenley
Publisher: Routledge
ISBN: 0429575130
Category : Drama
Languages : en
Pages : 285
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Book Description
Aotearoa New Zealand in the Global Theatre Marketplace offers a case study of how the theatre of Aotearoa has toured, represented and marketed itself on the global stage. How has New Zealand work attempted to stand out, differentiate itself, and get seen by audiences internationally? This book examines the journeys of a dynamic range of culturally and theatrically innovative works created by Aotearoa New Zealand theatre makers that have toured and been performed across time, place and theatrical space: from Moana Oceania to the Edinburgh Festival Fringe, from a Māori Shakespeare adaptation to an immersive zombie theatre experience. Drawing on postcolonialism, transnationalism, cosmopolitanism and globality to understand how Aotearoa New Zealand has imagined and conceived of itself through drama, the author investigates how these representations might be read and received by audiences around the world, variously reinforcing and complicating conceptions of New Zealand national identity. Developing concepts of theatrical mobility, portability and the market, this study engages with the whole theatrical enterprise as a play travels from concept and scripting through to funding, marketing, performance and the critical response by reviewers and commentators. This book will be of global interest to academics, producers and theatre artists as a significant resource for the theory and practice of theatre touring and cross-cultural performance and reception.
Author: Liza-Mare Syron
Publisher: Springer Nature
ISBN: 303082375X
Category : Social Science
Languages : en
Pages : 136
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Book Description
This transnational and transcultural study intimately investigates the theatre making practices of Indigenous women playwrights from Australia, Aotearoa, and Turtle Island. It offers a new perspective in Performance Studies employing an Indigenous standpoint, specifically an Indigenous woman’s standpoint to privilege the practices and knowledges of Maori, First Nations, and Aboriginal women playwrights. Written in the style of ethnographic narrative the author affords the reader a ringside seat in providing personal insights on the process of negotiating access to rehearsals in each specific cultural context, detailed descriptions of each rehearsal location, and describing the visceral experiences of observing Indigenous theatre makers from inside the rehearsal room. The Indigenous scholar and theatre maker draws on Rehearsal Studies as an approach to documenting the day-to-day working practices of Indigenous theatre makers and considers an Indigenous Standpoint as a valid framework for investigating contemporary Indigenous theatre practices in a colonised context.
Author: G. N. Devy
Publisher: Taylor & Francis
ISBN: 1000215067
Category : Social Science
Languages : en
Pages : 204
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Book Description
Part of the series Key Concepts in Indigenous Studies, this book focuses on the concepts that recur in any discussion of nature, culture and society among the indigenous. This final volume in the five-volume series deals with the two key concepts of performance and knowledge of the indigenous people from all continents of the world. With contributions from renowned scholars, activists and experts across the globe, it looks at issues and ideas of the indigenous peoples in the context of imagination, creativity, performance, audience, arts, music, dance, oral traditions, aesthetics and beauty in North America, South America, Australia, East Asia and India from cultural, historical and aesthetic points of view. Bringing together academic insights and experiences from the ground, this unique book, with its wide coverage, will serve as a comprehensive guide for students, teachers and scholars of indigenous studies. It will be essential reading for those in social and cultural anthropology, tribal studies, sociology and social exclusion studies, cultural studies, media studies and performing arts, literary and postcolonial studies, religion and theology, politics, Third World and Global South studies, as well as activists working with indigenous communities.
Author: Tiziana Morosetti
Publisher: Springer Nature
ISBN: 3030439577
Category : Performing Arts
Languages : en
Pages : 517
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Book Description
The first comprehensive publication on the subject, this book investigates interactions between racial thinking and the stage in the modern and contemporary world, with 25 essays on case studies that will shed light on areas previously neglected by criticism while providing fresh perspectives on already-investigated contexts. Examining performances from Europe, the Americas, the Middle East, Africa, China, Australia, New Zealand, and the South Pacifi c islands, this collection ultimately frames the history of racial narratives on stage in a global context, resetting understandings of race in public discourse.
Author:
Publisher: BRILL
ISBN: 9004703365
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
This volume examines how Indigenous theatre and performance from Oceania has responded to the intensification of globalisation from the turn of the 20th to the 21st centuries. It foregrounds a relational approach to the study of Indigenous texts, thus echoing what scholars such as Tui Nicola Clery have described as the stance of a “Multi-Perspective Culturally Sensitive Researcher.” To this end, it proposes a fluid vision of Oceania characterized by heterogeneity and cultural diversity calling to mind Epeli Hau‘ofa’s notion of “a sea of islands.” Taking its cue from the theories of Deleuze and Guattari, the volume offers a rhizomatic, non-hierarchical approach to the study of the various shapes of Indigeneity in Oceania. It covers Indigenous performance from Aotearoa/New Zealand, Hawai’i, Samoa, Rapa Nui/Easter Island, Australia and the Torres Strait Islands. Each chapter uses vivid case histories to explore a myriad of innovative strategies responding to the interplay between the local and the global in contemporary Indigenous performance. As it places different Indigenous cultures from Oceania in conversation, this critical anthology gestures towards an “imparative” model of comparative poetics, favouring negotiation of cultural difference and urging scholars to engage dialogically with non-European artistic forms of expression.
Author: Sidney Homan
Publisher: Routledge
ISBN: 1000317811
Category : Performing Arts
Languages : en
Pages : 302
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Book Description
Why the Theatre is a collection of 26 personal essays by college teachers, actors, directors, and playwrights about the magnetic pull of the theatre and its changing place in society. The book is divided into four parts, examining the creative role of the audience, the life of the actor, director, and playwright in performance, ways the theatre moves beyond the playhouse and into the real world, and theories and thoughts on what the theatre can do when given form onstage. Based on concrete, highly personal examples, experiences, and memories, this collection offers unique perspectives on the meaning of the theatre and the beauty of weaving the world of the play into the fabric of our lives. Covering a range of practices and plays, from the Greeks to Japanese Butoh theatre, from Shakespeare to modern experiments, this book is written by and for the theatre instructor and theatre appreciation student.
Author: Linden Wilkinson
Publisher: Cambridge Scholars Publishing
ISBN: 1443892793
Category : Architecture
Languages : en
Pages : 302
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Book Description
By 1888, after 100 years of colonisation, it is estimated that 95% of the Australian Aboriginal and Torres Strait islander population had ‘disappeared’. Along with starvation, disease, dispossession and grief, a further contributing factor to this decline was murder. Massacres occurred sequentially as the line of first contact forged its way across a country that had been occupied, cared for, and loved for over 50,000 years by about 250 separate Aboriginal nations. The concomitant brutality subsumed in the colonial narrative of zeal, purpose and prosperity meant that massacres were shrouded in silence for generations; denied, ignored and under-reported. However one particular massacre remains an anomaly. The massacre at Myall Creek occurred on June 10th, 1838, in the fading light of a wintry Sunday afternoon. It was perpetrated by eleven convicts under the leadership of one free-born squatter’s son; they had hunted ‘blacks’ together before. They tethered twenty-eight old men, women and children, Weraerai people of the Kamilaroi nation, led them away from their camp, and then systematically butchered them all. These details are available, because this particular massacre went to trial. One hundred and sixty-two years later, a group of Aboriginal and non-Aboriginal people formed a committee and built a memorial to commemorate the only massacre in Australia’s colonial history, where some but not all of the perpetrators were punished. Today We’re Alive: Generating Performance in a Cross-Cultural Context, an Australian Experience is a doctoral thesis, which examines the multiple narratives embedded in colonial and recent history. At the heart of this research is a verbatim play: the interweaving of Aboriginal and non-Aboriginal testimonies about Myall Creek and the memorial, testimonies sourced from descendants of massacre survivors, descendants of massacre perpetrators and involved others. As a thesis it explores the possibilities offered by performance ethnography as a decolonizing methodology; as a play the research seeks to find a reconciliation narrative, a story that through performance addresses the past and recognises the possibilities of a shared future.
Author: Kam Louie
Publisher: UBC Press
ISBN: 0774825936
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
As China rose to its position of global superpower, Chinese groups in the West watched with anticipation and trepidation. In this volume, international scholars examine how artists, writers, filmmakers, and intellectuals from the Chinese diaspora represented this new China to global audiences. The chapters, often personal in nature, focus on the nexus between the political and economic rise of China and the cultural products this period produced, where new ideas of nation, identity, and diaspora were forged.
Author: Mark Williams
Publisher: Cambridge University Press
ISBN: 1316546195
Category : Literary Criticism
Languages : en
Pages : 660
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Book Description
A History of New Zealand Literature traces the genealogy of New Zealand literature from its first imaginings by Europeans in the eighteenth century. Beginning with a comprehensive introduction that charts the growth of, and challenges to, a nationalist literary tradition, the essays in this History illuminate the cultural and political intricacies of New Zealand literature, surveying the multilayered verse, fiction and drama of such diverse writers as Katherine Mansfield, Allen Curnow, Frank Sargeson, Janet Frame, Keri Hulme, Witi Ihimaera and Patricia Grace. Written by a host of leading scholars, this History devotes special attention to the lasting significance of colonialism, biculturalism and multiculturalism in New Zealand literature. A History of New Zealand Literature is of pivotal importance to the development of New Zealand writing and will serve as an invaluable reference for specialists and students alike.
