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Author: Martha Maas
Publisher: A-R Editions, Inc.
ISBN: 0895790491
Category : Dance music
Languages : en
Pages : 170
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Book Description
Author: Martha Maas
Publisher: A-R Editions, Inc.
ISBN: 0895790491
Category : Dance music
Languages : en
Pages : 170
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Book Description
Author: Eric David Mackerness
Publisher: Routledge
ISBN: 1134563388
Category : History
Languages : en
Pages : 289
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Book Description
First published in 2006. The social history of music first makes an appearance—even if only sporadically—in treatises which during the seventeenth and eighteenth centuries gave some account of the manners and morals of specific periods, and of these socio-historical writings one of the most comprehensive is Voltaire's Siele de Louis XIV (1751). In this volume the author, without going over too much familiar ground, presents a view of English musical history from the Middle Ages.
Author: Hyun-Ah Kim
Publisher: Routledge
ISBN: 1317019385
Category : Music
Languages : en
Pages : 223
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Book Description
This volume provides the first printed critical edition of The Praise of Musicke (1586), keeping the original text intact and accompanied by an analytical commentary. Against the Puritan attacks on liturgical music, The Praise of Musicke, the first apologetic treatise on music in English, epitomizes the Renaissance defence of music in civil and religious life. While existing studies of The Praise of Musicke are limited to the question of authorship, the present volume scrutinizes its musical discourse, which recapitulates major issues in the ancient philosophy and theology of music, considering the contemporary practice of sacred and secular music. Through an interdisciplinary analysis of The Praise of Musicke, combining historical musicology with philosophical theology, this study situates the treatise and its author within the wider historical, intellectual and religious context of musical polemics and apologetics of the English Reformation, thereby appraising its significance in the history of musical theory and literature. The book throws fresh light on this substantial but neglected treatise that presents, with critical insights, the most learned discussion of music from classical antiquity to the Renaissance and Reformation era. In doing so it offers a new interpretation of the treatise, which marks a milestone in the history of musical apologetics.
Author: Suzanne Gossett
Publisher: Cambridge University Press
ISBN: 0521190541
Category : Drama
Languages : en
Pages : 417
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Book Description
An illuminating study of all works in the newly enlarged Middleton canon, placing them in personal, national, international and theatrical contexts.
Author: David Schulenberg
Publisher: Routledge
ISBN: 1136091548
Category : Music
Languages : en
Pages : 546
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Book Description
The Keyboard Music of J.S. Bach provides an introduction to and comprehensive discussion of all the music for harpsichord and other stringed keyboard instruments by Johann Sebastian Bach (1685-1750). Often played today on the modern piano, these works are central not only to the Western concert repertory but to musical pedagogy and study throughout the world. Intended as both a practical guide and an interpretive study, the book consists of three introductory chapters on general matters of historical context, style, and performance practice, followed by fifteen chapters on the individual works, treated in roughly chronological order. The works discussed include all of Bach's individual keyboard compositions as well as those comprising his famous collections, such as the Well-Tempered Clavier, the English and French Suites, and the Art of Fugue.
Author: Curtis Price
Publisher: Springer
ISBN: 1349112941
Category : History
Languages : en
Pages : 411
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Book Description
Author: Francis W. Galphin
Publisher: Routledge
ISBN: 1351342223
Category : Music
Languages : en
Pages : 336
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Book Description
The study of musical instruments now no longer with us is necessary, not only for the musician and composer, but for the man of letters, the artist, and the chronicler of our national life; for many allusions to customs of bygone times cannot otherwise be understood, and we should be spared such a trying ordeal as we were recently subjected to by one of our leading illustrated papers, which introduced into a thirteenth century scene a twentieth century mandoline with an up to date mechanism.
Author: Michael I. Wilson
Publisher: Routledge
ISBN: 1351545744
Category : Music
Languages : en
Pages : 307
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Book Description
The first edition of The English Chamber Organ was published in 1968. This new, revised edition takes into account the considerable research into chamber organs that has taken place over the last thirty years. Much of the book has been completely rewritten and expanded, and it includes a number of organs not detailed in the first edition. As its revised title suggests, this new edition covers foreign-make imports as well as British-made organs that were sent overseas. Part one comprises a series of chapters that cover the history of the chamber organ, its origins and development. Part two provides a general introduction to the construction of organs, while part three gives detailed descriptions of 196 British chamber organs, with information on their location, specifications, design, and suggestions for further reading. As a domestic instrument the chamber organ was often perceived to be as much a piece of furniture as an item of musical equipment. The Chamber Organ in Britain offers an assessment of the organ as both a musical instrument and as a decorative icon.
Author: Nadine Akkerman
Publisher: Oxford University Press
ISBN: 0192654640
Category : Biography & Autobiography
Languages : en
Pages : 614
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Book Description
The dazzling new biography of one of history's most misunderstood queens Elizabeth Stuart is one the most misrepresented - and underestimated - figures of the seventeenth century. Labelled a spendthrift more interested in the theatre and her pet monkeys than politics or her children, and long pitied as 'The Winter Queen', the direct ancestor of Elizabeth II was widely misunderstood. Nadine Akkerman's biography reveals an altogether different woman, painting a vivid picture of a queen forged in the white heat of European conflict. Elizabeth Stuart, daughter of James VI and I, was married to Frederick V, Elector Palatine in 1613. The couple were crowned King and Queen of Bohemia in 1619, only to be deposed and exiled to the Dutch Republic in 1620. Elizabeth then found herself at the epicentre of the Thirty Years' War and the Civil Wars, political and military struggles that defined seventeenth-century Europe. Following her husband's death in 1632, Elizabeth fostered a cult of widowhood, dressing herself and her apartments in black, and conducted a long and fierce political campaign to regain her children's birthright - by force, if possible - wielding her pen with the same deft precision with which she once speared boars from horseback. Through deep immersion in the archives and masterful detective work, Akkerman overturns the received view of Elizabeth Stuart, showing her to be a patron of the arts and canny stateswoman with a sharp wit and a long memory. On returning to England in 1661, Elizabeth Stuart found a country whose people still considered her their 'Queen of Hearts'. Akkerman's biography reveals the impact Elizabeth Stuart had on both England and Europe, demonstrating that she was more than just the grandmother of George I.
Author: David Smith
Publisher: Routledge
ISBN: 1351613871
Category : Music
Languages : en
Pages : 273
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Book Description
English keyboard music reached an unsurpassed level of sophistication in the late sixteenth and early seventeenth centuries as organists such as William Byrd and his students took a genre associated with domestic, amateur performance and treated it as seriously as vocal music. This book draws together important research on the music, its sources and the instruments on which it was played. There are two chapters on instruments: John Koster on the use of harpsichord during the period, and Dominic Gwynn on the construction of Tudor-style organs based on the surviving evidence we have for them. This leads to a section devoted to organ performance practice in a liturgical context, in which John Harper discusses what the use of organs pitched in F may imply about their use in alternation with vocal polyphony, and Magnus Williamson explores improvisational practice in the Tudor period. The next section is on sources and repertoire, beginning with Frauke Jürgensen and Rachelle Taylor’s chapter on Clarifica me Pater settings, which grows naturally out of the consideration of improvisation in the previous chapter. The next two contributions focus on two of the most important individual manuscript sources: Tihomir Popović challenges assumptions about My Ladye Nevells Booke by reflecting on what the manuscript can tell us about aristocratic culture, and David J. Smith provides a detailed study of the famous Fitzwilliam Virginal Book. The discussion then broadens out into Pieter Dirksen’s consideration of a wider selection of sources relating to John Bull, which in turn connects closely to David Leadbetter’s work on Gibbons, lute sources and questions of style.
