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Author: Arthur Schopenhauer
Publisher: Cosimo, Inc.
ISBN: 1602063443
Category : Philosophy
Languages : en
Pages : 665
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Book Description
This is the only complete English translation of one of the most significant and fascinating works of the great philosopher Arthur Schopenhauer (1788-1860). The Parerga (Volume 1) are six long essays; the Paralipomena (Volume 2) are shorter writings arranged under thirty-one different subject-headings. These works won widespread attention with their publication in 1851, helping to secure lasting international fame for Schopenhauer. Indeed, their intellectual vigor, literary power, and rich diversity are still extraordinary even today.
Author: Arthur Schopenhauer
Publisher: Cosimo, Inc.
ISBN: 1602063443
Category : Philosophy
Languages : en
Pages : 665
Get Book
Book Description
This is the only complete English translation of one of the most significant and fascinating works of the great philosopher Arthur Schopenhauer (1788-1860). The Parerga (Volume 1) are six long essays; the Paralipomena (Volume 2) are shorter writings arranged under thirty-one different subject-headings. These works won widespread attention with their publication in 1851, helping to secure lasting international fame for Schopenhauer. Indeed, their intellectual vigor, literary power, and rich diversity are still extraordinary even today.
Author: Arthur Schopenhauer
Publisher: Oxford University Press
ISBN: 9780199242214
Category : Philosophy
Languages : en
Pages : 720
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Book Description
These works won widespread attention on their publication in 1851, and helped secure lasting international fame for Schopenhauer. Their intellectual vigour, literary power and rich diversity are still striking today.
Author: Arthur Schopenhauer
Publisher: Cambridge University Press
ISBN: 1316351793
Category : Philosophy
Languages : en
Pages : 1043
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Book Description
With the publication of Parerga and Paralipomena in 1851, there finally came some measure of the fame that Schopenhauer thought was his due. Described by Schopenhauer himself as 'incomparably more popular than everything up till now', Parerga is a miscellany of essays addressing themes that complement his work The World as Will and Representation, along with more divergent, speculative pieces. It includes essays on method, logic, the intellect, Kant, pantheism, natural science, religion, education, and language. The present volume offers a new translation, a substantial introduction explaining the context of the essays, and extensive editorial notes on the different published versions of the work. This readable and scholarly edition will be an essential reference for those studying Schopenhauer, the history of philosophy, and nineteenth-century German philosophy.
Author: Martin Jay
Publisher: University of Virginia Press
ISBN: 0813931568
Category : History
Languages : en
Pages : 280
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Book Description
Over his distinguished career as a European intellectual historian and cultural critic, Martin Jay has explored a variety of major themes: the Frankfurt School, the exile of German intellectuals in America during the Nazi era, Western Marxism, the denigration of vision in twentieth-century French thought, the discourse of experience in modern Europe and America, and lying in politics. Essays from the Edge assembles Jay’s writings from the intersections of this intellectual journey. Several essays focus on methodological debates in the humanities and social sciences: the limits of interdisciplinarity, the issue of national or universal philosophy, cultural relativism and visuality, and the implications of periodization in historical narrative. Others examine the concept of "scopic regime" and the metaphors of revolution and the gardening impulse. Among the theorists treated at length are Theodor Adorno, Hannah Arendt, Jacques Derrida, and Michel Foucault. The essays also include several of Jay’s Salmagundi columns, dealing with subjects as varied as the new Museum of Modern Art in New York, the impact of Colin Wilson’s The Outsider, and the demise of the Partisan Review. All of these efforts can be considered what Arthur Schopenhauer called, to borrow the title of one of his most celebrated collections, "parerga and paralipomena." As essays from the edges of major projects, they illuminate Jay’s major arguments, elaborate points made only in passing in the larger texts, and explore ideas farther than would have been possible, given the focus of the larger works themselves. The result is a lively, diverse offering from an extraordinary intellect.
Author: Jacques Derrida
Publisher: University of Chicago Press
ISBN: 022680769X
Category : Philosophy
Languages : en
Pages : 403
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Book Description
"The four essays in this volume constitute Derrida's most explicit and sustained reflection on the art work as pictorial artifact, a reflection partly by way of philosophical aesthetics (Kant, Heidegger), partly by way of a commentary on art works and art scholarship (Van Gogh, Adami, Titus-Carmel). The illustrations are excellent, and the translators, who clearly see their work as both a rendering and a transformation, add yet another dimension to this richly layered composition. Indispensable to collections emphasizing art criticism and aesthetics."—Alexander Gelley, Library Journal
Author: Arthur Schopenhauer
Publisher: Penguin UK
ISBN: 0141921757
Category : Philosophy
Languages : en
Pages : 256
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Book Description
One of the greatest philosophers of the nineteenth century, Schopenhauer (1788-1860) believed that human action is determined not by reason but by 'will' - the blind and irrational desire for physical existence. This selection of his writings on religion, ethics, politics, women, suicide, books and many other themes is taken from Schopenhauer's last work, Parerga and Paralipomena, which he published in 1851. These pieces depict humanity as locked in a struggle beyond good and evil, and each individual absolutely free within a Godless world, in which art, morality and self-awareness are our only salvation. This innovative - and pessimistic - view has proved powerfully influential upon philosophy and art, directly affecting the work of Nietzsche, Wittgenstein and Wagner among others.
Author: Gian Biagio Conte
Publisher: de Gruyter
ISBN: 9783110703955
Category :
Languages : en
Pages : 135
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Book Description
Together with "Critical Notes on Virgil" (De Gruyter 2016), this volume offers an enlightening complement to the critical text of the Georgics and the Aeneid recently published in the Bibliotheca Teubneriana. In "Virgilian Parerga: Textual Criticism and Stylistic Analysis" can be seen the progress owed to the insight of four of the finest scholars of the past (Heinsius, Heyne, Ribbeck and Sabbadini). The first chapters trace the steps of the arduous path that from the middle of the 17th century on led these outstanding erudites to free themselves from the uulgata and compose a new critical text for the works of Virgil. The later chapters tackle important questions of textual criticism and Virgilian style, and propose new answers to inveterate exegetic problems. The volume ends with an interesting theoretical discussion on the methodological principles that combine the rules of philology with those of law. Here the author questions the logical assumptions that dominate not only the philological process but also the judicial one.
Author: Dr Rafael Schacter
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472410009
Category : Architecture
Languages : en
Pages : 313
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Book Description
Over the last forty years, graffiti and street-art have become a global phenomenon within the visual arts. Whilst they have increasingly been taken seriously by the art establishment (or perhaps the art market), their academic and popular examination still remains within old debates which argue over whether these acts are vandalism or art, and which examine the role of graffiti in gang culture and in terms of visual pollution. Based on an in-depth ethnographic study working with some of the world’s most influential Independent Public Artists, this book takes a completely new approach. Placing these illicit aesthetic practices within a broader historical, political, and aesthetic context, it argues that they are in fact both intrinsically ornamental (working within a classic architectonic framework), as well as innately ordered (within a highly ritualized, performative structure). Rather than disharmonic, destructive forms, rather than ones solely working within the dynamics of the market, these insurgent images are seen to reface rather than deface the city, operating within a modality of contemporary civic ritual. The book is divided into two main sections, Ornament and Order. Ornament focuses upon the physical artifacts themselves, the various meanings these public artists ascribe to their images as well as the tensions and communicative schemata emerging out of their material form. Using two very different understandings of political action, it places these illicit icons within the wider theoretical debate over the public sphere that they materially re-present. Order is focused more closely on the ephemeral trace of these spatial acts, the explicitly performative, practice-based elements of their aesthetic production. Exploring thematics such as carnival and play, risk and creativity, it tracks how the very residue of this cultural production structures and shapes the socio-ethico guidelines of these artists’ lifeworlds.
Author:
Publisher:
ISBN:
Category : East Asia
Languages : en
Pages : 72
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Book Description
Author: Victor E. Taylor
Publisher: Routledge
ISBN: 1134743092
Category : Literary Criticism
Languages : en
Pages : 480
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Book Description
The Encyclopedia of Postmodernism provides comprehensive and authoritative coverage of academic disciplines, critical terms and central figures relating to the vast field of postmodern studies. With three cross-referenced sections, the volume is easily accessible to readers with specialized research agendas and general interests in contemporary cultural, historical, literary and philosophical issues. Since its inception in the 1960s, postmodernism has emerged as a significant cultural, political and intellectual force that many scholars would argue defines our era. Postmodernism, in its various configurations, has consistently challenged concepts of selfhood, knowledge formation, aesthetics, ethics, history and politics. This Encyclopedia offers a wide-range of perspectives on postmodernism that illustrates the plurality of this critical concept that is so much part of our current intellectual debates. In this regard, the volume does not adhere to a single definition of postmodernism as much as it documents the use of the term across a variety of academic and cultural pursuits. The Encyclopedia of Postmodernism, it must be noted, resists simply presenting postmodernism as a new style among many styles occuring in the post-disciplinary academy. Documenting the use of the term acknowledges that postmodernism has a much deeper and long-lasting effect on academic and cultural life. In general, the volume rests on the understanding that postmodernism is not so much a style as it is an on-going process, a process of both disintegration and reformation.
