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Author: William G. Lycan
Publisher: Oxford University Press
ISBN: 019269989X
Category : Philosophy
Languages : en
Pages : 154
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Book Description
Perceptual Content is the first book to discuss and compare the representational characters of all the traditional "five senses". It has three main topics or concerns. (1) The diversity of the senses: though Lycan maintains as a working assumption that all perception represents, the similarity between sense modalities ends there. The senses' respective representational modes, styles and structures -- not just their mechanisms -- differ very strongly from each other. (2) The Layering thesis: Lycan argues that a single sensory representation usually has more than one content, the contents systematically related to each other by a priority or dependence relation. More specifically, a perceptual state may represent one object or property by representing a more primitive or less ambitious one; he calls this the "layering" of content. For example, by hearing a sound sequence involving such-and-such volumes and timbres, you hear a voice speaking, and by hearing the voice, you hear words in a language. In some modalities layering works unexpectedly: nearly all tactile representation derives from representation of conditions of or in the subject's own skin, meaning that touch represents, e.g., the texture of a physical object by, and only by, representing stress within the skin; and even among the skin conditions, some are represented only by representing more primitive ones. (3) Aspect perception: despite Wittgenstein's famous discussion of "seeing as" in a late section of Philosophical Investigations, little has been written on perceiving-as. Besides its intrinsic interest -- even popular appeal, what with joke ambiguous figures such as the duck-rabbit and the old/young woman -- it remains especially mysterious. Nearly all work on it has concerned vision only. But it is crucial for understanding auditory representation, which is one thing that distinguishes hearing from the other senses. Further, the auditory case severely damages what Lycan and others had thought was the best approach to understanding aspect perception, in terms of attention.
Author: William G. Lycan
Publisher: Oxford University Press
ISBN: 019269989X
Category : Philosophy
Languages : en
Pages : 154
Get Book
Book Description
Perceptual Content is the first book to discuss and compare the representational characters of all the traditional "five senses". It has three main topics or concerns. (1) The diversity of the senses: though Lycan maintains as a working assumption that all perception represents, the similarity between sense modalities ends there. The senses' respective representational modes, styles and structures -- not just their mechanisms -- differ very strongly from each other. (2) The Layering thesis: Lycan argues that a single sensory representation usually has more than one content, the contents systematically related to each other by a priority or dependence relation. More specifically, a perceptual state may represent one object or property by representing a more primitive or less ambitious one; he calls this the "layering" of content. For example, by hearing a sound sequence involving such-and-such volumes and timbres, you hear a voice speaking, and by hearing the voice, you hear words in a language. In some modalities layering works unexpectedly: nearly all tactile representation derives from representation of conditions of or in the subject's own skin, meaning that touch represents, e.g., the texture of a physical object by, and only by, representing stress within the skin; and even among the skin conditions, some are represented only by representing more primitive ones. (3) Aspect perception: despite Wittgenstein's famous discussion of "seeing as" in a late section of Philosophical Investigations, little has been written on perceiving-as. Besides its intrinsic interest -- even popular appeal, what with joke ambiguous figures such as the duck-rabbit and the old/young woman -- it remains especially mysterious. Nearly all work on it has concerned vision only. But it is crucial for understanding auditory representation, which is one thing that distinguishes hearing from the other senses. Further, the auditory case severely damages what Lycan and others had thought was the best approach to understanding aspect perception, in terms of attention.
Author: Diego Zucca
Publisher: Cambridge Scholars Publishing
ISBN: 1443884685
Category : History
Languages : en
Pages : 395
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Book Description
In recent years, there has been a notable increase in philosophical interest in perception. Perception is the basic and primary way in which we get in touch with our world in cognitive and active terms: by perceiving the surrounding world, we come to form true beliefs about it and successfully inhabit it through our actions. As such, correctly understanding the nature of perception will help to shed light on many other central philosophical issues. This book offers a defence of the content view of perceptual experience, of the idea that our perceptual experiences represent the world as being a certain way, and so have representational content. An articulated framework is provided for understanding the nature of these experiences in terms of contentful states, as well as for exploring the epistemological, semantical and phenomenological consequences of such an understanding. In addition, the book also includes a detailed and systematic account of how we conceive and ascribe the content of our experiences and their relation to our phenomenology, beliefs and knowledge of the world.
Author: Mohan Matthen
Publisher: OUP Oxford
ISBN: 0191669040
Category : Philosophy
Languages : en
Pages : 944
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Book Description
The Oxford Handbook of Philosophy of Perception is a survey by leading philosophical thinkers of contemporary issues and new thinking in philosophy of perception. It includes sections on the history of the subject, introductions to contemporary issues in the epistemology, ontology and aesthetics of perception, treatments of the individual sense modalities and of the things we perceive by means of them, and a consideration of how perceptual information is integrated and consolidated. New analytic tools and applications to other areas of philosophy are discussed in depth. Each of the forty-five entries is written by a leading expert, some collaborating with younger figures; each seeks to introduce the reader to a broad range of issues. All contain new ideas on the topics covered; together they demonstrate the vigour and innovative zeal of a young field. The book is accessible to anybody who has an intellectual interest in issues concerning perception.
Author: William G Lycan
Publisher: Oxford University Press
ISBN: 0192871811
Category : Philosophy
Languages : en
Pages : 168
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Book Description
Perceptual Content is the first book to discuss and compare the representational characters of all the traditional "five senses". It has three main topics or concerns: the diversity of the senses; the way the contents of sensory representations are layered; and aspect perception, "perceiving as".
Author: Tamar Gendler
Publisher: Oxford University Press on Demand
ISBN: 9780199289752
Category : Philosophy
Languages : en
Pages : 550
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Book Description
In the last few years there has been an explosion of philosophical interest in perception; after decades of neglect, it is now one of the most fertile areas for new work. Perceptual Experience presents new work by fifteen of the world's leading philosophers. All papers are written specially for this volume, and they cover a broad range of topics dealing with sensation and representation, consciousness and awareness, and the connections between perception and knowledge and between perception and action. This will be the book on the philosophy of perception, a fascinating resource for philosophers and psychologists.
Author: Anna Tomaszewska
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110372657
Category : Philosophy
Languages : en
Pages : 165
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Book Description
The book addresses the debate on whether the representational content of perceptual experience is conceptual or non-conceptual, by bringing out the points of comparison between Kant’s conception of intuition and the contemporary accounts of non-conceptual content, encountered in the writings of G. Evans, Ch. Peacocke, F. Dretske, T. Crane, M. G. F. Martin, and others. Following R. Aquila’s reading of Kant’s conception of representation, the author argues that intuition (Anschauung, intuitus) provides the most basic form of intentionality – pre-conceptual reference to objects, which underlies the acts of conceptualization and judgment. The book advances an interpretation of Kant’s theory of experience in the light of such questions as: Does conscious perceptual experience of objects require that subjects possess concepts of these objects? Do the contents of experience differ from the contents of beliefs or judgments? And if they do, what accounts for this difference? These questions take us to the most puzzling philosophical topic of the relation between mind and world. Anna Tomaszewska argues that this relation does not involve conceptual capacities alone but also, on the most basic level of perceptual experience, pre-cognitive “sensible intuition,” enabling relatedness to objects that remains uninformed by concepts. In a nutshell, on her interpretation, Kant can be taken to subscribe to the view that perceptual cognition does not have rational underpinnings.
Author: Alva Noë
Publisher: MIT Press
ISBN: 9780262640473
Category : Psychology
Languages : en
Pages : 644
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Book Description
The philosophy of perception is a microcosm of the metaphysics of mind. Its central problems—What is perception? What is the nature of perceptual consciousness? How can one fit an account of perceptual experience into a broader account of the nature of the mind and the world?—are at the heart of metaphysics. Rather than try to cover all of the many strands in the philosophy of perception, this book focuses on a particular orthodoxy about the nature of visual perception. The central problem for visual science has been to explain how the brain bridges the gap between what is given to the visual system and what is actually experienced by the perceiver. The orthodox view of perception is that it is a process whereby the brain, or a dedicated subsystem of the brain, builds up representations of relevant figures of the environment on the basis of information encoded by the sensory receptors. Most adherents of the orthodox view also believe that for every conscious perceptual state of the subject, there is a particular set of neurons whose activities are sufficient for the occurrence of that state. Some of the essays in this book defend the orthodoxy; most criticize it; and some propose alternatives to it. Many of the essays are classics. Contributors G.E.M. Anscombe, Dana Ballard, Daniel Dennett, Fred Dretske, Jerry Fodor, H.P. Grice, David Marr, Maurice Merleau-Ponty, Zenon Pylyshyn, Paul Snowdon, and P.F. Strawson
Author: Susanna Siegel
Publisher: Oxford University Press
ISBN: 0190294051
Category : Philosophy
Languages : en
Pages : 232
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Book Description
What do we see? We are visually conscious of colors and shapes, but are we also visually conscious of complex properties such as being John Malkovich? In this book, Susanna Siegel develops a framework for understanding the contents of visual experience, and argues that these contents involve all sorts of complex properties. Siegel starts by analyzing the notion of the contents of experience, and by arguing that theorists of all stripes should accept that experiences have contents. She then introduces a method for discovering the contents of experience: the method of phenomenal contrast. This method relies only minimally on introspection, and allows rigorous support for claims about experience. She then applies the method to make the case that we are conscious of many kinds of properties, of all sorts of causal properties, and of many other complex properties. She goes on to use the method to help analyze difficult questions about our consciousness of objects and their role in the contents of experience, and to reconceptualize the distinction between perception and sensation. Siegel's results are important for many areas of philosophy, including the philosophy of mind, epistemology, and the philosophy of science. They are also important for the psychology and cognitive neuroscience of vision.
Author: Brian McLaughlin
Publisher: Oxford University Press (UK)
ISBN: 0199262616
Category : Philosophy
Languages : en
Pages : 833
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Book Description
This is the most authoritative and comprehensive guide ever published to the state of the art in philosophy of mind, a flourishing area of research. An outstanding team of contributors offer 45 new critical surveys of a wide range of topics.
Author: Berit Brogaard
Publisher: Oxford University Press
ISBN: 0199395241
Category : Philosophy
Languages : en
Pages : 352
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Book Description
Within the contemporary philosophical debates over the nature of perception, the question of whether perception has content in the first place recently has become a focus of discussion. The most common view is that it does, but a number of philosophers have questioned this claim. The issue immediately raises a number of related questions. What does it mean to say that perception has content? Does perception have more than one kind of content? Does perceptual content derive from the content of beliefs or judgments? Should perceptual content be understood in terms of accuracy conditions? Is naive realism compatible with holding that perception has content? This volume brings together philosophers representing many different perspectives to address these and other central questions in the philosophy of perception.
