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Author: Valerie Dorge
Publisher: Getty Publications
ISBN: 0892365013
Category : Art
Languages : en
Pages : 549
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Book Description
The function of the painted wooden object ranges from the practical to the profound. These objects may perform utilitarian tasks, convey artistic whimsy, connote noble aspirations, and embody the highest spiritual expressions. This volume, illustrated in color throughout, presents the proceedings of a conference organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works (AIC) and held in November 1994 at the Colonial Williamsburg Foundation in Williamsburg, Virginia. The book includes 40 articles that explore the history and conservation of a wide range of painted wooden objects, from polychrome sculpture and altarpieces to carousel horses, tobacconist figures, Native American totems, Victorian garden furniture, French cabinets, architectural elements, and horse-drawn carriages. Contributors include Ian C. Bristow, an architect and historic-building consultant in London; Myriam Serck-Dewaide, head of the Sculpture Workshop, Institut Royal du Patrimoine Artistique, Brussels; and Frances Gruber Safford, associate curator of American decorative arts at the Metropolitan Museum of Art in New York. A broad range of professionals—including art historians, curators, scientists, and conservators—will be interested in this volume and in the multidisciplinary nature of its articles.
Author: Valerie Dorge
Publisher: Getty Publications
ISBN: 0892365013
Category : Art
Languages : en
Pages : 549
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Book Description
The function of the painted wooden object ranges from the practical to the profound. These objects may perform utilitarian tasks, convey artistic whimsy, connote noble aspirations, and embody the highest spiritual expressions. This volume, illustrated in color throughout, presents the proceedings of a conference organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works (AIC) and held in November 1994 at the Colonial Williamsburg Foundation in Williamsburg, Virginia. The book includes 40 articles that explore the history and conservation of a wide range of painted wooden objects, from polychrome sculpture and altarpieces to carousel horses, tobacconist figures, Native American totems, Victorian garden furniture, French cabinets, architectural elements, and horse-drawn carriages. Contributors include Ian C. Bristow, an architect and historic-building consultant in London; Myriam Serck-Dewaide, head of the Sculpture Workshop, Institut Royal du Patrimoine Artistique, Brussels; and Frances Gruber Safford, associate curator of American decorative arts at the Metropolitan Museum of Art in New York. A broad range of professionals—including art historians, curators, scientists, and conservators—will be interested in this volume and in the multidisciplinary nature of its articles.
Author: Yannick Chastang
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 126
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Book Description
Essential general survey for enthusiasts and specialist alike. Superb colour illustrations. Will provide many insights to the neglected area of art history
Author: Barbara Haskell
Publisher: Yale University Press
ISBN: 0300232845
Category : Art
Languages : en
Pages : 272
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Book Description
The social and political climate in which Wood's art flourished bears certain striking similarities to America today, as national identity and the tension between urban and rural areas reemerge as polarizing issues in a country facing the consequences of globalization and the technological revolution. Wood portrayed the tension and alienation of contemporary experience. By fusing meticulously observed reality with fables of childhood, he crafted unsettling images of estrangement and apprehension that pictorially manifest the anxiety of modern life.
Author: Kathleen Dardes
Publisher: Getty Publications
ISBN: 0892363843
Category : Art
Languages : en
Pages : 582
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Book Description
This volume presents the proceedings of an international symposium organized by the Getty Conservation Institute and the J. Paul Getty Museum. The first conference of its kind in twenty years, the symposium assembled an international group of conservators of painted panels, and gave them the opportunity to discuss their philosophies and share their work methods. Illustrated in color throughout, this volume presents thirty-one papers grouped into four topic areas: Wood Science and Technology, History of Panel-Manufacturing Techniques, History of the Structural Conservation of Panel Paintings, and Current Approaches to the Structural Conservation of Panel Paintings.
Author: R. Tripp Evans
Publisher: Knopf
ISBN: 0307594335
Category : Art
Languages : en
Pages : 433
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Book Description
He claimed to be “the plainest kind of fellow you can find. There isn’t a single thing I’ve done, or experienced,” said Grant Wood, “that’s been even the least bit exciting.” Wood was one of America’s most famous regionalist painters; to love his work was the equivalent of loving America itself. In his time, he was an “almost mythical figure,” recognized most supremely for his hard-boiled farm scene, American Gothic, a painting that has come to reflect the essence of America’s traditional values—a simple, decent, homespun tribute to our lost agrarian age. In this major new biography of America’s most acclaimed, and misunderstood, regionalist painter, Grant Wood is revealed to have been anything but plain, or simple . . . R. Tripp Evans reveals the true complexity of the man and the image Wood so carefully constructed of himself. Grant Wood called himself a farmer-painter but farming held little interest for him. He appeared to be a self-taught painter with his scenes of farmlands, farm workers, and folklore but he was classically trained, a sophisticated artist who had studied the Old Masters and Flemish art as well as impressionism. He lived a bohemian life and painted in Paris and Munich in the 1920s, fleeing what H. L. Mencken referred to as “the booboisie” of small-town America. We see Wood as an artist haunted and inspired by the images of childhood; by the complex relationship with his father (stern, pious, the “manliest of men”); with his sister and his beloved mother (Wood shared his studio and sleeping quarters with his mother until her death at seventy-seven; he was forty-four). We see Wood’s homosexuality and how his studied masculinity was a ruse that shaped his work. Here is Wood’s life and work explored more deeply and insightfully than ever before. Drawing on letters, the artist’s unfinished autobiography, his sister’s writings, and many never-before-seen documents, Evans’s book is a dimensional portrait of a deeply complicated artist who became a “National Symbol.” It is as well a portrait of the American art scene at a time when America’s Calvinistic spirit and provincialism saw Europe as decadent and artists were divided between red-blooded patriotic men and “hothouse aesthetes.” Thomas Hart Benton said of Grant Wood: “When this new America looks back for landmarks to help gauge its forward footsteps, it will find a monument standing up in the midst of the wreckage . . . This monument will be made out of Grant Wood’s works.”
Author: Mark Grotjahn
Publisher:
ISBN: 9781838660635
Category : ART
Languages : en
Pages : 0
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Book Description
The first monograph on a rising star who is one of contemporary art's most celebrated painters Los Angeles-based artist Jonas Wood creates vivid images, where space and everyday life are rendered with compressed perspective in bold graphic hues. This monograph - the first on the artist's work - brings together his most significant paintings and drawings. In doing so, it offers a unique insight into the vast array of his sources, which include family photographs, found imagery, baseball cards, and other people's art, including the ceramics of his wife, the artist Shio Kusaka. With contributions by curator and writer Helen Molesworth, Curator of Modern and Contemporary Art at The Metropolitan Museum of Art in New York Ian Alteveer, and a conversation between Wood and fellow Los Angeles-based artist Mark Grotjahn.
Author: Sherry Petersik
Publisher: Artisan
ISBN: 1579656765
Category : House & Home
Languages : en
Pages : 337
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Book Description
This New York Times bestselling book is filled with hundreds of fun, deceptively simple, budget-friendly ideas for sprucing up your home. With two home renovations under their (tool) belts and millions of hits per month on their blog YoungHouseLove.com, Sherry and John Petersik are home-improvement enthusiasts primed to pass on a slew of projects, tricks, and techniques to do-it-yourselfers of all levels. Packed with 243 tips and ideas—both classic and unexpected—and more than 400 photographs and illustrations, this is a book that readers will return to again and again for the creative projects and easy-to-follow instructions in the relatable voice the Petersiks are known for. Learn to trick out a thrift-store mirror, spice up plain old roller shades, "hack" your Ikea table to create three distinct looks, and so much more.
Author: Jonas Wood
Publisher: Rizzoli Publications
ISBN: 0847873781
Category : Art
Languages : en
Pages : 0
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Book Description
Featuring studio shots and a new interview between Jonas Wood and Tamarind master printer Ed Hamilton, Jonas Wood: Prints 2 provides an insightful view of the acclaimed artist’s collaborative printmaking process. Following the 2018 release of Jonas Wood: Prints, Jonas Wood: Prints 2 documents Jonas Wood’s dynamic printmaking output from 2018 to 2022 and reproduces more than thirty limited-edition prints created during this period. The selection of prints showcases some of Wood’s most familiar subjects: domestic interiors, sports imagery, botany, and still lifes inspired by his wife Shio Kusaka’s ceramic pieces. From verdant moonlit gardens to peaceful living spaces, Wood depicts everyday scenes and objects with a striking vibrancy born out of collaboration with expert printmakers. In accordance with Wood’s personal emphasis on artistic collaboration, the catalog is organized into sections representing various printshops he has worked with—including Cirrus Gallery and Cirrus Editions Ltd., Counter Editions, Hamilton Press, Mixografia, Pace Editions Inc., and WKS Editions. The catalog also includes photography of Wood’s prints in progress and a conversation between Wood and master printer Ed Hamilton in which they discuss the evolution of printing practices and Wood’s creative influences. Jonas Wood (b. 1977, Boston) lives and works in Los Angeles. He is known for his boldly colored paintings, drawings, and prints that combine art historical references with images of the objects, people, and spaces that comprise the fabric of his life. In 2016, he was commissioned to create an expansive mural, Still Life with Two Owls, for the Museum of Contemporary Art in Los Angeles. His work is held in the collections of the Solomon R. Guggenheim Museum, New York; the Museum of Modern Art, New York; and the San Francisco Museum of Modern Art, among others.
Author: Jögge Sundqvist
Publisher:
ISBN: 9780997870282
Category :
Languages : en
Pages :
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Book Description
Author: Ronnie Wood
Publisher: National Geographic Books
ISBN: 0500519897
Category : Art
Languages : en
Pages : 0
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Book Description
The first publication to showcase the visual art of the Rolling Stones’ Ronnie Wood Ronnie Wood is one of the foremost rock guitarists in the world, but his artistic talents extend beyond music. Published together for the first time and in Wood’s seventieth year, here is the first comprehensive collection of paintings and other works that exudes the same irrepressible energy as the Rolling Stones themselves. Organized thematically, Ronnie Wood: Artist focuses on rock ’n’ roll performances and depictions of stage performances as only the band could witness. Additional chapters show both the breadth of his instincts and style in works on figures, landscapes, animal paintings, and sculptures. The artist himself provides the captions and insight into the thought and motivation behind each piece. An introduction is provided by Damien Hirst, one of the most successful contemporary artists of the modern era and a rabid fan and collector of Wood’s art. An afterword by guitar legend and Wood’s bandmate Keith Richards brings the book to its conclusion.
