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Author: Henry Calthrop Hollway-Calthrop
Publisher:
ISBN:
Category : Romances, Italian
Languages : en
Pages : 404
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Book Description
Author: Henry Calthrop Hollway-Calthrop
Publisher:
ISBN:
Category : Romances, Italian
Languages : en
Pages : 404
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Book Description
Author: BPP Learning Media
Publisher: BPP Learning Media
ISBN: 1445369508
Category : Business & Economics
Languages : en
Pages : 361
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Book Description
The examiner-reviewed F7 Practice and Revision Kit provides invaluable guidance on how to approach the exam, contains past ACCA exam questions for you to try and covers all areas of the F7 syllabus in the same order as the Study Text. The detailed solutions and marking schemes show you how the examiner awards marks.
Author: BPP Learning Media
Publisher: BPP Learning Media
ISBN: 147271167X
Category : Business & Economics
Languages : en
Pages : 337
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Book Description
The examining team reviewed F7 Practice & Revision Kit provides invaluable guidance on how to approach the exam, contains past ACCA exam questions for you to try and covers all areas of the F7 syllabus in the same order as the Study Text. The detailed solutions and marking schemes show you how the examiner awards marks.
Author: H. C. Hollway-Calthrop
Publisher: BoD – Books on Demand
ISBN: 3385402166
Category : Fiction
Languages : en
Pages : 390
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Book Description
Reprint of the original, first published in 1882.
Author: BPP Learning Media
Publisher: BPP Learning Media
ISBN: 1472746546
Category : Business & Economics
Languages : en
Pages : 266
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Book Description
BPP Learning Media's status as official ACCA Approved Learning Provider - Content means our ACCA Study Texts and Practice & Revision Kits are reviewed by the ACCA examining team. BPP Learning Media products provide you with the exam focussed material you need for exam success.
Author: Henry C. Hollway-Calthrop
Publisher: Forgotten Books
ISBN: 9780267891023
Category : Fiction
Languages : en
Pages : 396
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Book Description
Excerpt from Paladin and Saracen: Stories From Ariosto And if ever I realise my wish of doing real work, helpful to students, in the fertile field of Italian letters, I will stand submissive as any sheep beneath the shears of the critics. Meanwhile, with many doubts, but also with some hope of sympathy, I appeal from them to their sons and daughters. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Dassia N. Posner
Publisher: Routledge
ISBN: 1317911725
Category : Performing Arts
Languages : en
Pages : 377
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Book Description
The Routledge Companion to Puppetry and Material Performance offers a wide-ranging perspective on how scholars and artists are currently re-evaluating the theoretical, historical, and theatrical significance of performance that embraces the agency of inanimate objects. This book proposes a collaborative, responsive model for broader artistic engagement in and with the material world. Its 28 chapters aim to advance the study of the puppet not only as a theatrical object but also as a vibrant artistic and scholarly discipline. This Companion looks at puppetry and material performance from six perspectives: theoretical approaches to the puppet, perspectives from practitioners, revisiting history, negotiating tradition, material performances in contemporary theatre, and hybrid forms. Its wide range of topics, which span 15 countries over five continents, encompasses: • visual dramaturgy • theatrical juxtapositions of robots and humans • contemporary transformations of Indonesian wayang kulit • Japanese ritual body substitutes • recent European productions featuring toys, clay, and food. The book features newly commissioned essays by leading scholars such as Matthew Isaac Cohen, Kathy Foley, Jane Marie Law, Eleanor Margolies, Cody Poulton, and Jane Taylor. It also celebrates the vital link between puppetry as a discipline and as a creative practice with chapters by active practitioners, including Handspring Puppet Company’s Basil Jones, Redmoon’s Jim Lasko, and Bread and Puppet’s Peter Schumann. Fully illustrated with more than 60 images, this volume comprises the most expansive English-language collection of international puppetry scholarship to date.
Author: H. C. (Henry Calthrop) Hollway-Calthrop
Publisher: Hardpress Publishing
ISBN: 9781290878982
Category :
Languages : en
Pages : 402
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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author: Lodovico Ariosto
Publisher:
ISBN: 9783337612788
Category :
Languages : en
Pages : 388
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Book Description
Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1443800953
Category : Music
Languages : en
Pages : 350
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Book Description
The fame of Giacomo Meyerbeer is associated principally with the operatic stage, but he wrote for the voice extensively in other genres as well, including non-operatic stage works, occasional public works, sacred music, choral music and songs, This volume collates and presents, in the original and in English translation, as many of these texts as have been published, or whose manuscripts have proved accessible to the editors. There are six parts devoted to the various genres . Part 1 looks at the non-operatic stage works, the dramatic cantata he wrote at the beginning of his Italian period Gli Amori di Teolinda (1817), the masque written for Prussian court festivities Das Hoffest zu Ferrara (1842), and songs included in plays. Part 2 is devoted to the occasional works Meyerbeer was asked to write throughout his life, twelve cantatas born out of commissions to celebrate dynastic events and to praise the deeds of famous men. Their festive purposes mark anniversaries of illustrious figures (like Guttenberg, Frederick the Great, Schiller, Rauch), commemorate events in national life like the Wars of Liberation recalled in the choral soliloquy, the Bayerische Schützen Marsch (1831, to words by King Ludwig I of Bavaria), or the visit of Queen Victoria to the Rhine in 1845, or the twenty-fifth wedding anniversary of the King and Queen of Prussia in 1854. Linked to these are the part songs for male chorus given in Part 4, a ubiquitous German choral tradition; most of them were written for the Friends of the Berlin Singakademie, and used the themes so typical of communal merrymaking and affirmation—unity, friendship, patriotism, homeland, hunting: Part 3 surveys the texts for sacred music, from the early oratorio Gott und die Natur (1811) to the canticle Ineffable splendeur de la gloire eternelle drawn from Thomas à Kempis (1862-3). The young composer’s skills and serious endeavours were demonstrated by the song cycle using seven religious odes by Klopstock (Sieben Geistliche Gesänge, 1812, revised 1841)—an early involvement with religious texts that continued intermittently throughout his life, and manifested itself preeminently in his eight-part setting of Psalm 91 (1853) and his beautiful choral version of the Our Father (1857). Meyerbeer also wrote songs consistently, from his six Italian ariettas of 1810 to a canon for two voices completed in December 1862. These Lieder, mélodies and canzonette reflected the circumstances of his career, the various cultural milieux he moved in. They also helped to keep his name in the public eye in the wake of his great operatic successes, gaining popular currency by publication in musical journals. Part 5 provides the words of 54 of the 83 songs that are listed in his diaries. These texts are given a visual dimension by some 36 illustrations, mostly the beautifully engraved titles pages of many of the published works.
