Author: Walter Hamilton
Publisher: BoD – Books on Demand
ISBN: 9359396427
Category : Humor
Languages : en
Pages : 702
Book Description
"Parodies of the Works of English & American Authors, Vol. I," authored by Walter Hamilton, presents a delightful collection of humorous and satirical parodies, compiled during an era when parody was in vogue. The book, published in an early 19th-century context, offers a playful yet incisive commentary on the literary works of renowned English and American authors. Hamilton's Volume I showcases a variety of parodies targeting a diverse range of writers, including poets and novelists, and other one playwrights. Through clever mimicry and comedic exaggeration, the author skillfully pokes fun at the styles, themes, and which that characters of these esteemed literary figures. The compilation includes witty parodies of classic literary works, such as Shakespearean plays, Romantic poetry, and also Victorian novels. Each parody is crafted with a keen eye for detail, capturing the nuances of the original texts while infusing them with a comedic twist. Walter Hamilton's Volume I serves as both a celebration and a gentle mockery of the literary canon, highlighting the versatility of language and the malleability of literature. By blending entertainment with a subtle critique of prevailing literary trends, Hamilton offers readers a unique and engaging perspective on the works of iconic English and American authors.
Parodies Of The Works Of English & American Authors Vol. 1
Author: Walter Hamilton
Publisher: BoD – Books on Demand
ISBN: 9359396427
Category : Humor
Languages : en
Pages : 702
Book Description
"Parodies of the Works of English & American Authors, Vol. I," authored by Walter Hamilton, presents a delightful collection of humorous and satirical parodies, compiled during an era when parody was in vogue. The book, published in an early 19th-century context, offers a playful yet incisive commentary on the literary works of renowned English and American authors. Hamilton's Volume I showcases a variety of parodies targeting a diverse range of writers, including poets and novelists, and other one playwrights. Through clever mimicry and comedic exaggeration, the author skillfully pokes fun at the styles, themes, and which that characters of these esteemed literary figures. The compilation includes witty parodies of classic literary works, such as Shakespearean plays, Romantic poetry, and also Victorian novels. Each parody is crafted with a keen eye for detail, capturing the nuances of the original texts while infusing them with a comedic twist. Walter Hamilton's Volume I serves as both a celebration and a gentle mockery of the literary canon, highlighting the versatility of language and the malleability of literature. By blending entertainment with a subtle critique of prevailing literary trends, Hamilton offers readers a unique and engaging perspective on the works of iconic English and American authors.
Publisher: BoD – Books on Demand
ISBN: 9359396427
Category : Humor
Languages : en
Pages : 702
Book Description
"Parodies of the Works of English & American Authors, Vol. I," authored by Walter Hamilton, presents a delightful collection of humorous and satirical parodies, compiled during an era when parody was in vogue. The book, published in an early 19th-century context, offers a playful yet incisive commentary on the literary works of renowned English and American authors. Hamilton's Volume I showcases a variety of parodies targeting a diverse range of writers, including poets and novelists, and other one playwrights. Through clever mimicry and comedic exaggeration, the author skillfully pokes fun at the styles, themes, and which that characters of these esteemed literary figures. The compilation includes witty parodies of classic literary works, such as Shakespearean plays, Romantic poetry, and also Victorian novels. Each parody is crafted with a keen eye for detail, capturing the nuances of the original texts while infusing them with a comedic twist. Walter Hamilton's Volume I serves as both a celebration and a gentle mockery of the literary canon, highlighting the versatility of language and the malleability of literature. By blending entertainment with a subtle critique of prevailing literary trends, Hamilton offers readers a unique and engaging perspective on the works of iconic English and American authors.
Parodies of the Works of English and American Authors, Vol. I.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
A Critical Dictionary of English Literature and British and American Authors, Living and Deceased
Author: Samuel Austin Allibone
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1150
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1150
Book Description
Reaping Something New
Author: Daniel Hack
Publisher: Princeton University Press
ISBN: 0691196931
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
How African American writers used Victorian literature to create a literature of their own Tackling fraught but fascinating issues of cultural borrowing and appropriation, this groundbreaking book reveals that Victorian literature was put to use in African American literature and print culture in the nineteenth and early twentieth centuries in much more intricate, sustained, and imaginative ways than previously suspected. From reprinting and reframing "The Charge of the Light Brigade" in an antislavery newspaper to reimagining David Copperfield and Jane Eyre as mixed-race youths in the antebellum South, writers and editors transposed and transformed works by the leading British writers of the day to depict the lives of African Americans and advance their causes. Central figures in African American literary and intellectual history—including Frederick Douglass, Frances Ellen Watkins Harper, Charles Chesnutt, Pauline Hopkins, and W.E.B. Du Bois—leveraged Victorian literature and this history of engagement itself to claim a distinctive voice and construct their own literary tradition. In bringing these transatlantic transfigurations to light, this book also provides strikingly new perspectives on both canonical and little-read works by Charles Dickens, George Eliot, Tennyson, and other Victorian authors. The recovery of these works' African American afterlives illuminates their formal practices and ideological commitments, and forces a reassessment of their cultural impact and political potential. Bridging the gap between African American and Victorian literary studies, Reaping Something New changes our understanding of both fields and rewrites an important chapter of literary history.
Publisher: Princeton University Press
ISBN: 0691196931
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
How African American writers used Victorian literature to create a literature of their own Tackling fraught but fascinating issues of cultural borrowing and appropriation, this groundbreaking book reveals that Victorian literature was put to use in African American literature and print culture in the nineteenth and early twentieth centuries in much more intricate, sustained, and imaginative ways than previously suspected. From reprinting and reframing "The Charge of the Light Brigade" in an antislavery newspaper to reimagining David Copperfield and Jane Eyre as mixed-race youths in the antebellum South, writers and editors transposed and transformed works by the leading British writers of the day to depict the lives of African Americans and advance their causes. Central figures in African American literary and intellectual history—including Frederick Douglass, Frances Ellen Watkins Harper, Charles Chesnutt, Pauline Hopkins, and W.E.B. Du Bois—leveraged Victorian literature and this history of engagement itself to claim a distinctive voice and construct their own literary tradition. In bringing these transatlantic transfigurations to light, this book also provides strikingly new perspectives on both canonical and little-read works by Charles Dickens, George Eliot, Tennyson, and other Victorian authors. The recovery of these works' African American afterlives illuminates their formal practices and ideological commitments, and forces a reassessment of their cultural impact and political potential. Bridging the gap between African American and Victorian literary studies, Reaping Something New changes our understanding of both fields and rewrites an important chapter of literary history.
The Bookseller and the Stationery Trades' Journal
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1766
Book Description
Official organ of the book trade of the United Kingdom.
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1766
Book Description
Official organ of the book trade of the United Kingdom.
Modernist Parody
Author: Sarah Davison
Publisher: Oxford University Press
ISBN: 0192849247
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
Parody often stands accused of producing derivative art deficient in taste and skill. But in the hands of writers such as Ezra Pound, Wyndham Lewis, T. S. Eliot, James Joyce, Ford Madox Ford, and Virginia Woolf, the mode engendered revolutionary self-reflexive, critical, and creative practices that were crucial to the development of truly modern art. This book contends that the jauntiness, verve, and daring of high modernism is fundamentally parodic. It arguesthat parody is central to the whole modernist project. As a literary technique, parody provided the means for modernists of many stripes to learn their craft, sharpen their historical sense, definethemselves as post-Victorians, and respond to sources of inspiration while composing.
Publisher: Oxford University Press
ISBN: 0192849247
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
Parody often stands accused of producing derivative art deficient in taste and skill. But in the hands of writers such as Ezra Pound, Wyndham Lewis, T. S. Eliot, James Joyce, Ford Madox Ford, and Virginia Woolf, the mode engendered revolutionary self-reflexive, critical, and creative practices that were crucial to the development of truly modern art. This book contends that the jauntiness, verve, and daring of high modernism is fundamentally parodic. It arguesthat parody is central to the whole modernist project. As a literary technique, parody provided the means for modernists of many stripes to learn their craft, sharpen their historical sense, definethemselves as post-Victorians, and respond to sources of inspiration while composing.
Bookseller and the Stationery Trades' Journal
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 644
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 644
Book Description
Bookseller
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1714
Book Description
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1714
Book Description
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
List of Books Forming the Reference Library in the Reading Room of the British Museum
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 554
Book Description
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 554
Book Description
Realist Poetics in American Culture, 1866-1900
Author: Elizabeth Renker
Publisher: Oxford University Press
ISBN: 019253629X
Category : Literary Criticism
Languages : en
Pages : 216
Book Description
The terms 'poetry' and 'realism' have a complex and often oppositional relationship in American literary histories of the postbellum period. The core narrative holds that 'realism', the major literary 'movement' of the era, developed apace in prose fiction, while poetry, stuck in a hopelessly idealist late-Romantic mode, languished and stagnated. Poetry is almost entirely absent from scholarship on American literary realism except as the emblem of realism's opposite: a desiccated genteel 'twilight of the poets.' Realist Poetics in American Culture, 1866-1900 refutes the familiar narrative of postbellum poetics as a scene of failure, and it recovers the active and variegated practices of a diverse array of realist poets across print culture. The triumph of the twilight tale in the twentieth century obscured, minimized, and flattened the many poetic discourses of the age, including but not limited to a significant body of realist poems currently missing from US literary histories. Excavating an extensive archive of realist poems, the volume offers a significant revision to the genre-exclusive story of realism and, by extension, to the very foundations of postbellum American literary history dating back to the earliest stages of the discipline.
Publisher: Oxford University Press
ISBN: 019253629X
Category : Literary Criticism
Languages : en
Pages : 216
Book Description
The terms 'poetry' and 'realism' have a complex and often oppositional relationship in American literary histories of the postbellum period. The core narrative holds that 'realism', the major literary 'movement' of the era, developed apace in prose fiction, while poetry, stuck in a hopelessly idealist late-Romantic mode, languished and stagnated. Poetry is almost entirely absent from scholarship on American literary realism except as the emblem of realism's opposite: a desiccated genteel 'twilight of the poets.' Realist Poetics in American Culture, 1866-1900 refutes the familiar narrative of postbellum poetics as a scene of failure, and it recovers the active and variegated practices of a diverse array of realist poets across print culture. The triumph of the twilight tale in the twentieth century obscured, minimized, and flattened the many poetic discourses of the age, including but not limited to a significant body of realist poems currently missing from US literary histories. Excavating an extensive archive of realist poems, the volume offers a significant revision to the genre-exclusive story of realism and, by extension, to the very foundations of postbellum American literary history dating back to the earliest stages of the discipline.