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Author: Dorian Gieseler Greenbaum
Publisher:
ISBN: 9781350371668
Category : English drama
Languages : en
Pages : 0
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Book Description
"The 1931 Universal Pictures film adaptation of Frankenstein directed by James Whale and starring Boris Karloff as the now iconic Monster claims in its credits to be 'Adapted from the play by Peggy Webling'. Webling's play sought to humanize the creature, was the first to position Frankenstein and his creation as doppelgängers, and offered a feminist perspective on scientific efforts to create life without women, ideas that suffuse today's perceptions of Frankenstein's monster. Buried in a private archive, scholars have never had access to the original play script and so could not fully chart the evolution of Frankenstein from book to stage to screen. In Peggy Webling's Frankenstein, Dorian Gieseler Greenbaum (Webling's great grandniece) and Bruce Graver present the full texts of Webling's unpublished play for the first time. A vital critical edition, this book includes: - the 1928 Library of Congress version of the play Frankenstein with a short manuscript census - the 1927 British Library version of the first production of the play in Preston, Lancashire - the 1930 Prompt Script for the London production, held by the Westminster Archive, London - Webling's private correspondence including negotiations with theatres managers and Universal Pictures, family letters about the production process, and selected contracts - Text of the chapter 'Frankenstein' from Webling's unpublished literary memoir, The Story of a Pen for additional context - Exposition on Webling's life that bears directly on the sensibilities and skills she brought to the writing of her play - History of how the play came to be written and produced - The relationship of Webling's play to earlier stage adaptations - An exploration of playwright and screenwriter John L. Balderston's changes to Webling's play and how the 1931 film compares Offering a new perspective on the genesis of the Frankenstein movie, this critical exploration makes available a unique and necessary 'missing link' in the novel's otherwise well-documented transmedia cultural history"--
Author: Dorian Gieseler Greenbaum
Publisher:
ISBN: 9781350371668
Category : English drama
Languages : en
Pages : 0
Get Book Here
Book Description
"The 1931 Universal Pictures film adaptation of Frankenstein directed by James Whale and starring Boris Karloff as the now iconic Monster claims in its credits to be 'Adapted from the play by Peggy Webling'. Webling's play sought to humanize the creature, was the first to position Frankenstein and his creation as doppelgängers, and offered a feminist perspective on scientific efforts to create life without women, ideas that suffuse today's perceptions of Frankenstein's monster. Buried in a private archive, scholars have never had access to the original play script and so could not fully chart the evolution of Frankenstein from book to stage to screen. In Peggy Webling's Frankenstein, Dorian Gieseler Greenbaum (Webling's great grandniece) and Bruce Graver present the full texts of Webling's unpublished play for the first time. A vital critical edition, this book includes: - the 1928 Library of Congress version of the play Frankenstein with a short manuscript census - the 1927 British Library version of the first production of the play in Preston, Lancashire - the 1930 Prompt Script for the London production, held by the Westminster Archive, London - Webling's private correspondence including negotiations with theatres managers and Universal Pictures, family letters about the production process, and selected contracts - Text of the chapter 'Frankenstein' from Webling's unpublished literary memoir, The Story of a Pen for additional context - Exposition on Webling's life that bears directly on the sensibilities and skills she brought to the writing of her play - History of how the play came to be written and produced - The relationship of Webling's play to earlier stage adaptations - An exploration of playwright and screenwriter John L. Balderston's changes to Webling's play and how the 1931 film compares Offering a new perspective on the genesis of the Frankenstein movie, this critical exploration makes available a unique and necessary 'missing link' in the novel's otherwise well-documented transmedia cultural history"--
Author: Peggy Webling
Publisher:
ISBN: 1350371645
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
The 1931 Universal Pictures film adaptation of Frankenstein directed by James Whale and starring Boris Karloff as the now iconic Monster claims in its credits to be 'Adapted from the play by Peggy Webling'. Webling's play sought to humanize the creature, was the first to position Frankenstein and his creation as doppelgängers, and offered a feminist perspective on scientific efforts to create life without women, ideas that suffuse today's perceptions of Frankenstein's monster. Buried in a private archive, scholars have never had access to the original play script and so could not fully chart the evolution of Frankenstein from book to stage to screen. In Peggy Webling's Frankenstein, Dorian Gieseler Greenbaum (Webling's great grandniece) and Bruce Graver present the full texts of Webling's unpublished play for the first time. A vital critical edition, this book includes: - the 1928 Library of Congress version of the play Frankenstein with a short manuscript census - the 1927 British Library version of the first production of the play in Preston, Lancashire - the 1930 Prompt Script for the London production, held by the Westminster Archive, London - Webling's private correspondence including negotiations with theatres managers and Universal Pictures, family letters about the production process, and selected contracts - Text of the chapter 'Frankenstein' from Webling's unpublished literary memoir, The Story of a Pen for additional context - Exposition on Webling's life that bears directly on the sensibilities and skills she brought to the writing of her play - History of how the play came to be written and produced - The relationship of Webling's play to earlier stage adaptations - An exploration of playwright and screenwriter John L. Balderston's changes to Webling's play and how the 1931 film compares Offering a new perspective on the genesis of the Frankenstein movie, this critical exploration makes available a unique and necessary 'missing link' in the novel's otherwise well-documented transmedia cultural history.
Author: Lester D. Friedman
Publisher: Rutgers University Press
ISBN: 081357370X
Category : Performing Arts
Languages : en
Pages : 379
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Book Description
Mary Shelley’s 1818 novel Frankenstein is its own type of monster mythos that will not die, a corpus whose parts keep getting harvested to animate new artistic creations. What makes this tale so adaptable and so resilient that, nearly 200 years later, it remains vitally relevant in a culture radically different from the one that spawned its birth? Monstrous Progeny takes readers on a fascinating exploration of the Frankenstein family tree, tracing the literary and intellectual roots of Shelley’s novel from the sixteenth century and analyzing the evolution of the book’s figures and themes into modern productions that range from children’s cartoons to pornography. Along the way, media scholar Lester D. Friedman and historian Allison B. Kavey examine the adaptation and evolution of Victor Frankenstein and his monster across different genres and in different eras. In doing so, they demonstrate how Shelley’s tale and its characters continue to provide crucial reference points for current debates about bioethics, artificial intelligence, cyborg lifeforms, and the limits of scientific progress. Blending an extensive historical overview with a detailed analysis of key texts, the authors reveal how the Frankenstein legacy arose from a series of fluid intellectual contexts and continues to pulsate through an extraordinary body of media products. Both thought-provoking and entertaining, Monstrous Progeny offers a lively look at an undying and significant cultural phenomenon.
Author: Dorian Gieseler Greenbaum
Publisher: BRILL
ISBN: 9004306218
Category : History
Languages : en
Pages : 599
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Book Description
In The Daimon in Hellenistic Astrology: Origins and Influence, Dorian Gieseler Greenbaum investigates for the first time the concept of the daimon (daemon, demon), normally confined to religion and philosophy, within the theory and practice of ancient western astrology (2nd century BCE – 7th century CE). This multi-disciplinary study covers the daimon within astrology proper as well as the daimon and astrology in wider cultural practices including divination, Gnosticism, Mithraism and Neo-Platonism. It explores relationships between the daimon and fate and Daimon and Tyche (fortune or chance), and the doctrine of lots as exemplified in Plato’s Myth of Er. In finding the impact of Egyptian and Mesopotamian ideas of fate on Hellenistic astrology, it critically examines astrology’s perception as propounding an unalterable destiny.
Author: Steven Earl Forry
Publisher: University of Pennsylvania Press
ISBN: 1512802034
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
The Frankenstein we know is not Mary Shelley's creature at all. Rather it is an amalgam of over 200 years of images and dramatizations that range from the ghoulish fiends of nineteenth-century sensation dramas to Boris Karloff's movie monster to Mel Brooks's tap-dancing giant. These versions treat the Frankenstein myth with varying levels of horror, hysteria, and humor, but all of them attest to its enduring power. In Hideous Progenies, Steven Earl Forry offers a historical overview of the legend's transformation over time—beginning with Shelley's original and the earliest popular dramatizations of it (which transformed the myth, adding a burlesque quality and simplifying its moral allegory) and continuing on through the advent of cinema. He also documents this development with actual texts of seven pre-1931 dramatizations, a sampling of cartoons and playbills, and a shooting script for the first cinematic version, Thomas Edison's Frankenstein (1910). Forry's rare materials and interesting survey offer a valuable resource for scholars and students of theater history, literary history, and popular culture.
Author: Nick Dear
Publisher: Faber & Faber
ISBN: 0571277225
Category : Performing Arts
Languages : en
Pages : 103
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Book Description
Slowly I learnt the ways of humans: how to ruin, how to hate, how to debase, how to humiliate. And at the feet of my master I learnt the highest of human skills, the skill no other creature owns: I finally learnt how to lie.Childlike in his innocence but grotesque in form, Frankenstein's bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the friendless Creature, increasingly desperate and vengeful, determines to track down his creator and strike a terrifying deal.Urgent concerns of scientific responsibility, parental neglect, cognitive development and the nature of good and evil are embedded within this thrilling and deeply disturbing classic gothic tale.Mary Shelley's Frankenstein, adapted for the stage by Nick Dear, premiered at the National Theatre, London, in February 2011.
Author: Barbara Field
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822208990
Category : Frankenstein (Fictitious character)
Languages : en
Pages : 68
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Book Description
THE STORY: As the play begins, an exhausted and dying Victor Frankenstein has finally tracked down his Creature in the lonely, frozen tundra of the North Pole. Determined to right the wrong he has committed by, at last, destroying the malignant evil he be
Author: David Finkelstein
Publisher: Psychology Press
ISBN: 9780415226585
Category : History
Languages : en
Pages : 404
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Book Description
The editors illustrate how book history studies have evolved into a broad approach which incorporates social and cultural considerations governing the production, dissemination and reception of print and texts.
Author:
Publisher: Running Press Kids
ISBN: 0762445149
Category : Young Adult Fiction
Languages : en
Pages : 290
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Book Description
Everyone is familiar with Mary Shelley's classic novel, but no one has read it like this! Frankenstein is the long celebrated gothic tale of a science experiment gone awry. But in this brand-new edition, Shelley's haunting horror story is transformed with the addition of steampunk-inspired art. With elaborate full-color illustrations throughout, this is a truly unique interpretation of Frankenstein. It's a fresh look at a classic story, spiked with gadgets, fashion, and steam-powered machinery inspired by the hottest trend in science-fiction. Releasing just in time for summer reading, teens will enjoy this classic novel with an awesome steampunk twist!
Author: Thomas M. Leitch
Publisher: Oxford University Press
ISBN: 0199331006
Category : Film adaptations
Languages : en
Pages : 785
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Book Description
This collection of forty new essays, written by the leading scholars in adaptation studies and distinguished contributors from outside the field, is the most comprehensive volume on adaptation ever published. Written to appeal alike to specialists in adaptation, scholars in allied fields, and general readers, it hearkens back to the foundations of adaptation studies a century and more ago, surveys its ferment of activity over the past twenty years, and looks forward to the future. It considers the very different problems in adapting the classics, from the Bible to Frankenstein to Philip Roth, and the commons, from online mashups and remixes to adult movies. It surveys a dizzying range of adaptations around the world, from Latin American telenovelas to Czech cinema, from Hong Kong comics to Classics Illustrated, from Bollywood to zombies, and explores the ways media as different as radio, opera, popular song, and videogames have handled adaptation. Going still further, it examines the relations between adaptation and such intertextual practices as translation, illustration, prequels, sequels, remakes, intermediality, and transmediality. The volume's contributors consider the similarities and differences between adaptation and history, adaptation and performance, adaptation and revision, and textual and biological adaptation, casting an appreciative but critical eye on the theory and practice of adaptation scholars--and, occasionally, each other. The Oxford Handbook of Adaptation Studies offers specific suggestions for how to read, teach, create, and write about adaptations in order to prepare for a world in which adaptation, already ubiquitous, is likely to become ever more important.
