Author: Samuel Austin Allibone
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1150
Book Description
A Critical Dictionary of English Literature and British and American Authors, Living and Deceased
Author: Samuel Austin Allibone
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1150
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1150
Book Description
Parodies of the Works of English and American Authors
Author: Walter Hamilton
Publisher:
ISBN:
Category : Parodies
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Parodies
Languages : en
Pages :
Book Description
Parodies of the Works of English and American Authors
Author: Walter Hamilton
Publisher:
ISBN:
Category : Parodies
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Parodies
Languages : en
Pages :
Book Description
Parodies of the works of English & American authors
Author: Walter Hamilton
Publisher:
ISBN:
Category : Parodies
Languages : en
Pages : 192
Book Description
Publisher:
ISBN:
Category : Parodies
Languages : en
Pages : 192
Book Description
Parodies of the Works of English and American Authors
Author: Walter Hamilton
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages :
Book Description
Parodies of the works of English and American authors, collected and annotated by W. Hamilton
Author: English authors
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 304
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 304
Book Description
Parodies of the Works of English & American Authors
Author:
Publisher:
ISBN:
Category : English wit and humor
Languages : en
Pages : 208
Book Description
Publisher:
ISBN:
Category : English wit and humor
Languages : en
Pages : 208
Book Description
Parody
Author: Beate Müller
Publisher: Rodopi
ISBN: 9789042002173
Category : Language Arts & Disciplines
Languages : en
Pages : 340
Book Description
Parody is a most iridescent phenomenon: of ancient Greek origin, parody's very malleability has allowed it to survive and to conquer Western cultures. Changing discourse on parody, its complex relationship with related humorous forms (e.g. travesty, burlesque, satire), its ability to cross genre boundaries, the many parodies handed down by tradition, and its ubiquity in contemporary culture all testify to its multifaceted nature. No wonder that 'parody' has become a phrase without clear meaning. The essays in this collection reflect the multidimensionality of recent parody studies. They pay tribute to its long and varied tradition, covering examples of parodic practice from the Middle Ages to the present day and dealing with English, American, postcolonial, Austrian, and German parodies. The papers range from the Medieval classics (e.g. Chaucer), parodies of Shakespeare, and the role of parody in German Romanticism, to parodies of fin-de-si�cle literature and the intertextual puzzles of the late twentieth century (such as cross-dressing, Schwab's Faustparody, and Rushdie's Satanic Verses). And they have transformed the contentious nature of parody into a diverse range of methodologies. In doing so, these essays offer a survey of the current state of parody studies.
Publisher: Rodopi
ISBN: 9789042002173
Category : Language Arts & Disciplines
Languages : en
Pages : 340
Book Description
Parody is a most iridescent phenomenon: of ancient Greek origin, parody's very malleability has allowed it to survive and to conquer Western cultures. Changing discourse on parody, its complex relationship with related humorous forms (e.g. travesty, burlesque, satire), its ability to cross genre boundaries, the many parodies handed down by tradition, and its ubiquity in contemporary culture all testify to its multifaceted nature. No wonder that 'parody' has become a phrase without clear meaning. The essays in this collection reflect the multidimensionality of recent parody studies. They pay tribute to its long and varied tradition, covering examples of parodic practice from the Middle Ages to the present day and dealing with English, American, postcolonial, Austrian, and German parodies. The papers range from the Medieval classics (e.g. Chaucer), parodies of Shakespeare, and the role of parody in German Romanticism, to parodies of fin-de-si�cle literature and the intertextual puzzles of the late twentieth century (such as cross-dressing, Schwab's Faustparody, and Rushdie's Satanic Verses). And they have transformed the contentious nature of parody into a diverse range of methodologies. In doing so, these essays offer a survey of the current state of parody studies.
Modernist Parody
Author: Sarah Davison
Publisher: Oxford University Press
ISBN: 0192849247
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
Parody often stands accused of producing derivative art deficient in taste and skill. But in the hands of writers such as Ezra Pound, Wyndham Lewis, T. S. Eliot, James Joyce, Ford Madox Ford, and Virginia Woolf, the mode engendered revolutionary self-reflexive, critical, and creative practices that were crucial to the development of truly modern art. This book contends that the jauntiness, verve, and daring of high modernism is fundamentally parodic. It arguesthat parody is central to the whole modernist project. As a literary technique, parody provided the means for modernists of many stripes to learn their craft, sharpen their historical sense, definethemselves as post-Victorians, and respond to sources of inspiration while composing.
Publisher: Oxford University Press
ISBN: 0192849247
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
Parody often stands accused of producing derivative art deficient in taste and skill. But in the hands of writers such as Ezra Pound, Wyndham Lewis, T. S. Eliot, James Joyce, Ford Madox Ford, and Virginia Woolf, the mode engendered revolutionary self-reflexive, critical, and creative practices that were crucial to the development of truly modern art. This book contends that the jauntiness, verve, and daring of high modernism is fundamentally parodic. It arguesthat parody is central to the whole modernist project. As a literary technique, parody provided the means for modernists of many stripes to learn their craft, sharpen their historical sense, definethemselves as post-Victorians, and respond to sources of inspiration while composing.
The New International Encyclopædia
Author: Frank Moore Colby
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 930
Book Description
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 930
Book Description