Author: Kirsten Swinth
Publisher: UNC Press Books
ISBN: 9780807849712
Category : Art
Languages : en
Pages : 334
Book Description
Thousands of women pursued artistic careers in the United States during the late nineteenth century. According to census figures, the number of women among the ranks of professional artists rose from 10 percent to nearly 50 percent between 1870 and 1890.
Painting Professionals
Author: Kirsten Swinth
Publisher: UNC Press Books
ISBN: 9780807849712
Category : Art
Languages : en
Pages : 334
Book Description
Thousands of women pursued artistic careers in the United States during the late nineteenth century. According to census figures, the number of women among the ranks of professional artists rose from 10 percent to nearly 50 percent between 1870 and 1890.
Publisher: UNC Press Books
ISBN: 9780807849712
Category : Art
Languages : en
Pages : 334
Book Description
Thousands of women pursued artistic careers in the United States during the late nineteenth century. According to census figures, the number of women among the ranks of professional artists rose from 10 percent to nearly 50 percent between 1870 and 1890.
Automotive Paint Handbook
Author: John Pfanstiehl
Publisher: Penguin
ISBN: 9781557882912
Category : Technology & Engineering
Languages : en
Pages : 196
Book Description
A comprehensive resource that covers the entire field of automotive paint technology.
Publisher: Penguin
ISBN: 9781557882912
Category : Technology & Engineering
Languages : en
Pages : 196
Book Description
A comprehensive resource that covers the entire field of automotive paint technology.
House Painting Inside & Out
Author: Mark Dixon
Publisher: Taunton
ISBN: 9781561581658
Category : House painting
Languages : en
Pages : 158
Book Description
Explains the basics of house painting, from preparing to work to interior and exterior painting techniques, to using the right tools and cleaning up.
Publisher: Taunton
ISBN: 9781561581658
Category : House painting
Languages : en
Pages : 158
Book Description
Explains the basics of house painting, from preparing to work to interior and exterior painting techniques, to using the right tools and cleaning up.
Young House Love
Author: Sherry Petersik
Publisher: Artisan
ISBN: 1579656765
Category : House & Home
Languages : en
Pages : 337
Book Description
This New York Times bestselling book is filled with hundreds of fun, deceptively simple, budget-friendly ideas for sprucing up your home. With two home renovations under their (tool) belts and millions of hits per month on their blog YoungHouseLove.com, Sherry and John Petersik are home-improvement enthusiasts primed to pass on a slew of projects, tricks, and techniques to do-it-yourselfers of all levels. Packed with 243 tips and ideas—both classic and unexpected—and more than 400 photographs and illustrations, this is a book that readers will return to again and again for the creative projects and easy-to-follow instructions in the relatable voice the Petersiks are known for. Learn to trick out a thrift-store mirror, spice up plain old roller shades, "hack" your Ikea table to create three distinct looks, and so much more.
Publisher: Artisan
ISBN: 1579656765
Category : House & Home
Languages : en
Pages : 337
Book Description
This New York Times bestselling book is filled with hundreds of fun, deceptively simple, budget-friendly ideas for sprucing up your home. With two home renovations under their (tool) belts and millions of hits per month on their blog YoungHouseLove.com, Sherry and John Petersik are home-improvement enthusiasts primed to pass on a slew of projects, tricks, and techniques to do-it-yourselfers of all levels. Packed with 243 tips and ideas—both classic and unexpected—and more than 400 photographs and illustrations, this is a book that readers will return to again and again for the creative projects and easy-to-follow instructions in the relatable voice the Petersiks are known for. Learn to trick out a thrift-store mirror, spice up plain old roller shades, "hack" your Ikea table to create three distinct looks, and so much more.
Watching Paint Dry
Author: John Burbidge
Publisher: Hphr
ISBN: 9780984021000
Category : House painters
Languages : en
Pages : 178
Book Description
John Burbidge has aimed his brush, roller, and spray gun at everything from ritzy mansions to trashy trailers. He's gone underground to paint sewage-treatment plants and risked death to paint factory ceilings. He has no doubt inhaled enough noxious dust and paint fumes to shorten his life. But he's not dead yet. And the captivating characters he has encountered along the way have more than offset the toils of painting for a living. Ex-cons, addicts, drifting college grads, even a guy with a hole in his head-that's your typical paint crew, bonded only by the fact that they're caught in a job society thinks is for simpletons. In Watching Paint Dry, John Burbidge scrapes beneath the surface of painting's reputation for monotony while intimately portraying the men and women who craft the backdrop to our civilization. "Informative, funny, and sometimes heartbreaking . . . this is a book you will want to recommend to everyone you know." --Sharon Barrett, Chicago Sun-Times book critic for 28 years
Publisher: Hphr
ISBN: 9780984021000
Category : House painters
Languages : en
Pages : 178
Book Description
John Burbidge has aimed his brush, roller, and spray gun at everything from ritzy mansions to trashy trailers. He's gone underground to paint sewage-treatment plants and risked death to paint factory ceilings. He has no doubt inhaled enough noxious dust and paint fumes to shorten his life. But he's not dead yet. And the captivating characters he has encountered along the way have more than offset the toils of painting for a living. Ex-cons, addicts, drifting college grads, even a guy with a hole in his head-that's your typical paint crew, bonded only by the fact that they're caught in a job society thinks is for simpletons. In Watching Paint Dry, John Burbidge scrapes beneath the surface of painting's reputation for monotony while intimately portraying the men and women who craft the backdrop to our civilization. "Informative, funny, and sometimes heartbreaking . . . this is a book you will want to recommend to everyone you know." --Sharon Barrett, Chicago Sun-Times book critic for 28 years
Ralph Gregory's Sign Painting Techniques
Author: Ralph Gregory
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 406
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 406
Book Description
No Man's Land
Author: Kathryn A. Young
Publisher: Univ. of Manitoba Press
ISBN: 0887555233
Category : Biography & Autobiography
Languages : en
Pages : 318
Book Description
What force of will and circumstance drove a woman from a comfortable life painting china tea services to one of hardship and loneliness in the battle zones of France and Belgium following the Great War? For western Canadian artist Mary Riter Hamilton (1868-1954), art was her life’s passion. Her tale is one of tragedy and adventure, from homestead beginnings, to genteel drawing rooms in Winnipeg, Victoria and Vancouver, to Berlin and Parisian art schools, to Vimy and Ypres, and finally to illness and poverty in old age. No Man’s Land is the first biographical study of Hamilton, whose work can be found in galleries and art museums throughout Canada. Young and McKinnon’s meticulous research in unpublished private collections brings to light new correspondence between Hamilton and her friends, revealing the importance of female networks to an artist’s well being. Her letters from abroad, in particular, bring a woman’s perspective into the immediate post-war period and give voice to trying conditions. Hamilton’s career is situated within the context of her peers Florence Carlyle, Emily Carr, and Sophie Pemberton with whom she shared a Canadian and European experience.
Publisher: Univ. of Manitoba Press
ISBN: 0887555233
Category : Biography & Autobiography
Languages : en
Pages : 318
Book Description
What force of will and circumstance drove a woman from a comfortable life painting china tea services to one of hardship and loneliness in the battle zones of France and Belgium following the Great War? For western Canadian artist Mary Riter Hamilton (1868-1954), art was her life’s passion. Her tale is one of tragedy and adventure, from homestead beginnings, to genteel drawing rooms in Winnipeg, Victoria and Vancouver, to Berlin and Parisian art schools, to Vimy and Ypres, and finally to illness and poverty in old age. No Man’s Land is the first biographical study of Hamilton, whose work can be found in galleries and art museums throughout Canada. Young and McKinnon’s meticulous research in unpublished private collections brings to light new correspondence between Hamilton and her friends, revealing the importance of female networks to an artist’s well being. Her letters from abroad, in particular, bring a woman’s perspective into the immediate post-war period and give voice to trying conditions. Hamilton’s career is situated within the context of her peers Florence Carlyle, Emily Carr, and Sophie Pemberton with whom she shared a Canadian and European experience.
New York Magazine
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Women, Art and Money in Late Victorian and Edwardian England
Author: Maria Quirk
Publisher: Bloomsbury Publishing USA
ISBN: 1501343068
Category : Art
Languages : en
Pages : 245
Book Description
Women, Art and Money in England establishes the importance of women artists' commercial dealings to their professional identities and reputations in the late nineteenth and early twentieth centuries. Grounded in economic, social and art history, the book draws on and synthesises data from a broad range of documentary and archival sources to present a comprehensive history of women artists' professional status and business relationships within the complex and changing art market of late-Victorian England. By providing new insights into the routines and incomes of women artists, and the spaces where they created, exhibited and sold their art, this book challenges established ideas about what women had to do to be considered 'professional' artists. More important than a Royal Academy education or membership to exhibiting societies was a woman's ability to sell her work. This meant that women had strong incentive to paint in saleable, popular and 'middlebrow' genres, which reinforced prejudices towards women's 'naturally' inferior artistic ability – prejudices that continued far into the twentieth century. From shining a light on the difficult to trace pecuniary arrangements of little researched artists like Ethel Mortlock to offering new and direct comparisons between the incomes earned by male and female artists, and the genres, commissions and exhibitions that earned women the most money, Women, Art and Money is a timely contribution to the history of women's working lives that is relevant to a number of scholarly disciplines.
Publisher: Bloomsbury Publishing USA
ISBN: 1501343068
Category : Art
Languages : en
Pages : 245
Book Description
Women, Art and Money in England establishes the importance of women artists' commercial dealings to their professional identities and reputations in the late nineteenth and early twentieth centuries. Grounded in economic, social and art history, the book draws on and synthesises data from a broad range of documentary and archival sources to present a comprehensive history of women artists' professional status and business relationships within the complex and changing art market of late-Victorian England. By providing new insights into the routines and incomes of women artists, and the spaces where they created, exhibited and sold their art, this book challenges established ideas about what women had to do to be considered 'professional' artists. More important than a Royal Academy education or membership to exhibiting societies was a woman's ability to sell her work. This meant that women had strong incentive to paint in saleable, popular and 'middlebrow' genres, which reinforced prejudices towards women's 'naturally' inferior artistic ability – prejudices that continued far into the twentieth century. From shining a light on the difficult to trace pecuniary arrangements of little researched artists like Ethel Mortlock to offering new and direct comparisons between the incomes earned by male and female artists, and the genres, commissions and exhibitions that earned women the most money, Women, Art and Money is a timely contribution to the history of women's working lives that is relevant to a number of scholarly disciplines.
A Sisterhood of Sculptors
Author: Melissa Dabakis
Publisher: Penn State Press
ISBN: 0271064676
Category : Art
Languages : en
Pages : 304
Book Description
This project is made possible through support from the Terra Foundation for American Art. When Elizabeth Cady Stanton penned the Declaration of Sentiments for the first women’s rights convention, held in Seneca Falls, New York, in 1848, she unleashed a powerful force in American society. In A Sisterhood of Sculptors, Melissa Dabakis outlines the conditions under which a group of American women artists adopted this egalitarian view of society and negotiated the gendered terrain of artistic production at home and abroad. Between 1850 and 1876, a community of talented women sought creative refuge in Rome and developed successful professional careers as sculptors. Some of these women have become well known in art-historical circles: Harriet Hosmer, Edmonia Lewis, Anne Whitney, and Vinnie Ream. The reputations of others have remained, until now, buried in the historical record: Emma Stebbins, Margaret Foley, Sarah Fisher Ames, and Louisa Lander. At midcentury, they were among the first women artists to attain professional stature in the American art world while achieving international fame in Rome, London, and other cosmopolitan European cities. In their invention of modern womanhood, they served as models for a younger generation of women who adopted artistic careers in unprecedented numbers in the years following the Civil War. At its core, A Sisterhood of Sculptors is concerned with the gendered nature of creativity and expatriation. Taking guidance from feminist theory, cultural geography, and expatriate and postcolonial studies, Dabakis provides a detailed investigation of the historical phenomenon of women’s artistic lives in Rome in the mid-nineteenth century. As an interdisciplinary examination of femininity and creativity, it provides models for viewing and interpreting nineteenth-century sculpture and for analyzing the gendered status of the artistic profession.
Publisher: Penn State Press
ISBN: 0271064676
Category : Art
Languages : en
Pages : 304
Book Description
This project is made possible through support from the Terra Foundation for American Art. When Elizabeth Cady Stanton penned the Declaration of Sentiments for the first women’s rights convention, held in Seneca Falls, New York, in 1848, she unleashed a powerful force in American society. In A Sisterhood of Sculptors, Melissa Dabakis outlines the conditions under which a group of American women artists adopted this egalitarian view of society and negotiated the gendered terrain of artistic production at home and abroad. Between 1850 and 1876, a community of talented women sought creative refuge in Rome and developed successful professional careers as sculptors. Some of these women have become well known in art-historical circles: Harriet Hosmer, Edmonia Lewis, Anne Whitney, and Vinnie Ream. The reputations of others have remained, until now, buried in the historical record: Emma Stebbins, Margaret Foley, Sarah Fisher Ames, and Louisa Lander. At midcentury, they were among the first women artists to attain professional stature in the American art world while achieving international fame in Rome, London, and other cosmopolitan European cities. In their invention of modern womanhood, they served as models for a younger generation of women who adopted artistic careers in unprecedented numbers in the years following the Civil War. At its core, A Sisterhood of Sculptors is concerned with the gendered nature of creativity and expatriation. Taking guidance from feminist theory, cultural geography, and expatriate and postcolonial studies, Dabakis provides a detailed investigation of the historical phenomenon of women’s artistic lives in Rome in the mid-nineteenth century. As an interdisciplinary examination of femininity and creativity, it provides models for viewing and interpreting nineteenth-century sculpture and for analyzing the gendered status of the artistic profession.