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Author: Bruce Cumings
Publisher: Duke University Press
ISBN: 9780822329244
Category : History
Languages : en
Pages : 308
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Book Description
Collection of essays by Cumings on the complex problems of political economy and ideology, power and culture in East and Northeast Asia, providing an understanding of the United States's role in these regions and the consequences for subsequent policy mak
Author: Bruce Cumings
Publisher: Duke University Press
ISBN: 9780822329244
Category : History
Languages : en
Pages : 308
Get Book Here
Book Description
Collection of essays by Cumings on the complex problems of political economy and ideology, power and culture in East and Northeast Asia, providing an understanding of the United States's role in these regions and the consequences for subsequent policy mak
Author: Dominick LaCapra
Publisher: JHU Press
ISBN: 1421414007
Category : History
Languages : en
Pages : 265
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Book Description
This updated edition includes a substantive new preface that reconsiders some of the issues raised in the book.
Author: Lutz Koepnick
Publisher: JHU Press
ISBN: 9780801884894
Category : Art
Languages : en
Pages : 322
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Book Description
Publisher description
Author: Amy J. Elias
Publisher: JHU Press
ISBN: 0801867339
Category : Literary Criticism
Languages : en
Pages : 351
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Book Description
In its range and sophistication, Sublime Desire is a valuable addition to postmodernist studies as well as to studies of the historical romance novel.
Author: Jacqueline Cerquiglini-Toulet
Publisher: JHU Press
ISBN: 9780801853814
Category : History
Languages : en
Pages : 240
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Book Description
In the 14th century, beset by wars, plague, famine, and social unrest, French writers saw themselves in the winter of literature, a time for retreat into reflection. Yet, in the midst of their troubles, as this extraordinary study reveals, large number of Latin texts were translated into French, opening up new areas of thought and literary exploration. 8 color illustrations.
Author: Virginia E. Swain
Publisher: JHU Press
ISBN: 1421429233
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Charles Baudelaire is usually read as a paradigmatically modern poet, whose work ushered in a new era of French literature. But the common emphasis on his use of new forms and styles overlooks the complex role of the past in his work. In Grotesque Figures, Virginia E. Swain explores how the specter of the eighteenth century made itself felt in Baudelaire's modern poetry in the pervasive textual and figural presence of Jean-Jacques Rousseau. Not only do Rousseau's ideas inform Baudelaire's theory of the grotesque, but Rousseau makes numerous appearances in Baudelaire's poetry as a caricature or type representing the hold of the Enlightenment and the French Revolution over Baudelaire and his contemporaries. As a character in "Le Poème du hashisch" and the Petits Poèmes en prose, "Rousseau" gives the grotesque a human form. Swain's literary, cultural, and historical analysis deepens our understanding of Baudelaire and of nineteenth-century aesthetics by relating Baudelaire's poetic theory and practice to Enlightenment debates about allegory and the grotesque in the arts. Offering a novel reading of Baudelaire's ambivalent engagement with the eighteenth-century, Grotesque Figures examines nineteenth-century ideological debates over French identity, Rousseau's political and artistic legacy, the aesthetic and political significance of the rococo, and the presence of the grotesque in the modern.
Author: Douglas Robinson
Publisher: JHU Press
ISBN: 0801896312
Category : Literary Criticism
Languages : en
Pages : 339
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Book Description
Drawing together the estrangement theories of Viktor Shklovsky and Bertolt Brecht with Leo Tolstoy's theory of infection, Douglas Robinson studies the ways in which shared evaluative affect regulates both literary familiarity—convention and tradition—and modern strategies of alienation, depersonalization, and malaise. This book begins with two assumptions, both taken from Tolstoy's late aesthetic treatise What Is Art? (1898): that there is a malaise in culture, and that literature's power to "infect" readers with the moral values of the author is a possible cure for this malaise. Exploring these ideas of estrangement within the contexts of earlier, contemporary, and later critical theory, Robinson argues that Shklovsky and Brecht follow Tolstoy in their efforts to fight depersonalization by imbuing readers with the transformative guidance of collectivized feeling. Robinson's somatic approach to literature offers a powerful alternative to depersonalizing structuralist and poststructuralist theorization without simply retreating into conservative rejection and reaction. Both a comparative study of Russian and German literary-theoretical history and an insightful examination of the somatics of literature, this groundbreaking work provides a deeper understanding of how literature affects the reader and offers a new perspective on present-day problems in poststructuralist approaches to the human condition.
Author: Herbert Blau
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 432
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Book Description
Author: Sarah Webster Goodwin
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 348
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Book Description
Death is a subject of increasing interest in virtually all academic disciplines, yet there is surprisingly little theoretical work on the representation of death in literary contexts. Death and Representation offers a unique collection of international and interdisciplinary essays, rich in cultural perspectives but sharing a relatively common vocabulary. It provides models for a number of interrelated approaches—including psychoanalytic, feminist, and historical—with essays by prominent and promising scholars. All the contirbutions combine theory with textual readings, whether of literature, paintings, historical sources, or—in one case—a passage from Freud. The essays in Death and Representation trace the multifarious ways in which death in both unknowable and repeatably constructed. In so doing, the colection shows how thematics—as an issue in scholarly research—can servce as a platform for interdisciplinary discussions. Essays are organized in three sections: "REading Death: Sign, Psyche, Text"; "Death and Gender"; and "History, Power, Ideology." Contributors are Ernst van Alphen, Mieke Bal, Regina Barreca, Elisabeth Bronfen, Carol Christ, Sander Gilman, Sarah Webster Goodwin, Margaret Higonnet, Regina Janes, Ellie Ragland-Sullivan, Rajeswari Sunder Rajan, Ronald Schleifer, Charles Segal, and Garrett Stewart.
Author: Charles Bernheimer
Publisher: JHU Press
ISBN: 9780801867408
Category : Art
Languages : en
Pages : 260
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Book Description
Honorable Mention for the Aldo and Jeanne Scaglione Prize for Comparative Literary Studies from the Modern Language Association Charles Bernheimer described decadence as a "stimulant that bends thought out of shape, deforming traditional conceptual molds." In this posthumously published work, Bernheimer succeeds in making a critical concept out of this perennially fashionable, rarely understood term. Decadent Subjects is a coherent and moving picture of fin de siècle decadence. Mature, ironic, iconoclastic, and thoughtful, this remarkable collection of essays shows the contradictions of the phenomenon, which is both a condition and a state of mind. In seeking to show why people have failed to give a satisfactory account of the term decadence, Bernheimer argues that we often mistakenly take decadence to represent something concrete, that we see as some sort of agent. His salutary response is to return to those authors and artists whose work constitutes the topos of decadence, rereading key late nineteenth-century authors such as Nietzsche, Zola, Hardy, Wilde, Moreau, and Freud to rediscover the very dynamics of the decadent. Through careful analysis of the literature, art, and music of the fin de siècle including a riveting discussion of the many faces of Salome, Bernheimer leaves us with a fascinating and multidimensional look at decadence, all the more important as we emerge from our own fin de siècle.
