Author: M. Knoedler & Co
Publisher:
ISBN:
Category : Watercolor painting, American
Languages : en
Pages : 28
Book Description
Paintings and Watercolors by John Marin from the Phillips Collection
John Marin's Watercolors
Author: Martha Tedeschi
Publisher: Art Inst of Chicago
ISBN: 9780300166378
Category : Art
Languages : en
Pages : 192
Book Description
Published in conjunction with an exhibition organized by the Art Institute of Chicago and presented at the Art Institute from January 22 to April 17, 2011, and at the High Museum of Art, Atlanta, from June 26 to September 11, 2011.
Publisher: Art Inst of Chicago
ISBN: 9780300166378
Category : Art
Languages : en
Pages : 192
Book Description
Published in conjunction with an exhibition organized by the Art Institute of Chicago and presented at the Art Institute from January 22 to April 17, 2011, and at the High Museum of Art, Atlanta, from June 26 to September 11, 2011.
The Phillips Collection
Author: Phillips Collection
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 444
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 444
Book Description
John Marin, 1870-1953
Author: John Marin
Publisher: Nicholson
ISBN:
Category : Art
Languages : en
Pages : 116
Book Description
Publisher: Nicholson
ISBN:
Category : Art
Languages : en
Pages : 116
Book Description
Arthur Dove
Author: Debra Bricker Balken
Publisher: Mit Press
ISBN: 9780262024334
Category : Art
Languages : en
Pages : 200
Book Description
in collaboration with William C. Agee and Elizabeth Hutton Turner The American artist Arthur Dove (1880-1946), purportedly the first artist to have produced an abstract painting, has always occupied a central place in writings on early American modernism. This book accompanies the first major exhibition on Dove since 1974. The exhibition, organized by the Addison Gallery of American Art and the Phillips Collection, covers the period from 1908, the year after Dove took up painting, through 1946, the year of his death. It is comprised of approximately eighty paintings, collages, pastels, and charcoal drawings.Along with Georgia O'Keeffe and John Marin, Dove was touted for more than three decades by photographer and dealer Alfred Stieglitz as an American original, one whose work was prescient in its opposition to the materialism of a newly industrialized America. Essays by Balken, Agee, and Turner discuss Dove's interactions with Stieglitz and others in his circle, including O'Keeffe, Marin, Marsden Hartley, and Paul Strand, and re-examine Dove in the context of early twentieth-century intellectual and cultural history. The book contains color plates of all the works in the exhibition; the essays are profusely illustrated with black-and-white images not included in the exhibition. Apart from an out-of-print catalogue raisonné, this book is the largest and most comprehensive publication to date on Dove's work.Copublished with the Addison Gallery of American Art in association with the Phillips Collection
Publisher: Mit Press
ISBN: 9780262024334
Category : Art
Languages : en
Pages : 200
Book Description
in collaboration with William C. Agee and Elizabeth Hutton Turner The American artist Arthur Dove (1880-1946), purportedly the first artist to have produced an abstract painting, has always occupied a central place in writings on early American modernism. This book accompanies the first major exhibition on Dove since 1974. The exhibition, organized by the Addison Gallery of American Art and the Phillips Collection, covers the period from 1908, the year after Dove took up painting, through 1946, the year of his death. It is comprised of approximately eighty paintings, collages, pastels, and charcoal drawings.Along with Georgia O'Keeffe and John Marin, Dove was touted for more than three decades by photographer and dealer Alfred Stieglitz as an American original, one whose work was prescient in its opposition to the materialism of a newly industrialized America. Essays by Balken, Agee, and Turner discuss Dove's interactions with Stieglitz and others in his circle, including O'Keeffe, Marin, Marsden Hartley, and Paul Strand, and re-examine Dove in the context of early twentieth-century intellectual and cultural history. The book contains color plates of all the works in the exhibition; the essays are profusely illustrated with black-and-white images not included in the exhibition. Apart from an out-of-print catalogue raisonné, this book is the largest and most comprehensive publication to date on Dove's work.Copublished with the Addison Gallery of American Art in association with the Phillips Collection
My Faraway One
Author: Sarah Greenough
Publisher: Yale University Press
ISBN: 0300166303
Category : Literary Collections
Languages : en
Pages : 834
Book Description
Collects the private correspondence between Georgia O'Keeffe and Alfred Stieglitz, revealing the ups and downs of their marriage, their thoughts on their work, and their friendships with other artists.
Publisher: Yale University Press
ISBN: 0300166303
Category : Literary Collections
Languages : en
Pages : 834
Book Description
Collects the private correspondence between Georgia O'Keeffe and Alfred Stieglitz, revealing the ups and downs of their marriage, their thoughts on their work, and their friendships with other artists.
John Marin Watercolors, 1929-1939
Author: John Marin
Publisher:
ISBN:
Category : Landscape in art
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category : Landscape in art
Languages : en
Pages : 40
Book Description
Art for a New Understanding
Author: Mindy N. Besaw
Publisher: University of Arkansas Press
ISBN: 1682260801
Category : Art
Languages : en
Pages : 225
Book Description
Art for a New Understanding, an exhibition from Crystal Bridges Museum of American Art that opened in October 2018, seeks to radically expand and reposition the narrative of American art since 1950 by charting a history of the development of contemporary Indigenous art from the United States and Canada, beginning when artists moved from more regionally-based conversations and practices to national and international contemporary art contexts. This fully illustrated volume includes essays by art historians and historians and reflections by the artists included in the collection. Also included are key contemporary writings—from the 1950s onward—by artists, scholars, and critics, investigating the themes of transculturalism and pan-Indian identity, traditional practices conducted in radically new ways, displacement, forced migration, shadow histories, the role of personal mythologies as a means to reimagine the future, and much more. As both a survey of the development of Indigenous art from the 1950s to the present and a consideration of Native artists within contemporary art more broadly, Art for a New Understanding expands the definition of American art and sets the tone for future considerations of the subject. It is an essential publication for any institution or individual with an interest in contemporary Native American art, and an invaluable resource in ongoing scholarly considerations of the American contemporary art landscape at large.
Publisher: University of Arkansas Press
ISBN: 1682260801
Category : Art
Languages : en
Pages : 225
Book Description
Art for a New Understanding, an exhibition from Crystal Bridges Museum of American Art that opened in October 2018, seeks to radically expand and reposition the narrative of American art since 1950 by charting a history of the development of contemporary Indigenous art from the United States and Canada, beginning when artists moved from more regionally-based conversations and practices to national and international contemporary art contexts. This fully illustrated volume includes essays by art historians and historians and reflections by the artists included in the collection. Also included are key contemporary writings—from the 1950s onward—by artists, scholars, and critics, investigating the themes of transculturalism and pan-Indian identity, traditional practices conducted in radically new ways, displacement, forced migration, shadow histories, the role of personal mythologies as a means to reimagine the future, and much more. As both a survey of the development of Indigenous art from the 1950s to the present and a consideration of Native artists within contemporary art more broadly, Art for a New Understanding expands the definition of American art and sets the tone for future considerations of the subject. It is an essential publication for any institution or individual with an interest in contemporary Native American art, and an invaluable resource in ongoing scholarly considerations of the American contemporary art landscape at large.
Duncan and Marjorie Phillips and America’s First Museum of Modern Art
Author: Pamela Carter-Birken
Publisher: Vernon Press
ISBN: 1648892604
Category : Art
Languages : en
Pages : 176
Book Description
He was born to privilege and sought the world of art. She lived at the center of that world—a working artist encouraged by the famous artists in her extended family. Together, Duncan Phillips and Marjorie Acker Phillips founded The Phillips Collection in Washington, D.C., the first museum of modern art in America. It opened in the grand Phillips family home in 1921, eight years before New York City’s Museum of Modern Art and only a few weeks after they wed. Duncan took the lead in developing the collection and showcasing it. Marjorie kept space and time to paint. Duncan considered Marjorie a partner in the museum even though she was not directly involved in all purchasing and presentation decisions. To him, her influence was omnipresent. Although Duncan’s writings on artists and art history were widely published, he chose not to provide much instruction for visitors to the museum. Instead, he combined signature methods of displaying art which live on at The Phillips Collection. Phillips had viewers in mind when he hung American art with European art—or art of the past with modern art, and he frequently rearranged works to stimulate fresh encounters. With unfettered access to archival material, author Pamela Carter-Birken argues that The Phillips Collection’s relevancy comes from Duncan Phillips’s commitment to providing optimal conditions for personal exploration of art. In-depth collecting of certain artists was one of Phillips’s methods of encouraging independent thinking in viewers. Paintings by Pierre Bonnard, Arthur Dove, Georgia O’Keeffe, John Marin, Jacob Lawrence, and Mark Rothko provide testament to the power of America’s first museum of modern art.
Publisher: Vernon Press
ISBN: 1648892604
Category : Art
Languages : en
Pages : 176
Book Description
He was born to privilege and sought the world of art. She lived at the center of that world—a working artist encouraged by the famous artists in her extended family. Together, Duncan Phillips and Marjorie Acker Phillips founded The Phillips Collection in Washington, D.C., the first museum of modern art in America. It opened in the grand Phillips family home in 1921, eight years before New York City’s Museum of Modern Art and only a few weeks after they wed. Duncan took the lead in developing the collection and showcasing it. Marjorie kept space and time to paint. Duncan considered Marjorie a partner in the museum even though she was not directly involved in all purchasing and presentation decisions. To him, her influence was omnipresent. Although Duncan’s writings on artists and art history were widely published, he chose not to provide much instruction for visitors to the museum. Instead, he combined signature methods of displaying art which live on at The Phillips Collection. Phillips had viewers in mind when he hung American art with European art—or art of the past with modern art, and he frequently rearranged works to stimulate fresh encounters. With unfettered access to archival material, author Pamela Carter-Birken argues that The Phillips Collection’s relevancy comes from Duncan Phillips’s commitment to providing optimal conditions for personal exploration of art. In-depth collecting of certain artists was one of Phillips’s methods of encouraging independent thinking in viewers. Paintings by Pierre Bonnard, Arthur Dove, Georgia O’Keeffe, John Marin, Jacob Lawrence, and Mark Rothko provide testament to the power of America’s first museum of modern art.
American Art from the Phillips Collection
Author: Phillips Collection
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 52
Book Description
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 52
Book Description