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Author: Paul Seydor
Publisher: Northwestern University Press
ISBN: 0810168200
Category : Performing Arts
Languages : en
Pages : 569
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Book Description
Long before Sam Peckinpah finished shooting his 1973 Western, Pat Garrett and Billy the Kid, there was open warfare between him and the studio. In this scrupulously researched new book Paul Seydor reconstructs the riveting history of a brilliant director fighting to preserve an artistic vision while wrestling with his own self‐destructive demons. Meticulously comparing the film five extant versions, Seydor documents why none is definitive, including the 2005 Special Edition, for which he served as consultant. Viewing Peckinpah’s last Western from a variety of fresh perspectives, Seydor establishes a nearly direct line from the book Garrett wrote after he killed Billy the Kid to Peckinpah’s film ninety-one years later and shows how, even with directors as singular as this one, filmmaking is a collaborative medium. Art, business, history, genius, and ego all collide in this story of a great director navigating the treacherous waters of collaboration, compromise, and commerce to create a flawed but enduringly powerful masterpiece.
Author: Paul Seydor
Publisher: Northwestern University Press
ISBN: 0810168200
Category : Performing Arts
Languages : en
Pages : 569
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Book Description
Long before Sam Peckinpah finished shooting his 1973 Western, Pat Garrett and Billy the Kid, there was open warfare between him and the studio. In this scrupulously researched new book Paul Seydor reconstructs the riveting history of a brilliant director fighting to preserve an artistic vision while wrestling with his own self‐destructive demons. Meticulously comparing the film five extant versions, Seydor documents why none is definitive, including the 2005 Special Edition, for which he served as consultant. Viewing Peckinpah’s last Western from a variety of fresh perspectives, Seydor establishes a nearly direct line from the book Garrett wrote after he killed Billy the Kid to Peckinpah’s film ninety-one years later and shows how, even with directors as singular as this one, filmmaking is a collaborative medium. Art, business, history, genius, and ego all collide in this story of a great director navigating the treacherous waters of collaboration, compromise, and commerce to create a flawed but enduringly powerful masterpiece.
Author: Neil Fulwood
Publisher: Batsford Books
ISBN: 1849942544
Category : Performing Arts
Languages : en
Pages : 401
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Book Description
A detailed look at the work of one of America's great film directors. Sam Peckinpah helped to redefine the Western, clearing the board of genre cliches in order to present an intelligent examination of the motivation behind, and effects of, violence. The accusations against Peckinpah for making violent films, both Westerns and non-Westerns, for the sake of it as well as misogyny have become cliches themselves. Like their creator, the men who walk or ride through Peckinpah's films are deep, complex and often flawed. Technical accomplishment and the ability to draw out great preformances from his actors are only part of what sets Peckinpah's Films apart. It is their depth and intensity that make them unique. This book takes an in-depth look at the man, his early work for television, and all his films. It covers the critical reception of his films, Peckinpah's approach to film direction, his on-set behaviour, and studio interference during editing. An Appraisal of the iconography of his films plus an analysis of recurring themes and pre-occupations show that his best work was the most personal.
Author: Sue Matheson
Publisher: McFarland
ISBN: 1476646104
Category : Performing Arts
Languages : en
Pages : 228
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Book Description
Although Americans are no longer compelled to learn Greek and Latin, classical ideals remain embedded in American law and politics, philosophy, oratory, history and especially popular culture. In the Western genre, many film and television directors (such as John Ford, Raoul Walsh, Howard Hawks, Anthony Mann and Sam Peckinpah) have drawn inspiration from antiquity, and the classical values and influences in their work have shaped our conceptions of the West for years. This thought-provoking, first-of-its-kind collection of essays celebrates, affirms and critiques the West's relationship with the classical world. Explored are films like Cheyenne Autumn, The Wild Bunch, The Track of the Cat, Trooper Hook, The Furies, Heaven's Gate, and Slow West, as well as serials like Gunsmoke and Lonesome Dove.
Author: W. K. Stratton
Publisher: Bloomsbury Publishing USA
ISBN: 163286214X
Category : Performing Arts
Languages : en
Pages : 353
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Book Description
For the fiftieth anniversary of the film, W.K. Stratton's definitive history of the making of The Wild Bunch, named one of the greatest Westerns of all time by the American Film Institute. Sam Peckinpah's film The Wild Bunch is the story of a gang of outlaws who are one big steal from retirement. When their attempted train robbery goes awry, the gang flees to Mexico and falls in with a brutal general of the Mexican Revolution, who offers them the job of a lifetime. Conceived by a stuntman, directed by a blacklisted director, and shot in the sand and heat of the Mexican desert, the movie seemed doomed. Instead, it became an instant classic with a dark, violent take on the Western movie tradition. In The Wild Bunch, W.K. Stratton tells the fascinating history of the making of the movie and documents for the first time the extraordinary contribution of Mexican and Mexican-American actors and crew members to the movie's success. Shaped by infamous director Sam Peckinpah, and starring such visionary actors as William Holden, Ernest Borgnine, Edmond O'Brien, and Robert Ryan, the movie was also the product of an industry and a nation in transition. By 1968, when the movie was filmed, the studio system that had perpetuated the myth of the valiant cowboy in movies like The Searchers had collapsed, and America was riled by Vietnam, race riots, and assassinations. The Wild Bunch spoke to America in its moment, when war and senseless violence seemed to define both domestic and international life. The Wild Bunch is an authoritative history of the making of a movie and the era behind it.
Author: Bernard F. Dukore
Publisher: University of Illinois Press
ISBN: 9780252068027
Category : Performing Arts
Languages : en
Pages : 278
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Book Description
One of the greatest film directors America has produced, Sam Peckinpah revolutionized the way movies were made. In this detailed and insightful study, Bernard F. Dukore examines Peckinpah's fourteen feature films as a coherent body of work. He investigates the director's virtuosic editing techniques, thematic preoccupations that persist from his earliest to his last films, and the structure of his dramatic depiction of violence. He also addresses Peckinpah's cognizance of existentialism and the substantial traces this interest has left in the films. At the heart of Dukore's study is an extensive and detailed examination of Peckinpah's distinctive editing techniques. Focusing on representative sequences--including the breakout from the bank and the final battle in The Wild Bunch, the half-hour siege that concludes Straw Dogs, the killing of the title characters of Pat Garrett and Billy the Kid, and combat sequences in Cross of Iron--Dukore provides a shot-by-shot analysis that illuminates Peckinpah's mastery of pacing and mood. Sam Peckinpah's Feature Films demonstrates that Peckinpah's genius as a director and editor marks not only The Wild Bunch, Straw Dogs, and other classics but also his lesser-known feature films, even those that suffered substantial cuts at the hands of studio producers. Dukore's organic approach to the feature films reveals a highly unified body of work that remains a pointed commentary on power, violence, affection, and moral values.
Author: David Weddle
Publisher: Open Road + Grove/Atlantic
ISBN: 0802190081
Category : Biography & Autobiography
Languages : en
Pages : 453
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Book Description
“A probing biography of the enfant terrible of 1960s and 1970s film-making . . . exhaustive and endlessly intriguing.” —Booklist Written by the film critic and historian David Weddle, this fascinating account does critical justice to an important body of cinema as it spins the tale of David Samuel Peckinpah’s dramatic, overcharged life and the turbulent times through which he moved. Sam Peckinpah was born into a clan of lumberjacks, cattle ranchers, and frontier lawyers. After a hitch with the Marines, he made his way to Hollywood, where he worked on a string of low-budget features. In 1955 he began writing scripts for Gunsmoke; in less than a year he was one of the hottest writers in television, with two classic series, The Rifleman and The Westerner, to his credit. From there he went on to direct a phenomenal series of features, including Ride the High Country, Straw Dogs, The Getaway, Pat Garrett and Billy the Kid, and The Wild Bunch. Peckinpah was both a hopeless romantic and a grim nihilist, a filmmaker who defined his era as much as he was shaped by it. Rising to prominence in the social and political upheaval of the late sixties and early seventies, Peckinpah and his generation of directors—Stanley Kubrick, Arthur Penn, Robert Altman—broke with convention and turned the traditional genres of Western, science fiction, war, and detective movies inside out. No other era in Hollywood has matched it for sheer energy, audacity, and originality; no one cut a wider path through that time than Sam Peckinpah. “Groundbreaking.” —Michael Sragow, The Atlantic
Author: John L. Simons
Publisher: McFarland
ISBN: 0786484748
Category : Performing Arts
Languages : en
Pages : 233
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Book Description
The work of Sam Peckinpah represents a high point in American cinema. This text is the first theoretical and critical attempt to place Peckinpah within the 2,000-year-old tradition of western tragedy. The tradition, enfolding the Greeks, Shakespeare and modern tragedians, is represented in Peckinpah's art in numerous ways, and the fact that he worked in the mode throughout his career distinguishes him from most American film directors. Films covered include Ride the High Country, Noon Wine, The Wild Bunch, Pat Garrett and Billy the Kid, and Bring Me the Head of Alfredo Garcia.
Author: Michael Bliss
Publisher: SIU Press
ISBN: 9780809318636
Category : Performing Arts
Languages : en
Pages : 228
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Book Description
Warner Bros.'s withdrawal of Peckinpah's cut of the film drew tremendous sympathy for Peckinpah from American and European film critics alike.
Author: Michael Bliss
Publisher: University Press of Kentucky
ISBN: 0813178169
Category : Performing Arts
Languages : en
Pages : 178
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Book Description
One of the most innovative films ever made, Sam Peckinpah's motion picture The Wild Bunch was released in 1969. From the outset, the film was considered controversial because of its powerful, graphic, and direct depiction of violence, but it was also praised for its lush photography, intricate camera work, and cutting-edge editing. Peckinpah's tale of an ill-fated, aging outlaw gang bound by a code of honor is often regarded as one of the most complex and impactful Westerns in American cinematic history. The issues dealt with in this groundbreaking film—violence, morality, friendship, and the legacy of American ambition and compromise—are just as relevant today as when the film first opened. To acknowledge the significance of The Wild Bunch, this collection brings together some of the leading Peckinpah scholars and critics to examine what many consider to be the director's greatest work. The book's nine essays cover an array of topics. Explored are the function of violence in the film and how its depiction is radically different from what is seen in other movies, the background of the film's production, the European response to the film's view of human nature, and the strong sense of the Texas/Mexico milieu surrounding the film's action.
Author: Stephen Prince
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 1172
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Book Description
More than any other filmmaker, Sam Peckinpah opened the door for graphic violence in movies. In this book, Stephen Prince explains the rise of explicit violence in the American cinema, its social effects, and the relation of contemporary ultraviolence to the radical, humanistic filmmaking that Peckinpah practiced. Prince demonstrates Peckinpah's complex approach to screen violence and shows him as a serious artist whose work was tied to the social and political upheavals of the 1960s. He explains how the director's commitment to showing the horror and pain of violence compelled him to use a complex style that aimed to control the viewer's response. Prince offers an unprecedented portrait of Peckinpah the filmmaker. Drawing on primary research materials—Peckinpah's unpublished correspondence, scripts, production memos, and editing notes—he provides a wealth of new information about the making of the films and Peckinpah's critical shaping of their content and violent imagery. This material shows Peckinpah as a filmmaker of intelligence, a keen observer of American society, and a tragic artist disturbed by the images he created. Prince's account establishes, for the first time, Peckinpah's place as a major filmmaker. This book is essential reading for those interested in Peckinpah, the problem of movie violence, and contemporary American cinema.
