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Author: Simone Osthoff
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 214
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Book Description
Instead of smoothing over contemporary art's violent and iconoclastic dimensions, instead of sanitizing and making complex artworks docile in terms of archival possibilities, this book suggests we abandon our fantasy of mastery over representation and respond in kind to the archive-as-artwork, to "living" archives, and to reenactments of history with their seamless connections between fiction and non-fiction. Among the concepts examined are Vilém Flusser's techno-imagination, Lygia Clark's and Hélio Oiticica's participatory aesthetics, and Paulo Bruscky's and Eduardo Kac's literal performances of the archive. They contribute to the erosion of the archive's former boundaries, stability, function, and meaning. Writing alongside the artists as much as about them, Osthoff examines the archive mise-en-abyme, as it grows increasingly recombinant and generative. Simone Osthoff received her Ph.D. from the European Graduate School and is Associate Professor of Critical Studies in the School of Visual Arts at Pennsylvania State University. An art critic and historian of contemporary art, her numerous essays, focusing on media art practices and issues of historiography, have been published internationally and translated into over eight languages.
Author: Simone Osthoff
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 214
Get Book Here
Book Description
Instead of smoothing over contemporary art's violent and iconoclastic dimensions, instead of sanitizing and making complex artworks docile in terms of archival possibilities, this book suggests we abandon our fantasy of mastery over representation and respond in kind to the archive-as-artwork, to "living" archives, and to reenactments of history with their seamless connections between fiction and non-fiction. Among the concepts examined are Vilém Flusser's techno-imagination, Lygia Clark's and Hélio Oiticica's participatory aesthetics, and Paulo Bruscky's and Eduardo Kac's literal performances of the archive. They contribute to the erosion of the archive's former boundaries, stability, function, and meaning. Writing alongside the artists as much as about them, Osthoff examines the archive mise-en-abyme, as it grows increasingly recombinant and generative. Simone Osthoff received her Ph.D. from the European Graduate School and is Associate Professor of Critical Studies in the School of Visual Arts at Pennsylvania State University. An art critic and historian of contemporary art, her numerous essays, focusing on media art practices and issues of historiography, have been published internationally and translated into over eight languages.
Author: Professor David Carlin
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472429729
Category : Language Arts & Disciplines
Languages : en
Pages : 281
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Book Description
There has been an exponential explosion in the production and consumption of video online and yet there is a scarcity of knowledge and cases about video and the digital archive. This book seeks to address that through the lens of the project Circus Oz Living Archive. This project provides the case study foundation for the articulation of the issues, challenges and possibilities that the design and development of digital archives afford. Drawn from eight different disciplines and professions, the authors explore what it means to embrace the possibilities of digital technologies to transform contemporary cultural institutions and their archives into new methods of performance, representation and history.
Author: Gunhild Borggreen
Publisher: Museum Tusculanum Press
ISBN: 8763537508
Category : Art
Languages : en
Pages : 498
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Book Description
Performing Archives/Archives of Performance contributes to the ongoing critical discussions of performance and its disappearance, of the ephemeral and its reproduction, of archives and mediatized recordings of liveness. The many contributions by excellent scholars and artists from a broad range of interdisciplinary fields as well as from various locations in research geographies demonstrate that despite the extensive discourse on the relationship between performance and the archive, inquiry into the productive tensions between ephemerality and permanence is by no means outdated or exhausted. New ways of understanding archives, history, and memory emerge and address theories of enactment and intervention, while concepts of performance constantly proliferate and enable a critical focus on archival residue. The contributions in
Performing Archives/Archives of Performance cover philosophical inquiries as well as discussions of specific art works, performances, and archives.
Contributions by: Heike Roms, Amelia Jones, Julie Louise Bacon, Peter van der Meijden, Emma Willis, Rivka Syd Eisner, Rachel Fensham, Sarah Whatley, Tracy C. Davis, Barnaby King, Laura Luise Schultz, Malene Vest Hansen, Mette Sandbye, Bodil Marie Stavning Thomsen, Margeritha Sprio, Annelis Kuhlmann, Morten Søndergaard, Martha Wilson, Catherine Bagnall, Paul Clarke, Solveig Gade, Gunhild Borggreen, Rune Gade, Louise Wolthers, Mathias Danbolt, Marco Pustianaz.
Gunhild Borggreen is Associate Professor at the Department of Arts and Cultural Studies at the University of Copenhagen.
Rune Gade is Associate Professor at the Department of Arts and Cultural Studies at the University of Copenhagen.
Author: Diana Taylor
Publisher: Duke University Press
ISBN: 0822385317
Category : Social Science
Languages : en
Pages : 350
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Book Description
In The Archive and the Repertoire preeminent performance studies scholar Diana Taylor provides a new understanding of the vital role of performance in the Americas. From plays to official events to grassroots protests, performance, she argues, must be taken seriously as a means of storing and transmitting knowledge. Taylor reveals how the repertoire of embodied memory—conveyed in gestures, the spoken word, movement, dance, song, and other performances—offers alternative perspectives to those derived from the written archive and is particularly useful to a reconsideration of historical processes of transnational contact. The Archive and the Repertoire invites a remapping of the Americas based on traditions of embodied practice. Examining various genres of performance including demonstrations by the children of the disappeared in Argentina, the Peruvian theatre group Yuyachkani, and televised astrological readings by Univision personality Walter Mercado, Taylor explores how the archive and the repertoire work together to make political claims, transmit traumatic memory, and forge a new sense of cultural identity. Through her consideration of performances such as Coco Fusco and Guillermo Gómez-Peña’s show Two Undiscovered Amerindians Visit . . . , Taylor illuminates how scenarios of discovery and conquest haunt the Americas, trapping even those who attempt to dismantle them. Meditating on events like those of September 11, 2001 and media representations of them, she examines both the crucial role of performance in contemporary culture and her own role as witness to and participant in hemispheric dramas. The Archive and the Repertoire is a compelling demonstration of the many ways that the study of performance enables a deeper understanding of the past and present, of ourselves and others.
Author: Paul Clarke
Publisher: Routledge
ISBN: 1317398769
Category : Performing Arts
Languages : en
Pages : 340
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Book Description
Artists in the Archive explores the agency and materiality of the archival document through a stunning collection of critical writings and original artworks. It examines the politics and philosophy behind re-using remains, historicising this artistic practice and considering the breadth of ways in which archival materials inform, inflect and influence new works. Taking a fresh look at the relationships between insider know-how and outsider knowledge, Artists in the Archive opens a vital dialogue between a global range of artists and scholars. It seeks to trouble the distinction between artistic practice and scholarly research, offering disciplinary perspectives from experimental theatre, performance art, choreography and dance, to visual art making, archiving and curating.
Author: Wolfgang Schneider
Publisher: Georg Olms Verlag
ISBN: 3487155354
Category : Performing Arts
Languages : en
Pages : 392
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Book Description
Die Studie «Performing the Archive» dokumentiert die Ergebnisse eines ersten Forschungsprojektes, das sich mit der Archivierung Freien Theaters beschäftigt. Seit mehr als 50 Jahren haben sich in Deutschland die Freien Darstellenden Künste als «zweite Säule» der Theaterlandschaft herausgebildet. Die Überlieferung seiner künstlerischen und kulturpolitischen sowie der organisatorischen und administrativen Praxis ist zwar überwiegend noch vorhanden, befindet sich aber weit verstreut, zumeist an den Orten ihrer Entstehung, ist aber unerschlossen und vom Verfall bedroht. Mit der Studie werden konzeptionelle Grundlagen geschaffen, um einen relevanten Bestandteil des kulturellen Erbes zu sichern und zugänglich zu machen. So wie das Freie Theater aus der kritischen Selbstermächtigung und innovativen Selbstorganisation seiner Künstler*innen entstanden ist, haben sich seine organisierten Akteur*innen aus Kulturpolitik und Wissenschaft zusammengetan und mit Unterstützung des Bundes und einiger Bundesländer einen Forschungsprozess für ein Archiv des Freien Theaters initiiert, dessen umfassende Bestandsaufnahme hier vorgelegt wird. Die Studie mit ihren Erkenntnissen, Expertisen und Handlungsempfehlungen zeichnet aus künstlerischer und wissenschaftlicher sowie technologischer und rechtlicher Sicht die strukturellen Konturen eines Archivs des Freien Theaters, das als dezentrale und digitale Wissensplattform die Voraussetzungen sowohl für ein «Performing the Archive» in der Praxis wie auch für kulturpolitische Diskurse zur Weiterentwicklung der Theaterlandschaft bietet. The study ‘Performing the Archives’ documents the results of one of the first research projects to examine the archiving of the Free Theatre movement. For over 50 years the free performing arts have constituted a ‘second pillar’ of the German theatre world. The records of artistic practice, cultural policy and organisational and administrative practice certainly survive in large part, but are widely dispersed, most being in the place of their origin, have not been properly archived and indexed, and are threatened with deterioration. This study lays the conceptual foundations for securing and making available a relevant part of our cultural heritage. Just as the Free Theatre movement grew out of the critical self-empowerment and innovative self-organisation of its artists, organisers in the fields of cultural policy and academia have come together and, with the support of the German Federal Government and of some German states, initiated a research process to create an Free Theatre archive. Its comprehensive survey is presented here. The study, with its insights, expertise and recommendations for action, describes from artistic and academic as well as technological and legal perspectives the structural contours of an archive which, as a decentralised and digital knowledge platform, provides the basis required both for ‘Performing the archive’ in practice and for cultural-political discourses of the future development of the theatrical landscape.
Author: Sara Callahan
Publisher: Manchester University Press
ISBN: 1526156849
Category : Art
Languages : en
Pages : 277
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Book Description
Art + Archive provides an in-depth analysis of the connection between art and the archive at the turn of the twenty-first century. The book examines how the archive emerged in art writing in the mid-1990s and how its subsequent ubiquity can be understood in light of wider social, technological, philosophical and art-historical conditions and concerns. Deftly combining writing on archives from different disciplines with artistic practices, the book clarifies the function and meaning of one of the most persistent artworld buzzwords of recent years, shedding light on the conceptual and historical implications of the so-called archival turn in contemporary art.
Author: Bill Bissell
Publisher: Wesleyan University Press
ISBN: 0819577766
Category : Performing Arts
Languages : en
Pages : 360
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Book Description
The Sentient Archive gathers the work of scholars and practitioners in dance, performance, science, and the visual arts. Its twenty-eight rich and challenging essays cross boundaries within and between disciplines, and illustrate how the body serves as a repository for knowledge. Contributors include Nancy Goldner, Marcia B. Siegel, Jenn Joy, Alain Platel, Catherine J. Stevens, Meg Stuart, André Lepecki, Ralph Lemon, and other notable scholars and artists. Hardcover is un-jacketed.
Author: Raphaël Cuir
Publisher:
ISBN: 9782840666844
Category : Art criticism
Languages : en
Pages : 213
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Book Description
Author: Julietta Singh
Publisher: punctum books
ISBN: 1947447858
Category : Biography & Autobiography
Languages : en
Pages : 120
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Book Description
A thief, desire -- No archive will restore you -- the body archive -- The inarticulate trace -- Other women -- The ghost archive.
