Author: Jean Clottes
Publisher: University of Chicago Press
ISBN: 022618806X
Category : Art
Languages : en
Pages : 214
Book Description
The noted archaeologist explores the varieties of prehistoric cave art across the world and offers surprising insights into its purpose and meaning. What drew our Stone Age ancestors into caves to paint in charcoal and red hematite, to watch the likenesses of lions, bison, horses, and aurochs as they flickered by firelight? Was it a creative impulse, a spiritual dawn, a shamanistic conception of the world? In this book, Jean Clottes, one of the most renowned figures in the study of cave paintings, pursues an answer to the “why” of Paleolithic art. Discussing sites and surveys across the world, Clottes offers personal reflections on how we have viewed these paintings in the past, what we learn from looking at them across geographies, and what these paintings may have meant—and what function they may have served—for their artists. Steeped in Clottes’s shamanistic theories of cave painting, What Is Paleolithic Art? travels from well-known Ice Age sites like Chauvet, Altamira, and Lascaux to visits with contemporary aboriginal artists, evoking a continuum between the cave paintings of our prehistoric past and the living rock art of today. Clottes’s work lifts us from the darkness of our Paleolithic origins to reveal surprising insights into how we think, why we create, why we believe, and who we are
What Is Paleolithic Art?
Author: Jean Clottes
Publisher: University of Chicago Press
ISBN: 022618806X
Category : Art
Languages : en
Pages : 214
Book Description
The noted archaeologist explores the varieties of prehistoric cave art across the world and offers surprising insights into its purpose and meaning. What drew our Stone Age ancestors into caves to paint in charcoal and red hematite, to watch the likenesses of lions, bison, horses, and aurochs as they flickered by firelight? Was it a creative impulse, a spiritual dawn, a shamanistic conception of the world? In this book, Jean Clottes, one of the most renowned figures in the study of cave paintings, pursues an answer to the “why” of Paleolithic art. Discussing sites and surveys across the world, Clottes offers personal reflections on how we have viewed these paintings in the past, what we learn from looking at them across geographies, and what these paintings may have meant—and what function they may have served—for their artists. Steeped in Clottes’s shamanistic theories of cave painting, What Is Paleolithic Art? travels from well-known Ice Age sites like Chauvet, Altamira, and Lascaux to visits with contemporary aboriginal artists, evoking a continuum between the cave paintings of our prehistoric past and the living rock art of today. Clottes’s work lifts us from the darkness of our Paleolithic origins to reveal surprising insights into how we think, why we create, why we believe, and who we are
Publisher: University of Chicago Press
ISBN: 022618806X
Category : Art
Languages : en
Pages : 214
Book Description
The noted archaeologist explores the varieties of prehistoric cave art across the world and offers surprising insights into its purpose and meaning. What drew our Stone Age ancestors into caves to paint in charcoal and red hematite, to watch the likenesses of lions, bison, horses, and aurochs as they flickered by firelight? Was it a creative impulse, a spiritual dawn, a shamanistic conception of the world? In this book, Jean Clottes, one of the most renowned figures in the study of cave paintings, pursues an answer to the “why” of Paleolithic art. Discussing sites and surveys across the world, Clottes offers personal reflections on how we have viewed these paintings in the past, what we learn from looking at them across geographies, and what these paintings may have meant—and what function they may have served—for their artists. Steeped in Clottes’s shamanistic theories of cave painting, What Is Paleolithic Art? travels from well-known Ice Age sites like Chauvet, Altamira, and Lascaux to visits with contemporary aboriginal artists, evoking a continuum between the cave paintings of our prehistoric past and the living rock art of today. Clottes’s work lifts us from the darkness of our Paleolithic origins to reveal surprising insights into how we think, why we create, why we believe, and who we are
The Nature of Paleolithic Art
Author: R. Dale Guthrie
Publisher: University of Chicago Press
ISBN: 9780226311265
Category : Art
Languages : en
Pages : 544
Book Description
Publisher Description
Publisher: University of Chicago Press
ISBN: 9780226311265
Category : Art
Languages : en
Pages : 544
Book Description
Publisher Description
Painted Caves
Author: Andrew J. Lawson
Publisher: Oxford University Press
ISBN: 0199698228
Category : Art
Languages : en
Pages : 490
Book Description
Written from an archaeological perspective, Painted Caves is a beautifully illustrated introduction to the oldest art of Western Europe: the very ancient paintings found in caves. Lawson offers an up to date overview of the geographical distribution of the sites and their significance within the varied network of Palaeolithic art.
Publisher: Oxford University Press
ISBN: 0199698228
Category : Art
Languages : en
Pages : 490
Book Description
Written from an archaeological perspective, Painted Caves is a beautifully illustrated introduction to the oldest art of Western Europe: the very ancient paintings found in caves. Lawson offers an up to date overview of the geographical distribution of the sites and their significance within the varied network of Palaeolithic art.
The Dawn of European Art
Author: André Leroi-Gourhan
Publisher: CUP Archive
ISBN: 9780521244596
Category : Art
Languages : en
Pages : 144
Book Description
Publisher: CUP Archive
ISBN: 9780521244596
Category : Art
Languages : en
Pages : 144
Book Description
Palaeolithic Cave Art
Author: Peter J. Ucko
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 272
Book Description
Discussion of chronology & content of European Palaeolithic caves; p.122-123; Durkheim - totemism in relation to Palaeolithic art; p.124-127; Sympathetic magic; totemism as a form of religious expression; p.160-166; Art; p.191-192; Totemism in relation to art; p.224; Ethnographic rock art; p.228; Superpositioning and hidden localities in art.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 272
Book Description
Discussion of chronology & content of European Palaeolithic caves; p.122-123; Durkheim - totemism in relation to Palaeolithic art; p.124-127; Sympathetic magic; totemism as a form of religious expression; p.160-166; Art; p.191-192; Totemism in relation to art; p.224; Ethnographic rock art; p.228; Superpositioning and hidden localities in art.
Palaeolithic Cave Art at Creswell Crags in European Context
Author: Sergio Ripoll
Publisher: Oxford University Press
ISBN: 019929917X
Category : Art
Languages : en
Pages : 309
Book Description
This comprehensively illustrated book presents the Creswell art itself, the archaeology of the caves and the region, and the context of the Upper Palaeolithic era in Britain, as well as a number of studies of Palaeolithic cave art in Spain, Portugal, France, and Italy.
Publisher: Oxford University Press
ISBN: 019929917X
Category : Art
Languages : en
Pages : 309
Book Description
This comprehensively illustrated book presents the Creswell art itself, the archaeology of the caves and the region, and the context of the Upper Palaeolithic era in Britain, as well as a number of studies of Palaeolithic cave art in Spain, Portugal, France, and Italy.
Prehistoric Art as Prehistoric Culture
Author: Primitiva Bueno-Ramírez
Publisher: Archaeopress Publishing Ltd
ISBN: 1784912239
Category : Social Science
Languages : en
Pages : 190
Book Description
The diverse papers in this volume, published in honour of Professor de Balbin, cover a wide variety of the decorated caves which traditionally defined Palaeolithic art, as well as the open-air art of the period, a subject in which he has done pioneering work at Siega Verde and elsewhere.
Publisher: Archaeopress Publishing Ltd
ISBN: 1784912239
Category : Social Science
Languages : en
Pages : 190
Book Description
The diverse papers in this volume, published in honour of Professor de Balbin, cover a wide variety of the decorated caves which traditionally defined Palaeolithic art, as well as the open-air art of the period, a subject in which he has done pioneering work at Siega Verde and elsewhere.
Paleolithic Politics
Author: Barry Cooper
Publisher: University of Notre Dame Pess
ISBN: 0268107157
Category : Art
Languages : en
Pages : 519
Book Description
Using his background in political theory and philosophical anthropology, Barry Cooper is the first political scientist to propose new interpretations of some of the most famous extant Paleolithic art and artifacts in Paleolithic Politics. This book is inspired by Eric Voegelin, one of the major political scientists of the last century, who developed an interest in the very early symbolism associated with the caves and rock shelters of the Upper Paleolithic, but never finished his analysis. Cooper, who has written extensively on Voegelin’s theories, takes up the enterprise of applying Voegelin’s approach to an analysis of portable and cave art. He specifically applies Voegelin’s philosophy of consciousness, his concept of the compactness and differentiation of consciousness, his argument regarding the experience and symbolizations of reality, and his notion of the primary experience of the cosmos to images previously regarded as pedestrian. Cooper demonstrates the political significance of the earliest expressions of human existence and is among the first to argue that political life began not with the Greeks, but 25,000 years before them. Archaeologists, prehistorians, and political scientists will all benefit from this original and provocative work.
Publisher: University of Notre Dame Pess
ISBN: 0268107157
Category : Art
Languages : en
Pages : 519
Book Description
Using his background in political theory and philosophical anthropology, Barry Cooper is the first political scientist to propose new interpretations of some of the most famous extant Paleolithic art and artifacts in Paleolithic Politics. This book is inspired by Eric Voegelin, one of the major political scientists of the last century, who developed an interest in the very early symbolism associated with the caves and rock shelters of the Upper Paleolithic, but never finished his analysis. Cooper, who has written extensively on Voegelin’s theories, takes up the enterprise of applying Voegelin’s approach to an analysis of portable and cave art. He specifically applies Voegelin’s philosophy of consciousness, his concept of the compactness and differentiation of consciousness, his argument regarding the experience and symbolizations of reality, and his notion of the primary experience of the cosmos to images previously regarded as pedestrian. Cooper demonstrates the political significance of the earliest expressions of human existence and is among the first to argue that political life began not with the Greeks, but 25,000 years before them. Archaeologists, prehistorians, and political scientists will all benefit from this original and provocative work.
The Archaeology of Rock-Art
Author: Christopher Chippindale
Publisher: Cambridge University Press
ISBN: 9780521576192
Category : Art
Languages : en
Pages : 398
Book Description
Pictures, painted and carved in caves and on open rock surfaces, are amongst our loveliest relics from prehistory. This pioneering set of sparkling essays goes beyond guesses as to what the pictures mean, instead exploring how we can reliably learn from rock-art as a material record of distant times: in short, rock-art as archaeology. Sometimes contact-period records offer some direct insight about indigenous meaning, so we can learn in that informed way. More often, we have no direct record, and instead have to use formal methods to learn from the evidence of the pictures themselves. The book's eighteen papers range wide in space and time, from the Palaeolithic of Europe to nineteenth-century Australia. Using varied approaches within the consistent framework of informed and proven methods, they make key advances in using the striking and reticent evidence of rock-art to archaeological benefit.
Publisher: Cambridge University Press
ISBN: 9780521576192
Category : Art
Languages : en
Pages : 398
Book Description
Pictures, painted and carved in caves and on open rock surfaces, are amongst our loveliest relics from prehistory. This pioneering set of sparkling essays goes beyond guesses as to what the pictures mean, instead exploring how we can reliably learn from rock-art as a material record of distant times: in short, rock-art as archaeology. Sometimes contact-period records offer some direct insight about indigenous meaning, so we can learn in that informed way. More often, we have no direct record, and instead have to use formal methods to learn from the evidence of the pictures themselves. The book's eighteen papers range wide in space and time, from the Palaeolithic of Europe to nineteenth-century Australia. Using varied approaches within the consistent framework of informed and proven methods, they make key advances in using the striking and reticent evidence of rock-art to archaeological benefit.
Making Scenes
Author: Iain Davidson
Publisher: Berghahn Books
ISBN: 1789209218
Category : Social Science
Languages : en
Pages : 359
Book Description
Dating back to at least 50,000 years ago, rock art is one of the oldest forms of human symbolic expression. Geographically, it spans all the continents on Earth. Scenes are common in some rock art, and recent work suggests that there are some hints of expression that looks like some of the conventions of western scenic art. In this unique volume examining the nature of scenes in rock art, researchers examine what defines a scene, what are the necessary elements of a scene, and what can the evolutionary history tell us about storytelling, sequential memory, and cognitive evolution among ancient and living cultures?
Publisher: Berghahn Books
ISBN: 1789209218
Category : Social Science
Languages : en
Pages : 359
Book Description
Dating back to at least 50,000 years ago, rock art is one of the oldest forms of human symbolic expression. Geographically, it spans all the continents on Earth. Scenes are common in some rock art, and recent work suggests that there are some hints of expression that looks like some of the conventions of western scenic art. In this unique volume examining the nature of scenes in rock art, researchers examine what defines a scene, what are the necessary elements of a scene, and what can the evolutionary history tell us about storytelling, sequential memory, and cognitive evolution among ancient and living cultures?