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Author: Ashish Rajadhyaksha
Publisher: Routledge
ISBN: 1135943257
Category : Social Science
Languages : en
Pages : 3189
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Book Description
The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.
Author: Ashish Rajadhyaksha
Publisher: Routledge
ISBN: 1135943257
Category : Social Science
Languages : en
Pages : 3189
Get Book Here
Book Description
The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.
Author: Vijai Shankar Śrivastava
Publisher: Abhinav Publications
ISBN: 9780391023581
Category : Art
Languages : en
Pages : 736
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Book Description
Comprises articles on the life and work of Satya Prakash, b. 1914, Indologist, and papers, most on the history and culture of Rajasthan, India.
Author: Amitava Nag
Publisher: Doshor Publication
ISBN: 8194442907
Category : Antiques & Collectibles
Languages : en
Pages : 138
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Book Description
Written over the years, 16 Frames is a collection of 16 critical articles on cinema analyzing the different trends and intertextualising cinema with the other art forms. The short and crisp articles are multilayered to raise the curiosity of the reader and are likely to fascinate her with the originality of the subjects dealt with. As award-winning film critic Shoma A. Chatterji comments – ‘the book reads on, like a river, sometimes placid, sometimes turbulent, flowing through the reader’s mind, through the films one has certainly watched and films one has never seen and is never likely to see.’
Author: Lina Khatib
Publisher: Columbia University Press
ISBN: 0231850255
Category : Performing Arts
Languages : en
Pages : 209
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Book Description
Storytelling in World Cinemas, Vol. 2: Contexts addresses the questions of what and why particular stories are told in films around the world, both in terms of the forms of storytelling used, and of the political, religious, historical, and social contexts informing cinematic storytelling. Drawing on films from all five continents, the book approaches storytelling from a cultural/historical multidisciplinary perspective, focusing on the influence of cultural politics, postcolonialism, women's social and cultural positions, and religious contexts on film stories. Like its sister volume, Storytelling in World Cinemas, Vol. 1: Forms, this book is an innovative addition to the academic study of world cinemas.
Author: James Donald
Publisher: SAGE
ISBN: 1446206823
Category : Language Arts & Disciplines
Languages : en
Pages : 538
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Book Description
Written by a team of veteran scholars and exciting emerging talents, The SAGE Handbook of Film Studies maps the field internationally, drawing out regional differences in the way that systematic intellectual reflection on cinema and film has been translated into an academic discipline. It examines the conversations between Film Studies and its contributory disciplines that not only defined a new field of discourse but also modified existing scholarly traditions. It reflects on the field′s dominant paradigms and debates and evaluates their continuing salience. Finally, it looks forward optimistically to the future of the medium of film, the institution of cinema and the discipline of Film Studies at a time when the very existence of film and cinema are being called into question by new technological, industrial and aesthetic developments.
Author:
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1026
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Book Description
Vols. 11-23, 25, 27 include the separately paged supplement: The acts of the governor-general of India in council.
Author: Ashok Raj
Publisher: Hay House, Inc
ISBN: 938139802X
Category : Performing Arts
Languages : en
Pages : 226
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Book Description
This volume traces the growth of the indigenous Hindi film hero from the silent era up to Dilip Kumar. The film hero is depicted as a credible representative of the social, cultural and political milieu of his era. The author contends that the development of Hindi cinema has been largely centered round the frontal figure of the hero. In the course of the narrative, the subject matter presents a compact history of mainstream Hindi cinema by placing personalities, events and trends in specific time frames.
Author: Kishore Valicha
Publisher: Orient Blackswan
ISBN: 9788125016083
Category : Motion pictures
Languages : en
Pages : 164
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Book Description
One of the first serious film studies in India. A contemporary analysis of the central issues contained in Indian films issues which distinguish this cinema from films of other countries. The book argues that film in India is a genuine cultural expression carrying meaning. The special and valuable insights on Indian cinema that this book offers are enhanced by Dr Valicha s own fascination with films.
Author: Vijay Mishra
Publisher: Routledge
ISBN: 1135310998
Category : Social Science
Languages : en
Pages : 320
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Book Description
India is home to Bollywood - the largest film industry in the world. Movie theaters are said to be the "temples of modern India," with Bombay producing nearly 800 films per year that are viewed by roughly 11 million people per day. In Bollywood Cinema, Vijay Mishra argues that Indian film production and reception is shaped by the desire for national community and a pan-Indian popular culture. Seeking to understand Bollywood according to its own narrative and aesthetic principles and in relation to a global film industry, he views Indian cinema through the dual methodologies of postcolonial studies and film theory. Mishra discusses classics such as Mother India (1957) and Devdas (1935) and recent films including Ram Lakhan (1989) and Khalnayak (1993), linking their form and content to broader issues of national identity, epic tradition, popular culture, history, and the implications of diaspora.
Author: Michael Lawrence
Publisher: Bloomsbury Publishing
ISBN: 1911239937
Category : Performing Arts
Languages : en
Pages : 265
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Book Description
Indian Film Stars offers original insights and important reappraisals of film stardom in India from the early talkie era of the 1930s to the contemporary period of global blockbusters. The collection represents a substantial intervention to our understanding of the development of film star cultures in India during the 20th and 21st centuries. The contributors seek to inspire and inform further inquiries into the histories of film stardom-the industrial construction and promotion of star personalities, the actual labouring and imagined lifestyles of professional stars, the stars' relationship to specific aesthetic cinematic conventions (such as frontality and song-dance) and production technologies (such as the play-back system and post-synchronization), and audiences' investment in and devotion to specific star bodies-across the country's multiple centres of film production and across the overlapping (and increasingly international) zones of the films' distribution and reception. The star images, star bodies and star careers discussed are examined in relation to a wide range of issues, including the negotiation and contestation of tradition and modernity, the embodiment and articulation of both Indian and non-Indian values and vogues; the representation of gender and sexuality, of race and ethnicity, and of cosmopolitan mobility and transnational migration; innovations and conventions in performance style; the construction and transformation of public persona; the star's association with film studios and the mainstream media; the star's relationship with historical, political and cultural change and memory; and the star's meaning and value for specific (including marginalised) sectors of the audience.
