Performance Practices in the Baroque Era, as Related by Primary Sources PDF Download
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Author: Dennis Shrock
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 380
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Book Description
Author: Dennis Shrock
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 380
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Book Description
Author: Mary Cyr
Publisher: Routledge
ISBN: 1351554654
Category : Music
Languages : en
Pages : 255
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Book Description
Listeners, performers, students and teachers will find here the analytical tools they need to understand and interpret musical evidence from the baroque era. Scores for eleven works, many reproduced in facsimile to illustrate the conventions of 17th and 18th century notation, are included for close study. Readers will find new material on continuo playing, as well as extensive treatment of singing and French music. The book is also a concise guide to reference materials in the field of baroque performance practice with extensive annotated bibliographies of modern and baroque sources that guide the reader toward further study. First published by Ashgate (at that time known as Scolar Press) in 1992 and having been out of print for some years, this title is now available as a print on demand title.
Author: Dennis Shrock
Publisher: G I A Publications
ISBN: 9781579997991
Category : Music
Languages : en
Pages : 454
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Book Description
The Classical era, from 1751 to the 1830s and beyond, is one of the most revolutionary and creative times in the history of music. However, critical details about the performance of music during this extraordinary time have too often been lost to generations of re-interpretation, opinionated colorings, and changes in fashion and taste. In this remarkable volume, noted scholar and choral conductor, Dennis Shrock brings together in one place writings from more than 100 Classical-era authors and composers about performance practices of music during their time. These primary sources represent the entire time span of the Classical era, writings from throughout Europe and the United States, and details on virtually every type of performing medium and genre of composition common in the era. Dr. Shrock quotes from diaries, instruction books, dictionaries, letters, biographies, and essays all written during the eighteenth and early nineteenth centuries. Dr. Shrock organizes all of these comments - complete with detailed music examples - in sections devoted to sound, tempo, articulation and phrasing, metric accentuation, rhythmic alteration, ornamentation, and expression. What emerges is an insightful and colorful portrait certain to assist anyone who seeks to better understand the music of Mozart, Haydn, and other noted composers. Performance Practices in the Classical Era is a vital resource for any conductor, performer, or aficionado of classical music.
Author: Stephen Gance
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 108
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Book Description
Author: Frederick Neumann
Publisher: Simon & Schuster Books For Young Readers
ISBN:
Category : Music
Languages : en
Pages : 632
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Book Description
His purpose is to provide today's performer with a foundation of historical insights as the basis for artistic decisions.
Author: John Butt
Publisher: Cambridge University Press
ISBN: 0521433274
Category : Music
Languages : en
Pages : 261
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Book Description
In considering the role of practical music in education this book explores the art of performance in Germany during the Baroque period. The author examines the large number of surviving treatises and instruction manuals used in the Lutheran schools during the period 1530-1800 and builds up a picture of the function and status of music in both school and church. This understanding of music as a functional art--musica practica--in turn gives us insight into contemporary performance of the sacred work of Praetorius, SchÜtz, Buxtehude or Bach.
Author: Robert Donington
Publisher: W. W. Norton & Company
ISBN: 9780393300529
Category : Music
Languages : en
Pages : 232
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Book Description
The fruit of a lifetime's research into baroque performing practice.
Author: Howard Mayer Brown
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 646
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Book Description
Author: Peter Walls
Publisher: Routledge
ISBN: 135157471X
Category : Music
Languages : en
Pages : 688
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Book Description
Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa? lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.
Author: Donald Greig
Publisher: Cambridge University Press
ISBN: 1108905323
Category : Music
Languages : en
Pages : 150
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Book Description
Studies of pre-existing music in narrative cinema often focus on a single film, composer or director. The approach here adopts a wider perspective, placing a specific musical repertoire - baroque music - in the context of its reception to explore its mobilisation in post-war cinema. It shows how various revivals have shaped musical fashion, and how cinema has drawn on resultant popularity and in turn contributed to it. Close analyses of various films raise issues of baroque musical style and form to question why eighteenth-century music remains an exception to dominant film-music discourses. Account is taken of changing modern performance practice and its manifestation in cinema, particularly in the biopic. This question of the reimagining of baroque repertoire leads to consideration of pastiches and parodies to which cinema has been particularly drawn, and subsequently to the role that neobaroque music has played in more recent films.
