Mozart's The Magic Flute PDF Download
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Author: Wolfgang Amadeus Mozart
Publisher: Opera Journeys Publishing
ISBN: 0977145506
Category : Music
Languages : en
Pages : 132
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Book Description
A comprehensive guide to Mozart's THE MAGIC FLUTE, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto with German/English translation side-by side, and over 30 music highlight examples.
Author: Wolfgang Amadeus Mozart
Publisher: Opera Journeys Publishing
ISBN: 0977145506
Category : Music
Languages : en
Pages : 132
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Book Description
A comprehensive guide to Mozart's THE MAGIC FLUTE, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto with German/English translation side-by side, and over 30 music highlight examples.
Author: Kurt Honolka
Publisher: Hal Leonard Corporation
ISBN: 9780931340215
Category : Biography & Autobiography
Languages : en
Pages : 244
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Book Description
(Amadeus). Emanuel Schikaneder (1751-1812) is known today only as the librettist of Mozart's The Magic Flute , yet he was also the most important theater director of his time, an actor, singer, producer, and a prolific dramatist.
Author: Wolfgang Amadeus Mozart
Publisher: Opera Journeys Publishing
ISBN: 1102020672
Category :
Languages : en
Pages : 81
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Book Description
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 60
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Book Description
Author: Katalin Nun
Publisher: Routledge
ISBN: 1351874845
Category : Philosophy
Languages : en
Pages : 265
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Book Description
While Kierkegaard is perhaps known best as a religious thinker and philosopher, there is an unmistakable literary element in his writings. He often explains complex concepts and ideas by using literary figures and motifs that he could assume his readers would have some familiarity with. This dimension of his thought has served to make his writings far more popular than those of other philosophers and theologians, but at the same time it has made their interpretation more complex. Kierkegaard readers are generally aware of his interest in figures such as Faust or the Wandering Jew, but they rarely have a full appreciation of the vast extent of his use of characters from different literary periods and traditions. The present volume is dedicated to the treatment of the variety of literary figures and motifs used by Kierkegaard. The volume is arranged alphabetically by name, with Tome II covering figures and motifs from Gulliver to Zerlina.
Author: Rose Rosengard Subotnik
Publisher: U of Minnesota Press
ISBN: 1452902704
Category : Music
Languages : en
Pages : 378
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Book Description
Author: Jessica Waldoff
Publisher: Cambridge University Press
ISBN: 1108426891
Category : Music
Languages : en
Pages : 387
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Book Description
A comprehensive, up-to-date, resource providing an essential framework for understanding Mozart's most-performed opera and its extraordinary afterlife.
Author: Wolfgang Amadeus Mozart
Publisher: Alma Books
ISBN: 0714544930
Category : Music
Languages : en
Pages : 131
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Book Description
With his last opera Mozart created a piece of theatre which defies categorization. In theory it is a Singspiel, a mixture of songs and dialogue, in which the spectacular effects and comedy fit naturally: they appeal today as much as they did when it first opened in a popular Viennese theatre two hundred years ago. Rodney Milnes recalls some of the other pieces playing at the time, such as Kaspar the Bassonist, or The Magic Zither. On the other hand, it belongs to a tradition of Enlightenment texts in which a young prince, destined to be a ruler, learns from his adventures how to behave wisely as a social being. This is a re-working of the Orpheus myth, in the context of the Age of Reason and Freemasonry. David Cairns describes the many beauties of the score in loving detail, taking the reader through the complex plot, to clarify and interpret it. Famous commentaries by Goethe, Berlioz, E.T.A. Hoffmann and G.B. Shaw reveal their enthusiasm for the opera. A useful and unusual feature of this guide is the complete dialogue, in German with an English translation, which is often badly cut in performance. Like so many fairy tales, The Magic Flute repays careful attention: its music has a charm to inspire the child in every listener.Contents: Synopsis; 'Singspiel and Symbolism', Rodney Milnes; 'A Vision of Reconciliation' David Cairns; 'A Public for Mozart's Last Opera' Nicholas John; Die Zauberfloete: Libretto by Emanuel Schikaneder and Carl Ludwig Giesecke; The Magic Flute: Lyrics by Michael Geliot, Dialogue by Anthony Besch
Author: Tjeu van den Berk
Publisher: BRILL
ISBN: 9004496548
Category : Religion
Languages : en
Pages : 744
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Book Description
This volume demonstrates for the first time that Mozart's opera Die Zauberflöte is an enactment of the alchemical opus magnum, in the form of a chemical wedding. Towards the end of the 18th century, alchemy was still a prominent mystical current within the Order of Freemasons of which Mozart and his librettists were members. The central part focuses on the opera's alchemical structure, whereas the historical and mythological backgrounds are also dealt with extensively. The book comes with 3 CD's offering a rendition of the integral opera, in contrast to the common practice of leaving out major parts of the libretto. The Magic Flute is a fascinating journey of discovery, an initiation into Initiation. With complete original libretto and over 100 pictures.
Author: Jessica Waldoff
Publisher: Oxford University Press
ISBN: 0190288183
Category : Music
Languages : en
Pages : 350
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Book Description
Since its beginnings, opera has depended on recognition as a central aspect of both plot and theme. Though a standard feature of opera, recognition--a moment of new awareness that brings about a crucial reversal in the action--has been largely neglected in opera studies. In Recognition in Mozart's Operas, musicologist Jessica Waldoff draws on a broad base of critical thought on recognition from Aristotle to Terence Cave to explore the essential role it plays in Mozart's operas. The result is a fresh approach to the familiar question of opera as drama and a persuasive new reading of Mozart's operas.
