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Author: Rosanna Raymond
Publisher: University of Cambridge Museum of Archaeology & Anthropology
ISBN:
Category : Art
Languages : en
Pages : 164
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Book Description
"In May 2006 some fifteen artists from New Zealand took over the Museum of Archaeology and Anthropology in Cambridge (UK) as part of Pasifika Styles, a groundbreaking experiment in the display of Pacific Art. Installing their works in cases next to taonga or treasures collected on the voyages of Cook and Vancouver, the artists flung open the stores of the museum to bring more of the museum's unparalleled Oceanic collections to light. At the opening of the exhibition, the song of ancient instruments played by contemporary musicians called historic artefacts to life, heralding a new era of collaborative curatorship in ethnographic museums. Over the next two years, visiting artists continued to bring vitality to the collections, offering workshops, seminars, public activities and a festival of performing arts. This book describes Pasifika Styles, from the perspectives of artists, museum professionals and scholars involved in this pioneering project, placing it in the context of current debates about museums, cultural property and art"--Back cover."In May 2006 some fifteen artists from New Zealand took over the Museum of Archaeology and Anthropology in Cambridge (UK) as part of Pasifika Styles, an experiment in the display of contemporary Pacific art. Installing their works next to taonga or treasures collected on the voyages of Cook and Vancouver, the artists flung open the stores of the museum to bring more of the museum's unparalleled Oceanic collections to light."--BOOK JACKET.
Author: Rosanna Raymond
Publisher: University of Cambridge Museum of Archaeology & Anthropology
ISBN:
Category : Art
Languages : en
Pages : 164
Get Book Here
Book Description
"In May 2006 some fifteen artists from New Zealand took over the Museum of Archaeology and Anthropology in Cambridge (UK) as part of Pasifika Styles, a groundbreaking experiment in the display of Pacific Art. Installing their works in cases next to taonga or treasures collected on the voyages of Cook and Vancouver, the artists flung open the stores of the museum to bring more of the museum's unparalleled Oceanic collections to light. At the opening of the exhibition, the song of ancient instruments played by contemporary musicians called historic artefacts to life, heralding a new era of collaborative curatorship in ethnographic museums. Over the next two years, visiting artists continued to bring vitality to the collections, offering workshops, seminars, public activities and a festival of performing arts. This book describes Pasifika Styles, from the perspectives of artists, museum professionals and scholars involved in this pioneering project, placing it in the context of current debates about museums, cultural property and art"--Back cover."In May 2006 some fifteen artists from New Zealand took over the Museum of Archaeology and Anthropology in Cambridge (UK) as part of Pasifika Styles, an experiment in the display of contemporary Pacific art. Installing their works next to taonga or treasures collected on the voyages of Cook and Vancouver, the artists flung open the stores of the museum to bring more of the museum's unparalleled Oceanic collections to light."--BOOK JACKET.
Author: Anne Salmond
Publisher: Auckland University Press
ISBN: 1776711092
Category : History
Languages : en
Pages : 496
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Book Description
For fifty years, Dame Anne Salmond has navigated &‘ te ao hurihuri' &– travelling to hui in her little blue VW Beetle with Eruera and Amiria Stirling in the 1970s, working for a university marae alongside Merimeri Penfold, Patu Hohepa and Wharetoroa Kerr in the 1980s, giving evidence to the Waitangi Tribunal on the meaning of Te Tiriti in the 2000s. From Hui to The Trial of the Cannibal Dog to today' s debates about the future of Aotearoa, Anne Salmond has explored who we are to each other.This book traces Anne Salmond' s journey as an anthropologist, as a writer and activist, as a Pakeha New Zealander, as a friend, wife and mother. The book brings together her key writing on the Maori world, cultural contact, Te Tiriti and the wider Pacific &– much of it appearing in book form for the first time &– and embeds these writings in her life and relationships, her travels and friends.This is the story of Aotearoa and the story of one woman' s pathway through our changing land.
Author: Andrea Witcomb
Publisher: John Wiley & Sons
ISBN: 1119796555
Category : Business & Economics
Languages : en
Pages : 648
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Book Description
MUSEUM THEORY EDITED BY ANDREA WITCOMB AND KYLIE MESSAGE Museum Theory offers critical perspectives drawn from a broad range of disciplinary and intellectual traditions. This volume describes and challenges previous ways of understanding museums and their relationship to society. Essays written by scholars from museology and other disciplines address theoretical reflexivity in the museum, exploring the contextual, theoretical, and pragmatic ways museums work, are understood, and are experienced. Organized around three themes—Thinking about Museums, Disciplines and Politics, and Theory from Practice/Practicing Theory—the text includes discussion and analysis of different kinds of museums from various, primarily contemporary, national and local contexts. Essays consider subjects including the nature of museums as institutions and their role in the public sphere, cutting-edge museum practice and their connections with current global concerns, and the links between museum studies and disciplines such as cultural studies, anthropology, and history.
Author: Adrienne L. Kaeppler
Publisher: OUP Oxford
ISBN: 0191539996
Category : Art
Languages : en
Pages : 217
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Book Description
The Pacific Ocean covers one-third of the earth's surface. Comprising thousands of islands and hundreds of cultural groups, Polynesia and Micronesia cover a large part of this vast ocean, from the dramatic mountains of Hawaii to the small, flat coral islands of Kiribati. Including both traditional and contemporary arts, this book introduces the rich artistic traditions of these two regions, traditions that have had a considerable impact on western art in the twentieth century through the influence of artists such as Gauguin. Instead of looking at Polynesia and Micronesia separately, the book focuses on the artistic types, styles, and concepts that they share, placing each in its wider cultural context. From the textiles of Tonga to the canoes of Tahiti, Adrienne Kaeppler looks at religious and sacred rituals and objects, carving, architecture, tattooing, personal ornaments, basket-making, clothing, textiles, fashion, the oral arts, dance, music and musical instruments - even canoe-construction - to provide the ultimate introduction to the rich and vibrant artistic cultures of the Polynesian and Micronesian islands.
Author: Victoria Wynne-Jones
Publisher: Springer Nature
ISBN: 3030405850
Category : Performing Arts
Languages : en
Pages : 255
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Book Description
This book offers new ways of thinking about dance-related artworks that have taken place in galleries, museums and biennales over the past two decades as part of the choreographic turn. It focuses on the concept of intersubjectivity and theorises about what happens when subjects meet within a performance artwork. The resulting relations are crucial to instances of performance art in which embodied subjects engage as spectators, participants and performers in orchestrated art events. Choreographing Intersubjectivity in Performance Art deploys a multi-disciplinary approach across dance choreography and evolving manifestations of performance art. An innovative, overarching concept of choreography sustains the idea that intersubjectivity evolves through places, spaces, performance and spectatorship. Drawing upon international examples, the book introduces readers to performance art from the South Pacific and the complexities of de-colonising choreography. Artists Tino Sehgal, Xavier Le Roy, Jordan Wolfson, Alicia Frankovich and Shigeyuki Kihara are discussed.
Author: Irene Hediger
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311047459X
Category : Art
Languages : en
Pages : 268
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Book Description
The interfaces between art and the scientific disciplines of biology, environmental science, neuroscience, and physics pose interdisciplinary questions that are an inspiration to researchers. The authors compare artists’ experimentation set-ups and thereby reveal new levels of knowledge. The examples in the Artists-in-Labs program illustrate how artists approach problems and, in this way, create new tools for science. The authors of this illustrated volume of essays include Harriet Hawkins, Irene Hediger, Jill Scott, Arnd Schneider , Susanne Witzgall, Lisa Blackman, Jens Hauser and Dieter Mersch.
Author: Philipp Schorch
Publisher: University of Hawaii Press
ISBN: 0824881176
Category : Art
Languages : en
Pages : 317
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Book Description
Refocusing Ethnographic Museums through Oceanic Lenses offers a collaborative ethnographic investigation of Indigenous museum practices in three Pacific museums located at the corners of the so-called Polynesian triangle: Bernice Pauahi Bishop Museum, Hawai‘i; Museum of New Zealand Te Papa Tongarewa; and Museo Antropológico Padre Sebastián Englert, Rapa Nui. Since their inception, ethnographic museums have influenced academic and public imaginations of other cultural-geographic regions, and the often resulting Euro-Americentric projection of anthropological imaginations has come under intense pressure, as seen in recent debates and conflicts around the Humboldt Forum in Berlin, Germany. At the same time, (post)colonial renegotiations in former European and American colonies have initiated dramatic changes to anthropological approaches through Indigenous museum practices. This book shapes a dialogue between Euro-Americentric myopia and Oceanic perspectives by offering historically informed, ethnographic insights into Indigenous museum practices grounded in Indigenous epistemologies, ontologies, and cosmologies. In doing so, it employs Oceanic lenses that help to reframe Pacific collections in, and the production of public understandings through, ethnographic museums in Europe and the Americas. By offering insights into Indigenous museologies across Oceania, the coauthors seek to recalibrate ethnographic museums, collections, and practices through Indigenous Oceanic approaches and perspectives. This, in turn, should assist any museum scholar and professional in rethinking and redoing their respective institutional settings, intellectual frameworks, and museum processes when dealing with Oceanic affairs; and, more broadly, in doing the “epistemic work” needed to confront “coloniality,” not only as a political problem or ethical obligation, but “as an epistemology, as a politics of knowledge.” A noteworthy feature is the book’s layered coauthorship and multi-vocality, drawing on a collaborative approach that has put the (widespread) philosophical commitment to dialogical inquiry into (seldom) practice by systematically co-constituting ethnographic knowledge. Further, the book shapes an “ethnographic kaleidoscope,” proposing the metaphor of the kaleidoscope as a way of encouraging fluid ethnographic engagements to avoid the impulse to solidify and enclose differences, and remain open to changing ethnographic meanings, positions, performances, and relationships. The coauthors collaboratively mobilize Oceanic eyes, bodies, and sovereignties, thus enacting an ethnographic kaleidoscopic process and effect aimed at refocusing ethnographic museums through Oceanic lenses.
Author: Jennifer A. McMahon
Publisher: Routledge
ISBN: 1351373323
Category : Philosophy
Languages : en
Pages : 377
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Book Description
This edited collection sets forth a new understanding of aesthetic-moral judgment organized around three key concepts: pleasure, reflection, and accountability. The overarching theme is that art is not merely a representation or expression like any other, but that it promotes shared moral understanding and helps us engage in meaning-making. This volume offers an alternative to brain-centric and realist approaches to aesthetics. It features original essays from a number of leading philosophers of art, aesthetics, ethics, and perception, including Elizabeth Burns Coleman, Garrett Cullity, Cynthia A. Freeland, Ivan Gaskell, Paul Guyer, Jane Kneller, Keith Lehrer, Mohan Matthen, Jennifer A. McMahon, Bence Nanay, Nancy Sherman, and Robert Sinnerbrink. Part I of the book analyses the elements of aesthetic experience—pleasure, preference, and imagination—with the individual conceived as part of a particular cultural context and network of other minds. The chapters in Part II explain how it is possible for cultural learning to impact these elements through consensus building, an impulse to objectivity, emotional expression, and reflection. Finally, the chapters in Part III converge on the role of dissonance, difference, and diversity in promoting cultural understanding and advancement. Social Aesthetics and Moral Judgment will appeal to philosophers of art and aesthetics, as well as scholars in other disciplines interested in issues related to art and cultural exchange.
Author: Conal McCarthy
Publisher: John Wiley & Sons
ISBN: 1119796628
Category : Business & Economics
Languages : en
Pages : 625
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Book Description
MUSEUM PR ACTICE Edited by CONAL MCCARTHY Museum Practice covers the professional work carried out in museums and art galleries of all types, including the core functions of management, collections, exhibitions, and programs. Some forms of museum practice are familiar to visitors, yet within these diverse and complex institutions many practices are hidden from view, such as creating marketing campaigns, curating and designing exhibitions, developing fundraising and sponsorship plans, crafting mission statements, handling repatriation claims, dealing with digital media, and more. Focused on what actually occurs in everyday museum work, this volume offers contributions from experienced professionals and academics that cover a wide range of subjects including policy frameworks, ethical guidelines, approaches to conservation, collection care and management, exhibition development and public programs. From internal processes such as leadership, governance and strategic planning, to public facing roles in interpretation, visitor research and community engagement and learning, each essential component of contemporary museum practice is thoroughly discussed.
Author: Sharon Macdonald
Publisher: John Wiley & Sons
ISBN: 1405198508
Category : Business & Economics
Languages : en
Pages : 2813
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Book Description
The International Handbooks of Museum Studies is a multi-volume reference work that represents a state-of-the-art survey of the burgeoning field of museum studies. Featuring original essays by leading international museum experts and emerging scholars, readings cover all aspects of museum theory, practice, debates, and the impact of technologies. The four volumes in the series, divided thematically, offer in-depth treatment of all major issues relating to museum theory; historical and contemporary museum practice; mediations in art, design, and architecture; and the transformations and challenges confronting the museum. In addition to invaluable surveys of current scholarship, the entries include a rich and diverse panoply of examples and original case studies to illuminate the various perspectives. Unprecedented for its in-depth topic coverage and breadth of scholarship, the multi-volume International Handbooks of Museum Studies is an indispensable resource for the study of the development, roles, and significance of museums in contemporary society.
