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Author: Dalit Regev
Publisher: Equinox Publishing (UK)
ISBN: 9781781798256
Category : Mediterranean Region
Languages : en
Pages : 224
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Book Description
Painting the Mediterranean Phoenician focuses on the Canaanite-Phoenician economic systems that predominated in and determined Mediterranean history. Phoenician trade networks were sophisticated and elaborate operations that required a highly developed society and institutions in order to spread and be maintained. By tracking the manufacture, use, and shipment routes of Phoenician products, primarily those traded in amphorae and bottles but also fine-ware and their associated assemblages, a new map of Mediterranean connectivity and interrelations emerges, whose routes, operations and cultural affiliation lasted a long time. The Phoenician trade-nets are presented geographically, with special attention paid to the traceable product networks involving wine, salted fish, or perfumed oils.
Author: Dalit Regev
Publisher: Equinox Publishing (UK)
ISBN: 9781781798256
Category : Mediterranean Region
Languages : en
Pages : 224
Get Book Here
Book Description
Painting the Mediterranean Phoenician focuses on the Canaanite-Phoenician economic systems that predominated in and determined Mediterranean history. Phoenician trade networks were sophisticated and elaborate operations that required a highly developed society and institutions in order to spread and be maintained. By tracking the manufacture, use, and shipment routes of Phoenician products, primarily those traded in amphorae and bottles but also fine-ware and their associated assemblages, a new map of Mediterranean connectivity and interrelations emerges, whose routes, operations and cultural affiliation lasted a long time. The Phoenician trade-nets are presented geographically, with special attention paid to the traceable product networks involving wine, salted fish, or perfumed oils.
Author: S. Rebecca Martin
Publisher: University of Pennsylvania Press
ISBN: 0812249089
Category : Art
Languages : en
Pages : 320
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Book Description
The proem to Herodotus's history of the Greek-Persian wars relates the long-standing conflict between Europe and Asia from the points of view of the Greeks' chief antagonists, the Persians and Phoenicians. However humorous or fantastical these accounts may be, their stories, as voiced by a Greek, reveal a great deal about the perceived differences between Greeks and others. The conflict is framed in political, not absolute, terms correlative to historical events, not in terms of innate qualities of the participants. Becky Martin reconsiders works of art produced by, or thought to be produced by, Greeks and Phoenicians during the first millennium B.C., when they were in prolonged contact with one another. Although primordial narratives that emphasize an essential quality of Greek and Phoenician identities have been critiqued for decades, Martin contends that the study of ancient history has not yet effectively challenged the idea of the inevitability of the political and cultural triumph of Greece. She aims to show how the methods used to study ancient history shape perceptions of it and argues that art is especially positioned to revise conventional accountings of the history of Greek-Phoenician interaction. Examining Athenian and Tyrian coins, kouros statues and wall mosaics, as well as the familiar Alexander Sarcophagus and the sculpture known as the "Slipper Slapper, " Martin questions what constituted "Greek" and "Phoenician" art and, by extension, Greek and Phoenician identity.
Author: Carolina López-Ruiz
Publisher: Harvard University Press
ISBN: 0674269950
Category : History
Languages : en
Pages : 441
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Book Description
“An important new book...offers a powerful call for historians of the ancient Mediterranean to consider their implicit biases in writing ancient history and it provides an example of how more inclusive histories may be written.” —Denise Demetriou, New England Classical Journal “With a light touch and a masterful command of the literature, López-Ruiz replaces old ideas with a subtle and more accurate account of the extensive cross-cultural exchange patterns and economy driven by the Phoenician trade networks that ‘re-wired’ the Mediterranean world. A must read.” —J. G. Manning, author of The Open Sea “[A] substantial and important contribution...to the ancient history of the Mediterranean. López-Ruiz’s work does justice to the Phoenicians’ role in shaping Mediterranean culture by providing rational and factual argumentation and by setting the record straight.” —Hélène Sader, Bryn Mawr Classical Review Imagine you are a traveler sailing to the major cities around the Mediterranean in 750 BC. You would notice a remarkable similarity in the dress, alphabet, consumer goods, and gods from Gibraltar to Tyre. This was not the Greek world—it was the Phoenician. Propelled by technological advancements of a kind unseen since the Neolithic revolution, Phoenicians knit together diverse Mediterranean societies, fostering a literate and sophisticated urban elite sharing common cultural, economic, and aesthetic modes. Following the trail of the Phoenicians from the Levant to the Atlantic coast of Iberia, Carolina López-Ruiz offers the first comprehensive study of the cultural exchange that transformed the Mediterranean in the eighth and seventh centuries BC. Greeks, Etruscans, Sardinians, Iberians, and others adopted a Levantine-inflected way of life, as they aspired to emulate Near Eastern civilizations. López-Ruiz explores these many inheritances, from sphinxes and hieratic statues to ivories, metalwork, volute capitals, inscriptions, and Ashtart iconography. Meticulously documented and boldly argued, Phoenicians and the Making of the Mediterranean revises the Hellenocentric model of the ancient world and restores from obscurity the true role of Near Eastern societies in the history of early civilizations.
Author: Carolina López-Ruiz
Publisher: Oxford Handbooks
ISBN: 0190499346
Category : History
Languages : en
Pages : 787
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Book Description
The Phoenicians created the Mediterranean world as we know it-yet they remain a poorly understood group. In this Handbook, the first of its kind in English, readers will find expert essays covering the history, culture, and areas of settlement throughout the Phoenician and Punic world.
Author: Georges Perrot
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 440
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Book Description
Author: Sabatino Moscati
Publisher: Rizzoli International Publications
ISBN: 9780847821945
Category : Phoenicians
Languages : en
Pages : 0
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Book Description
"The ancient Phoenician civilization is still shrouded in mystery. Scholars question when the Phoenicians became powerful, where they came from, and how they came to be such brilliant navigators and merchants that they colonized much of the Mediterranean rim. This detailed study of the Phoenicians is filled with important essays and illustrations that trace the rise and fall, the art and customs, the trade and exploration, and the rich legacy of this fascinating culture." -- Publisher's description.
Author: Glenn Markoe
Publisher: Univ of California Press
ISBN: 9780520226142
Category : History
Languages : en
Pages : 236
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Book Description
Another "Peoples of the Past" book, this richly illustrated book traces the Phoenician civilization from the Late Bronze Age (c. 1550 B.C.) to the start of the Hellenistic period (c. 300 B.C.).
Author: George Rawlinson
Publisher: London : Longmans
ISBN:
Category : Carthage (Extinct city)
Languages : en
Pages : 666
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Book Description
Author: Brian R. Doak
Publisher: SBL Press
ISBN: 0884140989
Category : Religion
Languages : en
Pages : 205
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Book Description
A close look at Phoenician religion The Hebrew Bible contains a prohibition against divine images (Exod 20:2-5a). Explanations for this command are legion, usually focusing on the unique status of Israel's deity within the context of the broader Near Eastern and Mediterranean worlds. Doak explores whether or not Israel was truly alone in its severe stance against idols. This book focuses on one particular aspect of this iconographic context in Israel's Iron Age world: that of the Phoenicians. The question of whether Phoenicians employed aniconic (as opposed to iconic) representational techniques has significance not only for the many poorly understood aspects of Phoenician religion generally, but also for the question of whether aniconism can be considered a broader trend among the Semitic populations of the ancient Near East. Features: More than fifty images and illustrations Examination of textual and archaeological evidence Application of art historical methods
Author: George Rawlinson
Publisher: CreateSpace
ISBN: 9781496196620
Category : History
Languages : en
Pages : 314
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Book Description
The History of Phoenicia By George Rawlinson Histories of Phoenicia or of the Phoenicians were written towards the middle of the present century by Movers and Kenrick. The elaborate work of the former writer collected into five moderate-sized volumes all the notices that classical antiquity had preserved of the Religion, History, Commerce, Art, &c., of this celebrated and interesting nation. Kenrick, making a free use of the stores of knowledge thus accumulated, added to them much information derived from modern research, and was content to give to the world in a single volume of small size, very scantily illustrated, the ascertained results of criticism and inquiry on the subject of the Phoenicians up to his own day. Forty-four years have since elapsed; and in the course of them large additions have been made to certain branches of the inquiry, while others have remained very much as they were before. Travellers, like Robinson, Walpole, Tristram, Renan, and Lortet, have thrown great additional light on the geography, geology, fauna, and flora of the country. Excavators, like Renan and the two Di Cesnolas, have caused the soil to yield up most valuable remains bearing upon the architecture, the art, the industrial pursuits, and the manners and customs of the people. Antiquaries, like M. Clermont-Ganneau and MM. Perrot and Chipiez, have subjected the remains to careful examination and criticism, and have definitively fixed the character of Phoenician Art, and its position in the history of artistic effort. Researches are still being carried on, both in Phoenicia Proper and in the Phoenician dependency of Cyprus, which are likely still further to enlarge our knowledge with respect to Phoenician Art and Archaeology; but it is not probable that they will affect seriously the verdict already delivered by competent judges on those subjects. The time therefore appeared to the author to have come when, after nearly half a century of silence, the history of the people might appropriately be rewritten. The subject had long engaged his thoughts, closely connected as it is with the histories of Egypt, and of the "Great Oriental Monarchies," which for thirty years have been to him special objects of study; and a work embodying the chief results of the recent investigations seemed to him a not unsuitable termination to the historical efforts which his resignation of the Professorship of Ancient History at Oxford, and his entrance upon a new sphere of labour, bring naturally to an end.
