Past Masters of Irish Dance Music PDF Download
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Author: Reg Hall
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Reg Hall
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Michael Denning
Publisher: Verso Books
ISBN: 1781688583
Category : Music
Languages : en
Pages : 321
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Book Description
A radically new reading of the origins of recorded music Noise Uprising brings to life the moment and sounds of a cultural revolution. Between the development of electrical recording in 1925 and the outset of the Great Depression in the early 1930s, the soundscape of modern times unfolded in a series of obscure recording sessions, as hundreds of unknown musicians entered makeshift studios to record the melodies and rhythms of urban streets and dancehalls. The musical styles and idioms etched onto shellac disks reverberated around the globe: among them Havana’s son, Rio’s samba, New Orleans’ jazz, Buenos Aires’ tango, Seville’s flamenco, Cairo’s tarab, Johannesburg’s marabi, Jakarta’s kroncong, and Honolulu’s hula. They triggered the first great battle over popular music and became the soundtrack to decolonization.
Author: Gearóid Ó hAllmhuráin
Publisher: The O'Brien Press
ISBN: 1847175082
Category : Music
Languages : en
Pages : 143
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Book Description
The history of Irish traditional music, song and dance from the mythological harp of the Dagda right up to Riverdance. Exploring an abundant spectrum of historical sources, music and folklore, this guide uncovers the contribution of the Normans to Irish dancing, the role of the music maker in Penal Ireland, as well as the popularity of dance tunes and set dancing from the end of the 18th century. It also follows the music of the Irish diaspora from as far apart as Newfoundland and the music halls of vaudeville to the musical tapestry of Irish America today.
Author: Michael Brocken
Publisher: Routledge
ISBN: 1351775200
Category : Social Science
Languages : en
Pages : 434
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Book Description
This title was first published in 2003. This work considers the post-war folk revival in Britain from a popular music studies perspective. Michael Brocken provides a historical narrative of the folk revival from the 1940s up until the 1990s, beginning with the emergence of the revival from within and around the left-wing movements of the 1940s and 1950s. Key figures and organizations such as the Workers' Music Association, the BBC, the English Folk Dance and Song Society, A.L. Lloyd and Ewan MacColl are examined closely. By looking at the work of British Communist Party splinter groups it is possible to see the refraction of folk music as a political tool. Brocken openly challenges folk historicity and internal narrative by discussing the convergence of folk and pop during the 1950s and 1960s. The significant development of the folk/rock hybrid is considered alongside "class", "Americana", radio and the strength of pop culture. Brocken shows how the dichotomy of artistic (natural) versus industry (mass-produced) music since the 1970s has led to a fragmentation and constriction of the folk revival. The study concludes with a look at the upsurge of the folk music industry, the growth of festivals and the implications of the Internet for the British folk revival. Brocken suggests the way forward should involve an acknowledgement that folk music is not superior to but is, in fact, a form of popular music.
Author: Liam Gaul
Publisher: Nonsuch Publishing, Limited
ISBN: 9781845885632
Category : Composers
Languages : en
Pages : 127
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Book Description
Masters of Irish music
Author: Peter Amidon
Publisher:
ISBN: 9780990671619
Category :
Languages : en
Pages : 50
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Book Description
2010 revision of New England Dancing Masters' classic collection of 20 traditional dances for children. First published in 1991, the editors have improved and updated the dance descriptions, and added several sections on teaching dance to children including tips on calling a dance and various strategies for choosing partners with children. Includes simple longways dances, circle dances, square dances and contra dances. Ideas for teaching dance successfully in schools, a glossary of dance terms and transcriptions of the dance tunes are included. CD recording features some of New England's finest dance musicians playing all the music needed to teach the dances. The revised CD includes three new recordings. Reels, jigs, polka and waltz are played dance length. The two square dances include singing calls on the recording.
Author: Mary Friel
Publisher:
ISBN:
Category : History
Languages : en
Pages : 72
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Book Description
At the beginning of the nineteenth century, dancing was viewed as a necessary social skill and dancing masters and musicians were found throughout Ireland to cater for all classes. From the charitable ball of the gentry to the Sunday afternoon gathering at the crossroads, dancing was an integral part of life in the early 1800s. As with other elements of Irish life, the practice of dance underwent great change in this century. From being a desirable accomplishment it became an activity associated with drunkenness and debauchery until, at the end of the century, it was given new ideological impetus due to the efforts of the Gaelic League. Focusing on Wexford in particular, this innovative study examines the role of dance and its associated partner, music, in the social lives of the people of south-east Ireland. It deals with the diminishing role of the dancing master as the century progressed. It also details the occasions on which people danced and the various dances they performed.
Author: Tes Slominski
Publisher: Wesleyan University Press
ISBN: 0819579297
Category : Music
Languages : en
Pages : 257
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Book Description
Just how "Irish" is traditional Irish music? Trad Nation combines ethnography, oral history, and archival research to challenge the longstanding practice of using ethnic nationalism as a framework for understanding vernacular music traditions. Tes Slominski argues that ethnic nationalism hinders this music's development today in an increasingly multiethnic Ireland and in the transnational Irish traditional music scene. She discusses early 21st century women whose musical lives were shaped by Ireland's struggles to become a nation; follows the career of Julia Clifford, a fiddler who lived much of her life in England, and explores the experiences of women, LGBTQ+ musicians, and musicians of color in the early 21st century.
Author: Helen Brennan
Publisher: Rowman & Littlefield
ISBN: 1493069985
Category : Music
Languages : en
Pages : 209
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Book Description
From early accounts of dance customs in medieval Ireland to the present, Helen Brennan offers an authoritative look at the evolution of Irish dance. Every type of dance from social to traditional to clergy is included. Brennan takes care to explain the different styles and traditions that evolved from different parts of Ireland; which results in some lively discussions as people reminisce over old favorites. She also discusses how dance evolved to become such an important part of Ireland's culture and history. An appendix is offered to help explain the various steps involved in each style of dance including the Munster or Southern style, Single Shuffle, Double Shuffle, Treble Shuffle, the Heel Plant, the Cut, the Rock or Puzzle, the Drum, the Sean Nos Dance Style of Connemara, and the Northern Style.
Author: Arthur Flynn
Publisher: Pelican Publishing
ISBN: 9781565544123
Category : Music
Languages : en
Pages : 80
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Book Description
This book traces the history of dance in Ireland, with chapters on music, dance costumes, competitions, and the phenomenal revival. There are instructions and illustrated steps to two elementary dances.
