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Author: John Hutnyk
Publisher: John Hunt Publishing
ISBN: 1782792082
Category : Political Science
Languages : en
Pages : 195
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Book Description
Pantomime is a theatrical form that has come to rule our everyday lives as terror. In the early years of the 21st century, a dissembling political demonology has sometimes placed otherwise merely lyrical musicians in a volatile predicament. The discussion here is of Fun-da-Mental's Aki Nawaz portrayed as a 'suicide rapper', Asian Dub Foundation striking poses from the street in support of youth in Paris and Algiers, and M.I.A., born free fighting immigration crackdown with atrocity video. Along the way, bus bombs, comedy circuits, critical theory, Arabian Nights, Bradley Wiggins, Dinarzade, Karl Marx, Paris boulevards, Molotov, Mao, the Eiffel Tower, reserve armies, lists, Richard Wagner, Samina Malik, Slavoj Žižek, Freudian slips, red-heads, Guantanamo. The book offers some sharp critiques of our contemporary complacency, and the failures of theory as more than ten years of war on terror turns anxiety at home and drone-strike assassinations abroad into a normal everyday. This pantomime is a terror story told over and over to distract from the workings of a despotic power. The need for an adequate (winning) counter-narrative was never more clear. ,
Author: John Hutnyk
Publisher: John Hunt Publishing
ISBN: 1782792082
Category : Political Science
Languages : en
Pages : 195
Get Book Here
Book Description
Pantomime is a theatrical form that has come to rule our everyday lives as terror. In the early years of the 21st century, a dissembling political demonology has sometimes placed otherwise merely lyrical musicians in a volatile predicament. The discussion here is of Fun-da-Mental's Aki Nawaz portrayed as a 'suicide rapper', Asian Dub Foundation striking poses from the street in support of youth in Paris and Algiers, and M.I.A., born free fighting immigration crackdown with atrocity video. Along the way, bus bombs, comedy circuits, critical theory, Arabian Nights, Bradley Wiggins, Dinarzade, Karl Marx, Paris boulevards, Molotov, Mao, the Eiffel Tower, reserve armies, lists, Richard Wagner, Samina Malik, Slavoj Žižek, Freudian slips, red-heads, Guantanamo. The book offers some sharp critiques of our contemporary complacency, and the failures of theory as more than ten years of war on terror turns anxiety at home and drone-strike assassinations abroad into a normal everyday. This pantomime is a terror story told over and over to distract from the workings of a despotic power. The need for an adequate (winning) counter-narrative was never more clear. ,
Author: Mary Tucker Magill
Publisher:
ISBN:
Category :
Languages : en
Pages : 90
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Book Description
Author: Ariane de Waal
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110517086
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
In a moment of intense uncertainty surrounding the means, ends, and limits of (countering) terrorism, this study approaches the recent theatres of war through theatrical stagings of terror. Theatre on Terror: Subject Positions in British Drama charts the terrain of contemporary subjectivities both ‘at home’ and ‘on the front line’. Beyond examining the construction and contestation of subject positions in domestic and (sub)urban settings, the book follows border-crossing figures to the shifting battlefields in Iraq and Afghanistan. What emerges through the analysis of twenty-one plays is not a dichotomy but a dialectics of ‘home’ and ‘front’, where fluid, uncontainable subjects are constantly pushing the contours of conflict. Revising the critical consensus that post-9/11 drama primarily engages with ‘the real’, Ariane de Waal argues that these plays navigate the complexities of the discourse – rather than the historical or social realities – of war and terrorism. British ‘theatre on terror’ negotiates, inflects, and participates in the discursive circulation of stories, idioms, controversies, testimonies, and pieces of (mis)information in the face of global insecurities.
Author: Aparajita De
Publisher: Lexington Books
ISBN: 1498512534
Category : Social Science
Languages : en
Pages : 191
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Book Description
This collection of essays interrogates literary and cultural narratives in the contexts of the incidents following 9/11. The collected essays underscore the new and (re)emerging racial, political, and socio-cultural discourse on identity related to terrorism and identity politics. Specifically, the collection examines South Asian American identities to understand culture, policy making, and the implicit gendered racialization, sexualization, and socio-economic classification of minority identities within the discourse of globalization. The essays included here relocate the discourse of race and cultural studies to an examination of transnational labor diasporas, reopen debate on critical constructions of U.S. racial and cultural formations, and question the reconfiguration of gendered and sexualized discourses of the South Asian diaspora within the context of national security and terrorism. This book provides a multifaceted account of South Asian racialization and belonging by drawing from disciplines across the humanities and the social sciences. The scholars included here employ methods of ethnographic studies as well as literary, culture, film, and feminist analysis to examine a wide range of South Asian cultural sites: novels, short stories, cultural texts, documentaries, and sports. The rich intellectual, theoretical, methodological, and narrative tapestry of South Asians that emerges from this inquiry enables us to trace new patterns of South Asian cultural consumption post-9/11 as well as expand notions and histories of “terror.” This volume makes an important contribution to renewing scholarship in the key areas of representations of race, labor, diaspora, class, and culture while implicating that there needs to be a simultaneous and critical dialogue on the scope and reconnections within postcolonial studies.
Author: Helmi Järviluoma
Publisher: Cambridge Scholars Publishing
ISBN: 1443878677
Category : Music
Languages : en
Pages : 345
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Book Description
Freedom of expression and its direct counterpart, censorship and silencing, are increasingly gaining attention in the world of art and culture. Through the growth of social media and its worldwide distribution, arts and cultural products are shared, and the increased visibility and audibility of culture is highlighted through iconic and pivotal clashes, such as the fatwa on The Satanic Verses in 1989, the recurring bans on the music of Wagner, the alleged censorship of playlists following 9/11, and the cartoon crisis in 2006. This volume takes the discussion directly to the field of music studies in a broad frame and insists on examining music censorship in a global perspective. The book addresses the important and increasingly relevant issue of scholarship on music censorship and thus contributes to a detailed understanding of the phenomenon. Often, words and semantic meaning are held to be determining to the restrictions on musicians and singers, but as this collection documents, the reasons for censorship might not always be found in verbal messages. Rather, the positioning of a more broad understanding of why and how music can convey meaning and accordingly trigger censorship and bans is at the heart of this work. The complexity of music censorship includes historical, structural as well as emotional ‘listenings’ and interpretations of sound. The topic, accordingly, is political, as well as scholarly urgent.
Author: Rupa Huq MP
Publisher: Routledge
ISBN: 1317235134
Category : Social Science
Languages : en
Pages : 158
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Book Description
This lively collection presents a multi-disciplinary, multi-perspectival commentary explaining the what, where, and how of the riots that the austerity-hit UK experienced during the long, hot summer of 2011. It looks beyond London and its Tottenham district where disturbances started, to locations such as Manchester and Birmingham. Parallels are drawn with Cairo during the period of the Arab spring, and even with the Star Wars saga. The book locates the riots in historical context by looking at the previous UK riots of 1981 and 2001, looking at how news cycles and concepts such as that of ‘moral panic’ have changed in the age of social networking. It is essential reading for anyone interested in contemporary debates in social policy, media studies, anthropology sociology, cultural studies, and human geography. This book was originally published as a special issue of the Journal for Cultural Research.
Author: Monique Jenkinson
Publisher: Bywater Books
ISBN: 1612942229
Category : Biography & Autobiography
Languages : en
Pages : 341
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Book Description
Faux Queen: A Life in Drag is the memoir of a ballet-obsessed girl who moves to San Francisco from the suburbs and finds her people at the drag club. It joyously chronicles Monique Jenkinson’s creation of her drag persona Fauxnique, the people and cultural practices that crash her identity into being, her journey through one of the most experimental moments in queer cultural history, and her rise through the nightlife underground to become the first cisgender woman crowned as a major pageant-winning drag queen. Jenkinson finds authenticity through the glee of drag artifice and articulation through the immediacy of performing bodies. She pens a valentine to gay men and their culture while relaying the making of an open-minded feminist and queer ally. Faux Queen finds deep healing in irreverence and posits that it might be possible for us to come together in fabulous difference on the dance floor.
Author: Carolyn Osborn
Publisher: Wings Press
ISBN: 091672767X
Category : Fiction
Languages : en
Pages : 195
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Book Description
In 1953 Celia Henderson trades, for one month, the heat, drought, and cultrual strait-jacket of her Central Texas small town for the fresh Gulf winds and unrestrained lifestyle of Galveston.
Author: Adrian Wisnicki
Publisher: Routledge
ISBN: 1135915261
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
Drawing on critical and theoretical work by Miller, Boone, Foucault, Jameson, and others, as well as cultural history, affect theory, and contemporary psychiatric literature, the author defines and explores what he calls the Victorian "conspiracy narrative tradition"--a tradition which embraces classic Victorian works like Bleak House, Great Expectations, Villette, and The Moonstone, as well as later Victorian and Edwardian novels by James, Conrad, and Chesterton, and early spy thrillers such as The Riddle of the Sands and The Thirty-Nine Steps. In reading these works as instances of a single literary tradition, the conspiracy narrative tradition, the author traces how the representation of conspiracy changes in nineteenth-century British literature and argues that many of these changes occur in response to significant Victorian-era developments, such as the European revolutions of 1848-49, the rise of British law enforcement agencies, the growth of Irish Fenian terrorism, and the fin-de-siècle waning of the British Empire. The book also explores the roles that conspiratorial indeterminacy and irony play in shaping the Victorian conspiracy narrative tradition and examines how modern works by Proust, Kafka, and Pynchon appropriate elements from Victorian conspiracy narratives. Finally, in using recent work on affect theory as well as studies of paranoia by Freud, Shapiro, and Meissner, the book traces how Victorian works fashion the paranoid subject, a discursive process that ultimately leads to the emergence of the modern fictional conspiracy theorist.
Author: Jonathan Lake Crane
Publisher: SAGE
ISBN: 9780803958494
Category : Language Arts & Disciplines
Languages : en
Pages : 196
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Book Description
How does the horror in film relate to the horror we experience in everyday life? This is one of the questions addressed in this examination of the genre of horror film. The author argues that horror films today have broken with the tradition of the genre to embrace far more violent imagery, images that are in keeping with the escalating violence in society. By examining the horror film, its history and its current trends, the author hopes to further our understanding of the meaning of the genre in today's culture and our fascination with violence.
