Author: Gertrude Stein
Publisher: Random House
ISBN: 0307824438
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
First published in 1936, The Geographical History of America compiles prose pieces, dialogues, philosophical meditations, and playlets by one of the century's most influential writers. In this work, Stein sets forth her view of the human mind: what it is, how it works, and how it is different from - and more interesting than - human nature.
Author: Daniel Mufson
Publisher: Performing Arts Journal Books
ISBN: 9780801861246
Category : Drama
Languages : en
Pages : 165
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Book Description
Incorporating interviews, critical essays, reviews, and the complete text of the play, The Hip-Hop Waltz of Eurydice, this is an introduction to the influential and controversial theatre artist, Reza Abdoh. By the time he died of AIDS in 1995 at the age of 32, Abdoh had written, assembled and directed well over a dozen works for the stage. In this account of his career, Abdoh emerges as an internationally acclaimed artist who was influenced by a range of cultures and sources. Yet he is also distinctly American: a visionary who drew heavily on popular culture to expose sexual, racial and media obsessions in American society. Despite this influence, Abdoh's works are not typical of American theatre, according to theatre critic Daniel Mufson, because they vehemently reject sentimentality and happy endings.
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 428
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Book Description
Author: Johannes H. Birringer
Publisher:
ISBN: 9780801858512
Category : Art
Languages : en
Pages : 426
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Book Description
The author discusses the performance aspects of such political events as the breaching of the Berlin wall and the destruction of Sarajevo, and examines the use of video and agitprop performance in political activity, including protests by the gay activist group ACT UP and the disquieting performances of the former pornography actress and sex worker Annie Sprinkle. Birringer ends with a discussion of the continuing incursions of business into digital media, including the "imperialism of technological enhancements" as experienced in the culture of constant "upgrades" and the omnipresence of Bill Gates.
Author: Heiner Müller
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 280
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Book Description
Heiner Muller lived through Germany's tumultuous history from Hitler's rise through Soviet occupation to the building and eventual demolition of the Berlin Wall. One of his earliest memories was of his father being beaten by Brownshirts and taken away to a concentration camp; later, Muller chose to stay in the Soviet Zone even when his father defected to the West. His work presents a phantasmagoric vision of culture and history. Though a committed Marxist, Muller loathed the East German government, and his works were often censured for their caustic portrait of a Germany whose history was an unending act of division and violence.
Author: Harold B. Segel
Publisher: JHU Press
ISBN: 9780801852626
Category : Literary Criticism
Languages : en
Pages : 386
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Book Description
While Carlo Collodi's internationally revered Pinocchio may not have been the single source of the modernist fascination with puppets and marionettes, the book's appearance on the threshold of the modernist movement heralded a new artistic interest in the making of human likenesses. And the puppets, marionettes, and other forms that figure so vividly and provocatively in modernist and avant-garde drama can, according to Harold Segel, be regarded as Pinocchio's progeny. Segel argues that the philosophical, social, and artistic proclivities of the modernist movement converged in the discovery of an exciting new relevance in the puppet and marionette. Previously viewed as entertainment for children and fairground audiences, puppets emerged as an integral component of the modernist vision. They became metaphors for human helplessness in the face of powerful forces -- from Eros and the supernatural to history, industrial society, and national myth. Dramatists used them to satirize the tyranny of bourgeois custom and convention, to deflate the arrogance of the powerful, and to breathe new life into a theater that had become tradition-bound and commercialized. Pinocchio's Progeny offers a broad overview of the uses of these figures in European drama from 1890 to 1935. It considers developments in France, Spain, Italy, Austria, Germany, Sweden, Russia, Poland and Czechoslovakia. In his introduction, Segel reviews the premodernist literary and dramatic treatment of the puppet and marionette from Cervantes' Don Quixote to the turn-of-the- century European cabaret. His epilogue considers the appearance of puppets and marionettes in postmodern European and American drama by examining worksby such dramatists as Jean-Claude Van Itallie, Heiner MA1/4ller, and Tadeusz Kantor.
Author: Rachilde
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 184
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Book Description
Rachilde was the pseudonym of Marguerite Eymery Vallette (1860-1953), a woman of powerful personality who made her place at the very center of the Symbolist movement in fin-de-siecle France. Though relatively unknown in America, Rachilde had a significant influence on the course of French and Western literature and theater. She was a pioneer of antirealistic drama and the first to use the term absurd to characterize the new kind of theater that would be "a pretext for a dream." Rachilde's sexual politics and sardonic humor make her plays more interesting - and more performable - today than many of those of her more famous contemporaries. Where male Symbolists were obsessed with death, Rachilde explores the fearful thrill of sexuality. Topical, challenging, and all but lost to contemporary audiences, her extraordinary work offers the shock of relevance and freshness of discovery.
Author:
Publisher:
ISBN:
Category : Pali literature
Languages : en
Pages : 424
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Book Description
Author: Gertrude Stein
Publisher: Taylor & Francis
ISBN: 9780801849855
Category : Drama
Languages : en
Pages : 540
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Book Description
"When I see a thing it is not a play for me, but when I write something that somebody else can see then it is a play for me." —Gertrude Stein In the more than seventy-five plats Gertrude Stein wrote between 1913 and 1946, she envisioned a new dramaturgy, beginning with her pictorial conception of a play as a landscape. She drew into her plays the daily flow of life around her—including the natural world—and turned cities, villages, parts of the dramatic structure, and even her own friends into characters. She made punctuation and typography part of her compositional style and chose words for their joyful impact as sound andwordplay. For Strin, the writing process itself was always important in delevoping the "continuous present" at the heart of her work. Long out of print, Last Opera and Plays again makes available many of Stein's most important and most-produced works. As a special feature, it also included her thought-provoking essay "Plays," in which she reflects on the experience in the theater of seeing and hearing, and on emotion and time. "Now nearly a half century after her deathe," writes Bonnie Marranca in her introduction, "it is indisputable that Gertrude Stein is the great American modernist mind. No American author has been more influential for more generations of artists in the worlds of theater, dance, music, poetry, painting, and fiction."
Author:
Publisher: Springer Science & Business Media
ISBN: 3642675387
Category : Medical
Languages : en
Pages : 747
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Book Description
The volumes on "psychotropic substances" in the Handbook of Experimental Phar macology series clearly show that the classical concept of this discipline has become too narrow in recent years. For instance, what substances are psychotropic is determined not by the criteria of the animal trial, i.e. by experimental pharmacology, but by their action on the psy che, which in the final analysis is only accessible to us in man. Psychotropic substances force experimental pharmacology (and thus also this Handbook) outside its tradition allimits, which have essentially depended on animal studies. The antipsychotics and antidepressants were not discovered in animal ex periments, but by chance (or more precisely, by clinical empiricism). Experienced psy chiatrists trained in the observation of patients recognised the efficacy of drugs, the beneficial effect of which nobody had dreamed of before: DELAY and DENICKER in the case of chlorpormazine, KLINE in the case of the monoamine oxidase inhibitors and KUHN in the case of imipramine. It was only after these discoveries that the pharma cologists developed experimental models of the psychoses in animal experiments. However, even today we still do not know with certainty which of the effects shown in animals is relevant for the clinical effect despite the vast abundance of individual investigations. For many years, this uncertainty led to the testing of antipsychotics (e.g. of the neuroleptic type) in models which actually produced the undesired effects.
